Local history is the beggar at Clio’s feast. In the hierarchy of history topmost are works on great wars, empires and cultures; next histories of countries, commerce and important cities; then finally—after a considerable gap—comes state and local history, the latter often denigrated as nothing more than amateur obsessions.
State and local histories command little professional attention because they receive the least academic funding, the fewest and least government loans or grants, and the smallest lectern on official and scholastic stages. In those the folklorist with his dancing palette and anthropological basis commands more respect. Professional historians deride local history as poorly-researched, ill-written and hopelessly insular. This criticism can and is levelled at history written on any level; simply read The American Historical Review for confirmation.
Yet who can scorn research as insufficient when conducted with so little material in place? How often does Gibbon himself sound as if he’s labored far too late and drunk far too much port? Who can say that the storming of the Bastille isn’t local history to Parisians, or an account of the Beer Hall Putsch isn’t to Bavarians? The least parts of history come together to form the whole, and in the smallest arenas of mankind we can discern a microcosm of the whole?
Let us treasure those who, compelled by their love of place, put before us a likeness of how it was before our time, teaching us who we are, revealing how our little part of the world shapes our lives and strengthens our hearts.
In the Memorial Hall Foundation Museum in New Orleans sits a chunky Chickering “square” parlor piano manufactured in Boston in the 1840s. The piano, the former proud possession of the Cooper family of Jackson, Mississippi, once helped to shore up a Civil War redoubt facing south along the Jackson Railroad line. The fortification was manned by the Fifth Company Washington Artillery, part of General Joseph Johnston’s Confederate “Army of Relief” defending Jackson against the forces of Union General William Tecumseh Sherman.
On the sweltering morning of July 12, the Confederates began playing the piano, oblivious to the Federal line advancing on their position. The men sang songs of home as their skirmish line was pushed back behind the redoubts, and while the men were called to their guns, the pianist, Private Andrew Swain, began playing “You Shan’t Have Any of My Peanuts.” The attack began, but the Confederate line held, and Swain resumed his place on the piano to play “Oh, Let Us Rejoice.”
The saga of the Cooper family’s piano is just one of the many wonderful stories that enrich Jim Woodrick’s The Civil War Siege of Jackson, Mississippi, an account of Sherman’s little-known and less-documented attack on Mississippi’s capital after the fall of Vicksburg in July, 1863. The Siege of Jackson, as Terrence Winschel observes in his introduction, was “the final, yet seldom mentioned scene of ‘the great drama’—i.e. the campaign for control of the Mississippi River.” The capital of Mississippi became, for that week, a battlefield. Its capitulation capped Grant’s victory at Vicksburg, put a black band around the Confederate war effort, and reduced the nascent city of Jackson to smoking ruins.
In the spring of 1863, the war in the west focused on Vicksburg. Lincoln told his civilian and military leaders, “Vicksburg is the key!” Confederate President Davis was of the same mind: “Vicksburg is the nail head that holds the South’s two halves together.” In Confederate hands, Vicksburg blocked Union navigation down the Mississippi and allowed communications and reinforcements from Confederates to the west. The natural defenses of the city led to its nickname, the Gibraltar of the South.
Earlier in the Vicksburg Campaign, Union General Ulysses S. Grant became convinced that Confederate forces assembling in or near Jackson might be stronger than he had initially supposed. The eradication of Jackson was essential for two reasons: first, Jackson was a focal point for the relief of Vicksburg, with a railhead and the entire Confederacy behind it; secondly the destruction of the capital city of President Davis’s home state presented a significant opportunity to demoralize Confederate leadership and the Confederacy itself.
In a torrential downpour on May 14, 1863, Grant’s men drove through Johnston’s weak defenses and captured Jackson. To conserve his forces, Johnston abandoned the city and withdrew to Canton. Weeks later, after Grant besieged Vicksburg, Confederate Secretary of War James Seddon urged Johnston to relieve the river city. Seddon, however, refused to send Johnston reinforcements, and Johnston declared that “saving Vicksburg is hopeless.”
Nevertheless, in mid-May, when General William Loring and some five thousand Confederate troops entered Jackson, Johnston set about organizing a relief column. On June 28, he began moving west, and advanced as far as the Big Black River only to discover that Vicksburg had fallen on July 4. Johnston retreated to Jackson, fortified the city, and by July 10 was invested by greatly superior Union forces under William T. Sherman. The siege of Jackson had begun.
For Jackson readers, The Civil War Siege of Jackson, Mississippi—hereafter, The Siege of Jackson—brings the violence of a hundred and fifty-six years ago to street level. Novelist and historian Howard Bahr observes that few current residents of Mississippi’s capital city are aware of the dramatic events of July, 1863: “The reader may well be surprised, as I was, by the scope of this operation and the great violence and loss of life that occurred on the ground we walk over every day. Jim Woodrick’s account, well-written and meticulously researched, offers for the first time a detailed, comprehensive narrative of the weeklong siege supported by maps, period drawings, an Order of Battle, and photographs. The account is enlivened by humorous anecdotes and, more important perhaps, a focus on individual participants and the personal tragedies of soldiers who died far from home.”
The Siege of Jackson is very much a work of scholarship. Terrence Winschel, author of the introduction, has recently retired as the Chief Historian of the Vicksburg Military Park; Woodrick, a native of Meridian, graduated from Millsaps with a degree in political science, was active in the Jackson Civil War Round Table, and is currently the Deputy State Historic Preservation Officer at the Mississippi Department of Archives & History.
Woodrick said he decided to write The Siege of Jackson for two reasons.
First of all, only one book has been previously published that covered the Jackson campaign and the subsequent siege, and that book, published in 1980 by the Jackson Civil War Round Table, combined the siege with the May 14, 1863, battle of Jackson, When I first started exploring the possibility of a book on Jackson, it was actually intended to be an updated version of that book with one of the original co-authors, Warren Grabau. Unfortunately, Warren passed away before we could tackle that project and the idea went to the back burner for a time.
But the idea of writing about the Siege of Jackson stayed with me,” Woodrick said, “and the more I studied the campaign the more I felt it deserved to be studied on its own. Considering that I work next door to the Old Capitol Museum – essentially in the middle of the siege lines – I thought it fitting that I be the one to tell the story of the approximately 70,000 men – blue and gray – who fought for a week in July 1863 for control of Mississippi’s capital city.
