Having a collector’s edition set of Jane Austen displayed with discreet prominence tags one as a certain sort of person just as soundly as a shelf of brittle paperback Louis L’Amours. If you pardon as understandable the inordinate number of books devoted to cooking, my bookshelves are certainly eclectic enough to deflect instantaneous psychoanalysis with the exception of this copy of Mrs. Byrne’s Dictionary, which labels me as a pseudo-intellectual of the vilest sort; how pretentious it is to have a dictionary of words that are so obscure and out-of-use that it’s worthless as a reference, and if that’s your idea of bathroom reading, then you really need a therapist. I met a fellow in Belhaven the other day who told me that he had snagged a first edition of the OED for twenty bucks from a library that was cleaning its shelves, and I felt cheap and disgusted with myself for being jealous.
JACKSON, MS (YPI)—In an effort to reduce the theft of maintenance equipment, the City of Jackson has initiated a program of placing their more valuable pieces of machinery at “random and undisclosed” areas of the city until needed for upcoming projects.
“We are determined to protect the taxpayers’ property,” a spokesperson said, “and this method of dispersing machinery instead of keeping it in a vulnerable centralized location should greatly reduce the loss of expensive heavy equipment such as backhoes, trenchers and excavators.”
The location of the equipment, while “obvious to local residents” would be unknown to organized criminals who could steal and sell the machinery. “Some of these machines are worth a lot of money,” the spokesperson said, “and we need to protect them while they aren’t in use.” An estimated 75% of the city’s maintenance equipment is currently idle.
While most metro news outlets were quick to point out that this move is nothing more than a “frivolous” and “shamefully useless” effort, designed according to one periodical as “nothing more than a blatant attempt of the administration to draw attention away from its legal entanglements”, a metro alternative weekly applauded what it called “the city’s bold and innovative new initiative”.
One Jackson resident said, “I just wish they’d leave the keys in them and provide me with a pile of asphalt mix.”
Ellen Gilchrist’s body was found spread-eagled, her blouse torn open, and her hair spread out around her head on a grassy hillside. Her neck was discolored by strangulation, and the shoulder-bag she carried was open with the contents spilled on the grass: open lipstick, a purse, compact, nail-file, chewing gum, perfume, keys, address book, earrings and a hair brush.
Ellen’s murder was virtually identical to that of Deborah Harrison, another schoolgirl who had met her death at the hands of the perpetrator in Peter Robinson’s 1996 mystery Innocent Graves, the eighth in a series of novels about Yorkshire police Inspector Banks. Robinson was born in England, and after getting his BA in English Literature, he moved to Canada, where he got his master’s degree in English and creative writing. He started writing his Banks books series in 1987, and so far he has currently 24 books written, with a latest one published in 2016 with the title When The Music’s Over.
Whether Robinson is at all familiar with Mississippi writer Ellen Gilchrist (who I’m happy to say is still very much alive), while certainly a possibility, is a matter of debate, though if he does know of Gilchrist, that raises the question of why he would have a character with her very same name as the victim of a homicidal pedophile. When we run up on such coincidences (if indeed that’s what this is, a coincidence) what are we left to do but wonder, or perhaps speculate for a moment before dismissing it as another one of life’s mysteries.
Food rarely plays a significant role in fiction, but when it does the part has a specific function. Adam Gopnik, in a his article “Cooked Books” (The New Yorker, April 9, 2007), points out that there are four kinds of food in books: “Food that is served by an author to characters who are not expected to taste it; food that is served by an author to characters in order to show who they are; food that an author cooks for characters in order to eat it with them; and, last (and most recent), food that an author cooks for characters but actually serves to the reader.”
As an example for a writer who uses food in fiction to illuminate character, which seems to be its predominant use in fiction, Gopnik serves up Proust. “Proust will say that someone is eating a meal of gigot with sauce béarnaise, but he seldom says that the character had a delicious meal of gigot with sauce béarnaise—although he will extend his adjectives to the weather, or the view. He uses food as a sign of something else.”
