Dahomey

He was wealthy, born to wealth, with a wife and children in a mansion on St. Charles, land from Natchez to Memphis, a man of taste and discretion, well-schooled in the ways of the world.

She was famous, born to poverty, with a man who beat her and a red leather trunk containing everything she owned, a woman-child of the sort you find with a stage for a cradle, knowing nothing of the world beyond footlights.

But before the lights she shined, and oh, how she sang. One night as she did, moving the very air with her presence, the man with the mansion on St. Charles sitting in an upstairs box smiled knowing not only that his heart had been plucked from his chest and that she held it in her hand.

No, no, the story doesn’t end with her moving into the mansion or even with him setting her up in a nice walk-up on Ursuline. It ends with him keeping her for a dazzling week before the revue—now the musical comedy ‘In Dahomey’—swept her to the streets of Manhattan, London and other arms.

And the man? Ah, the next year he bought another lot of land in the Mississippi Delta, in Bolivar County, 24,000 acres, at a time he largest cotton plantation in the world, and he smiled when he signed the deed, naming it for her.

 

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