Footloose Bar and Grill
Three Bean Chili
Heat a quarter cup of corn oil in a deep skillet. Add a large, finely chopped onion, 3 minced cloves of garlic, 2 diced poblanos, and a four ounce can of diced green chilies. Stir until onions and peppers are soft, then pour into a pot on low heat along with a can of diced tomatoes and liquid.
Add one each 15-oz. cans of red kidney, pinto, and black beans to simmering vegetables. You can drain them if you want, but I don’t. Season with 2 tablespoons each of ground cumin, smoked paprika, chili powder, and a teaspoon of black pepper. You can add oregano, but I don’t.
Stir well, and keep on heat to meld, a half hour at least. Serve with warm corn chips, pico de gallo, chopped cilantro, fresh avocado, onion, and jalapenos.
Peas and Snaps
Scallops Veracruz
Mexico has almost six thousand miles of coastline—about half of the estimated total for the U.S.—but mollusks don’t seem to play a proportionate role in Mexican cuisine.
Kennedy includes a scallop cebiche in Cuisines of Mexico, but not a one for oysters. This is not to say that oysters and scallops aren’t eaten in the country, simply that you’ll not find them in cookbooks. Recipes for salt-water fish abound, and red snapper Veracruz (huachinango a la Veracruzana), a rich, colorful dish with tomatoes and chilies, is one of the most distinguished. This scallop recipe is a riff on that, lighter and more intense.
Thaw frozen scallops, squeeze and drain. Even fresh scallops are too watery for this dish, so sauté lightly until firm. Drain scallops, toss with pepper, a bit of salt and a light dusting of plain flour. Brown in the least bit of oil possible, then add by spoonfuls a pungent tomato salsa. Cook until scallops are well-coated. Serve with a squeeze of lime.
Pineapple Coconut Sheet Cake
Way back when, die-hard home cooks would sniff and curl a lip at a newlywed or (worse) single parent who brought a sheet cake to a bake sale. THEY, of course, brought an heirloom 8-layer caramel/German chocolate in a handmade paper mache decoupage box. Even worse, those die-hards naturally felt compelled to extract a timorous confession from the donor that a boxed cake mix was involved. Canned frosting was the coup de grace; admission to the bridge club would be ever afterwards inconceivable.
Granted, homemade cakes are a certified source of pride and satisfaction; given the time, they’re worth the effort. But if you’re losing you mind over at least a half dozen other things like the rest of us, use a boxed mix with homemade frosting and tell everyone to eat cake.
Combine 1 box Pillsbury White Supreme cake mix, 8 oz. sour cream, ¼ cup melted butter, 3 large eggs at room temperature, half of an 8-oz. can of crushed pineapple (drained and squeezed), and a can of cream of coconut (Coco Lopez). Mix on medium speed until smooth. Pour batter into a 9×13-inch pan greased with butter and lined with parchment paper. Place in a preheated 350 oven until toothpick-clean and firm in the middle, about 30 mins. Cool on a rack.
Blend 8 oz. softened cream cheese with two cups confectioner’s sugar, (the other 4 ounces of crushed, drained, and squeezed pineapple, and a tablespoon coconut extract. If needed, thin to spreading consistency with milk, top cake, and sprinkle with 2 cups toasted shredded coconut or coconut chips.
Ars Voces: Jaime Harker
My academic life has always been about hidden treasure. When I first moved to Mississippi, I read John Howard’s Men Like That, and he gave me a vision of a vast queer Mississippi underground, erupting in newspaper stories, highway rest stops, and bookshelves. He introduced me to three gay Mississippi writers, including Hubert Creekmore, Water Valley native, poet, novelist, translator, and editor. I checked Creekmore’s The Welcome out of the UM library; it took me over ten years to locate a copy. I have been asking every editor at the University Press of Mississippi to reprint the novel, with no success. Opening a queer feminist bookstore in Creekmore’s hometown is, I hope, the first step in a campaign to bring him back in print.
I love digging around in archives. I spent two weeks hunting for fan letters in Christopher Isherwood’s papers. I found amazing ones, including a young man from North Carolina who mailed Isherwood photographs of his lovers, with detailed commentary on the back of each; water color portraits in a handwritten tribute; flirty come-ons from English teenagers. He wrote them all back, and often invited them to his house. At Duke University, I found the papers of fantastic Southern lesbian feminists. They kept everything—not just letters with agents and editors, but love letters from exes, flyers for readings, gossip and descriptions of parties and chance encounters. Dorothy Allison’s are my favorite. Most archives organize correspondence by letter writer, and store them alphabetically. Dorothy Allison kept every piece of mail she received in order and has them in her archive by date.
