In 1931, William Faulkner published his first collection of short stories, These 13, which in addition to some of his most acclaimed and most frequently anthologized stories—“A Rose for Emily”, “That Evening Sun” and “Dry September”—included “Divorce in Naples”, Faulkner’s most direct if not overt exploration of homosexuality.
Faulkner had already broached the theme in the intimacy between Quentin Compson and his Harvard roommate Shreve McCannon in The Sound and the Fury (1929), and Jenny and Patricia as well as the openly gay lesbian Eva Wiseman in Mosquitoes (1927), and would touch on the theme in later works, but “Divorce in Naples” stands as his most explicit examination.
Simply put, the story depicts the relationship between two sailors, George (“Greek, big and black, a full head taller than Carl”) and the younger Carl (“with his round yellow head and his round eyes, looking like a sophisticated baby”).
‘THEY CAME INTO THE SHIP together at Galveston, George carrying a portable victrola and a small parcel wrapped in paper bearing the imprint of a well-known ten-cent store, and Carl carrying two bulging imitation leather bags that looked like they might weigh forty pounds apiece. George appropriated two berths, one above the other like a Pullman section, cursing Carl in a harsh, concatenant voice a little overburred with v’s and r’s and ordering him about like a nigger, while Carl stowed their effects away with the meticulousness of an old maid, producing from one of the bags a stack of freshly laundered drill serving jackets that must have numbered a dozen. For the next thirty-four days (he was the messboy) he wore a fresh one for each meal in the saloon, and there were always two or three recently washed ones drying under the poop awning. And for thirty-four evenings, after the galley was closed, we watched the two of them in pants and undershirts, dancing to the victrola on the after well deck above a hold full of Texas cotton and Georgia resin. They had only one record for the machine and it had a crack in it, and each time the needle clucked George would stamp on the deck. I don’t think that either one of them was aware that he did it.’
One night Carl disappears and George, frantic, fails to find him. When Carl returns after three days, he reveals that he has been with a woman, and George kicks him out of their berth only to discover later, after their reconciliation, that Carl was too naive to have sexual congress with the woman, and
“ …two weeks later we were watching him and George dancing again in their undershirts after supper on the after well deck while the victrola lifted its fatuous and reiterant ego against the waxing moon and the ship snored and hissed through the long seas off Hatteras.’
Most of Faulkner’s examinations of same-sex desire focus on men; Faulkner had close relations with many homosexual writers and artists, including his townsman and fellow writer Stark Young and his childhood friend Ben Wasson as well as William Alexander Percy and Lyle Saxon. It goes without saying that while living in New Orleans he doubtless knew many others.
The story draws most directly on Faulkner’s experiences with William Spratling, a down-on-his-knees New Orleans fairy, in sailing to Europe on the West Ivis beginning July 7, 1925 and to Genoa on August 2, where after landing they celebrated their arrival by going drinking with the ship’s officers. The drinking bout turned into a brawl with “pimps and prostitutes”, after which Spratling was arrested and thrown into an Italian prison where during the night he had a “homosexual encounter”. Rape is of course implied, but then again we don’t have any evidence that the encounter wasn’t consensual. The event in Genoa provided the kernel for the story, and Faulkner himself was heard to joke at one point that he was jealous of Spratling.
Faulkner’s representations of human sexuality are ambivalent and veiled. “Divorce in Naples” displays sexual activity blended with romantic idealism and sexual innocence if not confusion, but typically for Faulkner leaves the tension between them suspended.
Growing up we called them the “pink apartments”, something unique to the architecture of the neighborhood and an attraction to passersby throughout Belhaven.
The two apartment complexes at 1204 and 1214 Kenwood Place were built in 1938 by Jackson architect James T. (Jack) Canizaro. They have been the home of hundreds of tenants over seven decades spanning three generations of Jacksonians. The apartments rest quietly behind a façade of crepe myrtle and magnolia trees, cool and shady and adjacent to the old Kennington property, which gave their street its name. The pink apartments have no prenomen, but have a great story to tell. No one can tell it better than Bob Canizaro, son of the original designer, who grew up there in the building’s early years.
Mr. Canizaro, an architect himself, lives in Evanston, IL. He grew up in Belhaven with a loving family and great friends surrounded by post-war Jackson and those wondrous times we refer to as the greatest generation. This is his story as told to Bill Harvey, a neighbor from just up Manship Street.
“The stork arrived at Baptist Hospital on Christmas Eve 1938 and quickly moved me to 1110 N. Jefferson Street, a four-plex that stands today. My architect dad (James T. Canizaro), announced my arrival in a series of blue prints complete with maps, plans and schedules. My first gift from him was a football, which I never played with much myself, but I enjoyed following my favorite teams. These were Notre Dame and Central and St. Joseph High Schools in Jackson. My family moved into the 1204 Kenwood Place building when it was completed in 1939.
The tri-plex apartments were a joint effort with a cousin, Emile Cavallo, a civil engineer. Jack and Emile decided to construct our two buildings so they each could live in one unit and have an income from the other two. Mr. Cavello had been in business for a while and could stake the effort for my dad since he was just getting started in his career. Apartments were not new to the neighborhood although the architectural design was unique. I never heard any negative complaints except from his mom, Rosa Pantoliano Canizaro. She felt it lacked a proper front porch where you could rock and talk to the people on the sidewalk. Traditions vary but hospitality remains the same.
