Hunters don’t make their own sausage for many reasons, but top of the list is probably because they don’t have the equipment or patience, and having a venison processor make summer sausage is expensive; a 5-pounder made locally will typically run $20, considerably more than an all-beef one would cost retail. But summer sausage requires no special equipment and little patience.
Prior to hitting the kitchen, sodium nitrate, summer sausage seasoning and casings need to be acquired. These items are not hard to find over the net, or they can be found locally at Rebel Butcher Supply in Pearl, Mississippi, costing about $8 for enough products to make 100 pounds of summer sausage. Sodium nitrate is controversial in online fora where everything is controversial, but it’s as likely to make you sick as the 4 cigars smoked over a lifetime of weddings/birth announcements are to give you lung cancer. If sodium nitrate is not used—in addition to a botulism concern—the finished product will look like over-cooked hamburger, slightly grey, with tones of brown. Sausage should be pink, and a sodium nitrate cure imparts this hue. Many online recipes eschew casings and nitrate, that’s fine, just call it dried meatloaf instead of sausage and don’t post pictures. I admit the seasoning is a compromise to someone who likes to source and mix, but if traditional summer sausage is desired, you’ll spin a lot of wheels and money to put together the seasoning. Rebel makes it up on site, and I am sure there are reliable online sources as well.
If using processed venison, be aware this method uses a 1:1 ratio of venison to pork butt. Check with the processor about this ratio; most will use 2:3 pork to venison if not instructed otherwise. This will work, but may want to increase the beef later if this is the case. Mix 4 lbs. of the venison/pork with 2 lbs. of 73% ground beef. Dissolve slightly less than a teaspoon of sodium nitrate and a tablespoon of salt (I use kosher salt that has been smoked) in a few tablespoons of water. Mix well with the meat, and pack tightly in a gallon zip top bag. I never would have thought to dissolve the cure in water, but it is the only way to distribute it thoroughly into the meat. This needs to sit up (cure) in the fridge for at least 3 days. I have been told by everyone I know that cures meat not to second guess the amount of cure—one grain too much and the batch is ruined—and this I believe. I’m also told by seasoned veterans that 5 days is optimal on the wait; but that wears on the patience (maybe this should be discussed during the safety meeting). At the end of the cure, put the meat in a cold bowl, and mix in the summer sausage seasoning. How much will depend on the way the seasoning is bought. I kept it simple as it was so cheap and bought enough to do 100 lbs. so the math was easy.
The casings are synthetic, so do not soak or salt them as you would with natural casings. Prick the casings with a needle; pricking allows moisture to escape as well as a little of that fat you don’t want causing a ring around the sausage. This method makes 3 sausages, in 3″ diameter casings; not much is lost so I guess they are close to 2 pounds apiece. Just ball the meat up and drop it in the casing. Scour the pantry and find a hot sauce, vinegar, or other similarly shaped bottle, that perfectly slides into the casing, and use it as a plunger to eradicate any gaps in the meat stuffing. It’s self-explanatory once the process is begun how to not let this happen, but if you had a proper safety meeting prior to beginning this process, it will be understood that it can’t be put into print without eliciting distracting juvenile laughter, so let’s move on to cooking.
The seasoning in this method is enough to deter me from smoking (other than the safety meeting). I add a little smoked salt to mine, and a lot of others use liquid smoke, but I can’t recommend smoking this sausage in the traditional sense–too many competing flavors. Place the links on a cooling rack, over a baking sheet at 200F for about 4 hours. I turn the sausage (to prevent flat spots) at the half way point, and also mop off the liquid that sweats out. Set the timer on the oven, and let it die to cool before taking out the sausage. Then put it in the fridge for a few days before slicing.