Woodrick’s retelling of the siege is a significant upgrade from that of Bearrs and Grabau, who primarily concentrate on military aspects of the action. Woodrick’s version is far more inclusive, incorporating, vivid descriptions of the action, details of the terrain, conditions and armaments and profiles and accounts of individual soldiers and commanders. It is an essential book for Jacksonians interested in the city’s history and is highly recommended for anyone interested in the Civil War.
Woodrick went on to say:
When I started working on the book, I was perhaps most interested in the two army commanders involved in the siege,” Woodrick went on to say. “Sherman and Joseph E. Johnston would meet again, but the Jackson Campaign is actually the first time they faced each other, and the siege of Jackson is, I think, an interesting look into their leadership abilities at this point in the war.
A re-enactor as well as a military historian, Woodrick writes for readers interested in military history and tactics, a demanding audience indeed. Woodrick rises to the occasion by describing in detail the most significant—and bloodiest—action of the week-long siege: Union Brigadier General Jacob Lauman’s calamitous assault on Breckinridge’s Division in the Confederate redoubt southwest of the city where the entrenched Washington Artillery manned two James rifles, four Napoleons, and a Chickering piano.
Woodrick ensures the book’s broader appeal by positioning the siege of Jackson within the framework of the Vicksburg Campaign, which is—to Mississippians, at least—the most familiar military action of the Civil War. Woodrick underscores the importance of both the Battle of Jackson (May 14, 1863) and Siege of Jackson as components of Grant’s successful Siege of Vicksburg and Union domination of the Mississippi, in both instances to eradicate Jackson as platform for Confederate forces. Woodrick says:
In a cursory sense, I suppose the campaign could be viewed as simply a rearguard action, but I think that’s selling it far short. In reality, the Siege of Jackson is the exclamation mark at the end of the Vicksburg Campaign. Having finally achieved the long-sought goal of capturing Vicksburg, Grant simply could not ignore Johnston’s still-intact army looming to the east, and in that sense, I think it was critical to the ultimate success of the Vicksburg Campaign. Unfortunately, because of events in Pennsylvania (i.e., Gettysburg), the Jackson Campaign in many ways gets overlooked by historians (and at the time), especially since the siege didn’t end in a grand charge or the capture of an army (as at Vicksburg). That doesn’t diminish the importance of the campaign, however, in finally securing the Mississippi River for the Union.
The fall of Jackson affected Mississippians viscerally. Jefferson Davis wrote in July, 1863, “In these times of disaster, when my relations and nearest friends are the objects of most cruel animosity, when my beloved Mississippi is being overrun by the invader, I deeply feel my want of that sustaining power which had in times past upheld the just cause, and given to the weak the power to defend the strong.” Even after Vicksburg’s capture, the fall of Jackson sent a shudder throughout the Confederacy.
While Sherman and Johnston are key players in Woodrick’s bloody drama, the central player is the city of Jackson itself. “As the book progressed, I think the most interesting ‘character’ to emerge was the city itself and, of course, the stories of the common soldiers who served here and–for some–who died here,” Woodrick said.
One of the main points that I intended to make when I began the book was to disprove, once and for all, the story of “Chimneyville”. Based on a number of factors, I was convinced that the oft-told stories of Jackson’s destruction were in large part myth. As I looked closely at the evidence, however, I discovered that the opposite was true–that Jackson and her citizens did indeed suffer catastrophic losses as a result of the siege, both from Union soldiers and Confederate troops. As a result, Jackson was in large part reduced to rubble.
Sherman’s signature scorched earth policy was initiated in Jackson. Bruce Catton, in Grant Moves South (1960), writes, “every installation which might conceivably be of use to a struggling Confederacy were destroyed with grim effectiveness. Sherman reported to Grant that ‘Jackson cannot again become a place for the assemblage of men and material with which to threaten the Mississippi River.’ private soldiers looked at the wreckage and gave Jackson the descriptive name of ‘Chimneyville,’ and on July 23, Sherman pulled his army back and prepared to give all hands a rest. He left a desert behind him.”
Contemporary accounts of the devastation are hyperbolic. Although Sherman assured Mayor Manship and a committee of twenty prominent citizens that “all citizens acting in good faith will be respected by me and my command,” George Whitman, a soldier in the 51st new York Infantry and the younger brother of poet Walt Whitman, reported, “Soon after we entered [the city], the western troops began to come in and they ransacked and plundered completely.” Another Union soldiers reported, “I never saw or heard of a city being so thoroughly sacked and burned as this place.” Contemporary newspapers also confirm the devastation. The New York Herald: “As our men would reach private dwelling houses they would enter them and in a short time scenes of the most unmitigated plundering took place.” The Memphis Bulletin: “Lazy, contemptible stragglers could be seen. . . engaged in dividing their ill-gotten plunder, which consisted of fine silks, shoes, ladies’ bonnets . . . my pen can never record what outrage was done that day.
The following eyewitness account appeared in the Canton American Citizen while Sherman’s troops were still tearing up the railroad: “One must visit Jackson to learn the extent of the destruction it has sustained. It is a mere wreck of its former self . . . look in whichever direction you may from the front of the Capitol, ruins meet the eye. The numerous chimneys still standing upon burnt districts and the undisturbed debris of charred walls and destroyed wares will remain until the end of the war, silent but terrible monuments to the devastating inroad of the vandal hoards. . .”
Woodrick’s portrait of pre-war Jackson at the outbreak of hostilities in the 1860s reveals it to be a provincial town that became a capital without ever becoming a city. Jackson had barely begun to build before it was destroyed. By 1866, “Chimneyville” was on the mend. Woodrick includes a panoramic photograph of Jackson taken from the cupola of the state capitol in 1869 as documentary evidence of an “expanding but still somewhat rural city” and dismisses doubts the photograph might raise about the actual extent of damage to the city by reference to the “overwhelming number of primary accounts and evidence of rebuilding found in newspapers of the period.” Finally, Woodrick provides us with what few physical reminders of the siege that remain, and concludes, elegantly:
Jackson has not changed to such a degree that the battlefield cannot be understood, and there are areas throughout Jackson where interpretation could be used to explain what took place. Such an effort would in some small way help in remembering the sacrifices made by the men in blue and gray during those hot days in July 1863. We owe them nothing less.