I lived and grew up at 1204, until I was 18, then went to Notre Dame, my dad’s alma mater. Many tenants came and went in our apartment building. There was a Dutch couple, Col. And Mrs. Von Oven who lived there during World War II. He was in the Royal Dutch Air Force in training at Hawkins Field. The Dutch flyboys were notorious for their antics in downtown Jackson, often flying low down Capitol Street and waving at the girls in the high-rise office buildings. A woman who worked for us heard a loud noise one day and looked out the kitchen door on the front of the building and saw the Colonel flying down Kenwood Place. No small wonder we won the war!
Col. Lyon Brandon and his wife lived in our building on the Manship side after the war. He worked for the American Legion, traveled around the world and brought me matchbook covers that made a fine collection. I was fond of a tenant named McGehee. He and I were regulars at the old Jackson Senators baseball games at the fairgrounds. We were close to Dr. Estelle Maguria who lived in our middle apartment. After she left, William Fulton, former director of Mississippi Public Broadcasting moved in.
Tenants in our building were generally professional people. The interior and exterior of our home lent itself to the enjoyment of a boy growing up in the times – plenty of room in the back yard, high ceilings, a banister to slide down, my own room, a hill in front to navigate on cardboard sheets and visits to nearby stores for ice cream and comic books. I could walk or ride my bike to school. My dad raised chickens on the back porch and there were endless nearby places to explore. My dad had his architecture studio in a building in the rear yard until the 1960’s. After that it was used by my mother, a recognized Mississippi artist, for a studio. later I made it into an apartment.
My sister Jean Trigiani lived in the end apartment in 1966 when the rent was $95 a month. She is now Mrs. Jean Enochs. She remembers when she and her good friend Tine, daughter of Mr. and Mrs. Ellis Wright grew up together. Tine, who is now Tine Wright Purdy of Huntsville, AL, lived with her family in the 1000 block of Manship Street. She and Jean would play together at their homes or at the Wright and Ferguson Funeral Home where Tine’s father was a partner. Sometimes when the girls needed someone to talk to – maybe on a childhood problem, they would call one another and agree to meet halfway between their residences on a Manship Street curb to talk it over. Having the Baptist Hospital close by proved convenient as I visited the emergency room often with my dad for sprains and stitches. My wife, Beth rescued a brick from the old hospital for me as a memento of those days when the hospital and Jackson were a little smaller.
My good friends in the Kenwood/Manship neighborhood were Fred and John Reimers, John Harley Walsh, Robert Stockett, Kirby Walker, Jr. Guy Lowe, John Potter, Gilmer Spivey, Bernard Meltzer, Tupper and Doug Drane and Howard Shannon. Our family was friends with the Bufords, the Millers, the Wrights, the Harrises, Granthams and Garrisons. This area produced a golf foursome (Reimers, Walsh, Spivey, Canizaro) during our high school and college years. Along streets a little farther a-field, the friends I can remember were Thad McLauren, Rip Pritchard, Jim Herring, Donald McGehee, Bill Bates, George Wilkinson, Bob Thompson, Jim Evans, Robert Taylor, John Deweese and Ricky Rothenberg.” Older Jacksonians will remember many of these prominent names.
I recall meeting kids from the neighborhood at Mrs. Downing’s kindergarten on the corner of Poplar and Jefferson. Most of my schooling was at St Joseph, but I spent three wonderful years at the original Power Elementary School at Pinehurst and North State.
My family had a farm in Madison County where I spent most weekends riding horses and making a bit of trouble for the farm manager. Robert Stockett (Stockett Stables) and I rode a lot and entered horse shows at the State Fairgrounds. Our farm was a Hereford cattle ranch back then but there were many other types of animals and crops. I later helped care for the chickens, pigs and goats and harvest grain and hay.
I did found time to play ball on the Reimers ‘back forty’; engage in a game of kick the can along the intersection of Kenwood and Manship; and hope, in winter, to get enough snow to sled down our gentle hills each season. I do remember the 1100 block of Manship was gravel – not conventional gravel, but crushed limestone like they use along railroad tracks.
My friends and I would have rubber gun wars on the “big ditch” on Poplar, which is now Belhaven Park. We would ‘play out’ in the evenings, catch lightning bugs and watch the mosquito sprayer go up and down the nearby streets. I loved model (electric) trains, as did most kids of my era. Freddie Reimers had a miniature rail yard in one of his family’s out buildings and I spent hours playing there. On summer nights, before air conditioning, I would lie awake and listen to real trains switching on the old GM & O yard. My sister also remembers the train cars banging day and night on the tracks over by St. Ann Street. They would make loud noises to the point it got to be sort of a joke.
We could also hear the starting whistle at the Buckeye Oil Mill on Fortification and trains on the Illinois Central line along Mill Street when the wind was from the west. I remember in the early morning the calls of the vegetable vendors who would peddle their wares on carts throughout the neighborhood. ‘ Fresh shell butterbeans and peas’, they would cry. ‘Okra, corn, tomatoes’. At dawn when the air was still, my sister could hear the lions and elephants at the zoo. I cut grass, worked on the farm, subbed on John Harley’s paper route for money to spend at Cain’s Drugstore (later Parkins Pharmacy) on the corner of Fortification and Jefferson and for a fudgesicle at Shady Nook.