Dan Vimes is a 1989 graduate of the Mississippi School of Math and Science. He then entered Rensselaer Polytechic Institute in Troy, New York on a full academic scholarship, but was asked to leave after the first semester related to an on campus deer-hunting incident that involved a crossbow. Currently residing in Pelahatchie in a 35′ Airstream, he raises guinea pigs for reptile breeders and grows hemp used in religious ceremonies. You can contribute to Dan’s legal fund by emailing the administrator of this site.
This is a beautiful recipe from Dixie Grimes at the BTC Old-Fashioned Grocery, silky and salty with a hint of sweetness, a perfect showcase for your favorite Maytag or Stilton, but it is somewhat tricky. The three main ingredients are incorporated in one at a time, and they have to be added in alphabetical order: EOV; eggs, oil and vinegar. In addition, everything has to be basically the same temperature, the bowls for the mixtures, the ingredients and room temp.
2 eggs, whole
2 cups vegetable oil
2 teaspoons minced garlic
1/2 teaspoon white pepper
1/2 teaspoon dried mustard
1/2 teaspoon salt
1 tablespoon brown sugar
1 tablespoon white vinegar
1 tablespoon lemon juice
1 teaspoon white wine
1 tablespoon Worcestershire sauce
6-8 ounces blue cheese, crumbled
In a blender whip the eggs for a minute, then slowly pour in the vegetable oil, a little at a time, until it starts to come together. Then add the vinegar in which the spices and seasonings have been whisked until it’s the right consistency. Remove from blender and crumble blue cheese into mixture.
On August 21, a Notice of Intent Form was presented to Mississippi Landmarks Coordinator Katherine Anderson at the Mississippi Department of Archives & History. This notice was to inform her and the Historic Preservation division of MDAH that the owners of Smith Park, “the city of Jackson” intended to alter the park, which had been declared a Mississippi Landmark this past April 21. The notice reads, “In 1972 (sic) a concrete ‘creek’ was installed at Smith Park. This abandoned creek needs to be removed and filled in and sodded. It is dangerous at it is and non-functioning. This will generally double the size of the usable park, also smooth out berms and use dirt for filling in creek.” The date cited for initiation of this alteration is November 1.
Though the notice bears a stamped signature of Mayor Lumumba, the original was presented to Ms. Anderson by John Kane Ditto III. What this document proposes is nothing less than a razing of the park, essentially the first phase in the so-called renaissance that the “Friends of Smith Park” (of whom Ditto III is a charter member) have been planning, a makeover that would destroy the historical elements of the park (e.g. the Order of the Eastern Star Memorial, the iconic A-frame stage and the 1900 monument on the southwestern edge) and reduce its landscaping to a featureless, treeless plaza, nothing more than a nexus of concrete walks. The Notice of Intent states that the “creek”, which is actually a symbolic model of the Pearl River conceived by award-winning landscape designer Rick Griffin, has become “abandoned, ignored, a trash ‘receptacle’, dangerous and non-usable”. The fountains and pools are in fact functional, and they are no more “abandoned and ignored” or “dangerous and non-usable” than any number of many other features of downtown Jackson, Mississippi.
In affirming this document, Mayor Antar Lumumba has abandoned his pledge to be a mayor for “all the people” of Jackson and has thrown in his lot with the moneyed interests in the city, particularly those of Downtown Jackson Partners, a state-ordained fiefdom of Ben Allen, and the Dittos, who own the only available commercial property (200 North Congress) adjacent to the park. If this Notice of Intent is approved by the 9-member Mississippi Department of Archives & History board of trustees, which as it so happens is presided over by John Kane Ditto, Jr., then the last remaining greenspace in downtown Jackson will become a featureless “McPark”, without character, without history and without shade. If you, the citizens of Jackson, let your city government do landscaping for John Kane Ditto père et fils, then you’re a bigger bunch of suckers than I think you are.
