Buried deep in my album is a photograph from the hot summer of 1979, of the boys playing music on a flatbed trailer. We appear to be laying down some pretty hot licks, going for the big $100 purse in the band contest on the Oxford square. Old John Bradley is thumping the stand-up bass; Mr. Cragin Knox frails the banjo. Randy Cross, staring off into the flaw- less summer sky, is on rhythm guitar; the immortal L. W. Thomas is playing lead; and I am sawing on the fiddle.
Our faces are solemn masks, the de rigueur expression of the old-time string band. WOOR Radio is flashing us out over the airwaves; the shirt- sleeved judges lean on their elbows; and in the foreground Mr. Jack Cofield himself is snapping our picture as if we were very big dogs indeed. It is a satisfying image, for it fails to mention that we were not big dogs at all but mere dabblers in the music trade. Moreover, it omits the dubious harmonies we sent aloft that day to the old arched windows of city hall.
And to look at it you would never guess, any more than the “bored judges” or the listeners scattered on the green, that our faces-so cool, so self-possessed-are in fact rigid with fear, and in our hearts a secret voice bargains with God to only let us live through this set and we would never, never, never play in public again.
What, then, were we doing there? It was a question we often asked our-selves when the pressure, largely self-induced, was on. It was not really all that bad, playing music-we had our good days, even a triumph now and then. But there was always the suspicion that sooner or later the People Out Front would rise up in their scorn and drive us from the stage. hey never did, of course, and we lurked on the fringes of the business for years.
We were known by picturesque names-The Waterford Road, The Eighth of January, The Horse Stealers. Friends came and went: Uncle Frank Childrey and his Gibson mandolin; Gathal Runnells, a great fiddler; young Les Kerr and Mike Burduck, a fine bass player. We played all around, turning up like rented palms at parties and banquets and wedding receptions, even at wine-and-cheese affairs where our repertoire nearly always clashed with the decor. We worked the Watermelon Festivals in Water Valley, the Faulkner Conferences in Oxford, and Ole Miss pep rallies.
And always there were the taverns: Abbey’s Irish Rose, Cajun Fred’s, The Warehouse; all gone now but lively enough places once upon a time. In the taverns we met all the usual roadhouse foolishness. People grabbed at our microphones and spilled beer on our instruments. Combatants arrived at our feet in a spray of broken glass. It was a rare show that we didn’t get 10 requests for “Rocky Top,” a song we all hated and couldn’t play very well anyway.
But in our travels, we knew also the good bright sun, the faces of friends, pretty girls dancing, free drinks, and the smell of barbecue in the air. It was a colorful pastime, and there was nothing quite like walking into a job with an instrument case and having the public mistake you for a musician.
We fooled them for a long time, though we never amounted to much more than a bunch of boys playing music on a flatbed truck. We had none of the professional apparatus, like matching shirts or our own sound equipment, and our showmanship was… elemental, you might say (“Now it’s time for the boys to innerduce themselves,” L. W. would announce, “and we would turn and nod and shake hands with each other, and sometimes the People would get it and sometimes they wouldn’t.)
Yet in time we gained, to our everlasting astonishment, a following. Not just our girlfriends and cronies, understand, but people we never knew before. To the Ole Miss students we were a novelty beyond words, to the older folks perhaps the half-remembered voice of a simpler time. And in spite of our fears none of them ever seemed to care if we were very slick or not, if we broke strings or forgot the words. All they wanted was a joyful noise, and we could give them that. Through the old songs, we touched something solid and authentic in the heart that all of them could recognize, even if they didn’t know why.
And for ourselves – when we were rolling along and hanging on to the steady thumping of the bass, we were in high cotton indeed. So in the end it was worth it, and if we had to ask what we were doing up there, we need look no further than the music for an answer. We would do it all again, I think. And when the house lights came on for the last time, and the boys closed their cases and went away into the world, they took with them a long memory, and the old songs – to be broken out in the parlor now and then, or suddenly remembered in the ruin of night. And in my album the boys are captured forever, having a bad day but trying to do their best just the same.
We won the $100, by the way-not for being top band in the contest, but for being the only one to sign up. “That’s show biz,” as the feller said. –Howard Bahr
Peppers in Mississippi don’t carry the same cachet they do in parts of Louisiana and Carolina where their cultivation and consumption has become a fetish.
That’s not to say that we don’t have our share of connoisseurs here, for indeed we do, even eccentrics who will trot you out to a raised bed in their back yard in order that you might make appropriately appreciative noises over their ghosts. You’ll even find reapers and habaneros at a farmers’ market which I find more evident of their ease of culture than their demand for the table.
The staples prevail. Topmost are the thick-walled bells, best smaller than a fist, dark and tight. Country-style lunches should always include the crunch and zest of fresh sliced onion and sweet banana pepper to cut fat-stewed vegetables. Jalapenos here tend to be woody with more heat than taste, but deseeded and minced they’ll serve in a pico or pureed in a thin salsa. Poblanos should have a larger role in our kitchens, as should all the mild thin-walled capsicums. The thick-walled cherries are regrettably still a novelty.
The Mississippi pepper season begins in earnest when the thin cayennes come to market, as they did today in the form of two mesh baskets filled with spindly green pods marked to sell for a dollar each. At such a price my jaw dropped. The vendor, apologizing (!) said she’d have red ones soon, which she’s sure to mark up, but the greens are just as good if not more so, even dried. We’re finding less and less of the long cayennes now, so if you find a vendor, woo them, fawn and flatter, because cayennes will get you through the winter in the form of sauce or vinegar. Tabascos will too, and they grow well here, in my experience better than cayennes. The meatier tabascos make a better mash for red sauce, but both are equally good simply destemmed, pierced, packed into a jar with salt and filled with hot vinegar.
For two years now I’ve been growing pequinos first sent as a cropped plant from a friend in Austin. In the landscape of my mind where all sorts possibilities entertain themselves, the fiery little pequin is what I remember called a bird’s-eye pepper, not the Asian variety. Pequinos grow at a glacial rate from seed so must be pruned and overwintered.