Our Appalachian Table

Travis Milton, a native of Russell County, Virginia, high in the Alleghenys, became a chef on the East Coast, but his thoughts kept returning to his childhood home.

“The more I learned about the restaurant business, the more I appreciated the food culture I’d grown up in,” he says. “I started dreaming of a restaurant that would capture and celebrate that lifestyle, allow me to explore where it came from.”

Milton is profiled in a recent Gastro Obscura article, “The Chef Restoring Appalachia’s World-Class. No matter your definition of “world-class” the term seems incongruous to most when applied to Appalachia, a region of grinding poverty and hard-scrabble existence, so it’s not surprising that his idea was ill-received by his fellow chefs. “When I’d say ‘Appalachian Cuisine,’ they’d hit me with a shit-eating sneer,” says Milton.

In 2010, at a New York restaurant, Milton was part of a group planning dishes that would “tell about who we are.” He wondered aloud about sourcing leather britches and greasy-backs, a type of beans common in mountain gardens.

The following afternoon, the head chef slapped a copy of Ernest Matthew Mickler’s White Trash Cooking onto Milton’s station. “He got in my face,” says Milton, “and started barking, ‘If this is what you wanna do in my kitchen then you can get the fuck out!’”

Having White Trash Cooking slammed in his face was a turning point. To overcome the stereotypes, Milton realized, he’d need to be able to tell the story of Appalachian food, but writing on the region’s cuisine was mostly focused on single mothers dressing up SPAM in a sugary sauce and other relatively recent ways that Appalachian cooks respond to the poverty that is, for most, coal’s legacy in Appalachia.

Then in 2016, Ronni Lundy published Victuals: An Appalachian Journey, with Recipes. Her work won the James Beard Foundation Book of the Year and Best Book, American Cooking awards. In Victuals, Lundy claims that European settlers adopted native Cherokee foods almost wholesale. Wild game, wild herbs and greens, nuts, and berries augmented produce from small gardens of beans, corn, and squash using the “Three Sisters” method.

Appalachians let animals range freely, keeping prized breeds adapted to the landscape. Settlers raised pigs on acorns, berries, and chestnuts, which produced the famous hams of Virginia, Kentucky and Tennessee. After the Civil War decimated the region, residents of isolated Appalachia embraced their gardening traditions, developing thousands of hybridized varieties of apples and pears, squash, tomatoes, collard greens, and other foodstuffs.

While Victuals established a benchmark, the font and source for Appalachian food writing is The Foxfire Book of Appalachian Cookery: Regional Memorabilia and Recipes. First published in 1984, Appalachian Cookery has little resemblance to any other publication involving Southern foods.

The Foxfire Project was the brain-child of Eliot Wigginton, a man from West Virginia who received an advanced education in the north and began teaching at a rural school in northeastern Georgia during the late 1960s. Called “foxfire” after a will-o’-the-wisp in mountain woods, his students collected folklore and customs in a series of oral histories that were first published in a 1972 anthology. Many more editions have followed as well as other volumes documenting Appalachian culture.

According to the text, some of the research and the photographic essays included in Appalachian Cookery were gathered for previous Foxfire books but were not selected for inclusion into an earlier volume. Appalachian Cookery stands out as the most complete and comprehensive record we have of the food, cooking and home life of southern Appalachia in early to mid-20th century. Most of the recipes are very simple; pound cake has four ingredients in equal measure. The book is also a primer on how to use homegrown or wild-gathered foods.

Appalachian Cookery opens a door to a world far away from arugula and alien to star anise, a world where cooking was simple but not coarse, having a balance and symmetry all its own, dictated by the lessons of long-ago voices set in concert with the rhythm of the seasons. For those of us from the upland South, these are our roots.