The opening of Tennessee Williams’ A Streetcar Named Desire on Broadway at the Ethel Barrymore Theatre on December 3, 1947 proved to be a watershed in the history of American theatre. The cruelty, agony, gritty dialogue and smoldering eroticism shocked the audience, but they responded with prolonged, enthusiastic applause to Williams’ “poignant and luminous” story that, coming on the heels of his pathos-ridden The Glass Menagerie established him as the foremost figure in American drama and transformed Jessica Tandy as well as the then relatively unknown Kim Hunter and Marlon Brando into stars of the first magnitude.
Williams’ masterpiece, considered by many to be the finest American drama of the 20th century, became an international sensation with a string of dazzling national debuts in Mexico City and in Brussels in December, 1948, and the following year in Amsterdam and Rome—with sets designed by Franco Zeffirelli—in January; in Athens and in Gothenburg, Sweden—directed by Ingman Bergman—in March; and in Paris in Jean Cocteau’s adaptation, and in London—directed by Laurence Olivier—in October. (Olivier, apologetically, wrote to Tennessee: “I honestly think the play is a little long.”).
When Streetcar closed on Broadway in 1949 after a run of 855 performances, two distinguished road companies continued to bring the play to cities across the nation. The first road company starred Anthony Quinn as Stanley and Uta Hagen as Blanche (the film version with Vivian Leigh was released in 1951); the second road company, which staged the Mississippi premiere, featured Ralph Meeker and Judith Evelyn. Meeker assumed the role after a highly successful run as Henry Fonda’s understudy in Mister Roberts and went on to star in Inge’s Picnic (1954). His most memorable film role is of Mike Hammer in Robert Aldrich’s film production of Mickey Spillane’s Kiss Me Deadly (1955). You might remember Evelyn as Miss Lonelyhearts, the alcoholic spied on by James Stewart in Alfred Hitchcock’s Rear Window (1954).
The Mississippi premiere of Tennessee Williams’ A Streetcar Named Desire was held on December 12, 1949 at the Jackson City Auditorium. The performance was reviewed by the inestimable Charlotte Capers, the principal architect and most distinguished director of the Mississippi Department of Archives & History as well as a literary light in her own right. Capers’ review catches the power of the performances (though thinks Meeker’s Stanley as “too simian”), and after giving an Aristotelian justification to questions of, “Who would write such a thing?” (to achieve “a catharsis of the soul”) states that:
“To the audience that complained about the theme of the play, we would suggest that before buying tickets, they check the subject. Certainly it was not an evening of entertainment, and anyone who went expecting to be entertained was disappointed. There were a few moments of intense pity, shattered by misplaced laughs. We couldn’t place the blame here, perhaps the cast, perhaps the audience.”
With this Capers testifies that theatre-goers in Jackson were just as shocked as those in the seats at the Ethel Barrymore (almost precisely) two years before, and while perhaps not as enthusiastic, experienced the same catharsis of soul, the same revelations theatre provides in its highest forms.
Given the vast and unpredictable foibles of human nature, the genetic integrity of any bloodline can be compromised in the blink of an eye by an errant member, giving rise to such comments as, “Well, her great uncle’s hair was sort of red,” or “That’s what comes from smoking marijuana.”
Surnames, however, being legal entities, are more reliable genealogical signposts and much more easily traced. I am a Yancey. For reasons as yet undiscovered, my grandfather Jess, one of ten children, dropped the “e” in the customary spelling of his surname. What’s more perplexing is that his siblings, all nine of them, adopted the spelling, so all my nearest name relatives are Yancy. When I asked a surviving sister of his why Jess, Sr. changed the spelling, she said, “He just did!” and looked at me daring me to say something so I didn’t. because I was raised right.
The Yancey family surname hails by most accounts from Wales and in this country is most often found in the southeast, where many of its most distinguished members have lived. Foremost among these is William Lowndes Yancey, U.S. Senator from Alabama, the most vociferous “fire eater” whom some credit with no less than the War Between the States itself. It just so happens that my great-great grandfather Yancey was from Alabama as well, and while my relation to the Great Secessionist is vague, Yanceys of a closer degree in relation to him joined many others who fled the despoiled post-bellum soil of the defeated Confederacy for the Amazon. Termed “confederados”, these refugees from Yankee rule settled in Brazil where they still pay a distracted homage to the Old South more for the tourist trade than any significant degree of conviction in its ideals.
Nonetheless, one of these days I’m going to hold a Yanc(e)y reunion, and I’m going to invite every damn one of them here. I can’t wait to see what kind of covered dishes they’ll bring.
The answer isn’t easy; getting all the facts in one pile is hard enough. Then once you figure in the observer, perspective and perception, you might conclude the South is a fluid, protean phenomenon, a shattered chimerical idea or just a hook to hang a hat on, all of which indeed it is all at any given time.
Even we as Southerners, however much we profess to have an innate, intuitive conception of what the South is, cannot know it root and branch because our conceptions of it change, evolve, even as we think about it; such is the nature of intimate knowledge. The perplexion is compounded by those who theorize on the nature of the South, not only Cash, Woodward, Foote and their ilk, but those from outside the South who come to the region for the specific purpose of writing about it.
Joan Didion, a product of New Journalism, is best known for her introspective writings on culture and politics, though her most acclaimed works are deeply personal; The White Album (1979), including the title essay dealing with a nervous breakdown and The Year of Magical Thinking, (2005), written shortly after the deaths of her daughter and husband. It’s worth noting that her trip to the Gulf South was taken only two years after her critically acclaimed Slouching Towards Bethlehem, a gritty, myth-busting account of California’s counter-culture during the 1960s, and that the notes eventually becoming South and West were recollected, (and presumably to some degree edited if not rewritten) and published only now, almost fifty years later.