Like so many sons, I owe much of my good times and success to my family. My father, James T. Canizaro, was born in Vicksburg of Italian immigrant parents. He studied architecture at Notre Dame (1928) and worked in Chicago for Graham Anderson, Propst and White. He spent a year in Europe during the Depression studying Art Nouveau, Bauhaus and Art Deco architectural designs. After a short stay in Washington, DC, he moved to Jackson in 1936. He had just married Helene Host of Lake Geneva, WI. She said many times she married an architect because she did not want to marry a Wisconsin farmer. There was probably a bit more to it than that. She became a Tennessee Walking Horse fan and enjoyed the farm almost every weekend.
My father’s first design projects began in 1937. He preferred the Modernism he had seen in Europe, but was not able to sell that concept to many clients in Mississippi. The Kenwood Place apartments were finished in 1939 and were his original inventive concept of what he had observed on trips to Europe and Miami. It has been described as Art Moderne. He also told me he had admired then current architecture in Southern California. He had a chance to try his ideas on work in Oxford, Mississippi for a local apartment developer. He did other projects during those years in Oxford (City Hall) and Natchez (Armstrong Tire and Rubber Co.) making him spend a lot of time on gravel roads observing construction. In Jackson, he worked on designs for residences, the City Court, St. Dominic Hospital, the Pix (now Capri) Theater, Farish Street Baptist Church, Christ the King Church, St. Mary’s School, Sally Reynolds School, the JSU cafeteria, the apartments currently at 1005 Popular Blvd., Trustmark Bank (First National) and many other local and state institutions.
My dad had a real hill to climb to prove himself given his ethnic heritage. Because of his talent, charming personality and generosity with his time he was successful. He provided leadership in many of the local cultural, social, religious and charitable organizations. Among these were the Little Theater, where my dad was in some plays, the Jackson Symphony, the Art Association, Magnolia Speech School, Good Samaritan Center, St. Vincent De Paul Society and the Catholic Diocese. My dad died in the Kenwood Place Apartment building in 1984 and my mother moved to St. Catherine’s in 1989. I sold the property to Holden Clark in the early 90’s and he sold it to Waddell Nejam a few years later.”
We see without seeing so many lifetimes in Belhaven. We admire its eclectic structures whose casement windows reflect the sunlight of a peaceful afternoon. We walk along sidewalks built a half-century ago, half covered now with grass but still a pathway for new parents of children in strollers and pets hopefully on leashes on their way to a walk in Belhaven Park. We take the rugged oaks, like the innocence of our youth, for granted and admire the newer trees and plants in well-kept yards. We share the tranquility, which has always been there, the tenants and lives forgotten or just beginning. The pink apartments stand guard over our past and future. Their legacy is who we are. Thank you Jack and Bob Canizaro for just one more reason why Belhaven is special and a historical treasure to all who know and love it.
Robert (Bob) H. Canizaro FAIA is married to Dr. Beth Chihan Canizaro, the founder and Principal of Davis Magnet School, has two sons (Mark and Paul) and lives in Evanston, Illinois. He is a former principal in the architectural firm, Canizaro, Cawthorn and Davis in Jackson. His resume includes courthouses, hospitals, laboratories, churches, offices, retail shops, residences, schools and a major airport. He has been honored with design awards by members of his profession for many of these works and has a long list of professional memberships and achievements including the Lifetime Achievement Award from the Mississippi AIA. He enjoys living in Evanston, far enough from the traffic of the big city but near enough to enjoy the cultural and gastronomic amenities of the urban environment. He maintains a number of contacts in Mississippi and visits Jackson often.
I was always interested in art, but it wasn’t until 2000, when I was in my mid-thirties that I began going to galleries and taking a serious interest in painting. When I was living in Monroe, La., a local college was offering a painting class through their community enrichment program, so I signed up for a course, six hour-long sessions, and I became hooked at that point. I completed one painting in that course, and after that put it down for a while. Not long after that I was driving through my neighborhood there and saw an easel set up in a window. I found out a lady was teaching a class there, so I took that. We painted from photographs of old masters and I didn’t like painting from a photograph even back then. I learned how to mix paints, some composition, and basic things.
Shortly after that, I moved back to Jackson, this was 2007, I was painting on my own, improving basically by trial and error, still painting from images and still life, but I wanted to be legit, I didn’t want to be just basically copying somebody else. My uncle, who had taken art from Bob Tompkins, saw my paintings and said I should go see Tompkins. He was very helpful; he just didn’t go as far as I wanted to go. I wanted to paint the landscape. I asked him about that once, and he said that he was a studio painter.
But I wanted to paint outside; the artists I was drawn to painted on location from life. So I took a workshop from Roger Dale Brown in Nashville, who is a very well-known plein air painter, and I learned a ton from him about painting outside. After that, I struck out on my own and simply painted what I saw. My still lifes were very tight, very realistic; but when you’re painting outside, you don’t have a lot of time to fuss around because you only have like an hour or an hour and a half before the light changes. The painting of Fenian’s was different for me. I wanted to try painting at night, which has never really worked out well, but I was riding around, saw the rain, found a good place to stand, and really the subject isn’t so much Fenian’s as it is the atmosphere, the feel of the street, the clouds, the telephone poles.
