Month: June 2024

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My Rift with Rose Budd

Jerry Clower once declared (Jerry never simply “said” anything) that Rose Budd Stevens is a national treasure, and I agree with every piece of my heart.

If you are interested in the way Mississippians cooked and prepared foodstuffs in the first half of the 20th century, then you should get From Rose Budd’s Kitchen (University Press of Mississippi: 1988). For those Mississippi foodies who love the literature of the table, this is an essential addition to your bookshelf, a wonderful work written by a remarkable woman.

Mrs. Willoughby and I grew up in rural Mississippi at different times. Reading her reminds me of the words, phrases, and cadences I heard from my grandmothers and great aunts, a noisy, lively chatter from a kitchen long ago. Mamie resembles them when it comes to a lesson, too, as she sets forth–fists on hips–in this passage:

Let’s get this chicken stew, dumplings and chicken pie business straight right now. Chicken Stew: Roll thick dough, cut into strips, drop into boiling chicken broth, and cook uncovered. Chicken Dumplings: Drop spoonfuls of dough on top of boiling chicken and broth, cook with tight-fitting lid on, and don’t peek. Chicken Pie: Put layer of chicken and broth in large pan. Dot with butter and black pepper, then layer of rich dough. Bake until light brown; add another layer of chicken, broth, and dough, bake. Do this until pan is nearly full. Some hold with a cup of sweet milk added, then back 30 minutes. I like hard-boiled eggs and sweet cream in my pie. Last would be cups of cooked-down broth, tasty with floating eyes of chicken fat, all melded together, food fit for the gods, company or family. Remember this was before it was known you could eat yourself to death!

Here’s where Mamie and I part ways. My recipe for chicken and dumplings perfectly matches her chicken stew rather than her “Chicken Dumplings.” The difference might be simple semantics, and covering the dumplings as they cook is part of my process as well. But in the end, the dumplings are always folded into the broth. This is my recipe:

Poach a roasting hen with carrots, onions, celery, salt and pepper, a fresh bay leaf if you have one in water to cover by about an inch. Skin and debone chicken. Set meat aside, return bones to the pot, and reduce by about a third. Strain liquid and return to pot with about a tablespoon of bouillon paste. You want a gallon of good, rich broth. Make a stiff dough with 2 cups self-rising flour, butter, and sweet milk; roll it out to about an eighth of an inch, cut into strips and drop into boiling broth. Jiggle them around a bit to break them up and keep from sticking. As the broth begins to thicken, add the chicken, cover, and let boil for maybe another minute. Then reduce heat and let the pot sit for about another five minutes. You’ll have to adjust the salt, since dumplings, like any boiled starch (potatoes, rice, pasta, etc.) will absorb salt in cooking. I like my chicken and dumplings with a good dose of black pepper.

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Čapek’s Gardener’s Prayer

Some know Karel Čapek as a seven-time Nobel nominee, but most remember him as the man who gave us the word “robot”. Among Čapek’s more endearing works is The Gardener’s Year (1929), a learnéd, light-hearted, tongue-in-cheek depiction of the enduring, eccentric gardener, including a “Gardener’s Prayer” that’s more of a demand for Eden than a supplication. This illustration from the accompanying pages was drawn by his brother, painter and writer Josef Čapek.

 O Lord, grant that in some way it may rain every day, say from about midnight until three o’clock in the morning, but, you see, it must be gentle and warm so that it can soak in; grant that at the same time it would not rain on campion, alyssum, helianthus, lavender, and others which You in Your infinite wisdom know are drought-loving plants-I will write their names on a bit of paper if you like-and grant that the sun may shine the whole day long, but not everywhere (not, for instance, on the gentian, plantain lily, and rhododendron) and not too much; that there may be plenty of dew and little wind, enough worms, no lice or snails, or mildew, and that once a week thin liquid manure and guano may fall from heaven.
   Amen

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Howard Mitcham: Bourdain’s Mississippi Mentor

One of Anthony Bourdain’s last works is an introduction to Howard Mitcham’s Provincetown Seafood Cookbook, originally published in 1975. In this tribute, Bourdain calls Mitcham’s cookbook “one of the most influential of my life.”

Dan Simon, founder and publisher of Seven Stories Press said he and his team approached Bourdain because they knew that he was “an admirer of Mitcham.”

Bourdain’s culinary career started in the early 1970s in Provincetown, where Mitcham was already a legend. “He was just so terrific,” Simon said. “I think he loved the gusto with which Howard lived his life and cooked and brought it all together.”

A writer, a scholar and an artist as well as the foremost chef of note from Mississippi, Howard Mitcham was a brilliant, stone-deaf, hard-drinking bohemian, raconteur and bon vivant who knew and corresponded with the great and near-great.