Didion begins her excursion through Darkest Dixie in New Orleans with images of procreation, death and decay:
“In New Orleans in June the air is heavy with sex and death, not violent death but death by decay, overripeness, rotting, death by drowning, suffocation, fever of unknown etiology. The place is dark, dark like the negative of a photograph, dark like an X-ray; the atmosphere absorbs its own light, never reflects light but sucks it in until random objects glow with a morbid luminescence. The crypts above ground dominate certain vistas. In the hypnotic liquidity of the atmosphere all motion slows into choreography, all people on the street move as if suspended in a precarious emulsion, and there seems only a technical distinction between the quick and the dead. One afternoon on St. Charles Avenue I saw a woman die, fall forward over the wheel of her car.”
One might consider this an inauspicious beginning for a book about the Deep South, but then striking a gothic note isn’t out of order. Then her focus narrows:
“I could never precisely name what impelled me to spend time in the South during the summer of 1970. There was no reportorial imperative to any of the places I went at the time I went: nothing “happened” anywhere I was, no celebrated murders, trials, integration orders, confrontations, not even any celebrated acts of God. I had only some dim and unformed sense, a sense which struck me now and then, and which I could not explain coherently, that for some years the South and particularly the Gulf Coast had been for America what people were still saying California was, and what California seemed to me not to be; the future, the secret source of malevolent and benevolent energy, the psychic center. I did not much want to talk about this.”
Throughout the work, Didion interacts with locals, usually people of prominence, including Walker Percy and (surprisingly) Stan Torgerson, but not Eudora Welty, stating that she dared not visit Welty in Jackson because she was certain that so near an airport, she’d catch a flight to the west coast. To me it’s telling that she couldn’t find Faulkner’s grave in that cemetery in Oxford.
The summing-up for this work is her observation of an audience in Mississippi watching an American movie as if it were Czechoslovakian. This is literally the purest form of projection, for it is Didion who is watching a foreign film, driving through Dixie in a daze, and while we might find her unpassionate observations offensive, we should bear ear to them, if only to discover ourselves in other eyes.
The story of Parkin’s Pharmacy is a story of a time. It was a time when pharmacies were still called drug stores, the pharmacist was your neighbor and there were far more independent store owners than chains.
When Jimmy Parkin returned from pharmacy school in 1950, married and started his business next to the Jitney Jungle in Belhaven later that year, drug stores were a little more informal than today. Pharmacists counted prescribed pills, mixed emulsions, unguents and compounds, sported mysterious looking glassware and even made house calls. Drug stores carried more than pharmaceuticals. They had a section for magazines and comic books and featured a soda fountain where milk shakes cost a quarter and Cokes a nickel. They would fix you a cheeseburger and fries for thirty five cents and practiced the lost art of creating banana splits for a few cents more.
There were gifts for a friend in the hospital, candy and chewing gum for the children, bobby pins and nylons for the ladies and a multitude of tobacco products for the gentleman. You could actually talk to the pharmacist without having to go through a phone maze. Prescription drugs were filled while you waited or delivered to your home and if the store was closed on Sunday – and most were back then – and you really needed a prescription filled, the druggist would like as not meet you at his place of business after church and fill it for you.
It was a time some remember and others tell of. It was a time when there was no television, smart phones or computers. Air conditioning was rare and neighbors visited on screen porches or on the sidewalks after work or in their backyard while their kids played ball on the grass. This was the world into which Mr. Jimmy Parkin opened his drugstore and for forty-seven years it served the public. It was a time of conviviality and a great time to live in the small city of Jackson.
There were four other pharmacies in the Belhaven neighborhood, all in the proximity of the Baptist Hospital. Morris Pharmacy was located on the southeast corner of Manship and State Streets. Patterson Rexall Drugs was in the middle of the block between Carlisle and Fortification Streets. North State Pharmacy was next to the fire station across from Millsaps. These stores along with Parkin’s were closed on Sundays. However, Main Drugs down Fortification at Lamar was open on Sunday afternoons and if you wanted malt, a bottle of aspirins or a light switch, the Main was the place to go. But Parkin’s was different. It was more personal. Neighbors referred to it as “That good drug store.”
The Parkin tradition began in 1930 when Sam Parkin moved to Jackson from Little Rock, Ark. and bought Philip’s Drugs on West Capitol Street. The store was renamed West End Pharmacy. Sam Parkin’s son Jim became a pharmacist also and in 1950 bought the old Cain Drugstore on the southeast corner of Jefferson and Fortification. It was part of the original Jitney 14 which was built in 1927. In 1933, Cain’s moved into a separate facility as part of the newly constructed English Village and remained at the 904 Fortification Street address until the Parkin purchase. The grand opening of the Belhaven Parkin’s Pharmacy was February 9, 1951. It was a big event in the neighborhood.
In the 1960’s the store moved around the corner into the former Ben Franklin store location then later to a separate building where Lou’s restaurant is today. Some of the store’s neighbors were Pridgeon’s Florist, Snow White Cleaners and The Staircase. Doug tells the story of a day his father was chosen to be a pallbearer. He called the cleaners early that morning and when a woman answered the phone dad inquired, “Is this the Snow White?” “Hell no,” the woman replied angrily, “and this ain’t the seven dwarfs either!” “Dad had all day to think about that one.”
The Parkin drugstore chain became Medistat Pharmacies in November 1983 but the Parkin family still retained control of their operation. The six family-owned pharmacies including the Belhaven store were sold to the Jitney Jungle chain in March 1995, which in turn was sold in 1997.
According to the grand opening ad in the Jackson Daily News, future patrons registered for prizes such as an electric toaster, flashlight, alarm clock and thermos bottle. The soda fountain, featuring Seale- Lily products, pictured Bill Robinson, Lillie Beckwith and Bob Pilcher. Dick Wiggins and Therrell Fortune ran the drug and cosmetic counters and John Archie was in charge of free deliveries to homes in the area. The pharmacists were Jim Parkin, Sr. and Charles Stringer.
