In February, 1944, Laura Z. Hobson, a 43-year-old, divorced Jewish mother in Manhattan, read an article in Time magazine that reported Mississippi Rep. John Rankin had called Walter Winchell a “kike.”
Hobson was outraged, even more so to read that nobody in Congress protested, particularly during the height of the Holocaust. She wrote about the Rankin incident in her first draft of Gentleman’s Agreement, the story of a Gentile reporter who pretends to be Jewish to investigate anti-Semitism.
That someone as all-American as the reporter, played by Gregory Peck, succeeded with such a masquerade was a twist on the traditional black “passing” story. The novel was serialized by Cosmopolitan in 1946 and published by Simon & Schuster in 1947.
The movie, produced by Darryl Zanuck (a Gentile) in 1948, received the Oscar for Best Picture.
So I’m checking out at the store, and I hold up a jar of pickles and two packs of cherry Kool-Aid to my girls Meshaun and Lorita who are sitting in the motorized shopping carts up next to the front door with their phones and say, “Guess what I’m making?”
They look at one another like, “This fool don’t know what he’s doing,” and tell me first that I should’na bought cherry, you gotta use Tropical Punch, and you dump that pickle juice out and make a quart of that punch with two packs of mix and one cup of sugar, and you shouldna’ bought whole pickles cause now you gotta slice them in half and no, you do not need to heat it up, just pour the Kool-Aid in there and put it in the refrigerator for about a day
That’s all you gotta do, and who in the hell told you you could cook, you big dummy.
Arly Hanks, the smart, intrepid police chief of Maggody, Arkansas observes in a wry aside that, “Only a Yankee would desecrate a bacon and tomato sandwich with lettuce”.
Well, if not a Yankee then anyone of such ilk with no reverence for the blessed combination of tomato and fried pork with a slathering of mayonnaise. Only an idiot would place watery lettuce on such a perfect culinary union.
This recipe is from Diana Kennedy’s Mexican Cuisines.
“You will find this sauce on Mexican tables at any time of day, for it goes well with breakfast eggs, with roasted or broiled meats at lunchtime, or tacos at evening, and there are people who put a spoonful of it into their frijoles de olla. It is marvelously crunchy and refreshing served just with tortillas. The Sinaloa version calls for some scallions and lime juice in place of the onions and water, and the Yucatecan version, x-ni-pec, substitutes Seville orange juice for the water.
Finely dice fresh ripe tomatoes, onion, and serrano peppers with seeds in equal amounts. Mix well with fresh chopped cilantro, add liquid and salt to taste. Although this can be made up to three hours ahead, it is best made at almost the last minute, for it soon loses its crispness and the coriander its sharp flavor.”
During his famously quoted expedition in search of Livingston, Stanley also said, “If we run out of food, we’ll eat bananas.”
Sir Henry’s flippant dismissal of this vital foodstuff in lieu of boiled beef sums up the Brit empiricist mind; millennia before Stanley’s split second of Victorian condescension, bananas had been a staple in Asia since Homo erectus.
While European versions of the Expulsion have Eve offering up an apple (probably a Winesap; the Granny Smith is theologically impossible) as the principle instrument of temptation, many African, Asian and Oceanic interpretations depict Adam as succumbing to a nice banana instead (Eve had a rough cut, why not Adam?). These accounts also describe our primal DNA donors as masking their shame with banana leaves, which makes far more sense to me than that fig drag, even for Eve.
Before Chiquita and other mega-growers began shipping bananas in chemically sterilized bunches, stores would impale whole untreated stalks on ceiling hooks to ripen. Given the number of nooks and crannies in these masses of vegetation, it’s unsurprising that the occasional tropical creature would piggy-back its way across the Gulf of Mexico into the rural South.
My grandfather Jess kept a small country store that supported an endless series of banana stalks from the Cockrell Banana Company in Tupelo on a hook from the ceiling as well as any number of worthless relatives and other such riff-raff from the cash box under the counter. Jess checked out produce before he put it up for sale, and occasionally he’d discover some sort of exotic fauna cowering deep amid the bananas.
He’d usually find a spider big enough to scare the bejesus out of any little old lady getting a couple of bananas for pudding to take to a homecoming. These he fed he to the chickens, but once, to his great delight, he found a small boa and kept it in a glass gallon jar with some hay in the bottom for everyone to ogle before he he sent it to the University of Mississippi, where it enjoyed a long, happy career as a desensitizing agent for people with snake phobias.
He once told a slacker cousin that he could get a snake into Ole Miss, “But I can’t get your ignorant ass into a decent barber school.”