One has to really dig to find the gems. But in between, you get a sense of her life as it was lived: Flip; a flyer for a reading; flip, a letter to her friend about her recent breakup; flip, a letter to her agent; flip, an invitation to an S/M sex party; flip, a letter to a manufacturer complaining about a defective whip she received in the mail; flip, a letter from Cris South, a member of the Feminary collective and novelist, about her forthcoming book and her shifting identity from butch to bottom; flip, a contract from her editor. Finding the treasures was a delight, but so was the rich tapestry of a live lived in real time, without a sense of what would be seen as ‘important’ later. That sequence is what makes it important, even as the gems I uncover become part of another narrative forming in my own head.
The treasures are the stories I share when people wonder how I could spend seven years working on a book. But the truth is I love the searching as much as I love the discovery. Doing research has taught me patience, something that my wife Dixie tells me I sorely need. She’s right. Chefs understand this, of course. You can’t rush the rising of the dough, the marinade on the pork, or the brine on the turkey; slow-roasted vegetables in the oven are better than the microwave or boiling water. I have a tendency to want things right away, but Dixie knows that the best things take time.
Writing a book teaches you that, too. You can’t dash off a dissertation, or a book, in a series of all-nighters. You have to work a little bit every day, without being able to see the end; you research, and write, and revise, and repeat, endlessly. To sustain this, you must learn to love the process, to learn to love the questions themselves, as Rilke put it: ““Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
Violet Valley Bookstore is the same. I love the process—the arrival of books, the evolving categories on the shelves, the unexpected visitors to the store, from San Francisco and Durham and Jackson and Oxford. I love the excited teenagers, taking photos for Snapchat, and the serious bibliophiles, touching the vintage Mississippi textbooks. I would like this little 10×40 foot bookshop to be a hidden treasure in Mississippi for years to come.
Delta Chinese Collards
This recipe comes from an article in The New York Times by Joan Nathan, “East Meets South at a Delta Table” (June, 2003) profiling the Sino-Southern cooking of the Chow family in Clarksdale, Mississippi.
Wash and trim three bunches of collards and cut into more or less bite-size pieces. Heat wok or a very large skillet, brown a teaspoon of salt, and add about a quarter cup of canola or peanut oil. When oil is hot, add 6 sliced cloves of garlic and stir until lightly toasted. Add greens and a dash of pepper, stir constantly until wilted and tender, then blend in 2 tablespoons oyster sauce and a scant teaspoon of sugar. Taste and adjust seasoning. Serve immediately.
Singer in the Arms of Dawn
Though considered coarse by our doyen of Southern gardening, Elizabeth Lawrence (among others) she (along with those others) unfailingly mentions in the same breath that the Mexican sunflower (Tithonia roundifolia) sets Monet’s gardens at Giverny ablaze in late summer, their blazing branches tower over his gentle lines and mounds of green and blue, pink and purple.
Crab Tchoupitoulas
This recipe is a riff on a dish served at Pere Antoine in the Vieux Carré. There, mushroom caps are stuffed with a creamed spinach-mushroom-crab mixture, then breaded and deep-fried. Here the stuffing is served en casserole, a superb addition to any event buffet.
Sauté a half pound of thinly-sliced fresh mushrooms in a stick of butter. Stir in two cups chopped spinach and a half pound lump crab meat (picked through!). Make a quart of cream sauce–use half-and-half–and add to spinach/crab mix along with a cup of freshly grated hard/sharp cheese. Work in a finely julienned sweet red pepper, a few tablespoons of grated onion, and a minced clove of garlic (or two).
Season to your taste; I like a good slash of white pepper and a teaspoon or so of dried thyme. Mix very well, pour into an oiled casserole, and top with a freshly-grated hard cheese. Bake at 350 until browned and bubbling. Serve with dry toast and fresh lemons.
Jett’s Table
My Aunt Jett learned to cook from her mother, whose people settled a wilderness. Food was their only pleasure not subject to religion. They sustained themselves and their families on corn and pork with whatever else they could grow or kill. They planted and picked, cooked and baked, dried and canned what they could, making the most of what they had season to season, year to year, generation to generation.
Jett always had something fixed for whatever company might drop in: stewed greens, limas, black-eyed peas, or snap beans, new or creamed potatoes, fried chicken, pork chops, or breaded steak. If it were summer, she’d have fresh sliced tomatoes, fried okra, or corn on the cob.She served her meals with sliced onion, cornbread or biscuits, and sawmill gravy with sweetened tea to drink; she seasoned with streak-o’-lean, salt, black pepper (maybe a little cayenne) and sage.
Jet’s cooking was simple, but not coarse; it had a balance and symmetry all its own, dictated by long-ago voices set in concert with the seasons. Jett thanked God before we ate, and that, too is elemental of our sustenance.