The cosmetic counter was unique to Jackson drugstores. Called the Gilded Cage, it was located so to be clearly visible through the store’s front full-view window. The hanging birdcage at the center gave it its name. It contained fixtures in white and gold in French provincial style, set off by delicate white ironwork. Right across the aisle was the men’s toiletries and cosmetic department called “The Saddle”
The success of Parkin’s was the result of a combination of factors. It was the times, the customers and the staff. “The folks most important in my childhood memories, Doug Parkin said, “are my dad, of course, pharmacist James E. Colmery, John Archie, Bill Nobles and Saundra Edwards. There were many others but these had the most impact on my life.
“Mr. Colmery was a wonderful man to me as a kid. He would entertain me in the pharmacy, always with a smile. There was a glass enclosed compounding room in the center of the pharmacy, a fairly cutting-edge concept for the time, and he called it the ‘monkey room’. Naturally, that became one of my favorite places to go in and make faces at him. He laughingly responded in kind.”
“My dad always welcomed us kids, to his store. These were my brothers Jim, Jr. and Cole along with my sister Beth and me. We spent a lot of time there and were given pretty much free rein. We saw firsthand the attraction of other kids, the comic books, the toy racks and the soda fountain. There were sometimes extra cherries added to the cherry phosphates. It was a children’s paradise.
“As we got older we were taught to make sales and record charges at the cash register, run the soda fountain, dust shelves, rotate stock, sweep and mop the floors. We even drove the delivery car on occasions and most dreaded of all, empty the fountain sump tank under the building. When we were older my brothers and I interned there as pharmacy students.
“Christmas was a special time at the drugstore. We sold countless boxes of candy and other gifts that had to be wrapped. We used the heavy weight glossy red and white wrapping paper and every bow was cranked out on a Sasheen bow-maker. You didn’t want to get your finger caught between the bow pin and the bows impact socket or Christmas might be more painful than you would have preferred.”
Bill Nobles, Saundra Edwards and John Archie were constants at Parkin’s for as many as 40 years, speaking to a generation and beyond of satisfied customers and a neighborhood landmark “down by the Jitney.”
Doug described Bill as his father’s “right hand man”. “There was nothing about the store that Bill didn’t know and there was no one who traded there Bill wasn’t friends with. Bill was always asking about our customer’s families.”
Bill came to Parkin’s as a part-time employee in 1956 and went full-time in 1957. He remained with the establishment until 1997 when he left to work at a retirement home in Clinton. Mr. Parkin had come to him and told him he needed someone to manage the business so Bill gave up his regular job at Evans Lumber Company to do so. He was 19-years-old. In an interview Bill told of his duties through the years. “Mr. Parkin hired me to run the drugstore while he ran the pharmacy. I was the bookkeeper, but I also did the ordering, the pricing, put up displays, and helped with deliveries, worked in the soda fountain and around the pharmacy itself. I saw the business from the inside out and realized what another employee (Doug Drain) later put into words, ‘When I worked at Parkin’s as a teenager, I learned all that was needed in life to be successful’”.
Doug Drain became a success and he called Doug Parkin a couple of years ago. “He relayed to me that one of the leading economic professors in the nation recently asked him where he got his education before attending a university. Doug told him the name of the university and the economist replied, “No, you got your real education working at that drugstore as a kid.”
The famous and the everyday neighbor shopped at Parkin’s. Eudora Welty was a regular customer and dropped by the store each day to purchase a New York Times and a Wall street Journal. Sometimes Tom Spengler would stop by, buy the papers and take them to her. “She was a quiet lady,” Bill remembers, “even after she became famous and was always kind and friendly. She wouldn’t let anybody wait on her but me.” Well-known artist Marie Hull was also a regular as were the Reimers, Holmans, Stocketts, Giddens, Heidelbergs, Gammills, Kenningtons, Irbys, Wells, Macks, Lewises, Manships, the banker Tom Scott and Drs. Ward, Cavett, Womack, O’Ferral and Garrison. The Wrinkled Roosters, an informal men’s coffee club, met in the store in the mornings and a ladies group in the afternoons.
The store had a soda foundation as most did back then. It was a popular lunch spot that sold drinks, burgers and sandwiches. An article by Phil Wallace in the Clarion-Ledger/Jackson Daily News tells of the soda fountain “that takes you back to a sweeter, slower pace of life. You sit on tall stools or at double tables and inhale the delicious atmosphere of another era, the smells and sounds of, say, the summer of ’52. People are happy and friendly enjoying the simple things of life – like a chocolate malt or double cheeseburger with a friend, scenes that once inspired the artist Norman Rockwell.”
Bill tells about a day the grill caught fire from grease that had accumulated underneath. “We had to act fast. I had heard that water would not extinguish a grease fire so I grabbed a couple of handfuls of washing powder and doused the flames. Meanwhile, a customer wanted a hamburger. I tried to tell him the grill needed cleaning before cooking but he kept insisting on it. So, I cooked him his hamburger and he ate it. He must have had the cleanest stomach in town.”
Bill remembers many stories in association with his tenure at the drugstore. “When Patterson’s Rexall Pharmacy closed on North State, Mr. Parkin bought their large upright safe. He sent Bill and two young employees to move that weighty and unwieldy object from Patterson’s to the store some three blocks away. “We were able to shove it up a steep inclined driveway to the street but finally gave up being heroes and hired a delivery company to take it the rest of the way.”
Stories abound over the years. Bill told of two ladies who came in one day to return a purchase. The older woman told her daughter, “Go out to the car and bring in that package on the front seat.” The daughter dutifully did so and when it was opened it contained a half pint of liquor. “No, not that one, dear,” she calmly exclaimed, “the other one, the Milk of Magnesia.” There was another customer who “rooted me out of bed at 3 a.m. one morning to get some sleeping pills. I needed some myself after that episode.
“There was a Mr. Hardwick, who delivered mail to the store and had a dog named Richard. He and Richard had conversations in the store during mail deliveries and the two seemed to have real rapport. Customers were never certain who initiated the conversation or where it would lead. However, the two seemed to understand each other.”
Perhaps Bill’s most interesting story involved a horse drawn sleigh. Mr. Parkin was close friends with Robert Stockett, Sr., who had a stable of horses down by the Pearl River. He would borrow the horses for a while in winter weather and deliver items to customers in the snow. “We even had a store display of that sleigh and its drivers but thankfully, those horses were not real.”