This Faulkner does with the Thanksgiving meal at the Sartoris home he describes in Flags in the Dust, his first novel to be set in Yoknapatawpha County (called “Yocona”), as does Eudora Welty, whose novel Delta Wedding, in itself the most lyrical evocation of life in the Mississippi Delta on the eve of or in the 1920s, a delightful, warm-hearted and spellbindingly-written work, is a Southern (perhaps “the most Southern”) smorgasbord. Though three main meals are described, a rehearsal supper, the wedding feast itself and a picnic afterwards, people are eating all the time on almost every page of this book, and a listing could very well be offered as a textbook example of foods served in a well-to-do household during the Coolidge administration. In both instances, the food is a prop, a signature of their collective character, not a judgement.
Coconut cake, sugared almonds, cold biscuits with ham, sugar cane (likely left on the porch for the children to peel and chew), homemade fudge, wedding cake (made in Memphis), chicken salad, “Mary Denis demanded a cold lobster aspic involving moving the world . . . of course we moved it”, stuffed green peppers, hoe cakes and ash cakes, chicken broth, Coca-Cola, barbecue (most likely pork), the patty cake gift for George Fairchild (made with white dove blood, dove heart, snake blood and other things; he’s to eat it alone at midnight, go to bed and his love will have no rest till she comes back to him), licorice sticks, crusted-over wine balls, pink-covered ginger Stage Planks, bananas and cheese, pickles, a mousse (probably chocolate), chicken and ham, dressing and gravy, black snap beans, greens, butter beans, okra, corn on the cob, “all kinds of relish”, watermelon rind preserves, “that good bread” (likely yeast bread), mint leaves “blackened” (bruised) in the tea, whole peaches in syrup, cornucopia (horns of pastry filled with cream or fruit), guinea hen, roast turkey and ham, beaten biscuits (an “aristocratic” Eastern seaboard recipe: i.e. blistered biscuits), chicken salad, homemade green and white mints, fruit punch, batter bread and shad roe, ice cream, chicken and turkey sandwiches, caramel and coconut cakes, lemon chiffon pie, watermelons and greens.
As much as I want to call this a complete list, it likely is not. When it comes Welty, who is subtle and understated, it’s easy to miss things; read it again.
This is an excerpt from Bitterweeds: Life with William Faulkner at Rowan Oak, written by his step-son Malcolm Franklin and published in an exclusive edition by The Society for the Study of Traditional Culture in 1977. Franklin is a capable story-teller himself.
One of the most frequent questions that people ask me about Faulkner is about his writing routine and writing habits. Pappy really had no set routine. He worked in an apparently erratic manner. I do know one very important fact. He never carried a notebook or made any notes. He did not at any time carry a pencil or paper. He seemed to work largely from memory and observation.
He had a small portable typewriter that was presented to him by an old sailing friend, Jim Devine, whom he had known in New York in the late twenties. To this very day it remains in what is now known as Pappy’s Office at Rowan Oak. I always associate it with Pappy’s noisy periods, the ones that let us all know Pappy was at work. During what we referred to as his silent days, he used pen and ink. On such days you could not be sure whether he was writing or not. It was all very quiet. No telephone, no radio and no doorbell! These were forbidden items. All you could hear were the sounds from the woods beyond the formal gardens and the barnyard. The dogs would bark. A rooster who had lost the time of day might unexpectedly crow. Cows would occasionally let out a low moo reminding those in charge that milking time was near. Otherwise, only silence; for we were too far from the road and out of the way for the sounds of traffic to interfere.
Then there would be the times I would see Pappy walking along the driveway, perhaps headed for a walk down Old Taylor Road, in the direction of Thacker’s Mountain, some six miles away. It was not out of the ordinary for Pappy to cover the distance between Thacker’s Mountain and back in one afternoon. Quite often I would go along, riding the small quarter horse that Pappy had given me, Dan Patch. Pappy, of course, walked through the woods, and by the time I reached Thacker’s Mountain by the road, there would be Pappy sitting on top of one of the large boulders, perfectly still, not saying a word. I would ask, “Pappy, would you like to ride Dan Patch back and let me walk?” “No,” he would always answer, preferring to go through the woods rather than by the road. Upon returning to Rowan Oak he would not say a word. Instead he would go straight to the library, or to his bedroom, where he had a small writing table. And then you would know he was writing. Even in the silence.