Some dishes such as sauerkraut, pizza or biscuits have specific names, and others such as carrot cake, herb omelet or barbecued ribs are simply descriptive. Some are named for places as is a London broil or Boston baked beans though in some cases–particularly dishes of a French origin–a name simply specifies a certain ingredient such as spinach with a Florentine or crawfish in an à la Nantua. Some maintain that Baked Alaska was invented at Antoine’s and named in honor of an event, “Seward’s Folly”, the purchase of Alaska from the Russian Empire in 1867.
In the introduction to her splendid Southern Hospitality Cookbook Jackson native Winifred Cheney states that a signature dish is “a tribute in the field of cookery”, intimating such dishes as oyster Rockefeller or Melba toast, but here Winifred misinforms. A signature dish is a recipe that identifies or is directly associated with an individual chef or a particular restaurant. For instance, one could say that blackened redfish is a signature dish of Paul Prudhomme’s, or shrimp and grits that of Bill Neale’s or that oysters Rockefeller—a variation of oysters Florentine—is a signature dish of Antoine’s as barbecued shrimp is of Pascale’s Manale.
Dishes named for people, either to honor them—as in the Rockefeller, purportedly because the dish is so rich—or because they were first made for them—as is the case with Melba toast, first made by opera aficionado Auguste Escoffier for his favorite diva Nellie Melba when she was indisposed to speed her recovery (it did, so eat Melba toast the next time you have those withering faints of artistic exhaustion), don’t have a specific term of reference. They’re just recipes named for people, there are dozens upon dozens of them and more are being created all the time. Winifred herself created two dishes for her neighbor and celebrated author Eudora Welty, apples Eudora and squash Eudora, each using what Winifred says are two of Welty’s favorite foods, tart apples and yellow squash.
Winifred is notorious for recipes that are rich, with expensive, hard-to-find ingredients and take a long time to make; the most frequent critiques of The Southern Hospitality Cookbook center around how “fussy” the recipes are, many calling for minute amounts of several various ingredients and elaborate stage-by-stage instructions on their preparation. Such is the case with her apples Eudora, which she describes as “tart apples cooked in a delicious syrup, drained and baked in a rich custard, then filled with an apricot rum filling and topped with a dollop of whipped cream” and if that doesn’t wear you out just reading it, then preparing it is going to make you bedridden.
Then she gives us squash Eudora, which while lacking in the elegance of her apples Eudora, is certainly less tedious. The principle ingredients are yellow crookneck squash and chicken livers. Now, chicken livers, like any type of liver, aren’t for everyone; they’re one of those things you either hate or love, rather like our incumbent president. Still, you can’t make a foie gras without them, and I’ve found that liver enthusiasts tend to be among the more culinarily sophisticated. I myself like squash Eudora, and it is substantial enough to serve either as an entrée or as a heavy buffet dish. What follows is not Winifred’s recipe to the letter (for instance, she uses “dried green onions” by which she might mean chives, but I substitute with fresh green onions), but it is faithful in spirit.
Wash but do not peel two pounds tender yellow squash. Slice thinly and parboil with a pat of butter until tender. Drain and season with black pepper and salt to taste. Drain and wash a half pound (8 oz.) livers, cut into halves and sauté in butter with Worcestershire. Set aside to cool, then drain and mix with squash, about a cup of chopped green onions a teaspoon curry powder, a teaspoon celery seed, one egg lightly beaten and a half cup grated Parmesan. Put mixture in a shallow casserole and bake at 350 until mixture is firm, dust top with more Parmesan and brown. Serve with fresh summer vegetables such as tomatoes or green beans. Winifred says that you can substitute a pound of lump crabmeat for the livers, and indeed you can if your pocketbook will allow.
The Mississippi Silver Hull bean, also known as the crowder pea, is considered an endangered variety of the cowpea or field pea (Vigna unguiculata), the most common variety of which is the black-eyed pea. Cowpeas originated in West Africa and were brought to America during colonial days.