CRY-BABY COOKIES

Cream 1 cup plus 2 tablespoons shortening with an equal amount of sugar. Add one cup molasses and two beaten eggs. Sift together 4 ¾ cups plain flour with 1 tablespoon baking powder, 1 teaspoon salt and 1 ½ teaspoons soda. Then combine with 2 cups grated coconut, 2 cups chopped walnuts and 1 ½ cups raisins. Add dry ingredients alternately with 1 cup milk to creamed egg mixture. Drop by spoonfuls onto a greased baking sheet. Bake in a moderate (350) oven for 10 minutes. YIELD: approx. 7 dozen cookies.

Come on Home, Little Bob

You asked me about the dog statue in the cemetery.

The statue is on the Guinn family plot. The Guinns are gone now, but they were well-known. Robert Guinn was an attorney who handled mostly small claims, but did well enough to own a house on President Street. He had a lovely wife, Rose, and a little girl, Doris.

All little girls should be pretty, but Doris wasn’t; her face fused improperly in the womb. There’s a name for the condition that I can’t remember, but it’s a cruel assessment of the divine to say that was God’s will, if you ask me. She was never photographed, but there was a portrait painted, and the artist aligned her features.

I saw it long ago; she had dark hair and a shy smile.

Doris in all other respects was a normal little girl; she had dolls and dresses and went to school with all the other little girls on the street. She also had a small dog, a spaniel of some kind that she adored. Her father had given her the puppy when she was five years old, so she named it after him. She called it Little Bob. The dog would follow her to school, wait afternoons on the corner for her to come home, and was with her when she died at twelve.

After that, Little Bob would go to the corner every afternoon and wait; at dark he’d go home until one day he couldn’t, and Bob Guinn went and got him. Oh, there was a fuss about putting a memorial to a dog, much less physical remains, but Robert Guinn took it to court and won, his finest hour before the bench.

So that’s Little Bob there with Doris. He was a good dog.

Good Luck, Dollar Greens, and Penny Peas

Jackson, Mississippi stands at a crossroads in the Deep South, so it was a shock for me to discover people here who do not serve greens and peas on New Year’s Eve or Day. Of course, like any Southern metropolitan area, Jackson has people living here from across the nation and the world who have good reason not to know they should have a pot of peas on the stove on Dec. 31 or Jan. 1, but you also have people here living in detached, pretentious affluence who consider peas, collards, mustard and turnip greens, with their ethnic and rural connotations, coarse and common.

Fortunately, such people are by far the exception rather than the rule, and most people in Mississippi’s capitol city cook leafy greens and field peas at the turn of the year in observance of a regional tradition. Black-eyed peas are a type of cowpea, as are crowder peas, and serving them instead of any other variety of beans (for they are beans) is mandatory. This culinary tradition entered the Southern repertoire by way of Sephardic Jews who settled in South Carolina, Georgia and Maryland well before the Civil War, and they brought with them their tradition of eating black-eyed peas at Rosh Hashana. Stewed greens are almost always served as well, but the type of greens is a matter for the most part a matter of preference, to a lesser extent that of geography, but almost invariably turnips or mustards, collards and cabbages. In the broadest sense, cabbage seems to be most often served in urban households, greens in rural households, and collards most often in the lower South and along the east coast, but this statement is based on the least systematic and most cursory research.

The tradition that associates these foods with financial prosperity is clouded in folklore, but then luck has always been associated with riches, though there are those among us who would say such a relationship is unworthy of the morally evolved. In the past, people were known to have cooked peas with coins in them to ensure wealth (a risky practice), yet peas, largely because of their shape, are symbolic of coins, as leaf greens are of paper money, an obvious analogy in this country where the currency is green on the “back” side.

In other parts of the country, New Year’s foods usually typify family holiday traditions. We should find comfort in knowing that our traditional New Year’s table bears hope for the coming year.

peas and greens new year 2233

Black-Eyed Gumbo

My family’s New Year’s celebrations always included fireworks and black-eyed peas. Many of the fireworks were left over from my father’s superb Christmas collection, which contained the usual array of bottle rockets, Roman candles and firecrackers, but he always had a few fire fountains and a loud sparkling rocket or four put away for the last night in December.