Saundra Edwards came to work at Parkin’s as a teenager in October, 1965. “She would do anything you asked her to do,” Doug said. “She was like a big sister to me and I often referred to her as ‘Sunshine’.” Like Bill, her duties included everything from greeting customers to sweeping the floor. “Bill and I worked the stock, tended both the back and front of the store, helped out in the pharmacy and in the contract post office which was added in the early ‘70’s. When the power went off we had to crank the cash register. You should have seen that thing. It would have been an antique today.”
Saundra’s impression of Mr. Parkin is that he was strict and professional in his approach to serving the public. He was friendly as long as you did your job. “If a customer asked for an item,” Saundra remembered, “we didn’t just say, ‘look over yonder’. If we had we would have been fired. We went over and helped him find it.”
Saundra, like Bill, has a lot of stories to tell regarding her years at the pharmacy. “I can’t use names, but I can tell you there were some characters. There was an elderly lady, the widow of a well known attorney, who would come to the Jitney next door for her lunch at the delicatessen. Rather than stand in line patrons would take a number and wait for it to be called. She would come early, take the number “1” and after being served put it in her purse. The next day she would bring it out and present it again to be the first served. She would do this on a regular basis. The staff knew what she was doing but the customers seemed not to mind so she stayed number 1 for the remainder of her patronage.
“Another prominent resident had plenty of money and property. She did not feel she should accept government assistance. She refused Medicare and other forms of government assistance. ‘The government needs the money more than I do,’” she explained. She would have been a rarity today.
When asked if there was anyone who did some unusual things, Saundra told of a woman who came in the pharmacy with a watermelon she had bought at the Jitney next door. “She sat in the aisle and ate it, spitting the seeds out on the floor. Mr. Parkin told her to stop and clean it up. She got real ugly and demanded he give her a dollar.”
John Archie was the deliveryman but he was far more than that. A veteran of Cain’s (Ca. 1933) before he came to Parkin’s he was a fixture in those establishments for over half a century. The City of Jackson even proclaimed a John Archie Day to celebrate his 50th anniversary. “John was very conscientious and would tell my dad when he felt something needed to be done,” Doug remembers. “When the delivery vehicle’s tires would show excessive wear he would go to my father and tell him, ‘doctor, the car needs new shoes’.”
John’s duties included a wide variety of items for distribution. Perhaps the most interesting involved a hunting item. It seems an employee of Parkin’s West End Pharmacy made turkey calls out of condoms. That pharmacy had run out and called the Belhaven store for reinforcements. The only candidates they had came in a box of a hundred which John Archie dutifully accepted for delivery. He studied the merchandise for a moment, looked up and said, “That guy must really be something, huh Doc?”
“We knew of some crazy things that went on at the Jitney, next door,” Mrs. Edwards .recalls. “We knew a lady who would go to the canned food aisle, open several cans of peas and select the one she liked the best. She just left the others open on the shelf. There was man who would dress like a woman, shoplift meat from the butcher counter and carry it to ‘her’ new Cadillac. One of our drugstore patrons recognized this tactic, yelled at the ‘woman’ to stop and jumped in front of ‘her’ car to prevent ‘her’ from leaving until the police arrived. There was another lady who got in the wrong car in the parking lot. It seemed that the key fit the same ignition as her identical model nearby. She was an Elvis fan and listened to him on her car’s sound system. When she turned the key she heard some different songs and realized something was wrong. Fortunately she discovered her error before the owner arrived.
“Then there was the drunk who fell off a stool at the soda fountain and the lady who left her false teeth in the car of a neighbor who had driven her home the day before from the nearby washateria. There was the couple who would pass out quarters, sometimes dollar bills to people in the parking lot. We know there are people in public places that ask for money but how many do we know who voluntarily distribute it?”
Bill worked at Parkin’s for 40 years, Saundra for 32 and John Archie for 36. Why did they do it? You have to ask? Saundra went to work for a psychiatrist after leaving the drugstore after the Jitney’s sale to Winn-Dixie. “Considering the experience I had over the years,” she said, “I felt I was well qualified.”
John Archie was the delivery man. He began when Mr. Parkin opened his store and through the years delivered throughout the neighborhood in a panel truck decorated with pills of all hues and sizes. John did not have regular hours. Perhaps on paper he did but his familiar vehicle and salutation rang through Belhaven far into the night and weekends in all types of weather. He almost never missed a day of work.
Parkin’s sold many items other than prescription drugs. It carried cosmetics, newspapers, confectionaries and gifts. These were delivered daily by one of the most familiar and friendliest faces ever to grace the Belhaven neighborhood. “Hi John Archie,” the children would call out as the delivery truck sped down the streets to carry drugstore products to those who for one reason or another could not come by and pick them up. “Hi Doc,” he would reply with a smile and a wave. Need a valentine box of candy or a Christmas gift? Call Parkin’s and it would be on its way. Order a few groceries from the Jitney next door? They might somehow find their way into the old truck along with the drugstore items. Want a message carried to a nearby house? John Archie could deliver it as well. There was always, “here you are Doc. Thanks for shopping Parkin’s.”
Then one day in the spring of 1987, John Archie did not come to work and an irreplaceable part of our neighborhood stopped forever. While Jim Parkin was the head of the business and Bill and Saundra, along with a host of others were its appendages, John Archie was its heart. There are those who remember him to this day and loved the man for his kindness and who he was. Home deliveries are a thing of the past but the memory of the man who called everyone “Doc” remains with us. Rest in peace John Archie.
When asked of his impression of Mr. Parkin when he worked in his drugstore, Bill Nobles thought for several moments. “We worked so long together it was like we were brothers but like all families we did not always get along. Let me put it this way. I had several opportunities to leave for better wages and benefits but I loved that old drugstore and its customers. I stayed and so did Saundra for whatever reasons and looking back I’m glad I did.”
Several Belhaven residents have lasting memories of Parkin’s Pharmacy. Cindy Wood: “I used to go there for shakes and burgers in the ‘80’s. I remember when Bill went to Brent’s. He actually remembered me.” Julie Propst: “Eudora Welty sat at the same table on every visit and ate the egg salad sandwich. I’d skip school at Murrah and go and just sit and listen to her.” Lynn Haspel: “Parkin’s was a mainstay in our neighborhood with not only a pharmacy but a fountain for soda, sandwiches and a post office. Bill and Saundra knew us and our children. The kids would be allowed to charge lunch and we would get the bill and pay it at the end of the week. Good old days!”