The Mississippi Silver Hull grows well in hot, humid environments and thrives in the South and mid-Atlantic regions. Pods average six inches in length and are silver-colored, occasionally streaked with rose. The seeds are black or brown-eyed, and somewhat blocky in shape, having angular sides such that they “crowd” one another in the pod. A climbing bush variety, crowders can reach four feet in height and are resistant to fusarium wilt and root knot nematodes. Easy to shell, the Mississippi Silver Hulls have the meaty taste and hearty texture of all field peas, but their thinner skin gives them a cleaner flavor than their earthy counterparts when freshly-cooked.
Production of cowpeas of all varieties has declined in the United States from 750,000 acres to just a few thousand over the past 25 years, with a significant percentage of this crop variety grown intended for livestock feed. While the Mississippi Silver Hull bean is not extinct, it is quite rare, as over 96% field pea acreage is black-eyed pea.
The old Power School closed in 1954 because of structural problems. The following year a new Power opened at 1120 Riverside Drive with the same faculty and continued providing traditional elementary education until a significant and ultimately landmark event occurred in the early 1980’s. Funding was secured through an Emergency School Aid Act grant (ESAA Magnet), written By Dr. Swinton Hill, assistant superintendent for federal programs, with assistance by Joyce Holly. This program brought $1.2 million to the Jackson Public Schools. From September 1981 to June 1982, an initial block grant of $396,000 from this fund was used to introduce a new Academic and Performing Arts Complex (APAC) into the fourth and fifth grade curriculums. It also opened the door for additional funding for Bailey Magnet and Murrah High Schools, which would become key contributors to this farsighted educational network.
Dr. Jean Simmons, coordinator of the Power APAC Performing Arts Division, joined the academic planning in the early fall of 1981 as the program was being developed and put together a curriculum drawn from the expertise of each department chair and faculty. Her efforts established credibility with local professional area arts organizations, educational institutions and the general public.
All Jackson students are welcome to audition and test for inclusion in the APAC program regardless of income or background. Former student Amber Williams, a 2013 Power APAC student, credited the program for her developing interest in dance. “Power APAC influenced my interest in fine arts of all forms, especially dance. Dancing is my personal form of expression and artistic vision. Since enrolling in Power, I decided to add dancing to my academic pursuits.” Amber continues in her field of interest today having gained the ability to focus on her strengths and talents in order to make beneficial decisions concerning her future.
The four areas of the performing arts in which Power APAC shares instruction with Bailey and Murrah are dance, drama, music and the visual arts. In these areas Power has partnered with numerous Belhaven neighborhood and Jackson institutions to bring first hand experiences to students. Some of these organizations are New Stage, Belhaven University, Mississippi Museum of Art, ETV, Mississippi Symphony Orchestra and the Mississippi Opera. Local artists with whom students have worked include Miss Eudora Welty, Margaret Walker Alexander, Beth Henley, Mary Ann Mobley, Gary Collins, Sam Gilliam, Ed McGowan, Jamie Wyeth and Leontine Price.
Power APAC has prospered under the leadership of school Principal Marlynn Martin who came to Power in June 2010 after a distinguished career in academia and school administration. The school has received a multitude of honors from local and national sources including the distinguished John F. Kennedy Center for the Performing Arts National Schools of Distinction in Arts Education Award in 2010-11 and recently was designated a 2016-18 Exemplary School by the Arts School Network, the largest professional membership organization of specialized arts schools in America.
Old Power and Power APAC have been part of Belhaven’s basic education fabric for over 100 years. Regardless of the time and circumstance both share the goals of preparing our children for the world of their day and structuring their lives in order to achieve their maximum potential. They have been and are graced by excellent teachers and administrators dedicated to making society better than they found it in their own day. From Miss Marcia Gibbs to Dr. Marylynn Martin, the mission of each administration has been to teach children and encourage them to reach their highest level of achievement. John Logan Power would be proud of his namesakes and our neighborhood and city owe much to that fine name.