Grabbling is the most unsophisticated form of angling. Fly fishing seems downright effete in comparison; forget fussing with those artsy little hand-tied flies, forget about the L.L. Bean creel, forget about the custom-made rod, just stick your hand down in a hole under the water and pull out a fish. No other form of fishing is so breathtakingly fundamental.
When grabbling, it goes unsaid that you’re fishing for catfish, which tend to hole up in hollow logs or under stumps in the spring. Unlike suicidal salmon that exhaust themselves in long-distance spawning, the sensible Southern catfish conducts a more sedate courtship by making a bed and putting out a red light.
In the old days, grabblers used to sink hollow logs in selected places before the fish begin spawning in April in order to lure the catfish into them, but nowadays most folks use man-made beds. I talked to one guy who said you can use big tires, too, but the disadvantage to that is that the fish can scoot around inside the tire, making them devilishly hard to catch. The location of these beds is a guarded secret among serious grabblers who sink them in the fall and come back when the water has warmed up in the spring.
Grabbling might well be the ultimate expression of angler machismo as well. It takes true grit to stick your bare hand in a hole under water. After all, there’s no guarantee that what you’re going to grab is a catfish. We grow some mighty big snapping turtles in Mississippi that can easily nip off a finger or two if tempted to do so, and it takes little to tempt a snapper, especially when he’s holed up in a sunken hollow log or a catfish box with minnows on his mind.
We also have a nasty variety of pit viper here called a cottonmouth moccasin. I’ve heard it rumored all my life that grabblers aren’t afraid of cottonmouths because these snakes aren’t supposed to be able to open their mouths under water, but bear in mind their scientific name, piscivorus, means “fish-eating.”
Fortunately for those of us who simply lack the opportunities to haul protesting fish out of the water with our bare hands, there are easier ways to get catfish. Mississippi is, after all, the buckle of the Catfish Belt. We can get fresh or “fresh frozen” (love that term) catfish in your local grocery any time.
Elitists deride catfish but, to quote Twain, “The catfish is a good enough fish for anybody,” and I fall back on that high word. In the South, catfish, like almost any other sort of meat, is most often fried, and there’s nothing better than a platter of fried catfish and a litter of hush puppies. But however rewarding, frying catfish is just as messy and time-consuming as frying chicken. And while simply baking or broiling fish is easy and healthy, it’s also boring.
So what I’m going to give you here is a simple sauce recipe for baked or broiled catfish that takes it to another level. Beurre blanc is a classic emulsion, as are mayonnaise and Hollandaise, but “white butter” is far less tricky and far more stable. It’s a cold emulsion, like mayo, but it doesn’t involve an agglutination of proteins. Buerre blanc is simply butter whipped with wine, shallots and herbs.
Catfish with beurre blanc
One 8-oz. fillet of catfish per person. Score the fillets lightly, brush with a bit of (unsalted) butter; bake in a hot oven until done through. Beforehand, reduce 1/2 cup good white wine and two tablespoons lemon juice by about half. Add three tablespoons of very,very finely minced shallots, a dash of white pepper and a pinch of salt. Then gradually whip in 1/4 pound of unsalted butter over very low heat until thoroughly incorporated. Tarragon and dill (though I don’t recommend using them together) are most often used for flavor, and parsley is always appropriate. Slather sauce on fish and serve.
Food–unlike guns, whores, or horses–rarely plays a significant role in fiction; food enters the narrative for a specific function.
Adam Gopnik lists four kinds of fictional food: “Food that is served by an author to characters who are not expected to taste it; food that is served by an author to characters in order to show who they are; food that an author cooks for characters in order to eat it with them; and, last (and most recent), food that an author cooks for characters but actually serves to the reader.”
As an example for a writer who uses food in fiction to illuminate character (and they seem predominate) Gopnik serves up a soupcon of Proust. “Proust will say that someone is eating a meal of gigot with sauce béarnaise, but he seldom says that the character had a delicious meal of gigot with sauce béarnaise—although he will extend his adjectives to the weather, or the view. He uses food as a sign of something else.”
Similarly, Welty, in Delta Wedding, employs food to signify the collective character (social status) of the families as well as to highlight individuals. Though three main meals are described–a rehearsal supper, the wedding feast itself and a picnic afterwards–people are eating all the time on almost every page of Welty’s book. This listing could very well be offered as a textbook example of foods served in a well-to-do household in the South during the Coolidge administration.