Cleta Ellington: “Edward (Judge Ellington) always said we belonged to Parkin’s rather than River Hills. Those great burgers!” Linda Showah: “Such fond memories. When we came from the Delta to visit my grandmother on North Street, it was an adventure to walk to Parkin’s for a milkshake.” Gate Hogan: “I used to get the slawburger when I was a kid. I loved that place. Natalie Maynor: My memories are from when it was Cain’s.”
Mr. Parkin was well known and respected in his profession. He served on the University of Mississippi Association Board and was president of the Mississippi Pharmacist Association. He was president of the State Board of Pharmacy for four years and was an active member of the First Baptist Church of Jackson where he was a Life Deacon. He was a member of the Jackson Rotary Club and served on the Mississippi Walking Horse Association’s board of directors as vice-president.
The final site of Belhaven’s Parkin’s is now Lou’s restaurant and those who founded the establishment and patronized if for nearly half a century have passed on, relocated or remain with us as seasoned veterans of another era. In an interview for this article Doug reminisced about his childhood experiences in his father’s store. “I truly wish my own children and grandchildren could have had the opportunity to experience the family of Parkin’s Pharmacy and the pure joy of spinning on a soda stool, reading comic books and special ordering whatever they wanted at the fountain. On behalf of the Parkin family, our grateful Thank You is extended to all who allowed my dad to enjoy his profession, who seemed to regard him as the Mayor of Belhaven and who, either as co-workers or customers, loyally stood with him through the years. Were he with us today, he would be gratefully relieved that he is not forgotten.”
Good memories last forever and ensure that Mr. Jimmy Parkin will not be forgotten. That good old drug store he started back in his youth which rang with our laughter and the old stories of its time is with us still and has become a fixed star in the familiar firmament we know as Belhaven.
Bill & Nan Harvey October 2018
Sources: Interviews with Doug Parkin (August 28; October 17-20;30, 2018; Bill Nobles and Saundra Edwards (September 18 & 26, 2018); “You’re Invited to the Grand Opening of the New Parkin’s” (ad), Jackson Daily News, February 9, 1951, Section Two; “Stars Cosmetics”, Drug Topics Magazine, October 14, 1968, p. 1; “Medistat: The Parkin Family tradition Continues” (Communiqué Section, Clarion-Ledger, October 1, 1984, P. 3); “Soda fountain reflects days of yesterday”, Clarion-Ledger/Jackson Daily News Focus Section, May 7, 1987, P. 1; “Jitney buys 6 family pharmacies”, Clarion-Ledger Business Section, March 25, 1995, p. 5B; obituary, Wright and Ferguson Funeral Home, May 24, 2013; Various neighbor comments as shown.
Two decades after Appomattox the prostrate South still was—and comparatively still is—largely undeveloped in regards to the rest of the nation, which was undergoing a “Gilded Age”.
For Jackson, Mississippi the war was catastrophic, but the city had begun to rebuild and piece itself together slowly along its two main two axes, Capitol and State Streets. The Pearl River provided then as it does now a natural barrier to expansion to the east, so that the city grew west along Capitol behind the bluff and north along State following the bluff. The southwesterly course of the floodplain largely prevented significant development on South State Street beyond its parallel to the divergence of the Illinois Central and Gulf & Ship Island Railroads, yet inevitably attempts were made, paramount among them the hamlet that became known as Duttoville.
Located south of Porter and on either side of Gallatin adjacent to the Illinois Central Railroad, Duttoville was named for Father Louis Anthony (Luigi Antonio) Dutto, one of the most fascinating figures in the ecclesiastical history of Mississippi. Dutto was born in the commune of Boves in Italy’s Piedmont region and educated at Brignole-Sale, a pontifical college in Genoa. A very learned man, Dutto was the author of The Life of Bartolome de las Cassas (published posthumously; 1902). He was ordained for the Diocese of Natchez before he was 24 years old and arrived in Jackson on August 25, 1875 to assist Fr. Picherit in attending the surrounding missions. Dutto succeeded Picherit as pastor in 1885.
According to an anecdotal biography written in 1932 by Rev. P.H. Keenen, a personal friend, “Father Dutto was a great financier, having special aptitude in this line. He was sought as adviser in matters financial by young businessmen, and his advice, when followed, usually brought success, and often wealth. . . . He himself acquired much property. On the missions he seldom asked his people for funds—he gave instead of asking. His business acumen enabled him to do this.”
In 1886, Fr. Dutto bought land in what was then the southwestern portion of the city, which, according to the account given by McCain in The Story of Jackson, “he divided into lots on which homes were erected and gardens cultivated by certain Catholics who had to come to the city to engage in commercial and agricultural pursuits. This section is still known as Duttoville.”
By another account (Jackson Daily News, May 30, 1979 p. 15A) Dutto acquired the property in 1891 from F.A. and Mary F. Wolfe, J.W. Langley all along Gallatin Street and the I.C.R.R. and the G.&S.I. Railroad and the “Muh (pronounced as the pronoun “me”) Estate, “vast acres” of land just outside the city limits, Dutto sold lots to working class people who could not pay taxes on simple homes, including many Italian immigrants (likely the “certain Catholics” referenced above). The area soon became a thriving community with a planing mill, brickyard and other enterprises that provided work for residents, and many worked in Jackson proper. Anticipating being acquired by Jackson at an early date, the settlers, to avoid city taxes, incorporated in 1903.
The original Duttoville was bounded on the north by Town Creek, the east by the Pearl River with the Illinois Central and Gulf & Ship Island railroads to the west. Later the village expanded west of he railroad tracks to Terry Road. The first (and only) mayor was J.R. Root; aldermen were W.L. Porter, Joe Karese and Will Muh; J.E. Robinson was town marshal, and J.W Langley was city clerk. We’re told a small jail was built but “never occupied”.
