Pea Hull Jelly 

Purple hull pea hulls give a grape-flavored jelly, white crowder hulls a honey-flavored jelly, lady pea hulls an apple-flavored jelly, and if you mix the hulls of crowder, purple, whippoorwill, and lady peas, you get a rich  jelly with notes of apricot, plum, and pear. Wash 1 gallon pea hulls thoroughly, at least twice, then bring to boil in a heavy pan with enough water to cover. Boil over low heat for 8 to 10 minutes. Save the juice, approximately 8 cups, and discard hulls. Combine juice with 2 pkgs. Sure-Jell in heavy saucepan and bring to a boil. Boil for 2 minutes. Add 8 cups of sugar and boil an additional minute. Pour mixture into glass jars and seal.

Hash Tag Cookies

People had been making a criss-cross impression on balls of cookie dough with a fork long before 1925, when George Washington Carver issued an agricultural bulletin with 105 recipes using peanuts, including three for cookies. Some people might tell you the imprint helps cookies bake evenly, but more likely a fork is nine times out of ten more at hand than a cookie press.

How the criss-cross became a traditional hash tag for peanut butter cookies is material for a Beard Award. Here’s a one-bowl recipe for this favorite.

Combine 1 cup packed light brown sugar with a half cup each of softened butter and peanut butter. Mix until smooth; add a beaten egg and a teaspoon of vanilla. Mix very well. Sift in a half teaspoon each baking soda and baking powder into a cup and a half of AP flour, add to peanut butter mix, and stir thoroughly until it forms a smooth dough.

Shape into balls a little smaller than a ping-pong, roll in sugar (optional), and place on an ungreased cookie sheet. Flatten the balls with a fork that has been dipped in sugar so it won’t stick. Make a criss-cross pattern, and bake at 350 for 8-10 minutes.

Dragon Peach

The sun was well up, blaring over the trees when I parked in front of Rick’s apartment building. He stepped out of his door wearing a straw fedora and linen jacket, worn chinos, and canvas loafers, the very picture of a dirt road dandy gone to seed. Watching him wrangle his legs down the steep stairs, Ricky suddenly seemed frail to me, and I felt a pang in my chest. I’d known hm for less than five years, but in those years, I’d come to love him like a brother; he’d filled my losses, propped me up, and pushed me back into a life I could lead on my own. He claimed to be sixty-eight, but he said a lot of things I didn’t question.

He clambered into my old truck and we headed to Linda’s market north of downtown. The market sits far back from traffic under a long tin roof, a colorful oasis in a dull, hot desert of asphalt surrounded by cars parked without regard to space or bearing. As we drew closer, we could hear the shuffling rattle of a homemade pea sheller.

Under the roof, our eyes adjusted to the shade and found melons mottled and striped, green-upon-green, blazing red cayennes, motley purple peas, and speckled beans. We paused over the corn, looking for fresh ears with tight shucks, green stem ends, and sweet-smelling tassels. We chose cucumbers that were slightly under-ripe, firm, and shading to jade. The tin roof popped as the sun bore down. Ricky walked over to the peaches, rows of baskets filled with Chilton County Elbertas, saffron blushing to carmine, some with stems and leaves. Over these he lingered, walking back and forth, occasionally reaching down to brush one with his fingers, picking another up, holding it to his nose, and putting it down.

I brought him a paper sack and shook it open with a pop. “What do you look for?” I asked.

Ricky snapped out of his reverie, looked at me and smiled. “A dragon,” he said.

“Jackson, Mississippi is nowhere near Middle-Earth, Ricky.”

“Yancy, listen for once,” he said. (As if I didn’t always.)

“The world is full of magical and wonderful things. A few of them amaze you so much you can’t get rid of them,” he said. “Those are the dragons, the ones you keep looking for. I remember this peach from a basket in Tupelo. When I bit into it, suddenly I couldn’t see, I couldn’t hear. That peach just sucked everything out of me, and all I could do was eat that peach, and I’ve spent the rest of my life buying lousy peaches chasing that dragon.”

We loaded our sacks in the truck. As we were pulling onto the highway, Ricky reached into the back, rummaged around and pulled out a peach. He wiped it with the handkerchief he kept in his back pocket, turned it around in his hand, and took a bite. I looked at him expectantly. He smiled and shook his head, rolled down the window, and threw it out.