A name chef during what Bourdain himself called “the early happy days before the glamorization of chefs”, a historian and an artist as well, we should remember Mitcham with gusto. His Provincetown Seafood Cookbook stands loud, proud and without a smidgeon of pretension alongside any cookbook written in the past century, a robust ragout of food, people, art and lore.

Mitcham nurtured, cultivated and matured his sprawling genius in the rich enclaves of Provincetown and New Orleans. For decades he was a spectacular bird of passage, summering on Cape Cod, wintering in the French Quarter and coming home to Montgomery County, Mississippi at times.

His books trumpet a passion for seafood; his writings on oysters and clams, shrimp and fish seem to pant with restraint. Mitcham wants you to partake of everything he knows and loves with the same gusto he does in hearty sentences that growl with gruff humor and wry authority.

“People think I’m sort of coo-coo to publish my trade secrets and recipes,” he wrote, “but to me good food is like love, it should be given as wide a distribution as possible.”

James Howard Mitcham, Jr. was born in Winona, Mississippi on June 11, 1917. His father, a house painter, died when he was a year old. His mother moved to Vicksburg to find work, leaving the infant Howard with her parents on their watermelon farm on Sawmill Road. At sixteen Mitcham became deaf from nerve damage resulting from spinal meningitis.

For the rest of his life, Mitcham spoke with a thick, booming Southern accent, but used sign language and notes to abet his frequent incoherency. He grew up loving jazz, a love silence didn’t kill. “The last song he ever heard was Billie Holiday’s ‘Am I Blue?’”, his daughter Sabina said. “Whenever he’d sing it, it would just break my heart. At his birthdays he would place his hand on the bell of a sax to get the beat.”

Mitcham attended Greenville High School with lifelong friend Shelby Foote as well as Walker Percy. After graduating high school, Mitcham moved to Vicksburg to live with his mother and began attending Louisiana State University as an art student, and at some point, in the late 1940s, Mitcham moved to Greenwich Village in New York City, where he ran an art gallery.

What quirk of fate or fortune that first took Mitcham from his home in the Deep South to the distant shores of Cape Cod is a matter rich for speculation, but he claims to have made his first visit there as early as 1948. Thereafter for most of his life, Mitcham divided his years between New Orleans and Provincetown.

His abounding love for Provincetown bore prodigious fruit in 1975 with the publication of The Provincetown Seafood Cookbook, an unsurpassed ode to a food, a place and a people. Bourdain, who worked in Provincetown during the mid-1970s when he was attending (of all places) Vassar, knew Mitcham and in his Kitchen Confidential writes that “Howard was the sole ‘name chef’ in town.”

“To us, Howard was a juju man, an oracle who spoke in tongues,” Bourdain wrote. “He could be seen most nights after work, holding up the fishermen’s bars or lurching about town, shouting incomprehensibly (he liked to sing as well). Though drunk most of the time and difficult to understand, Howard was a revered elder statesman of Cape cod cookery, a respected chef of a very busy restaurant and the author of two very highly regarded cookbooks: The Provincetown Seafood Cookbook and Creole Gumbo and All That Jazz—two volumes I still refer to, and which were hugely influential for me and my budding culinary peers of the time.”

“He had wild, unruly white hair, a gin-blossomed face, a boozer’s gut and he wore the short-sleeved-snap-button shirt of a dishwasher. Totally without pretension, both he and his books were fascinating depositories of recipes, recollections, history, folklore and illustrations, drawing on his abiding love for the humble, working-class ethnic food of the area. His signature dish was haddock amandine, and people would drive for hours from Boston to sample it.”

“We might not have understood Howard, but we understood his books, and while it was hard to reconcile his public behavior with the wry, musical and lovingly informative tone of his writings, we knew enough to respect the man for what he knew and for what he could do. We saw someone who loved food, not just the life of the cook.

Howard showed us how to cook for ourselves, for the pure pleasure of eating, not just for the tourist hordes. Howard showed us that there was hope for us as cooks. That food could be a calling. That the stuff itself was something we could actually be proud of, a reason to live.”

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Scampi

You’ll often find classic recipes caught in a backwater eddy rotting into poor, grotesque things far removed from former splendor, like a fading star of stage and screen who’s reduced to dinner theater, falling subject to farce for the same reason: their name is a draw. So you’ll find prima vera with frozen vegetables, for instance, or steak Diane with condensed cream of mushroom soup.

I worked in a restaurant where the house recipe for scampi consisted of garlic powder, a commercial oil product (Whirl), and the remnants of whatever open bottle of white wine the bartender had. That’s it. This concoction was poured over a dozen medium-sized shrimp arranged in a small circular metal dish and placed in a salamander.

