Faulkner at Churchill Downs

That Faulkner wrote about the Kentucky Derby for Sports Illustrated should come as no surprise, nor that his essay “Kentucky: May: Saturday” is not only about what happened on May 7, 1955, but a masterly  examination of the Derby as a quintessential American event and of the sport of kings itself.

The assignment was his second from the fledgling Sports Illustrated (founded by Henry Luce the previous August), his first being an exercise in dissonant apposition. That January Faulkner attended his first hockey game, one between the Montreal Canadiens and the New York Rangers, and in “An Innocent at Rinkside” wrote: “It was filled with motion, speed. … discorded and inconsequent, bizarre and paradoxical, like the frantic darting of the weightless bugs which run on the surface of stagnant pools”. The poetry of hockey eluded the Mississippian.

James Street, the Mississippi minister-turned-journalist-turned novelist, was given the original 1955 Derby assignment, but Street died the September before the race. Sports Illustrated offered Faulkner $2000 plus a week’s expenses, including a $100-a-day chauffeured limousine; the kicker was a $500 bonus if the piece turned out to be as exceptional as they hoped from the Southern Nobelist. No fool he, Faulkner accepted immediately and after a trip to New York in April and the first days of May, he left the city for Louisville, where his publisher Don Klopfer sent him a note to the Brown Hotel informing him that he had won the Pulitzer Prize for A Fable.

“It’s an easy 500 bucks for you,” Klopfer write, “and we’re all mighty pleased, although I don’t suppose you give a damn.” On the contrary, Faulkner, who considered A Fable his masterpiece, was quite pleased and those visiting the handsome, nattily-attired writer in his suite found him puffing on a briarwood pipe, smiling.

Far from rinkside in Madison Gardens, at Churchill Downs Faulkner was in his element; his father Murry had been a livery-stable owner in Oxford, he enjoyed riding as well as fox hunting and he had a fine eye for horseflesh. In an interview with The Courier-Journal, Faulkner reflected, “It’s interesting that you have tried to train blood and flesh to the perfection of a machine but that it’s still blood and flesh.”

During his stay in Louisville Faulkner was accompanied by SI’s turf writer Whiney Tower, who was instructed “to try to see that our guest did not become so preoccupied with the available whiskey that he neglected his assignment.” To ensure against that seemingly likely possibility, Faulkner was to turn over 300 words each evening of their weeklong stay in Louisville for Tower to wire via Western Union to New York.

Tower, a legend in his own right and the nephew of Lexington horse-farm owner C.V. Whitney, found Faulkner to be “thoroughly professional”. “His knowledge of horses and their bloodlines went way back,” Tower wrote, “and I think the best part of his week may have been the day we skipped away from Louisville to visit farms in Lexington.

At Claiborne Farm, he was very much taken with Nasrullah, later to become one of the all-time great stallions, and sire of, among others, Bold Ruler, another champion sire. But no horse he saw in Lexington that long day entranced Faulkner nearly so much as a beautiful gray, Mahmoud, an Epsom Derby winner, then 22 years old and galloping effortlessly in his paddock at the C.V. Whitney farm. On the way back to Louisville, Faulkner napped, but near Frankfort, he awoke suddenly, nostrils twitching above his mustache. “He sat straight up, rolled down his window and inhaled deeply,” Tower wrote. “‘I thought so!’ he exclaimed. ‘I don’t mistake that smell. There’s a distillery damn close to here.’”

As race day approached, Faulkner became more fascinated by the activity at Churchill Downs. Before his first trip to the press box, Tower wrote, Faulkner “asked in an excited schoolboyish way” whether he might meet acclaimed sportswriter Red Smith. The two proceeded to handicap the day’s races. Tower noted that Smith “relied mostly on past performance” in determining his bets, while Faulkner favored the conformation of each horse.