Another trait of his which took him outdoors but was still connected with his writing was squirrel hunting. Every fall, on Saturday and Sunday mornings, and often on weekday afternoons, too, Pappy and I would hunt squirrels—always at least one mile from Rowan Oak. The squirrel we were after in particular was the fox squirrel. Unlike the ordinary gray squirrel, who carelessly slits about, the fox squirrel demands great patience from the hunter, for he will sit perched motionless on a limb for long intervals at a time. The hunter must outsit the fox squirrel. If he waits long enough, in absolute silence, the squirrel will show himself in a vulnerable position. It was during these long periods of utter silence that I believe Pappy did a great deal of his thinking about the plots and characters he was writing about. He never said anything about it. However, many times when we arrived back at Rowan Oak he would say to me, “Buddy, would you dress out my squirrels? Or have Broadus dress them out for me?” I would reply, “Certainly, Pappy,” and then he would disappear, and I would hear the typewriter going for the rest of the morning. Other times he would come on back and dress out the squirrels with me.
We would never have more than two or three each at the most. Pappy brought me up never to kill more than we would need. Further, to make our stay in the woods longer and more of a sport, Pappy and I had a pact where we would only shoot for the head. We kept an old tin tobacco box with a slit in the top. Either of us who hit a squirrel anywhere but the head had to put a quarter in the tobacco box. When it was full, we bought a bottle of bourbon with it. Preferably Jack Daniel’s. Despite the fact that there have been many stories told about Faulkner’s drinking habits, including the statement, in many cases, that he was an alcoholic, he was not. It is a fact that he was a hard drinker. But only on occasion. And during a period of twenty-five or more years of close association, I never observed Faulkner’s drinking heavily while he was actively writing.
Faulkner gave a well-deserved reply to columnist Betty Beale of The Washington Star, whose society gossip column was widely read. She asked for the largest number of words he had penned on one day. His answer, printed in the June 14, 1954 column, clearly showed his attitude when he was asked a stupid question He gave an absurd answer: That he had climbed to the crib of the barn one morning with his paper, pencil and a quart of whiskey, and pulled the ladder up behind him; when daylight began to fail, he realized he had torn off five thousand words. In our barn at Rowan Oak there was no crib overhead—only a hay loft with no retractable ladder.
When he had completed a particularly long and involved piece of writing he would take a Sabbatical, indulging heavily in his favorite bourbon. Perhaps it might last a month or six weeks. Quite often the last week of his binge I would spend driving him around Lafayette, Marshall, Yalobusha and Panola Counties. In the summertime we would drive in my jeep. In the wintertime the excursions would take place in a closed car. He would sit there in the front seat, viewing the countryside. But sometimes he would carry on a very animated conversation with me in which he showed his love for and knowledge of that section of North Mississippi. He would point out places he had drawn on for certain incidents in his books or stories. Thus, I know exactly the location of As I Lay Dying, which is southeast of Oxford on the south side of the Yocona River. The location of one of his best stories, “The Hound”, is northeast of Oxford in the Tallahatchie River bottom, in a locality known as Riverside. On one long drive we made together in my jeep, he said, “This is where ‘The Bear’ took place.” We were passing through the old Stone place, between the Sunflower and Tallahatchie Rivers, some seventeen miles southwest of the old river town known as Panola, situated a few miles north of Batesville in Panola County. It was in the late fall, I believe, and we had been hunting at Mr. Bob Carrier’s plantation, where Pappy took Clark Gable to hunt once in the late 1930s.
On our return trip to Rowan Oak that evening, we travelled along an old, dusty road. Cotton stood on either side of the road, but much shorter and scrawnier than that we had passed earlier, around Batesville and Clarksdale in the Delta country. Pappy had noted there that some of the cotton had been picked by hand, some by machine—this was one of the earliest occasions, if not the earliest, that we had seen machine-picked cotton fields. Now from the road we could glimpse the tops of the trees in the river bottom beyond the fields—just a faint outline against the fast fading evening. From Pappy’s silence I realized, as we had rolled along this country road, that he was headed towards his typewriter again, and that soon I would be hearing once more the tap-tap sounds that so often penetrated the quiet darkness of Rowan Oak at odd hours during the night.
“Rez” Barbie comes with mid‐life crisis Ken and an SUV with stick figure family depicted in rear window and Republican candidate bumper stickers as well as a mega church membership and directions to the nearest wine shop in Hinds or Madison County. Options include a black party dress and a Xanax prescription.
Manufactured outside Rankin County, “Flo” Barbie drives a Chevy Tahoe with multiple private school stickers on back window. Options include a tennis outfit, an IPhone 6s with a permanent hand attachment, matching earbuds, a Shih Tzu and a Kroger grocery cart with pineapple.