The peas, which we had on the table pretty much year-round, assumed an incandescence all their own that night as signatures of memory and rapport.

Our freedom of worship brought many people to this country. Among the earliest were Jews who had endured centuries of barely tolerable hardships. Many Sephardic Jews settled in South Carolina, Georgia, and Maryland well before the Civil War, and they brought with them their tradition of eating black-eyed peas at Rosh Hashana.

In time, this custom spread to their New World neighbors who were already familiar with the bean (yes, a black-eyed pea is a bean) but doubtless confused as to why the Jews celebrated New Year so early and didn’t use a ham bone in their peas like everyone else did. Still, the tradition caught on and endures as evidence of the South’s many-layered and multifaceted culinary heritage.

This is another recipe I made at the Harvest Cafe in Oxford, a vegetarian restaurant on the corner of Jackson and South 10th. On the brunch shift, I’d make soup specials, which was always a challenge, because the black bean chili was outstanding and one of the most popular dishes.

Under duress, I rose to the occasion and in a memorable effort made a gumbo using black-eyed peas. This combination of peas and okra in a thickened, richly-seasoned stock with aromatic vegetables and tomatoes seemed a good combination for our clientele; most people who ordered soup wanted something warm and filling around Sunday lunch time, and this recipe seemed a good alternative to the favorite chili.

My idea received a guarded reservations; when my boss, John Anderson, asked me what he needed to put on the blackboard as the soup of the day, I said “black-eyed pea gumbo.” He blinked his eyes behind those big glasses he wears, slowly nodded his head and said, “Okay”, which in my experience with this gentle man I recognized skepticism of a profound and imponderable nature.

Jennie Lee, my co-worker, asked me if I’d lost my mind, but she’s from Charleston, was more perloo than gumbo. She also didn’t sign my paychecks.

Besides, the dish was well underway. I’d made a good brown roux with vegetable oil and our lightest flour, added minced garlic, chopped onions, celery and bell pepper. This primordial goo I combined with a good base made with vegetable stock, basil, thyme, oregano and bay. Not only that, but I’d been soaking the peas since happy hour the day before, and they were simmering on a back eye. I also had two packages of organic okra stashed in a refrigerator in the back; these were expensive contraband (imagine the price of a frozen package of organic okra in 1995 Mississippi), but essential to my enterprise.

The okra I rinsed under warm water before adding it to the pot to relieve it of ropy-ness. The peas I drained but kept the liquid. After adding the peas and okra to the pot, I started adding the liquid to achieve a good consistency (I like it thickish, but with a good juice) then added two small drained cans of diced tomatoes that I’d smuggled in from James’ Food Store. Once that was done, I began adjusting the seasonings, and finally put the gumbo in a serving pan on the line.

Of course, John ordered the first bowl. His critique was just as laconic as his first, but delivered with a smile, which I took as a positive sign. This interpretation was confirmed when the orders started coming in, many for the gumbo. This earned me a grateful nod from my co-workers, since pouring something in a bowl and sending it out the window is one of the less stressful acts you can perform in a busy kitchen.

Before the end of the shift, John was gracious enough to come into the kitchen and say, “They loved your gumbo. How did you make it?”

John, here’s the recipe, sorry I’m late. Again.

The Battle of the Po-Boy

It’s a jolt to find a recipe for what amounts to an oyster po-boy in Jane Grigons’s English Food, but even if we concede that anywhere there are oysters and mankind the oysters are bound to end up on someone’s table between two pieces of bread, Griegson’s foray into New Orleans cuisine is still nothing less than another British sally on the Crescent City.

Grigson’s recipe–“Oyster Loaf”–begins: “This is one of the best of eighteenth-century dishes,” she begins, adding, “It was taken to America, and became popular in New Orleans in the eighteenth century, where it acquired the endearing name médiatrice.” In this simple statement Grigson covers a lot of ground with a host of erroneous assumptions, not the least of which is the po-boy’s English origins. To begin with, though the British made a heroic effort to capture New Orleans in the winter of 1814-15, the city was never under British rule. Granted, in the late 1800s oyster sandwiches on French loaves were known in New Orleans as well as San Francisco as “oyster loaves”, a term still used in San Francisco, but Grigson’s recipe calls for the oysters to be placed on a bun after being sautéed in butter and poached in sour cream as well as “double” cream, a uniquely British ingredient. It’s more stew in a bread bowl than a sandwich.