New Stage Theater began its life at 7:30 p.m. January 25, 1966, in a converted Seventh Day Adventist Church at the corner of S. Gallatin and Hooker Streets. It was a cold night, temperature 25 degrees, and what little heat generated in the building found ways to escape through cracks under its doors. Its first production was Who’s Afraid of Virginia Woolf, a radical production for its time.
The theater was created the previous fall by a farsighted group of nine, Ford and Jane Reid Petty, Patti and Carl Black, Howard and Beth Jones, Kay and Jim Childs and Jackson Daily News Amusement Editor Frank Hains. According to Jim Childs, New Stage had three goals: the establishment of a serious theater with a professional director, staff and actors who produced contemporary works selected for their artistic merit; a theatrical forum open to all and a theater where you did not have to join and become a member to attend productions. Jane Reid Petty was the driving force behind the group who hired New Yorker Ivan Rider as its first director.
New Stage was a groundbreaker in Jackson during the 1960s. Not only did it bring productions of a modern and sophisticated content but through an association with Tugaloo College, courageously faced the issues of integration and civil rights associated with the arts.
No new artistic venture with any degree of unconventional mission could have survived and thrived during those formative years without influence. Eudora Welty, already well known and respected in the literary community, joined the New Stage board in 1970, placing her name among its roster of artists. Several members of the Tougaloo College faculty lent their names to the new enterprise as well as members of the theater department at Jackson State University. In the early 2000s, Bill McCarty, III, of the prominent Jitney Jungle family, stepped up from his role as a volunteer board member to full time general manager. Without Bill’s tireless work and family financial support New Stage would not be what it is today.
New Stage moved to Belhaven in 1978 when it acquired the Little Theater building and mortgage at the corner of Whitworth and Carlisle Streets. Today it serves a community far beyond Jackson as more than 35,000 Mississippians attend performances each year. It boasts a statewide educational touring program, school fest matinees for students, performs in touring shows and sponsors youth productions of Shakespeare in the Park each spring. In 1995, the theater’s education program received the Governors Award for Excellence in the Arts.
Today, New Stage produces five main stage shows per season, has a 41 member board of trustees and is supported by ticket sales, grants, subscriptions and hundreds of financial donations from throughout the state.
While topical in its productions, New Stage does not hesitate to occasionally step back in time for a historical perspective. It recently concluded a record breaking performance of the Million Dollar Quartet which featured the music of Elvis Presley, Carl Perkins, Johnny Cash and Jerry Lee Lewis. Nightly packed houses stood and cheered those magical memories and artists from 60 years ago. From Virginia Woolf to Jerry Lee is quite a stretch, but for over four sold out weeks, there was a Whole Lotta Shakin’ Goin’ On and Virginia Woolf would have enjoyed it too had she been there.
We can’t leave this topic without a tribute to Jackson’s Little Theater. This amateur collection of volunteer actors and directors began its life on Carlisle Street in 1925. An outgrowth of similar European theater movements of the 1880s and 90s, it had its genesis in 1911 and 1912 with the formation of theaters in Boston, Chicago and New York. The movement reached Jackson in 1924 in the person of Margaret P. Green who organized the Little Theater Players of Jackson the following year. Its non-profit mission was to cultivate, advance and promote education in dramatic literature, expression and art. It did so for 53 eventful years.
In those 90 plus years when young and old took their friends and families to first the Little Theater and later New Stage they must have done so with a subliminal understanding of what William Shakespeare wrote so many years before:
“All the world’s a stage, and all the men and women merely players. They have their exits and their entrances and one man in his time plays many parts.”
As You Like It, II,vii
For four generations the Belhaven neighborhood has had the privilege of attending plays and musicals down on Carlisle Street. Many famous playwrights, actors, directors, audiences and supporters have passed through its doors and played their roles for entertainment and historical enlightenment. The curtain is set to rise on New Stage’s 52nd season, just another attraction to one of America’s great neighborhoods.