West Pearl Barbie
This pale model comes dressed in her own Wrangler jeans two sizes too small, a NASCAR t-shirt and Tweety bird tattoo on her shoulder. She has a six-pack of Bud Lite and a Hank Williams Jr. CD set. She can spit over 5 feet and kick mullet-haired Ken’s ass when she is drunk. Purchase her pickup truck separately and get a Confederate flag bumper sticker absolutely free.
East Pearl Barbie
This tobacco-chewing, brassy-haired Barbie has a pair of her own high-heeled sandals with one broken heel from the time she chased beer-gutted Ken out of Brandon Barbie’s house. Her ensemble includes low-rise acid-washed jeans, fake fingernails and a see-through halter-top. Also available with pink trim mobile home.
This outdoors Barbie comes with her own kayak and Ducks Unlimited Ken as well as a Longleaf camo outfit, a pair of Merrell Reflex Waterproof Hikers and an L.L. Bean backpack. Options include a Browning Citori 725, a Magellan GPS and a pedigree water Spaniel.
This anorexic teen Barbie comes with a revoked driver’s license, Stage Mother Barbie and an alcoholic closeted Ken. Options include an NYX Cosmetics Soho Glam makeup kit, skin tight Daisy Dukes, ten pairs of glitter high heels and a pregnancy test.
This Barbie has jet black straightened hair, over-plucked, drawn-on eyebrows, a LOVE tattoo on her neck, skin tight jeans, a fitted tank top and fringed soft cowboy boots. Her Meth Head Unshaven Ken has a Yeti logo tattoo, an NRA tattoo, and a recently-added Trump tattoo. Options include a voicebox reocrding with “Come back here, you motherfucker!” and a traumatized Baby Ken.
Thank you for submitting your work, The Existential Tomato, to the University Press of Missitucky. I want to assure you that your book did receive a great deal of consideration.
The title itself was subject to intense study. Our assistant senior editors, Mr. Stanley Pastel and Ms. Judith Brawn, engaged in a lively debate on whether a vegetable can be considered “existential” with Mr. Pastel contending that it’s not the vegetable itself that is existential but rather the perception of the vegetable that is of an existential nature whereupon Ms. Brawn threatened to tear the rug off his head and flush it down the toilet in the ladies’ room. Ms. Ergot, who manages most of our culinary titles, said that while The Existential Tomato does have many farm-to-table aspects, the recipes for the most part seem to be more in the grandmère à petit enfant vein, which while certainly a valid culinary movement is very little known and even less understood in this country.
I must say that the graphics editor, Mr. Wing, was quite enthusiastic, and prepared no less than nine prospective covers, none of which had anything remotely resembling a tomato. The copy editor, Mr. Rupert, said that your writing, while crisp and clean, not only had too many semi-colons and long dashes, but was peppered with such unfamiliar words as “macerate”. At this point the senior editor, Mr. Crabtree, had what we politely refer to as an “incident” and had to be taken by our receptionist, Ms. Harcourt, to the showers in the women’s dorm across the street for assistance, and the meeting was adjourned until the next day.
In the final analysis, I’m sorry to say that The Existential Tomato while informative, amusing and illuminating of the state of mankind in the 21st century, does not meet the criteria for our publishing house. We wish you the best of luck.
When I was a little girl my grandmother Emma would sit me on a bench in the kitchen while she cooked, and she would tell me stories. Even now I can hear the sound of her voice, low and level. I can smell the cornbread in the oven and the big pot of beans simmering on the back of the stove. She told me how she played hoops with her sisters, how her grandmother would teach her Bible verses as she cooked. She told me how the rain sounds at nights on a tin roof: “Rat-a-tat at first,” she’d say, “Then so loud you had to shout to talk.”
She also told me about roses so blue they made the sky look like it had no color at all.
“Gramaw,” I’d say in my most grown-up way, “roses are red! Or white. Miz Stevens has some white ones. And I saw some yellow ones in the store. But roses aren’t blue!”
Emma would smile to herself, tend to the stove. “Oh, you are such a smart little girl!” she’d say. “But you’re not as smart as your old granny. Some roses are blue, but you ain’t gonna to see them in Loris Stevens’ yard, and you ain’t gonna see them in the store, either. Blue roses only grow in Africa, on the Mountains of the Moon.”