The earliest known account of what eventually came to be called a po-boy was published in The Daily Picayune on Dec. 7, 1851: “A big loaf of bread is ‘dug out’ – reserving a crust end as a stop – any quantity of delicious fried or broiled oysters is piled in; the top is neatly put on; and a gentleman can carry home his loaf and his ‘dozen’ – all hot – or have them brought home, for a lunch or a relish to dinner.” The legend of what Grigson calls the médiatrice is fraught with confusion, involving even James Beard in the likely fanciful legend of a sandwich involving various ingredients brought home by a carousing husband to his irate wife—no doubt waiting up with a rolling pin—as a “peacemaker”. Such is the case with the name po-boy (and its various spellings) as well, with diverging claims of authenticity.

Though Grigson’s sumptuous English Food certainly deserves every bit of praise it has received since its publication in 1974, her claim that the English oyster loaf is the predecessor of NOLA’s po-boy is as useless as Pakenham’s final assault on Old Hickory.

Fondue for the Masses

Chances are if you’re an average middle-class sort, somewhere tucked away in a cabinet or closet you have a fondue pot. It’s likely you’ve never used the damn thing and never will because you’d rather order out than make anything as baffling as fondue.

In the middle of the last century,, trendy America embraced fondue . The early recipes were startlingly elaborate—as were the fondue sets themselves—and included prescribed serving rituals as well as a warning that drinking cold beverages while eating causes constipation. (It doesn’t.)

Fashionable authors recommended using long two-tined forks to skewer the bread cubes, which is why colorful glazed fondue pots with matching spears were standard gifts at weddings. Many of you likely remember your mother’s fondue set in harvest gold and avocado green., with a little wire rack beneath for canned heat.

Fondues became quite popular because the ingredients were inexpensive and familiar; the equipment, however novel, was within reach, and while most of us consider a fondue about the gayest thing you can serve at a party, it ‘s actually quite good, and makes for a novel holiday dish (particularly New Year’s).

The following basic recipe is from Betty Crocker’s Dinner Parties: A Contemporary Guide to Easy Entertaining, [Golden Books: New York] 1970, 1974 (p. 55). Let me recommend you lightly toast the bread cubes.

Cut a French loaf into 1-inch cubes, and a pound of Swiss cheese into 1/4-inch cubes (about 4 cups). Sprinkle about two tablespoons AP flour over cheese and toss until is coated. Rub cut clove of garlic on bottom and side of quart ceramic fondue pot, heavy saucepan or chafing dish. Add 1 cup dry white wine (Rhine, Reisling, Chablis, Neuchatel); heat over medium until bubbles rise to surface (do not allow to boil). Gradually stir in cheese, adding only 1/2 cup at a time and stirring after each addition until cheese is melted and blended. (Do not allow mixture to become too hot.) Stir in 2 tablespoons kirsch or sherry liqueur and seasoning. If fondue has been prepared on range, transfer fondue pot to source of heat at table and adjust heat to keep fondue just bubbling. Guests spear cubes of bread with long-handled forks and dip into cheese mixture. Stir fondue occasionally. (If fondue becomes too thick, mix in more warm white wine.) 4 servings.

Cheese Balls: A Political History

Cheese balls constitute an inevitability during any given holiday. Slapped atop one of those cutesy little carving boards that have a little two-pronged knife on a chain and surrounded by captain’s wafers, Ritz crackers or—at the New Year’s keg party—saltines, the cheese ball has become an entrenched feature of the American holiday table.