The one in Vicksburg is different because it’s earlier in the day than I usually paint; I rarely paint in the middle of the day. It was also cloudy, and I couldn’t find a sunny spot to paint, and I like to paint when there’s a lot of sun. I like light and dark and shadow. I wanted to paint with the sky as the subject, the main part of the painting. The sun had come out a bit, but the light wasn’t as intense as what I normally paint. I visited Wyatt Waters recently, and I asked him about painting things that don’t really inspire me. I asked him if he had a hard time finding something to paint when he’s not inspired, and he said, “Inspiration is for amateurs; you’ve got to get out there and start painting and the inspiration will come.” So I’ve been trying to make myself paint even when I’m really uninspired.
When I moved to Belhaven, I wasn’t impressed and thought about leaving, but I kept putting it off. Then I started painting outside, and I fell in love with it. When I first moved here, I was thinking I simply wanted to paint landscapes. I didn’t want any man-made structures in a painting. I wanted it to look like an old master painting with nothing modern in it at all. There’s a dictum in art about not painting anything that’s beautiful, that you really can’t improve on it, and I think there’s something to that. I like stuff that’s funky and gritty. Now I really don’t want to paint anything unless it has a city street or a sidewalk or a telephone pole in it. It all kind of came together moving here. Being immersed in a locale, you see more.
I’m not much for change, and I’ve stuck with the same basic palette Bob Tompkins taught me; I even still set it up the same way he showed me. But Jarrod Partridge was a big help to me developing my palette because he studied under the colorists, like a of Mississippi painters. Sammy Britt, Richard Kelso, John Pat Marbury all studied under Henry Hensche, whose lineage goes back to William Merritt Chase. Jarrod helped me with my color, and I need good color because I want to make beautiful paintings, but still the most important elements to me are the light and dark, the contrast. I think someone would say I’m a tonalist, working with light and dark. I’ve heard it said that if the light and dark are correct, that the colors will work no matter what they are, but I consider myself just someone who paints what he sees.
Now that you don’t have everybody nagging at you six ways from Sunday about everything under the sun, maybe you’ll have time to read a little letter of thanks.
This might not mean that much to you since I’ve only lived in Jackson for fifteen years, but whenever I go to the Welty Library, I see your name on the dedication plaque near the door and the date—February 10, 1986—and I think how remarkable it is that you served on the city council for almost four decades. Now, I’m just a hillbilly hack and a lot of people are probably going to jump on me because they don’t think it’s my place to say so, but I think it sheds a bad light on the people of Jackson that nobody has given you a proper send-off after all your years of public service. Oh, I heard they had some little piddling thing in chambers at the city hall, but back where I come from we’d prop you up in a red Cadillac convertible, tote you around the town square a time or two and feed you a nice chicken dinner. Of course, you’d probably have to listen to every pompous ass in town say something, too, but God knows you’re used to that.
I also want to thank you for being a good neighbor. You and Al always stop by the garden on the corner when you see me out in it (more often than not with my fanny in the air) to ask me about what I have growing and how I did this or did I want something y’all had. It tickled me to pieces when Al told me you’d asked him what that white fluffy stuff was I had growing in the big concrete bowl. He said you’d probably never seen cotton growing up close because you’re a city girl, and don’t you fuss at him for telling me, either; four out of five people who pass by the garden in the fall ask the same thing. You both have always had a kind word, and that means a lot to someone with no family in a city full of strangers.
Thank you, Margaret, and I’ll get around to bringing you some zinnias once they get good and started. I planted that cactus kind this year!
This is a third in a series of articles on the Belhaven neighborhood by Bill and Nan Harvey. In it we look at some of our early institutions and neighbors who frequented them. Some are gone, some still remain; here’s their history.
Miss Eudora Welty (1909-2001) is generally acknowledged as Belhaven’s greatest literary treasure. A writer of true greatness and internationally recognized in that regard as well as for her Depression era photography, she was our neighbor on Pinehurst who shopped at Jitney 14, studied in our libraries, and visited along the sidewalks of our neighborhood.
Miss Welty won the coveted Pulitzer Prize for Literature in 1973 for The Optimists Daughter and was recognized internationally in 1996 when French Consul General Gerard Blanchot came to Jackson and pinned the red-ribboned star of the French Legion of Honor on her silk gown. Legions of articles and books have been written about Eudora Welty including a biography by Belhaven resident Suzanne Marrs. Her life and works are available in bookstores and libraries everywhere. Yet in spite of all her notoriety our famous neighbor was a gracious and humble lady whose kindness was a prime example of gentility.
There are hundreds of stories about Miss Welty, her gentle manner, and sly sense of humor. I have my own. Some of you remember the “hippie days”, when Beatle emulating young people wore their hair long, donned love beads and sported Nehru jackets. There was a restaurant at the end of South Jefferson Street which shall remain nameless, whose proprietors were of the old school. One summer evening Miss Eudora was escorted by two Belhaven College students to the establishment for dinner. The owners took one look at the young men and ordered the trio out. “We don’t serve men with long hair,” they proclaimed. Miss Welty thanked the restaurant owners and departed. Frank Hains, arts and entertainment editor for the Jackson Daily News, heard of the incident and wrote a scathing column in which he demanded an apology. Although the article could not have benefited the restaurant owners, Miss Welty defended the restaurant saying it was their right (then) to refuse service. When asked if she would return under different circumstances she smiled and evoked one of her favorite expressions, “We’d be fools if we didn’t.”