When Jackson first attempted to incorporate Duttoville, the tiny village put up a fight. The Duttovillers went to court and fought the incorporation and won. The city of Jackson appealed, and after two years, while the case was still pending in court, the citizens of Duttoville and Mayor Hemmingway of Jackson made a compromise. The city agreed to extend water, lights, telephone, a fire station, police protection, a grammar school (George School) and other amenities. But the area continued to be called by its original name, which in time became corrupted into “Doodleville” or “Dooleyville” both used well into the mid-20th century as a popular though derisive term for the part of town bordered by Battlefield Park on the south, Terry Road on the West, Hooker Street on the north and South Gallatin on the East, well west of the original settlement.
Belhaven resident Wilfred Cunningham, who grew up on Farish Street, remembers going to Doodleville as a very young man. “This was in the late Forties, and I was in my early teens. Anything south of Capitol Street on Farish Street we considered Doodleville,”
“The area was much more depressed than North Farish. I seem to remember the roads weren’t paved, the streets were graveled, I thought we lived poorly on Farish, but Dooley was a lot more run down.” Cunningham said. “The houses were row houses, shotgun houses like we had on Farish. People from Doodleville would come to Farish where we had the ice cream parlors, the stores, the clubs the Alamo. There wasn’t any industry of any kind there for jobs, so most of the people worked in north Jackson. For some reason I was always told not to let the sun go down on me there. I never ran into such a problem, but I always got the impression that there was a gang of some kind that kept Doodleville for people who lived here and weren’t friendly to outsiders.”
Jackson bluesmen Cary Lee Simmons and Bubba Brown composed the “Doodleville Blues” in the 1930s, and it was a local hit, getting lots of laughs when Simmons performed it for his friends in Jackson. He made a recording in 1967, which you can listen to here.
I got a girl in the Bamas, I got on that lived out on Bailey Hill. I got a girl in the Bamas, and I got one that lived out on Bailey Hill. But don’t none of them suit me like that one I got down in Doodleville
The womens on Farish Street shakes until they can’t be still. I said, the womens on Farish Street shakes until they can’t be still. But they cannot sake like those gals Live down here in Doodleville
Turn your lamp down low. Somebody done shot poor Bud, Buddy Will. Turn your lamp down low. Somebody done shot Buddy Will. I told him to stay off Mill Street and get him a gal in Doodleville.
I won’t have a gal on Farish Street, Wouldn’t speak to one that lived on Mill. I won’t have a gal on Farish Street, Wouldn’t speak to one that lived on Mill. ‘Cause the next woman I got, she got to live in Doodleville.
They got the meat from the slaughterhouse And the wood from Grimm Stage Mill. They got the meat from the slaughterhouse And the wood from Grimm Stage Mill. And if you want to live easy, get you a girl in Doodleville.
Spoken: I got a secret for you though. It’s a mad dog out, and boys, it ain’t been killed. It’s a mad dog out, and boys, it ain’t been killed. And you better be careful, careful, careful how you doodle in Doodleville.
Even studded with jewels such as the old fire station and the magnificent Art Deco George School, Duttoville languishes in slow decay, but it’s the most fascinating neighborhood in the city of Jackson, the sad shadow of a good man’s dream.
While digging a well for Mrs. Mary Allison, a widow from New Orleans who moved to Way, Mississippi in 1899, Parson Hargon discovered a plentiful source of mineral water, and in time a popular resort named Allison’s Wells grew up around the spring. Initially offering only medicinal baths and drinks (and those for men only), the spa eventually added a hotel and restaurant (La Font) with a grand ballroom that in time also hosted the Mississippi Art Colony. Allison’s Wells was destroyed by fire in 1963
In 1981, proprietor Hosford Fontaine—doubtless at the urgings of countless friends—published Allison’s Wells: The Last Mississippi Spa, a treasure-trove of history, profiles of the people who kept the resort functioning as well as other unforgettable characters, musicians and of course artists such as Till Caldwell, Inez Wallace, Ted Faires, Marie Hull and others. Many of these people contributed to the illustrations which are augmented by dozens of charming vintage photos including a poignant image of Hosford standing amid the charred ruins. But best of all—from my standpoint in the kitchen—The Last Mississippi Spa also includes a sprawling section on recipes for almost anything to put on the table: hors d’oeuvres, soups, salads, dressings, breads, meats, seafood, vegetables, breakfast and brunch dishes, desserts, candy and cookies, all “tried and true” from the La Font kitchens.
You don’t see many Southern apple cookie recipes; a quick scan of Southern Sideboards, Bayou Cuisine, River Road Recipes, Vintage Vicksburg, Gourmet of the Delta, The Jackson Cookbook and The Mississippi Cookbook turned up nary a one. Though the South has a native crab apple, the Old World apple species that produce what Emerson called “the American fruit” simply don’t do well in our climate and fruit from those that do are most often dried or made into pies or sauce. As to the kind of apples to use, that’s up to you. I used Galas because they’re pretty.
The original recipe calls for a cup of margarine, but I’ve substituted butter because it just flat-out tastes better. I suspect Hosford used margarine for the sake of economy, but then a lot of women of her generation used margarine because it was considered upscale, being “store bought” and all. I used white raisins because you’ll find different shades of fruit in a box of white raisins while others are uniformly dark, and I used pecans because they go so well with apples in any recipe.
About 3 apples, enough to make 3 cups of fine unpeeled dice; (use only pieces with skin so that when baked they’ll stay somewhat firm)
2 sticks butter, softened
¾ cup sugar
¾ cup brown sugar, packed
3 eggs, lightly beaten
2 cups flour
1 tablespoon grated orange peel
2 teaspoons baking powder
1 teaspoon cinnamon
A half teaspoon each ground cloves, nutmeg and salt
2 cups rolled oats
¼ cup white raisins
¼ cup chopped pecans (or nuts of your choice)
Cream butter and sugars well, add eggs and flour mixed and sifted with spices and baking powder, then stir in apples, oats and nuts. Refrigerate dough for about 30 minutes, stirring once. Form dough into ping pong balls, and bake on a lightly oiled cookie sheet with parchment paper at 350 or until lightly browned. Cool on a wire rack.This recipe makes about three dozen wonderful, chewy, sticky cookies.