Coconut cake, sugared almonds, cold biscuits with ham, sugar cane (likely left on the porch for the children to peel and chew), homemade fudge, wedding cake (made in Memphis), chicken salad, “Mary Denis demanded a cold lobster aspic involving moving the world . . . of course we moved it”, stuffed green peppers, hoe cakes and ash cakes, chicken broth, Coca-Cola, barbecue (most likely pork), the patty cake gift for George Fairchild (made with white dove blood, dove heart, snake blood and other things; he’s to eat it alone at midnight, go to bed and his love will have no rest till she comes back to him), licorice sticks, crusted-over wine balls, pink-covered ginger Stage Planks, bananas and cheese, pickles, a mousse (probably chocolate), chicken and ham, dressing and gravy, black snap beans, greens, butter beans, okra, corn on the cob, “all kinds of relish”, watermelon rind preserves, “that good bread” (likely yeast bread), mint leaves “blackened” (bruised) in the tea, whole peaches in syrup, cornucopia (horns of pastry filled with cream or fruit), guinea hen, roast turkey and ham, beaten biscuits (an “aristocratic” Eastern seaboard recipe: i.e. blistered biscuits), chicken salad, homemade green and white mints, fruit punch, batter bread and shad roe, ice cream, chicken and turkey sandwiches, caramel and coconut cakes, lemon chiffon pie, watermelons and greens.
As much as I want to call this a complete list of a Mississippi sideboard, it’s likely not. When it comes to Welty, who is subtle, understated, and knows food as few writers do, it’s easy to miss things, which is an excellent excuse (should you need one) to read DeltaWedding again, if not for the first time.
On July 15, 1975, Jackson was stunned by the brutal murder of a man whose cultural contributions to the city still reverberate.
Frank Woodruff Hains, Jr. was born July 7, 1926 in Wood County, West Virginia. After graduating from Marietta College in Ohio and serving two years in the military, Hains began a radio career that took him to Vicksburg, Mississippi, where he became active in both the Vicksburg Little Theater and the Jackson Little Theater.
A few years later he moved to Jackson, beginning his twenty-year career with the Jackson Daily News as literary critic and champion of the arts. He remained active in the Jackson Little Theater and was one of the founders of New Stage Theater in 1966.
In addition to his position at the Jackson Daily News, through his work as actor, director, and set designer for the local theaters as well as his contributions to the New York Times, Hains helped high schools and colleges in the area with their productions. In 1958 he received the National Pop Wagner Award for work with young people, and in 1970 the Mississippi Authority for Educational Television presented him with its Distinguished Public Service Award.
Hains was savagely beaten to death with a crowbar by a drifter from Indiana who had come to work in a blood bank near the offices of The Jackson Daily News and The Clarion Ledger. Two weeks later, this memorial written by his close friend Eudora Welty appeared in the combined Sunday Clarion-Ledger and Jackson Daily News (27 July 1975):
IN MEMORIUM
For all his years with us, Frank Hains wrote on the arts with perception and clarity, with wit and force of mind. And that mind was first-rate — informed, uncommonly quick and sensitive, keenly responsive. But Frank did more than write well on the arts. He cared. And he worked, worked, worked for their furtherance in this city and state. He was a doer and a maker and a giver. Talented and versatile to a rare degree, he lived with the arts, in their thick.
So it was by his own nature as a man as well as in the whole intent of his work that he was a positive critic, and never a defeating one. The professional standards he set for art, and kept, himself, as a critic, were impeccable and even austere. At the same time he was the kindest, most chivalrous defender of the amateur. And it was not only the amateurs — it was not artists at all — who knew this well: his busy life, as he went about his work and its throng of attendant interests, was made up of thousands of unrecorded kindnesses.
I speak as one working in the arts — and only one, of a very great number indeed — who came to know at first hand, and well, what ever-present perception and insight, warmth of sympathy, and care for the true meaning, Frank in his own work brought to a work of theirs. The many things he has done in behalf of my own books I wouldn’t be able to even count; his dramatic productions of my stories are among the proudest and happiest events of my working life. He was a dear and admired friend for twenty years.
Frank gave many young talents their first hope, sometimes their first chance, and I am sure he never could have let any talent down. He didn’t let any of us down, but was our constant and benevolent and thoroughgoing supporter, a refresher of our spirits, a celebrator along with us of what we all alike, in the best ways we were able, were devoting our lives to.
What his work contributed — the great sum — had an authority of a kind all its own. I wonder if it might not have had a double source: his lifelong enchantment with the world of art, and an unusual gift for communicating his pleasure in it to the rest of us. Plus the blessed wish to do it.
This essence of zest is via Howard Mitcham, who claims he received it in 1954 from Justin Galatoire, the nephew of Jean Galatoire. We have no reason whatsoever to doubt that he did.
1/2 cup Creole mustard 2 tablespoons vegetable or olive oil 2 tablespoons paprika 2 tablespoons white vinegar 2 tablespoons finely minced scallion or parsley Hot sauce and horseradish to taste