There was no facility to service automobiles in early Belhaven. Residents had to go downtown for gasoline, oil changes and minor repair work. However, that changed in 1928 when a little one pump gas station, designed by Jackson architect Hays Town was built at the northwest corner of Poplar and Hazel Streets. Through the years the little station, which resembled a miniature version of a colonial home, sold petroleum products, nostrums and notions until it closed in 1969. Architects Thomas Goodman and Sam Mockbee adapted the old station to their needs in 1978. According to Goodman, Mrs. Mathew O’Riley a Belhaven third grade teacher, named it “Shady Nook”.
Shady Nook was a way station for the neighborhood kids. Belhaven architect Bob Canizaro who lived on Kenwood, recalls he used his grass mowing money to buy fudge sickles there. Bill Harvey would meet other neighborhood kids on Saturday morning at the Nook to air up his bike tires, grab some Nabs and head for Laurel Street Park. But it was also once a popular hangout for Belhaven coeds as it sold ice cream, candy, soft drinks, peanuts, bobby pins, toiletries and….cigarettes. Today it serves as the office for Henry LaRose Realty. There were many things young ladies had to be shielded from in the 30’s and 40’s and not the least of these were cigarettes. We didn’t know as much about those things then as we do now and after all, Bogie and McCall smoked in their movies; they were stars so it had to be cool. After classes and on weekends, a few of the more daring young ladies from the college slipped down to Shady Nook to light up. No teachers or housemothers were present. Sophistication abounded. It was their refuge.
Throughout the late 1920’s and early 30’s Belhaven continued its eastward growth. Streets which had been named for individuals were now being named generically. Streets west of St. Ann and St. Mary were established but Piedmont, Howard, Divine, Myrtle, Belmont and Ivy were still in the process of being developed. One little street which ran from Riverside to Belmont no longer exists – a victim of the new interstate which eliminated it in the early 1960’s. That street was Enterprise and deserves a place in our history.
Whatever happened to Enterprise Street One short block from head to feet. From Belmont down to Riverside, Eight little Houses side by side.
Like Persimmon and Olive Streets It was one block long and 30 feet deep, Like bigger brothers it was a part Of children’s laughter after dark.
No curb or gutters or walk-alongs, Just a row of Craftsman homes, The pavement was of crushed grey slate, Where boys and girls would roller-skate.
Over thirty years it had its place Near the park it once did face, And when it lost out in sixty-one Its memory lies where the traffic runs.
Short and sweet was Enterprise Street, No longer here for us to greet, But like other pieces of our past Its presence here will always last.
There are still mysteries on our streets. Some neighbors remember the little private library on the south side of the 2000 block of Laurel where concrete steps led to a side building no longer there. Where was Vinegar Bend? Was Poplar Boulevard designed to be a true boulevard with a median and sidewalks? Intersecting sidewalks leading into Poplar stop short of the street itself. Was that public land to be part of Poplar? Why was Persimmon never developed east of Greymont? Early maps show it going through to St. Ann. Were there walkways bridging the dead ends of Monroe? Where did Euclid get its name? Did Milsaps students name it for the father of geometry? Does anyone know?
In 1925, Belhaven Heights Part 2, an irregularly shaped subdivision, was platted. The subdivision bordered the Belhaven campus on the west, from Poplar north four blocks to Laurel, along St. Mary and St. Ann Streets opening up a much larger area going north to Riverside Drive and east from the college to Myrtle. Within this subdivision Jackson land developer L.L. Mayes saw an opportunity for affordable housing for young families. Mayes began the development of the Sylvandell subdivision in the late 1920’s and many of its homes of varied architectural style can be found on the east side of the 1400 block of St. Mary Street and around the southeastern corner of Laurel to what was then called Sylvandell Park.
Other developers were discouraged by the rough and hilly terrain but not Mr. Mayes then living with his family in a neoclassical home on Pinehurst. In addition to building homes he commissioned sculptor Joseph Barras, to design a concrete entrance of wide steps anchored by nymphs and leading down to the bucolic setting which became Laurel Street Park. Along the path into the park were fairy tale figures of Little Red Riding Hood, the Big Bad Wolf and others. Behind the homes on St. Mary and Laurel Streets were woodlands to the west and a meadow to the east. A descending natural stairway led from the white borders down to ravines, undergrowth, and two small creeks. The walkways coursed through rustic walls emulating old English countrysides. Homes were built of buff brick – trimmed in white, and topped with light, apple green tiled roofs. The homes were set among the trees, as if in a forest which was designed to make them more attractive from the street. The entranceway to what was to become Laurel Street Park was at the eastern terminus of Pinehurst Street. This stately entrance was guarded by the mythological Pan and his nymphs the remains of which are visible today.
Pan and his friends have gone back to the flocks and shepherds from whence they came and the little footbridge, children’s statues and walkways have returned to the soil. The creeks run quietly and children still play in the park but if you look carefully along the driveway at 1331 St. Mary, you will see Pan with his flute, a paean to what exists today, a subdivision whose beauty can be found nowhere else in our neighborhood.
Nearby additional developments were taking place. The Belhaven Park subdivision which includes Pinehaven, Parkhurst and River Park, platted 11/3/1939 by the Presbyterian Church USA. The Belvoir subdivision which includes Belvoir Place and Circle was platted 6/26/51 by the Belhaven College Board of Trustees. What was once the northern end of Belhaven Lake is now a sinuous tree lined street of stately homes, some the former residence of families who planted the live oaks along Riverside Drive.