“I’ll find it one day,” he said, and my heart broke.

Mississippi’s Ark of Taste

The Ark of Taste is an online catalogue developed and maintained by the Slow Food Foundation that records small-scale quality productions of foodstuffs belonging to the cultures, history and traditions of our world. The Ark grows day by day, gathering alerts from people who see the flavors of their childhood disappearing. This is a selection of the foods in the catalogue tagged with Mississippi. Native Mississippians will find many familiar, some surprising, and likely a few objectionable. As a Calhoun County native, I’m  proud to include two sweet potato varieties.

American Native Pecan
American Paddlefish
American Persimmon
Bradford Watermelon
Cotton Patch Goose
Hayman Sweet Potato
Louisiana Mirlitron
Mississippi Silver Hull Bean
Moon and Stars Watermelon
Nancy Hall Sweet Potato
Pawpaw
Piney Woods Cattle
Shagbark Hickory
Southern Field Peas
Traditional Sorghum Syrup
Tupelo Honey
Watermelon Pickles
White African Sorghum
White Velvet Okra
Wild Gulf Coast Shrimp
Yellow-Meated Watermelon

Pocahontas Garlic

My friend Buddy lives in Pocahontas, Mississippi. Buddy is the hardest-working person I know; he does drywall, roofs, painting, whatever work he can find to keep his home safe and his family fed. He’s one of the best people I’ve ever known, and, like most you–without a smidgen of justification, I hasten to add–thinks I’m a bum.

Buddy’s always bringing me stuff from his garden; tomatoes, okra, and peppers in season, odds and ends like herbs and knotty apples, holly and smilax during the holidays. Some years ago in the late summer, he brought me a bundle of fresh garlic. The bulbs cloves were large and mild, resembling most what I know as elephant garlic.

I’ve since learned, it’s actually a leek, Allium ampeloprassum. You’ll find this onion growing around old home places all over the South. Here in south Hinds County, it’s practically endemic. You can use the fresh stems and bulbs before they divide out for a very strong garlic-y onion flavor. For the bulbs to clove, cut the blossom before it sets seed. Once the foliage has yellowed and the stem stiffened—this is a hardneck garlic—you can dig the buds. They will divide as they dry.

This old allium is a wonderful pass-along; plant toes/cloves after first frost in your strongest sun. Buddy tells me it spreads all over the place, and he has to thin his out twice a year. He also swears that it keeps him and his wife healthy. They’re both pushing 80 now and show no signs of letting up.

The Existential Tomato

If you’ve never enjoyed the sensation of going out to the garden, picking a beautiful, ripe tomato (of whatever variety) and eating it right there on the spot atop of our good earth with the tang of that tomato plant in your nose and the warm sunshine on your face, then you’ve never had a tomato at it’s best. If you have, then you can truly say, “I know what a tomato is,” for then you have achieved an existential union with tomato-ness.

Vegetables prepared for the table straight from the soil are a hallmark of great Southern dinners; a luscious home-grown tomato, simply sliced and served on a plate, usually with a fragrant cantaloupe and maybe a good, dewy cucumber is a signature of any summer meal. I consider a ripe tomato the crowning glory of Southern vegetables, but everybody has their own favorite; some advocate summer squash, others favor fresh beans and peas, and still others extol sweet corn. Some souls champion okra or eggplant. But even back in the Bad Old Days when most of the country ate out of a can or from the frozen food section, people in the South knew to get their vegetables from gardens, and if they didn’t have a friend or relative they could help out by weeding and hoeing for some of the returns, they could get fine vegetables from the truck gardens and produce stands along the byways.

So when you’re out on the road this summer and you see little produce stands with signs written on brown cardboard with a magic marker, do yourself a favor by stopping by and spending a little time and a little money getting to know the foods of the South and the people who love them.

Welty’s Gay Cereus Club

Eloquence and concision are rare in academic writers, but Suzanne Marrs achieves it with aplomb in her passage about Eudora’s gay circle of the ‘30s.