“Kentucky: May: Saturday” ran in the May 16, 1955 issue of Sports Illustrated. Written in five parts to accentuate the build-up of tension and excitement that exploded in the two-minute race that had drawn over a hundred thousand people from all over the world, the essay was not so much about the race itself as a—somewhat rambling; it is Faulkner, after all—meditation on what the Derby means, a piece so subjective that Faulkner didn’t even mention how “Swaps”, ridden by Bill Shoemaker, had held the lead from the start and won despite a thrilling challenge from “Nashua”.

“THREE DAYS BEFORE”, framed the event in historical perspective: “This saw Boone: the bluegrass, the virgin land rolling westward wave by dense wave from the Allegheny gaps, unmarked then, teeming with deer and buffalo about the salt licks and the limestone springs whose water in time would make the fine bourbon whiskey; and the wild men too — the red men and the white ones too who had to be a little wild also to endure and survive and so mark the wilderness with the proofs of their tough survival — Boonesborough, Owenstown, Harrod’s and Harbuck’s Stations; Kentucky: the dark and bloody ground.” He linked this past history with his own present: “And knew Stephen Foster and the brick mansion of his song; no longer the dark and bloody ground of memory now, but already my old Kentucky:​ home.”

“TWO DAYS BEFORE”, he turned to the race: “Even from just passing the stables, you carry with you the smell of liniment and ammonia and straw — the strong quiet aroma of horses. And even before we reach the track we can hear horses — the light hard rapid thud of hooves mounting into crescendo and already fading rapidly on. And now in the gray early light we can see them, in couples and groups at canter or hand-gallop under the exercise boys. Then one alone, at once furious and solitary, going full out, breezed, the rider hunched forward, excrescent and precarious, not of the horse but simply (for the instant) with it, in the conventional posture of speed — and who knows, perhaps the two of them, man and horse both: the animal dreaming, hoping that for that moment at least it looked like Whirlaway or Citation, the boy for that moment at least that he was indistinguishable from Arcaro or Earl Sande, perhaps feeling already across his knees the scented sweep of the victorious garland.”

“ONE DAY BEFORE” looked back to former races: It rained last night; the gray air is still moist and filled with a kind of luminousness, lambence, as if each droplet held in airy suspension still its molecule of light, so that the statue which dominated the scene at all times anyway now seems to hold dominion over the air itself like a dim sun, until, looming and gigantic over us, it looks like gold — the golden effigy of the golden horse, ‘Big Red’ to the Negro groom who loved him and did not outlive him very long, Big Red’s effigy of course, looking out with the calm pride of the old manly warrior kings, over the land where his get still gambol as infants, until the Saturday afternoon moment when they too will wear the mat of roses in the flash and glare of magnesium; not just his own effigy, but symbol too of all the long recorded line from Aristides through the Whirlaways and Count Fleets and Gallant Foxes and Citations: epiphany and apotheosis of the horse.”

“THE DAY” began ruminating about the horse, which once moved man’s body and goods, but now moved only his money. Food-supplying animals would, he prophesied, eventually become obsolete, but not horses, since they provide mankind with “something deep and profound in his emotional nature and need, a sublimation, a transference: man with his admiration for speed and strength, physical power far beyond what he himself is capable of, projects his own desire for physical supremacy, victory, onto the agent—the baseball or football team, the prize fighter. Only the horse race is more universal…”

“4:29 P.M.” is emotionally drained, an analytic response to spent anticipation: “We who watched have seen too much… we must turn away now for a little time, even if only to assimilate, get used to living with, what we have seen and experienced.” He focused on the dispersal of the crowds and the disgruntlement of the losing backers. “And so on. So it is not the Day after all, it is only the eighty-first one.”

Tish’s Benedictine

This recipe has a distinguished pedigree; I got it from ex-pat Kentuckian Lynn Tucker, who got it from Tish Clark of Prestonsburg, KY, her amendment of the one in Kentucky’s Best, Fifty Years of Great Recipes by Linda Allison Lewis.