Cheese balls in their primitive state first became manifest in the White House. Do try not to be too surprised. The first executive cheese ball was crafted by Elder John Leland of Cheshire, Massachusetts in 1801. Purportedly the Baptist community of Cheshire donated milk from over 900 cows to make a 1,235 pound ball known as “The Mammoth Cheese.”

Preaching all the way to Washington (some things never change), he transported the ball by wagon and then rolled it across the White House lawn to serve it to President Jefferson. Rumor has it that this ball of cheese lasted for two years until Jefferson finally had the remains thrown into the Potomac.

Then in 1835 dairy farmer Colonel Thomas S. Meacham of Sandy Creek, NY, crafted a titanic cheddar four feet in diameter, two feet thick and weighing nearly 1,400 pounds wrapped in a colossal belt bearing patriotic inscriptions for President Jackson . This cheese lasted so long that Jackson’s successor, Van Beuren, had to rip out the curtains in the “cheese room” and have the walls sanded and whitewashed.

Cheese balls as we know them first appeared in 1944 at patriotically modest gatherings. A columnist for the The Minneapolis Star, Virginia Safford—who aspired to “eat her way around the world”—chronicled culinary Minneapolis in, Food of My Friends, and describes a cheese ball made by a Mrs. Selmber E. Ellertson. Stafford’s follow-up book, Friends and their Food (1969), features recipes for “Cheese in the Round” and “Cheese Rolls”.

The cheese ball really found its place in the 1970s, but like disco and lava lamps, eventually developed a bad rap. Writing in 2003, New York Times food writer Amanda Hesser wrote, “Cheese balls tend to be associated with shag rugs and tinsel, symbols of the middle-class middlebrow.”

What with all the artisan cheeses flooding the market nowadays, cheese balls are making somewhat of a comeback. Cheese balls are made of soft cheese often combined with grated hard cheese, molded into a ball shape, and coated with seeds, nuts, or dried fruit. Options are endless, but most cheese balls are savory rather than sweet. Here is a classic recipe from Standing Room Only, a cookbook for entertaining published by New Stage Theatre in 1983.

1 pound cream cheese, softened,
2 tablespoons finely minced onion
1 4-oz. jar chopped mushrooms, drained
1 4-oz. jar chopped pimento, drained
1/2 cup finely chopped ripe olives
1/4 cup chopped green olives
1/2 cup grated sharp cheddar
1/4 cup Worcestershire
Finely chopped nuts for coating

Mix all ingredients, chill overnight, then shape into a ball and roll in finely chopped nuts. Wrap and refrigerate overnight before serving.

The Christmas War in Calhoun County

While no battles of importance took place in Calhoun County, Mississippi, Leon Burgess, in his M.D.L. Stevens and Calhoun County, Mississippi offers Stevens’ account of a December skirmish in the northwest. The original story appeared in The Calhoun County Monitor on June 4, 1903.

In December, 1862, Gen. Grant’s army pressed back the Confederate army from Holly Springs to Coffeeville where after a sharp engagement Grant fell back to Water Valley, threw out a strong cordon of cavalry and encamped for the winter.

About Christmas a strong company of Kansas Jayhawkers invaded Calhoun County north of Schoona River, spending their fury in and about the village of Banner. They captured the few horses and mules remaining in the county, robbed every chicken roost and hen nest, stole turkeys, geese and ducks, and now and then they took a fat hog. In their rounds they confiscated a barrel of moonshine whiskey near the big rock at the head of Cowpen Creek. They drank freely, filled their canteens and came to Banner, where they took and destroyed everything in sight. In the afternoon they set out for Water Valley. Each marauder had his canteen full of “wild cat” and, tied in front and behind his saddle, a good lot of turkeys, geese, ducks and chickens, and a haversack full of eggs. They left Banner yelling like a mob of Hottentots, all full of wild cat whiskey; more than a hundred strong, the Federals insulted every old man they met and drove women and children from their homes.