Baptist Medical Center Jackson has evolved since its inception in 1908, when Doctors Harley Shands and John Farrar Hunter united in a successful effort to provide Jackson’s first true brick and mortar medical facility. It has since grown from its origin at the southeast corner or Manship and State Streets to a six block long complex running from Fortification to Marshall. It is now Mississippi’s premier health provider. In addition to the main campus in Belhaven, there are 21 Center clinics with 107 providers in the metro area. With the addition of the clinics and the medical center, the entire organization has been named Mississippi Baptist Health Systems.
A 2016 report to the community shows a facility with 3,000 employees and approximately 500 physicians on the medical staff. Net revenue was $454 million with approximately $18 million in charity care.
The modern day Baptist has embarked on a multitude of local health projects. These include the Baptist Medical Office Building containing 13 specialty clinics, expansion of woman’s and cardiovascular services, a Madison Performance Center, a joint venture with MS Sports Medicine and SouthStar, and the Belhaven Building, a multipurpose facility, which opened in 2013 in concert with Landmark Healthcare. This building was constructed to accommodate a variety of professions and residents. It currently houses the Manship Restaurant, a Trustmark Bank, a parking garage and is backed on the south end with 11 luxury townhouses (Belhaven Village).
On May 1, 2017, Mississippi Baptist Health Systems signed a shared mission agreement with Baptist Memorial Health Care in Memphis. As a result of this agreement, Baptist Memorial became Mississippi’s fourth largest employer and the largest health care system in the state. Baptist Memorial hospitals offer patients in all areas access to the region’s largest network of doctors and specialists.
In February 2018, Baptist will launch an electronic medical record called Baptist OneCare. The software powering this program is used in integrated health networks, community hospitals, academic medical centers and children’s organizations. Its biggest convenience for patients is “My Chart”, a free app assessable via Smartphone or computer, allowing patients to schedule appointments, refill prescriptions, direct message their care providers, access lab results and much more.
As a good corporate citizen, Baptist continues to provide charitable support to community and philanthropic organizations. These include the American Heart Association, the American Cancer Society, Head for the Cure brain cancer research, March of Dimes and Baptist Foundation’s annual Cyclists Curing Cancer Century Ride in September.
The Greater Belhaven Neighborhood Foundation and its constituency owe much to Baptist Medical Center. More than 16 years ago, Baptist and the Foundation began a partnership to preserve and enhance Greater Belhaven. Many of the improvements and benefits we see each day in our neighborhood were made possible through this partnership.
Baptist Medical Center has received numerous recognitions for its health care performance. In 2017, Healthgrades named the center one of America’s 100 best Hospitals for orthopedic surgery and one of the nation’s 50 Best Hospitals for vascular surgery. In addition, for two years in a row, Baptist received Healthgrades Outstanding Patient experience Award.
Awards were not limited to physicians and specialists. In 2017, after ten years of work, the hospital received the nation’s top honor for nursing excellence called the “Magnet”, given by the American Nurses Credentialing Center, an affiliate of the American Nurses Association. It was the only hospital in Mississippi to receive this designation.
There have been a number of other awards and recognitions received by Baptist Medical Center whose early health care developers had the foresight to lay the path for a long and eventful journey. There will be a number more to come. (6)
What would Dr. Shands think of his and Dr. Hunter’s idea spawned over a century ago? He is not here to tell us but in an interview with his granddaughter Susan Shands Jones, she felt she knew. “My grandfather was a stern but very professional man. He cared deeply for his patients and their families. When he was not growing camellias he was doing surgery and would be quite impressed with today’s modern and well-equipped surgical suites and how much heart treatment has improved”.
Baptist is coming up on its 109th year of service to the health needs of our community and state. Yet, the facility remains a good neighbor and enthusiastic supporter of our own future right here in the neighborhood where it first began.