She told me that the Mountains of the Moon are draped in cloud and mist during the day. At night when the wind blows up from the desert sands, the skies clear, the moon beams upon the green slopes, and roses wind around the palms and climb towards the stars, their blossoms bluer than the open sea.
When Emma died my heart broke into a million pieces, but when I remember her my heart is whole again. If someone tells me I can buy blue roses from a catalog and grow them in my yard in Mississippi, I smile to myself and know that blue roses only grow in Africa, on the misty slopes of the Mountains of the Moon.
Barbara Kingsolver’s novel The Poisonwood Bible is an exercise in endurance. Kingsolver is a beautiful writer, her voice is a perfect vehicle for this patchwork narrative and you’ll find her prose by turns ponderous, on other curves playful, a cadenced eye cast on what can only be described as life lured or provoked into that tenuous balance between being and living where the differences are uncertain.
Kingsolver is a native of Kentucky, yet good writing knows no geography, and while Kingsolver might find comparisons to Oxford’s oracle flattering, she might well find it annoying. Faulkner, more than any other American writer in the past century, has been used by countless critics and academics as a rough rule of thumb for superiority among writers whose sentences involve any degree of rhetorical convolutions, and though this is a measure of the length of his shadow, the comparison has become far too trite to be taken seriously in any context.
What confounds this parity with The Poisonwood Bible, the tragedy of Orleanna Price, is that she is from Pearl, Mississippi. Why Kingsolver chose Pearl of all places as the hometown for this woman, the wife of a religious fanatic who sacrifices his family out of zealotry, is a question only she can answer, but one worth asking.
Satire has its place in the world; we don’t have to condone its direction, but we can always appreciate its activity. This text came online many years ago. I have no idea who wrote it.
North Jackson Barbie
This princess Barbie is sold only at the Towne Center. She comes with an assortment of Kate Spade Handbags, a Lexus SUV, a long-haired foreign dog named Honey and a cookie-cutter house. Available with or without tummy tuck and face lift. Workaholic Ken sold only in conjunction with the augmented version.
The modern-day homemaker Barbie is available with Ford Windstar Minivan and matching gym outfit. She gets lost easily and has no full-time occupation. Traffic-jamming cell phone sold separately.
South Jackson Barbie
This recently paroled Barbie comes with a 9mm handgun, a Ray Lewis knife, a Chevy with dark tinted windows and a meth lab Kit. This model is only available after dark and must be paid for in cash (preferably small, untraceable bills) unless you are a cop…then we don’t know what you are talking about.
West Madison Barbie
This yuppie Barbie comes with your choice of BMW convertible or Hummer H2. Included are her own Starbucks cup, credit card and country club membership. As optional items, BIG sunglasses and white tennis hat to wear while driving the SUV at unsafe speeds. Also available for this set are Shallow Ken and Private School Skipper. You won’t be able to afford any of them.
West Pearl Barbie
This pale model comes dressed in her own Wrangler jeans two sizes too small, a NASCAR t-shirt and tweety bird tattoo on her shoulder. She has a six-pack of Bud Lite and a Hank Williams Jr. CD set. She can spit over 5 feet and kick mullet-haired Ken’s ass when she is drunk. Purchase her pickup truck separately and get a Confederate flag bumper sticker absolutely free.
East Pearl Barbie
This tobacco-chewing, brassy-haired Barbie has a pair of her own high-heeled sandals with one broken heel from the time she chased beer-gutted Ken out of Millington Barbie’s house. Her ensemble includes low-rise acid-washed jeans, fake fingernails and a see-through halter-top. Also available with a mobile home.
This doll is made of actual tofu. She has long straight brown hair, arch-less feet, hairy armpits, no makeup and Birkenstocks with white socks. She prefers that you call her Willow. She does not want or need a Ken doll, but if you purchase two Fondren Barbies with the optional Subaru wagon, you get a rainbow flag bumper sticker for free.
West Jackson Barbie
This Barbie now comes with a stroller and infant doll. Optional accessories include a GED and bus pass. Gangsta Ken and his 1979 Caddy were available, but are now very difficult to find since the addition of the infant
McDowell Road Barbie/Ken
This versatile doll can be easily converted from Barbie to Ken by simply adding or subtracting the multiple snap-on parts.