A small squad of Willis’ Texas Cavalry was hanging around Grant’s army, watching every movement. They learned of the contemplated raid on Banner, followed in the of the Federal cavalry and kept a close eye on their movements. The Texans received into their ranks a few of the Calhoun boys at home on furloughs, armed with double-barreled shot guns and mounted on mules and horses. The company numbered about 20 of the battalion and 12 or 15 of the local boys. They saw from a distance the devastation of Banner and the surrounding country and saw that the Jayhawkers were tanking up on the “bust skull” whiskey and were preparing to leave for Water Valley. Willis, under the guidance of a friend, hosted his small band of braves in a narrow valley were the horses were tied and the boys were concealed on the crest of a narrow ridge about 60 yards from the road that ran up a narrow hollow west of Gore’s Branch 5 or 6 miles from Banner.

On came the drunken Federal mob, more than a hundred strong, singing, cursing and looting, all bent on reaching Water Valley with their booty. They crossed Gore’s Branch, the headwaters of Long Persimmon Creek, and moved up the road running parallel with the long ridge. When the Federal cavalry had filled the road at the foot of the ridge, Willis gave the command to fire. Sheet of flames leapt from 30 guns; volley after volley was poured into the panic-stricken Federal ranks. Horses and riders were piled promiscuously on the road.

The Rebel boys rushed down the hill and captured men, horses, turkeys, ducks, chickens and canteens half full of mountain dew. They mounted and followed in hot pursuit of the fleeing Federals. Down by Trusty’s and Tatum’s they charged the retreating Jayhawkers, killing and capturing men and horses; their charge to Tuckalofa Creek was a race for life. The next day a regiment of Federal cavalry came out and buried the dead and cared for the wounded. No estimate on killed or wounded.

Jingle Bells and Shotgun Shells

  When I told my cousin Jackson that I was going to the gun show, he looked at me like I had lost my mind.“ Why?” he asked.
“Well, you know, I’ve never been to one, and I think it would be interesting to write about the experience” I said.
“You’ve never even been to a deer camp,” he countered.
“I have, too,” I said. “Ewell took me to his uncle’s camp in the Delta once.”
“Yeah, now I remember. He told me you spent the whole time bird-watching and going off about affiliated peckerwoods.”
“That’s `pileated woodpeckers,’” I said. “They’re very uncommon,   and I saw three of them in one day.”
“He also said you almost got your ass shot off.”
“I was trying to blend in and not scare the birds. They’re really shy.”
“Speaking of blending in, what are you going to wear to the gun show?”
“Slacks, sweater, shoes. Why?”
Jackson rolled his eyes. “That’s it,” he said. “I’m going with you.”
“I’ll be fine, Jack. It’s not like they’re going to string me up for wearing Hushpuppies.”
“Look, do you want people to talk to you, or what?”
“Sure I do,” I said. “That’s going to be the heart of the story. It’s a human interest piece.”
“Then you don’t need to look like a roving reporter for Martha Stewart. Let me see what I’ve got.” One hour later, we were stepping out the door. I had on jeans, boots, a flannel shirt and his dad’s old flight jacket. Jack was Mossy Oak from head to toe. Just as he was about to close the door, Jack turned to me, wrinkled his nose and said,  “What’s that smell?”
“Gel,” I said.
“Go wash it out. Thank God you need a haircut.”

Five dollars each gained us entry into the floor room, and despite Jackson’s careful preparations, within five minutes I had run afoul of a vendor.

All I did was ask for a catalogue from the proprietor, a black lady in a neon t-shirt that read “Real Hunters Shoot More Than Once.” She asked me, in a very strong voice, “What do you need a catalogue for? I’ve got all my stuff out right here. See where this green tablecloth is spread out? This is my stuff. You don’t need no catalogue.”

She had her hands on her hips and was looking at me like she was daring me to say something, so I just said, “Yes, ma’am,” and backed off, nodding and smiling. The folks at nearby booths glanced over to see what was going on. Paranoia seemed to be the neurosis de jour.