Lynn said, “Years ago, certain bakeries in Louisville used to bake pink and green loaves of bread just for these popular finger sandwiches, a staple at Derby parties, weddings, showers, and appropriate funerals,” which leaves me wondering what an inappropriate funeral would be.

1 8 oz Philadelphia cheese, softened
1 tablespoon of mayonnaise
3 tablespoons of grated cucumber, drained well with a paper towel
1 teaspoon finely chopped green onions with tops
1 teeny tiny drop of green food coloring (the color should be delicate)
a dash or two of Tabasco

“Blend all ingredients together and mix well. Yield: 10-12 servings (I multiply by eight.) You may serve this on trimmed bread as finger sandwiches or as a dip. Please note there is not a single drop of Benedictine liqueur used in this recipe!”

“I like to make a nice pile of these sandwiches on a silver tray lined with a paper doily and garnished with a few cucumber slices and parsley. (Cover with a damp paper towel so your sandwiches don’t dry out and curl before serving. Refresh as necessary.)

“I also put out big crystal bowl of pimento cheese with Carr’s crackers, celery stalks, and salty peanuts to encourage drinking and deviled eggs to prevent or at least stall off utter drunkenness.”

On Love and Food

Love is fraught with pitfalls, and food has the potential to be a more fundamental source of friction than ugly underwear or nasal hair.

For those among us with discriminating dietary habits, it’s a safe bet that if you meet someone special in a natural foods dive, they’ll feel much the same way about pork roast as you do (which is not to say that soy products might not eventually become a bone of contention).

But if you meet a mate in a bar that serves hamburgers and patriot fries, well, you’re just wide open for surprises, and if simply adjusting to eating together isn’t enough, learning to cook in the same place can be heart-breaking as well: formerly favored cookware might be set aside to make room for an exceedingly exotic batterie. That rooster roaster you were once so proud of might find itself set so far back in a cabinet that you might never lay eyes on it again.

Be advised that condiments are highly controversial.

You might also, as I did, find your palate challenged in totally unexpected ways, as when a date sought to seduce me with something novel and exciting in the form of a carrot omelet. Fortunately, omelets are quite versatile; you can put damn near anything in them, though I will admit that carrots initially struck me as an unlikely ingredient. After all, most omelets are served as savory rather than as sweet dishes, and carrots are among those vegetables I place on the sweet side.

Now, you can make a carrot omelet such as I was served, where the shredded carrots were sautéed in a little butter with green onions and a hint of garlic before being added to the egg mixture, and it would be (marginally) edible. But if I had been told that carrots were the only ingredient we had for an omelet (as it turned out, they weren’t; I later discovered a bar of cheddar in the butter tray), I might have suggested another method of preparation.

Dessert omelets are novelties nowadays, but anyone who has poured syrup over scrambled eggs can attest to their appeal. Sugar (a little less than two tablespoons) is added to two large beaten eggs and a teaspoon of water. While a bit of water is standard for most omelets, the added sugar makes for a nice caramel-type crust. Separate one egg white and whip to foam before folding it into the mix, but before you make your omelet á la Crécy, make candied carrots.

For two people: trim, scrub and peel two large carrots, slice on the bias, barely cover in simple syrup made with honey or brown sugar, simmer with three cloves and a pat of butter until the liquid is reduced and the carrots are done through. Remove the cloves and use carrots as you would any omelet filling; a classicist would julienne them, but I don’t. Sprinkle with powdered sugar, serve with a tempest in a teapot.

Mexican Corn Sticks

Use the Martha White Buttermilk Mix. Add chopped chilies–hot, mild, or mixed, your preference–whole kernel corn–do NOT use creamed corn–a little minced onion, and a hefty sprinkling of diced tomato or pimento, . Season lightly with chili powder, cumin, and black pepper. Pour into a hot, well-oiled corn stick pan and bake in a very hot oven until toasty. Cool before turning out.

Poke Salad

In April, 2000, the Allen Canning Company of Siloam Springs, Arkansas processed its last batch of “poke sallet” greens.