Belhaven’s only church was organized April 8, 1837 by the Rev. Peter Donan and four members: Mrs. Margaret E. Mayson, Mrs. Susan Patton, and Mr. and Mrs. John Robb. For two years there was only the pastor and the founding group but no deacons, elders nor individual house of worship until 1845.
The State of Mississippi owned large tracts of real estate in downtown Jackson and in the early 1800’s made land available to religious denominations in the vicinity of Smith Park. Several local churches located in this area and remain today but the Presbyterians felt preordained to exchange their tract for land at the northwest corner of State and Yazoo Streets. There they worshiped until relocating to 1390 N. State in August, 1951. The land on which the church rests today was owned by a group of developers in 1925. These were early Jacksonians S.S. Taylor, C.E. Klumb, S.K. Whitten, Jr., W.N. Watkins and H.V. Watkins. The group sold the land on December 4, 1925 to W.N. Cheney, R.S. Dobyns, Carl L. Faust, W.E. Guild and Stokes V. Robinson. The Pinehaven Realty Corporation purchased the property from this group for $12,700 on March 1, 1927. For much of the following 23 years the Pinehaven Realty Corporation maintained the land where the church stands today. A single dwelling and out building were shown on the 1925 Sanborn Fire Insurance Company map. The majority of the land between Pinehurst and Belhaven Streets was vacant and remained so until purchased by the church on September 20, 1950. Prominent Belhaven resident Chalmers Alexander was instrumental in this transaction.
According to Jackson native Judge Swan Yerger, much of the north end of the 1300 block of North State was a field which served as a softball diamond for the older Power School boys who spent their recess and many hours after school on this diamond.
Two great accomplishments of First Presbyterian Church are its unwavering support of Belhaven University which ensured its survival and prosperity throughout many years and the establishment of the First Presbyterian Day School in 1965. Regardless of your religious persuasion, First Presbyterian Church is a cornerstone in our neighborhood. It draws young families to its day school, students to its chosen university and Christians to its message. In the words of John Calvin (1509-64), “Let us not cease to do the utmost so that we may incessantly go forward in the way of the Lord; and let us not despair of the smallness of our accomplishments.”
Jitney Jungle did not begin in Belhaven but it found a home here. W.B. McCarty and Jud and Henry Holman were cousins who came to Jackson from Greenwood and opened a small grocery in 1912 at the intersection of Adelle and Grayson (Lamar) Streets. They invested a borrowed $1,000 in their business and called it Jackson Mercantile Company. Through the teens and twenties of the 20th century the young men expanded their grocery businesses, even adopting a popular slogan “Save a nickel on a quarter”. According to Mr. Will McCarty, Bill McCarty, III’s grandfather, the owners were looking for a name a bit catchier than a mercantile company. Even the later McCarty-Holman Stores nomenclature was a bit prosaic. It was a habit of Judge V.J. Stricker who lived nearby to invite the three young merchants residing at Mrs. Josephine Bailey’s boarding house on Adelle Street to his home for Sunday dinner. The merchants asked Judge Stricker to suggest a new name for their stores.
The end of the First World War saw returning soldiers anxious to buy an old car for riding about town. They called it a “jitney”, slang for a London taxicab and street jargon for a nickel. Since a cab ride to town in Jackson as well as London cost a nickel the term “jitney” was popular and it was customary for patrons to shop with “nickels jingling in their pockets”. With the store’s slogan in mind and stock in the new stores looking like “a jungle of values”, the judge suggested the merchants rename their enterprises Jitney Jungle Stores. The first store under the new name was at 423 E. Capitol Street which opened April 19, 1919. Now you know.
The 1930 Jackson City Directory shows the birth of our neighborhood Jitney Jungle on Fortification in that year. It was the 14th store in the chain and its first manager was Charles Alford. The new store was small but was developed into a “super store” through a remodeling and a formal grand opening on November 10, 1933.
Mrs. Betty Edwards, daughter of co-founder William B. McCarty said that the Belhaven Jitney made a special point of catering to women. ”When you entered the store there was a platform area to the left for ladies to sit and visit before they shopped. A woman taught knitting and ladies could sit or read. It had the first female rest room in a Jackson grocery store. There were chairs for children and inexpensive house dresses for sale in racks near the front entrance.” Ladies from some of Jackson’s most distinguished families shopped regularly at Jitney 14. They included Mrs. Emmitt (Marie) Hull, Mrs. Fred Sullins, Mrs. James Canazaro, Mrs. R.E. Kennington, Miss Eudora Welty and Mrs. Percy Weeks, Willie Morris’ grandmother, who lived across Jefferson Street. Willie spoke of the store in his 1989 book Homecomings – A Return to Christmas Gone
The new Jitney was a Tudor revival style designed by Belhaven resident and architect Emmett Hull. It later became known as English Village containing the grocery and a new drugstore owned by Price Cain. The main entrance to the store faced Fortification Street. It was the second grocery in the United States and the first in Mississippi to have air conditioning. It contained a bakery, a refrigerated meat counter and a glass front delicatessen where the beloved “Mrs. Pitts” performed her pastry creations for a number of years.
Throughout the years Belhaven’s neighborhood Jitney Jungle continued to expand, modernize and enjoy commercial success until it was purchased by a northern conglomerate in March 1996. It was later bought out by Winn-Dixie and in 2005 by Greg and Kathy McDade. In 1996, the Jitney Jungle chain’s sales volume was $1.2 billion¬, quite a return on the $1,000 investment by three young entrepreneurs 84 years before.