Belhaven University has come a long way from Louis Fitzhugh’s dream of a Christian girl’s school in 1894 and that hot, windy afternoon in 1910 when the college’s second president Dr. James Rhea Preston’s daughters watched fire consume that dream a second time only leading to a third on the Peachtree campus in 1927. The college has survived these conflagrations, a depression economy, elusive accreditation, myriad ownership and four name changes. The school became a University in 2009.
Today’s Belhaven University is a private four-year liberal arts institution and occupies a Jackson campus composed of 42 acres. The site is bounded by Peachtree Street, Pinehurst and Greymont Avenues and Belvoir Place. It is composed of classrooms, residence halls and administrative buildings, a lake, a bowl stadium, a pavilion, a commons and lighted fountain. Every four years the City of Jackson hosts the International Ballet Competition and Belhaven University provides lodging for a majority of its participants from throughout the world.
As of 2017, there are a total of 4,500 Belhaven students, 1,200 traditional with approximately 600 living on the Jackson campus and 1,000 adult students on the LeFleur Campus in Ridgeland. Twenty-three hundred adult studies and graduate students are enrolled on campuses in Memphis/Desoto County, Houston, Orlando, Chattanooga/Dalton County and Atlanta, plus participating in an ongoing online program.
The school is a member of NCAA Division III, belonging to the Mid-South and Southern States Athletic Conference. In 1929, the college library of 2,000 books was short of sufficiency for accreditation. The Hood Library now has 115,000 volumes and 500 periodicals.
The Jackson campus has 88 faculty members including 68 with doctorates or terminal degrees. There are 54 undergraduate and eight graduate studies programs available with a wide variety of concentrations ranging from health administration to human resources. Associate degree programs are available as well. The Adult and Graduate Program, located in a facility on I-55 north in Jackson, provides an encouraging educational environment where adult graduate students can complete their degree while maintaining their careers and personal lives.
In just a brief time period, Belhaven University has experienced growth in all three areas of academic excellence – traditional, adult and online. The adult and graduate components have added four locations (the newest this year in Madison). The traditional campus on Peachtree has expanded Fitzhugh Hall to accommodate its nursing and science studies. In addition the school has built an international center, upgraded the athletic bowl to a state of the art multipurpose stadium, built an apartment style residence hall, added a 43,000 square foot visual and dance center, a walking trail and by 2018 will have a brand new track. A University Center for the Arts at 835 Riverside has been adapted to host musical and fine arts events. The entire metro area looks forward each December to the University’s Singing Christmas Tree.
Belhaven University is more than keeping pace with the times and demands of today’s education. It, along with First Presbyterian Church, the Baptist Medical Center and Power APAC School form the cornerstones of the special place in which we live.
This has been a brief history of our Belhaven Neighborhood from 1894 to August 2017. But like all accounts it cannot cover all facets of its legacy. Older citizens will remember the old blind institute at the northwest corner of State and Fortification streets where neighbor children would slide down it corkscrew fire escape although their mothers had told them not to. Further down on the west side of State Street was the old charity hospital and its park where kids from Davis and Power Schools would meet to play baseball in the spring, and to the north, Beth-Israel Cemetery (1860) and the site of several prominent family homes now gone. On the east side were Jess Willoughby’s Barber Shop and Patterson Drugs, about where McDonalds is today. Further down was Morris Pharmacy, now the Manship Restaurant, Jitney Jungle # 9 and the Snack Shop near Poplar. The wonderful Parkin Pharmacy, originally part of English Village and later a standalone where Lou’s serves lunch and dinner may remind some of John Archie and the “pill wagon” that delivered prescriptions to our homes. All have given way to progress but remain part of our heritage.
We know that what is the present today is history by the morning sunrise. With this in mind, there will be an additional segment on how our neighborhood’s future is being shaped and assured by far-reaching creativity and planning on the part of capable leadership and our residents’ faith in its vision. Look for it soon. You might find yourself in its picture.
Copyright: Bill and Nan Harvey 2017