John Williams, the canning supervisor at Allen, said, “The decision to stop processing poke was because we couldn’t finding people interested in picking poke and bringing it to us.”

Poke processing was never a significant item in their mult-imillion-dollar enterprise, but Williams mentioned that one of the best markets for canned poke was southern  California due to the Oakies.

Euell Gibbons lauds poke as “probably the best-known and most widely-used wild vegetable in America.” In Stalking the Wild Asparagus, Gibbons writes that Native Americans and early explorers were unstinting in their praise of this “succulent potherb.”

“They carried seeds when they went back home and poke soon became a popular cultivated garden vegetable in southern Europe and North Africa, a position it still maintains. In America it is still a favorite green vegetable with many country people and the tender young sprouts, gathered from wild plants, often appear in vegetable markets, especially in the South.”

In the lean years before World War II, poke salad–like ramps–was one of the first edible wild herbs to appear in the spring, lending welcome addition to a winter’s sustenance diet of dried beans, cornbread, and salt pork .

The only drawback to poke salad is that it’s poisonous. The mature parts of the plant and the roots contain significant amounts of a violent but slow-acting emetic, phytolaccatoxin. Having said that, you’re probably wondering why in the hell anyone would even consider eating it, but prepared properly, poke salad is safe and delicious.

Harvest only the youngest, tenderest sprouts of poke, no more than a foot or so. Wash, stem, and trim. Add to a pot of water, bring to a boil, drain, rinse, return to pot with water, and bring to simmer with oil, a slit hot pepper pod, and a big pinch of sugar.

Drain and use much as you would spinach. Euell has a poke salad dip in his book. I like it with scrambled eggs and onion, and it’s wonderful in an omelette or quiche.

How to Write a Cookbook

Sooner or later, you’re bound to do something different and wonderful, and you owe it to yourself–and the rest of the human race, of course–to write it down and pass it on.

Do this even though once you’ve got a dish the way you want, you’re likely to find that no one will be able to replicate it to your or even their satisfaction. The secret might very well prove to be your cooking container (especially if it’s seasoned; woks are said to have their own signature) or something as ineffable as your own special touch, which might prove to be nothing more than a particular cooking method you consider unimportant enough not to write down. At very least provide base opportunity with ingredients and procedures.

By all means, include information apart from just the basics. For instance, mention if the dish was a favorite of a family member, or if you serve it every year on a particular holiday and garnish the dish with what other components were elemental, especially those involving heirlooms (your Uncle Earl’s china platter, or the centerpiece Millie made out of sewing scraps and pine cones), activities like having a breakfast on the morning presents were opened or memorable incidents (“Earl pulled a gun on Millie when she dropped the platter.”)

Such documentation not only enriches the book itself, but also provides fodder for short stories, novels, and off-Broadway plays.

Let me also encourage you to write recipes by hand in process for verrisimilitude. Handwritten pages also aspire to art when splattered with slopped liquids; it’s so Pollock. You just don’t get that with a laptop. Writing recipes by hand does require some precision, but don’t let getting caught up in the heat of the moment stop you. Later you can find another pen, more red wine, batter or chocolate syrup, and amend the entry.

As to what recipes to include, for once in your life, don’t worry about diversity. Put your best foot forward. If your forte is cakes, casseroles, or seafood, concentrate on those and don’t make any spurious attempt to fill in with recipes you simply copy from another place unless you actually try them out first. Bear in mind that this book should be as personal as you can make it, as reflective as possible of your personality and idiosyncrasies.

By all means, include recipes from friends and relatives, since those enrich your work by leaps and bounds, but always identify your contributor and provide details of them as well as a genealogy of the recipe itself. For instance, an entry in my book reveals that a recipe for chicken soup with corn and rivels came from a lady from Lancaster, Pa. who was 6’2”, a psychologist with a unibrow who got the recipe from her Quaker grandmother, the wife of a Lithuanian stockbroker.