Though she would join the Junior League in deference to her friends who were already members, Eudora’s interests were rather different and her circle of friends more wide-ranging. Four young men were particularly important to her, and all were iconoclastic sorts. Nash Burger had returned to Jackson from the University of the South and had become a teacher at Central High School, Lehman Engel summered in Jackson while he was studying at Juilliard, Hubert Creekmore was back in residence after attending the Yale School of Drama, and Frank Lyell visited during his summer vacations from Princeton.

During summers of the early thirties, the group gathered frequently at the Welty house to drink and talk and laugh and listen to music—literature and the theater and the New York scene filled their conversations, and they loved hearing both classical music and jazz. They also engaged in activities that Lehman eventually labeled “camp.” When Jackson ladies, for instance, advertised that their night-blooming cereuses would be in flower on a given night and invited one and all to witness the annual bloomings, Eudora and her friends attended.

They went on to name themselves the Night-Blooming Cereus Club and took as their motto a slightly altered line from a Rudy Vallee song: “Don’t take it cereus (sic), Life’s too mysterious.” Years later, in The Golden Apples, Eudora would use the “naked, luminous, complicated flower” as an emblem of life’s beauty and its fragility, and she would have a character repeat what one Jackson lady had said about the cereus bloom, “Tomorrow it’ll look like a wrung chicken’s neck.”

But at the time, none of the Night-Blooming Cereus Club members anticipated such symbolic implications of their activities. For them the cereus was and remained an emblem of good fellowship, of the pleasure imaginative individuals could share if they embraced the world around them.

Wolf Songs

“Cantaloupe” in the Deep South mostly sounds something like “canna-lope,” without a hint of a ‘t’, but Bill Neale saw it spelt “CAN’T ELOPE” on a roadside sign in North Carolina, and a buddy of mine calls them “Romeos and Juliets”. This appellation brings us to an Italian communi near Rome, one of several Italian towns called “Cantaloupo,” (“song of the wolf” or literally “sings wolf”) where this variety of melon arrived in Europe from (of all places) Armenia in the early 18th century. The cantaloupe didn’t become a commercial crop in the US until the early 20th century. The earliest popular variety was ‘Rocky Ford’, but nowadays  ‘Ambrosia’ and ‘El Gordo’ dominate the market.

Incidentally, the European cantaloupe, Cucumis melo var. cantalupensis, is lightly ribbed with a gray-green skin; the American cantaloupe, C. melo var. reticulatus, has a webbed skin. It’s worth noting that the name “musk melon” comes from the pronounced aroma of the uncut fruit; a related group of scentless  melons including honeydews, Canary, and Santa Claus are termed inodorata.

Docteur Magnol

Pierre Magnol was born in 1638 to an apothecary’s family in Montpellier. He enrolled as a medical student at the University of Montpellier in May 1655.

By Magnol’s time, Montpellier was an important, long-established commercial and educational center. Montpellier was the first university in France to establish a botanic garden for medicine and pharmacology. After receiving his degree (MD) in 1659, Mangol’s attention shifted to botany. In 1687, he became Demonstrator of Plants at the botanic garden. Magnol was appointed Director of the Montpellier botanic garden in 1696, later Inspector of the Garden until his death in 1715. Magnol’s most important contribution is the concept of plant families. He developed 76 tables, which not only grouped plants into families but also allowed for easy and rapid identification, an important step towards a tree of life.

Magnolia in botanical nomenclature first appeared in Charles Plumier’s Genera (1702) for a flowering tree in Martinique. Much closer to home, William Sherard, who studied botany under Tournefort, a pupil of Magnol, adopted the name Magnolia in the taxonomy of Mark Catesby’s Natural History of Carolina, Florida and the Bahama Islands (1730) for another flowering tree. Linnaeus likely never saw a specimen of Plumier’s Magnolia, if one even existed, and took it—quite despite the yawning geographic disparity—for the same plant described by Catesby.

Things eventually ironed out. Initially, Linnaeus described a monotypic genus, with the sole species being Magnolia virginiana—which we know as the sweetbay magnolia—and assigned it five varieties. He later raised these to species status. The Madagascan plant Plumier described is now known as Magnolia dodecapetala. The name Magnol now adorns a genus with anywhere from 210 to 340 species (we have 8 in the southeastern US), a family (Magnoliaceae) with two genera, Magnolia and Liriodendron (tulip trees), and division (Magnoliids) with more than 10,000 species.