The results were dry and chewy; had our customers been (in the least bit) savvy, no doubt they would have complained with vigor and frequency, but the very fact that they didn’t led to the recipe becoming entrenched on our menu and–what’s even more tragic–likely defining this travesty as scampi for hundreds of people who’d never eaten at a restaurant with tablecloths.

To make a good scampi, sauté the best shrimp available in a really good butter with a slash of olive oil, plenty of fresh, finely-minced garlic, a fruity white wine, salt and white pepper. Before serving, add a jolt of lemon juice and a sprinkling of parsley. Some thicken the sauce with starch or lightly bread the shrimp,  add scallions, or even chopped drained tomatoes, but I don’t. Scampi can be served as an appetizer with bread or over pasta as an entree.

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Reviving Salmagundi

Claiborne and All Who Sailed in him (honestly, I can’t count how often I’ve wanted to kick that pontifical old queen under the table) declared, “There is something about the word ‘salmagundi’ that has an unmistakable appeal for savants with a leaning toward gourmandism.”

I have no ambition of being a savant, much less one learning towards gourmandism. Like many others, I simply find salmagundi—like pettifoggery, kittywampus, or hullabaloo—a word I want to pick off the page, cuddle, and tease with a string.

The dish is just as playful, actually, not so much a dish as it is a presentation like an antipasto or a smorgasbord, of a selection of cold vegetables, pickles, meats, and fruit mounded on a tray.

By precedent, you want your meat, cold poached chicken atop salad greens ringed with pickles, cooked eggs, raw or blanched vegetables, citrus, nuts, sausages, and cold fish—anchovies are a classic addition, but I like smoked salmon, too.

Pretty much anything goes with the notable exception of cheese, which isn’t included in any reliable historic recipe.

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M.D.L. Stephens and Calhoun County History

The more one delves into this work, which by any measure must be considered a significant document in the history of Calhoun County, Mississippi, the easier it becomes to understand why V.S. Naipaul, in his A Tour of the South, named his chapter on Mississippi “The Frontier,” and to appreciate more fully the gritty, violent world of Yoknapatawpha.

These writings of Col. Stephens were collected by Leon “Pappy” Burgess, who was born August 28, 1926, in Bruce, Mississippi. He attended the University of Mississippi, but like so many young men enlisted in the United States Army on August 26, 1944. He was honorably discharged from military service in 1947 at the rate of sergeant. He moved to the Mississippi Gulf Coast where he became a home builder and a collector of everything old and wonderful. In his lifetime, he was an avid historian, a genealogist, an author, and “a very wise and gentle man.” He died April 1, 2015, at his residence in Gardendale, Alabama.

Marquis DeLafayette Stephens was born Nov. 9, 1829 in Williamson Co., Tennessee. He came to Mississippi in 1838, and married Mary Jane Duff in Feb. 1856. He was a colonel in the Confederate army, was severely wounded at Franklin and did not recover until the close of the war.

He was elected to the Mississippi House of Representatives in Nov. 1863, to State Senate in 1865, and to the House again in 1879. In 1892, Stephens was appointed Deputy Clerk for Yalobusha County, and in 1894 was elected Chancery Clerk. Afterwards, he served as Court Recorder for four years, and was appointed (by the Governor, no less) as a notary public.

Stephens died on April 15, 1912.

Dennis Murphree called him a “grand old man of Calhoun and Yalobusha Counties.”

His sympathies were always with those whom Abraham Lincoln called “The Great Common People.” In his palmy days he was an eloquent speaker and in antebellum times practiced the profession of medicine in this country, riding often through the trackless wilds about the headwaters of Scoona River and mingling with the original pioneers and quaint characters of long ago.

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Steak for Two

Back in the ’50s and ’60s, the country was overrun with “Continental-style” restaurants offering Naugahyde banquettes, white table cloths, and tony, bastardzied Euro/American menus. One of these retro-glam dishes was steak Diane, a wonderful dish for two.

Use 2 6 oz. slices of tender beef, season with a smidgen of salt and plenty of freshly ground black pepper, dust with flour, and sauté in butter with two finely-diced shallots and a small clove of garlic to taste. Set the meat aside.

Working quickly, add a half stick butter to the pan, a hefty tablespoon of prepared mustard, and 2 cups sliced mushrooms. When cooked down,  add heavy cream, reduce, and stir in enough stock to make a smooth sauce. Spoon over beef, and serve with a love.

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Country Fried Steak

The reality behind country fried steak is that it’s cube steak deep-fried after soaking in buttermilk, dipped in an egg wash made with the leftover milk, breaded in a seasoned mix of flour and corn starch (4:1), and stored in a warm oven before serving. All else is fantasy.