Such seemingly irrelevant details make for richer reading than a dry recitation of ingredients and have the potential to approach the peripheries of art itself.

Derogating the Delta: An Exercise in Reverse Hubris

When I was a boy, I won an essay contest sponsored by the local library committee in my hometown in the north Mississippi hills. The speaker at the awards presentation was a lady from some literary society in the Delta.

This woman just radiated dignity and graciousness from the top of her pill-box hat cum veil to the bottoms of her sensibly modest heels. She even wore little white cotton gloves with mother-of-pearl buttons. The ladies on our library committee were just undone by this exotic creature (the local women’s apparel store sold out of teeny-tiny white cotton gloves the very next morning).

Being a brash thirteen years old, I was totally unimpressed; I just wanted to grab my $25 check and dash, but I had to sing for my supper by sitting through (poorly) selected passages from Lanterns on the Levee. Somehow, I don’t think our girls—who, I’ll remind you, played a big hand in the literary life of our little town—were listening; they had only one thing on their mind: “What all’s she got in that purse?”

But I listened, and as I did, it slowly dawned on me that this lady was proselytizing; she had set her beady, be-vailed hat towards bringing the gilded prose of Percy to us heathen hill folk with the flattest, longest, most drawn-out vowels possible with all the fervency of Luther bearing a hammer.

My Aunt Robbie Rae made me stay for the reception (cookies and Kool-Aid with a discreet splash of Evan Williams for everyone but me). The grande dame, to my mind, seemed just a tad bit patronizing to the other ladies. (They didn’t notice, of course; they were too busy pumping the old girl for the best places in Memphis to shop.) As our august speaker left, she came up to congratulate me, and even though I was as tall as she was, she patted me on the head.

To me that bit of petty patting summed up her whole attitude. By the time she left I was ready to lead the next revolt of the rednecks. I would have been willing enough to dismiss this exhibition of arrogance as an individual aberration until I met others from the Delta.

You see, I was so ignorant: I didn’t know that the Delta was as close to the celestial as geography gets and that its denizens were canonized at birth. I did not know that my forehead automatically slopes when I mention that I am from Calhoun County.

But now I know better; I know to speak of the Delta—”DAY-uhL-Tuh”–with some degree of acquiescence, and have come to acknowledge the exclusivity (if not quite the quasi/semi/demi divinity) of its children, many of whom (I hastens to add) I love with all my heart. Occasionally I slip and call them Bourbons, but they think that’s a slur on their thirst rather than their politics.

It’s not.

The Grounds and the Fury

Dinners on the grounds were once held on rickety rough plank tables between the church and cemetery after the sounds of loss and remonstrance had faded. Food offered restoration, and though ostensibly polite pastoral get-togethers, these dinners on the grounds were and still are more often platforms for social clambering of the pettiest and most vicious sort.

Despite the communal reason for the food, an underlying competitive element dramatizes the affair. Food Network competitions pale in comparison to those rural stages of venomous culinary put-downs; knocking a recent wok wonder off prime time seems trivial when you’re dealing with decades of spite over a pound cake recipe. Every square foot of splintered table space was contested and every element of a good “spread” subjected to off-stage critique. Transgressors were damned for such cardinal sins as using Jell-O pudding mix instead of homemade custard, and if you brought fried chicken in that red-and-white cardboard bucket, you would not get any sympathy when your high heels got stuck in an ant bed.

The queens of these community catfights took inordinate pride in lording over the lesser. My distant Cousin Dora’s angel food cake was a marvel to see. She displayed it on her grandmother’s cut-glass (not crystal; her crystal did not travel) cake stand beside a bowl of macerated strawberries and sweetened cream that she had her husband Harvey whip on site after he had driven 50 miles wearing a tie the whole way. The cake, flanked by a vase with a fistful of her show-quality roses and fortified by something along the lines of a fudge divinity she just “threw together at the last minute”, was displayed on a creaseless, delicately-patterned white cloth.