Growing up we called them the “pink apartments”. The flamingo-colored complex spanning the eastern side of the 1200 block of Kenwood was constructed in 1938 by Jackson architect James T. (Jack) Canizaro. What makes these units unique today is the period they represent once providing homes for some of America’s greatest generation. In conversations with Mr. Jack’s son Bob, who lives in Evanston, IL, we learn that the architecture is Art Moderne, a style copied from homes in southern California. Bob Canizaro spoke not just of the residence built by his father, that he grew up in, but of the times themselves.
“Many tenants came and went in our apartment building. There was a Dutch couple, Colonel and Mrs. Von Oven, who lived there during World War II. He was in the Royal Dutch Air Force in training at Hawkins Field. The Dutch flyboys were notorious for their antics in downtown Jackson, often flying low down Capitol Street and waving at the girls in the high rise office buildings. A woman who worked for us heard a loud noise one day, looked out the kitchen door and saw the colonel flying down Kenwood Place.” No small wonder we won the war.
Mr. Canazaro spoke of other military personnel who lived in his family apartments. “I was fond of a tenant named McGehee. He and I were regulars at the old Jackson Senators baseball games. We were close to Dr. Estelle Maguira who lived in our middle apartment. After she left, William Fulton, former director of Mississippi Public Broadcasting moved in.”
Bob and I discussed the neighborhood around the apartments as it was back in the 1940’s. He remembers Mr. and Mrs. Ellis Wright, Fred and John Reimers, John Hanley Walsh, Robert Stockett, Kirby Walker, Guy Lowe, John Potter, Gilmer Spivey, Bernard Meltzer, Tupper and Doug Drane, Howard Shannon and many others. He spoke of Mrs. Downing’s kindergarten at Poplar and Jefferson, Power School, Stockett Stables, playing ball on the Reimers “back forty” where the Kennington Home was built. He told of rubber gun wars playing in the “big ditch” which is now Belhaven Park, catching lightning bugs in a bottle and going for ice cream and sodas at Shady Nook.
There were sights and sounds then which have faded into history: the lonely whine of the GM&O diesel locomotive, the starting whistle at the Buckeye Oil Mill, lawn mowers cutting grass for money to buy comic books at Cain’s drugstore, animal sounds from the far away Jackson Zoo and the early morning cries of street vendors as they plied their wares down Manship.
The Pink Apartments are filled now with new families and young moderns seeking their own place and dreams. I would hope as they stroll the sidewalks down to Poplar or up to McDade’s they will reflect on the art of Mr. Jack Canazaro, his legacy to our neighborhood, and the times in which he lived.
Jackson, like much of America, entered its golden years in the 1950’s. Far sighted mayors Leland Speed and Allen Thompson were rapidly building a city approaching a population of 100,000. The great war for democracy had been won and with bubble gum, cars, and affordable housing once again available there was no end to what a free people could do to ensure a prosperous future.
On the northern edge of the Belhaven neighborhood, Bailey Junior High School opened in1938; winning national awards for its architectural style developed by Hays Town. The State Medical Center held its first classes on the old Highway Patrol property in 1955. Ike was president, Governor Hugh White was balancing agriculture with industry in Mississippi and the lights did not go out on Jackson’s Capitol Street until long after midnight. Meanwhile, a skinny kid from Tupelo walked into a recording studio in Memphis and sang a song for his mother that changed the course of American popular music forever.
A one-story frame commercial building with a flat roof, home of the Overby Company, sits on 1808 North State. But like so many structures that have endured 90 years it wasn’t always so. It opened as North End Grocery in 1928, named for the northern terminus of the street car line, and served a number of small commercial enterprises before becoming North State Pharmacy in 1947. It was a typical drug store, owned by a Belhaven couple whose surviving widow wishes to remain anonymous. It was the place to go before and after classes at nearby Bailey for its soda fountain and pinball machine. I have to confess, I was there myself, quite often as a teenager, in the early 1950’s. Many years later I sat down with the lady who was the co-owner and she told me a story I will share with you.
In the middle 1950’s there was no interstate system around Jackson. Highway 51 ran down North State into downtown. A traveler going let’s say from Memphis to New Orleans had to pass by North State Pharmacy and Mr. Dixon’s Texaco Station next door. One spring day in 1956 someone did.
Elvis Presley once visited the Belhaven neighborhood. Not for long but forever. My friend smiles today in remembrance of all the things we were and while the drugstore never had a jukebox, it did serve a milkshake to the king of rock and roll. According to my friend a pink Cadillac pulled into the Texaco on a fine spring morning. The occupants were a singer and his band on their way to a performance south of the city. While the car was being serviced Elvis Presley and a couple of his band members walked into North State Pharmacy and Elvis ordered a milkshake. My friend recognized the singer but said nothing. She was too dignified to make a fool of herself and besides she was pregnant. But customers in the store knew what was going on and there was a mad dash for the pay phone. Elvis and his entourage did not linger. When the car was ready they moved on, but for the remainder of the day people flooded into the store wanting to know which booth Elvis sat in and how did he look.
Our next section will show how our neighborhood matured with expanded residential and commercial growth, a dynamic education system, increased medical facilities, a theater for the performing arts and a strong network of foundations and associations that would ensure its future.