Jack came up from behind me where he had been checking out the VibraShine Vortex, a shell-polishing system that employed crushed corn cobs (“Organic. I grow `em myself.”), aluminum silicate (“Just like you find in toothpaste.”) and motor oil (“Keeps the dust down.”).
“What did you say to her?” he hissed, grabbing my arm and nodding towards More Than Once.
“I just asked for a catalogue,” I said.
“She does not work for L.L. Bean,” he said.
“I just thought she might have a price list or something,” I said.
“Young man!” More Than Once was pointing at me, shouting from ten feet away. Heads turned.
Jackson said, “Oh, shit. We are so busted.”
“Young man!” she said again. “I do not have a catalogue, but I do have a card. Come here and get one,” she said. And she smiled.
I went over and picked up the card and thanked her. By the time I got back to where Jackson was he had disappeared into a wilderness of denim, flannel and camouflage.

Jackson caught up with me about the time I found the camo women’s apparel. “Don’t touch that!”
“I wasn’t going to touch it,” I said.
“Yes, you were,” he said.
“Oh, hell,” I said. “I couldn’t help it.” I couldn’t believe it was real. “Can you imagine there’s a hooker out there wearing this stuff who calls herself Bambi’?”
“Would you please not talk so loud?”
“Jackson, I happen to know that you have an intimate acquaintance with ladies’ apparel.” I picked an item off the rack and held it up for his inspection. “Just what is this?”
“It’s a teddy,” he said, looking away.
“It’s got white lace with a camouflage bra.”
“So?”
“There are drag queens in Oktibbeha County who would sell a family member into slavery for this stuff,” I said.
About that time, a young lady came around the rack. She had what looked like an all-day sucker in her hand and was flipping through the clothing. Before Jackson could stop me, I said, “Excuse me.”
“Yeah?” she said.
“Would you wear this stuff?” I asked, holding up my prize. I heard Jack’s jaw hit the floor behind me.
She looked at me for a second. Then she giggled.
“No!” she said, “but Momma does.”
“Just on special occasions, I bet,” I said with a wink.
She giggled again. “Yeah, mostly during hunting season.”
We giggled together for a little bit, then Jack started dragging me back to the main aisle.

I spent some time wandering around the Winchesters, Colts and Mausers until I came upon the Christmas ornaments.
“These are so unique,” I said to the lady in charge. She was a little grandmotherly type in a maroon pants suit with a champagne bouffant. “Did you make them yourself?”
“Yes,” she said. “But it was my husband Pete’s idea. I’ve always been artsy-craftsy, and had a glue gun and everything, but he was the one who thought of doing the lights like this. And I thought, well, if you’re going to do lights, why don’t we make a couple of little wreathes and maybe even a star for the tree and we just went from there.”
“Are they safe?” I asked.
“Oh, yes,” she said. “I used too big ‘a bulbs the first set, and they all just melted, didn’t set anything on fire, but these are a lot smaller. You should see them when the house lights are off. They just glow.”

I thanked her and wandered off down the aisle, wondering what the Prince of Peace would say about shotgun shell Christmas lights.

Ham Salad

People just don’t make ham salad like they used to. At one time, you’d see it on just about any occasional buffet table, be it wedding, anniversary, or funeral, but nowadays it’s all pimento cheese and hummus. Maybe it’s because of that same room-temperature mayonnaise phobia that keeps tuna or chicken salad at bay, or simply a drift away from meats in general.

Still and all, ham salad is a beautiful option for holiday left-overs, and it’s a good nosh (sorry) whenever. Three ingredients are essential: a binding agent—it doesn’t have to be mayo; cream cheese or yogurt will do, too—finely diced or pureed lean ham—and a pickle or relish, or both. Me, I like a fine consistency with horseradish, mustard and a little grated onion, but, as Rombauer and Co. say, ham salad, “should be a matter of inspiration”.

Here’s an easy one. For a pound of finely-chopped ham, add about a quarter  cup mayo, two tablespoons each of sweet relish and minced onions. Mix well with a tablespoon each of black pepper and dry mustard. Chill for at least an hour.