Dora sliced it with a wooden-handled sponge cake fork and served it on Classic White Chinet. Everyone hated her airs, but took malicious comfort in knowing that Harvey had been slipping around with the choir director for at least fifteen years. Rumor had it that her sister-in-law, tired of her high-and-mightiness, snuck into her house one day while the cake was in the oven and slammed the door so it would fall. That, they said with a knowing look, was the year Dora broke a toe before the homecoming.

Adversity is a dynamic portal for new ideas, especially when it comes to recipes, and if it were a big occasion, the range of variations in a single dish was astounding. Staples such as fried chicken, baked beans and potato salad always proliferated, and those cooks who specialized in these dishes had their adherents and detractors, usually in equal numbers. You had those who preferred double-dipped or battered fried chicken and those who liked a much lighter crust. The dividing line with baked beans involved the use of brown sugar or molasses and with potato salad, creamed or chunky.

I often attended these gatherings with my grandmother Monette, who was not a cook herself. History and genealogy were her interests: according to her I was related to everyone between Grenada and New Albany. Monette stayed out of the fray, but she was a discriminating eater who from past experience knew the tables well.  “Be sure and get one of Alice Edmond’s fried pies,” she’d say, or, “Jane Early has that 8-layer caramel cake recipe from her mother Eugenia, a Hardin, my first cousin Dudley’s second cousin on his mother’s side, before she married Jane’s father, who gambled away the family farm in a lop-sided mule race. He had a glass eye that he used to take out and put in his iced tea when their preacher came over.”

Nowadays, store-bought collapsible tables have replaced the long lines of sagging and splintered pine boards beneath the blackjack oaks and sweet gums, but still anyone who brings Stouffer’s to a dinner on the grounds in Mississippi is going to get talked about, and not in a good way unless the’re just out of rehab.

Prime Rib

I once worked in a restaurant on the coast that regularly sold four roast rib loins in a day. During the tourist season, we would keep eight loins in our big oven around the clock.

We’d take the loins to rare. The carving station was set up under a heat lamp next to the grill, where the meat would continue to cook in service, so we rotated sections of meat on and off the carving board.

If someone ordered prime rib well done—and, yes, such people do exist in this world—we’d drop a cut into the well of warm au jus we kept at the grill station until meat was grey and the tip and cap had peeled away from the eye. Smart customers who wanted a slice on the done side ordered an end piece.

Our menu called this beef dish prime rib, but we rarely used USDA Prime beef. We most often used a Choice rather than the much more expensive Prime grade, but rib roast is usually called prime on menus because it is, after all, from one of the eight prime cuts in a whole beef (brisket, shank, rib, loin, round, chuck, flank, and plate).

You can bet a rib roast can be expensive, usually from $12 to as much as $27+ per pound; the average is around $15-20. The price can be much cheaper during the major holidays, around $10 to $15 a pound. Bone-in roasts usually have three to seven ribs and are slightly more expensive. A three-rib roast can feed about seven people; figure 12 ounces of uncooked boneless roast per person.

For an evenly-cooked, rib roast, pat the roast dry, brush with oil, coat with sea salt and minced garlic, and place on a on a rack in a heavy pan. Cover lightly with foil and bring to room temperature. Preheat the oven to 500. Place the roast in the oven, wait a half hour, then turn the heat down to 250.  In an hour, begin checking with a thermometer. When you get a reading of 125 in the thickest part of the roast, immediately remove the meat from the oven, and let rest about five minutes a pound before carving and serving.

Red Rose Sandwiches

This recipe is a riff on the sausage sandwiches sold at the Beatty Street Grocery and Big Apple Inn in Jackson, Mississippi.

Peel the casings from the sausages, break the filling into a heavy skillet—chopped onion would be a nice option—and cook until heated through. Continue cooking until most of the grease is cooked out. Drain thoroughly and add (drained) slaw. Serve warm on Bunny burger or slider buns with black pepper and Crystal.