I always thought it a very cool thing to be able to say that GlennRay Tutor, Glenn Ballard, and I took a writing workshop together in the summer of ’74. Indeed, so far as I know, it was the only writing class any of us ever took. There were other good students whose names I do not recall, but wish I could. Neither can I bring to mind the least remnant of what I learned in that class. The professor, however, was unforgettable.
He was a devilishly handsome man, funny and kind, and he seemed to know everything. Simply everything. He could summon a quote from the ether anytime he wanted. He read beautifully, both poetry and prose, and read as if the poet or writer were his best friend in all the world. He had written an actual novel (we didn’t know then about the ones he would always dismiss as “drugstore paperbacks”) published by an actual New York City house, and his short stories had appeared in actual magazines, and we boys looked on these accomplishments as commensurate with raising the dead. Nevertheless, he was humble in the presence of great writers, and treated even our sophomoric maunderings with delicacy and respect. More important, he practiced humility toward his own prodigious talent.
Our professor smoked a pipe, as all professors ought, and as most did in those vanished days. Over the years, I took every course he offered, and his routine never varied: he would arrive with his pipe and tobacco pouch and a thermos of coffee, greet everyone, open whatever book we were using, and commence to be brilliant. (He had a Nimrod Sportsman pipe lighter–the kind advertised in Field & Stream–and his old students will smile when I recall the image of that good man flicking his lighter and stoking his pipe and pouring a cup of coffee all at the same time.) He never used notes, and hardly ever wrote on the blackboard. Had there been Power Point then (God forbid!), he would have scorned it. Neither did he waste time with films or slides. He just talked, and read, and revealed the magical realm of literature to us.
Those who remember this excellent professor will be interested to know that, at long last, his life and contributions are contained in a biography: Living in Mississippi: The Life and Times of Evans Harrington (UP of Mississippi, 2017). Author and scholar Robert Hamblin knew Dr. Harrington as friend and colleague; he has drawn on that relationship, on a wide range of interviews, and on careful research to present as complete a portrait of the man as we are ever likely to have.
And what a man he was! Evans Harrington was born in Birmingham of parents who were conservative both in religion (his father, Silas, was a Baptist minister) and politics–which is to say that the elder Harringtons were Southerners of their time and generation. When Evans was three, the family moved to Mississippi, and there they remained. Young Evans grew up in the rural South of the ‘20s and ‘30s, a culture which shaped him in many ways. Harrington loved the Southern landscape; he was a skilled hunter and fisherman; he knew what it meant to work hard; he was schooled in the Bible and old-time religion; he was as mannerly and courtly and brave as any character in Swallow Barn. At the same time, he grew to manhood in a time when change was on the horizon. Like many thoughtful Southerners before him, Harrington was exposed to unexpected, often uncomfortable, insights when he left the South and joined the service in 1943. For the first time, he encountered young men from the North and West who owned different ways of thinking; when called upon to explain his region’s unique qualities, Harrington, like Quentin Compson at Harvard, discovered he could not defend many cultural elements he had taken for granted. In an interview, Harrington admitted that, by the time of his discharge in 1945, he was “already an integrationist and a defender of the blacks.”
Throughout his adult life, Evans Harrington was a champion of equal rights, not only for blacks, but for all persons protected by the United States Constitution–and this at a time when such notions might cost a Southern man his life. Nevertheless, he refused to follow many of his educated, like-minded contemporaries (including William Faulkner) in their exodus to more “enlightened” areas of the country. Hamblin takes his biography’s title from the essay “Living in Mississippi” (Yale Review, June, 1968), in which Harrington defines the extraordinary dilemma of one who insists on loving his native land in spite of itself. Harrington remained in the state he loved; throughout the tumultuous civil rights era, he fought, with ardor and passion, often at his own peril, and at considerable personal cost, for what he believed to be the only decent, humane, and just relationship among human beings.
Among the many virtues of Hamblin’s book is the decision to present different elements of his subject’s history–biographical, political, academic, and literary–as independent sections. A departure from traditional biography, Hamblin’s technique offers clarity and focus, though not at the expense of the narrative as a whole.
It well may be that Robert Hamblin’s outstanding work will find but a limited audience, since Evans Harrington’s is not exactly a household name, and it is unlikely Hamblin will make it one. This is a very great pity, for Dr. Harrington’s life would inspire anyone who values courage, honor, and the rare quality of thinking for oneself, especially when it challenges the entrenched world view of a conservative society. In any event, those lucky enough to have known Dr. Harrington will find this book a treasure indeed.
Having begun this review on a personal note, I will end it in the same fashion. I never saw eye-to-eye with our good professor on certain points of his philosophy. I continue to believe liberal thinkers of his era embraced an ideology that, while admirable, was wholly impractical. They were naïve in the sense that all are naïve who cannot imagine the unimaginable future, a fault shared by every person who ever lived. On the other hand, without idealists like Dr. Harrington, our flawed humanity would never improve, never move toward kindness and justice and mercy. We are intractable until we see our image in the mirror of history, held up to us by brave men like Dr. Harrington.
By the way, when we at last discovered the Doc had written novels under a pen name, we implored him to reveal it. Finally, one day, he did. “It’s Jacqueline Suzanne,” he said.
Thank you, Dr. Harrington. Well done, sir. May you rest in peace.