As DA of Lafayette County in October, 1962, my father refused to sign a subpoena on the federal officers who guarded James Meredith at Ole Miss issued by a local grand jury for “disturbing the civil peace.”
He loved country music. He was raised on the likes of Jimmie Rodgers, the Carter Family, and Roy Acuff; by the time I was ten, I knew damn near every one of Hank William’s songs by heart, and plenty of Loretta and Ernest as well. He also came to like a young singer named “Country Charley Pride” after hearing Pride’s first release in January 1966, “The Snakes Crawl at Night”.
Country music in the mid-1960s was–and largely still is–very much a white venue, so when my mother bought him an 8-track tape of Charley’s songs for him to listen to while he roared around in his new Mustang, she replaced the cover with one she made herself, something he wouldn’t look to hard at, a picture of a cowboy hat or something.
Then there came a day when they were driving somewhere or the other, Daddy was singing along with Charley, and Momma turned to him after the song was over and said, “Jess, did you know he’s black?” He snorted and said, “Oh, Barbara, don’t be silly. He’s a country boy from over in Quitman County.” Then she showed him the original label on the tape.
“Well, I’ll be damned,” he said.
Soon after that, Charley made headlines as the first black entertainer on the Grand Ole Opry since DeFord Bailey in 1941, and of course, Jess Jr. told everybody he had been listening to him for years.
Here’s Charley’s’s recipe for Sweet and Sour Baked Beans, which he probably got from a roadie. I found this recipe in Mississippi’s VIP Recipes. This cookbook was published by Phillips Printing in the Jackson area to support a local school; there’s no date and no mention of the school’s name, but the other 42 contributors include John Grisham, Faith Hill, Archie Manning, Walter Peyton, Jimmy Buffet and Mary Ann Mobley.
It’s nice to know our people help one another out even when they’re not at home.
Charlie Pride’s Sweet and Sour Baked Beans
8 bacon slices, pan fried until crisp, drained and crumbled 4 large onions, peeled and cut in rings ½ to one cup brown sugar (more if you like beans on the sweet side) 1 teaspoon dried mustard ½ teaspoon garlic powder (optional) 1 teaspoons salt ½ cup cider vinegar 1 one pound can green lima beans, drained 1 one pound can dark red kidney beans, drained 1 one pound can New England-style baked beans, undrained
Place onions in skillet. Add sugar, mustard, garlic powder and vinegar. Cook 20 minutes, uncovered. Add onion mixture to beans. Add crumbled bacon. Pour into 3-quart casserole. Bake in moderate over at 350 for one hour. Makes 12 servings.
CS’s Restaurant at 1359 ½ N. West Street has for years served and influenced the Belhaven and Midtown neighborhoods. It has a narrative and history reminiscent of an earlier and more tranquil Jackson, and like the kites flown at old Riverside Park, thereby hangs a tale. The life of this establishment has been the common denominator of being located on the southwest corner of North West and Adelle Streets with a street number varying from 1357-1361. It has been an eatery in one form or another for 77 years. It remembers when streetcars ran up and down West Street and the country was still in the grasp of the Great Depression. Millsaps boys would sometimes grease the car tracks so that the vehicle could not climb a nearby hill. Boys have always been boys.
The property shared tenancy with the Millsaps College chapter of Pi Kappa Alpha Fraternity in 1937.The site was originally the home of this fraternity and was a residence for several families prior to that dating back to 1930. It was originally (and later) the College Grill, becoming Adelle Grill in 1939. It retained this name until 1959, when it again became the College Grill under new ownership. In 1969, it became Hollingsworth’s Fine Foods under the proprietorship of Lloyd W. Hollingsworth and remained such until 1976 when it became known as Everybody’s Restaurant. How it became CS’s remains a state secret.
Pat Boland bought Everybody’s in 1978. In visits with Pat, he spoke of how he used to eat at the restaurant while still in high school. One of eight children, he remembers how much his parents enjoyed dining at the old Rotisserie at Five Points, and “I wanted to be in the restaurant business even then. When Everybody’s became vacant I bought it. I wanted to do something new and different both with the menu and the atmosphere.” He started with naming menu items for employees and customers. Many associate the menu with the Inez Burger. Inez Birchfield came to work at CS’s in 1979, left temporarily in 1990 and returned in September 1997. The original Inez Burger was “stolen from the Jackson Municipal Airport”, where Pat once worked and put on CS’s menu in 1980. It consists of homemade chili, nacho cheese and Jalapeno peppers. Other “name” burgers include the Suzy (bacon, Swiss cheese & grilled onions) and the Joe B (bacon, mozzarella and Jalapenos). Mexican, Mushroom and Everyday burgers, which come in different sizes, round out the burger menu and of course, ‘you can have fries with that.’ Plate lunches and entrees are also available.
In 1986, the beer laws changed from 18 to 21 years old and CS’s became more of a true restaurant than a hangout. The atmosphere is unique. Gone are the college motifs, the booths, fraternity crests and at times – but not all the time, the jukebox. Today the front door and walls are adorned with bumper stickers, handbills, photos, posters and pennants spanning nearly half a century. An estimated 3,000 beer cans from the same time period cover wall shelves with some from as far away as Australia. The collections were the brain child of Pat and two partners who thought their walls should “say something.”
I have my own memories of the restaurant from when I was a teenager in old Jackson and the establishment was called the Adelle Grill. Regardless of the name or time this little cafe was a Mecca for Millsaps students who in the 1950’s shared Cokes, shakes and dreams in individual booths. There were several tables in the back for “fine dining.” There was the ubiquitous jukebox playing records by Stan Kenton, Dave Brubeck and the Four Freshmen (no rock’n roll or Hank in this culturally refined milieu), and that staple of the 50’s – the pinball machine in the corner near the front door. Should a member of the college crowd have occasioned a glance in that direction, he or she would have seen the adolescent Billy Harvey easing a ball toward the “special” hole where free games awaited. His bike on the sidewalk outside and his heart on the game, Billy wished desperately to grow up a little more so he could be a college man and sit in one of those curtained booths with a girl who looked like glory.
Bert Case and his family lived directly across Adelle Street in a two-story brick home attached to Case’s Canteen, one of Jackson’s many “ma and pa” groceries and incidentally, near the site of the city’s very first Jitney Jungle store (at the corner of Adelle and Grayson – now North Lamar), back in 1912.
The prices, fashions, trends and dreams have indeed changed over the years – but we can still ‘have fries with that’ and enjoy our lunch among the memorabilia that forms the texture of our past. Bert moved on to prominence at WLBT-TV and subsequently WAPT; his old home now a parking lot. Hollingsworth’s is now CS’s where the burgers are bigger. The shakes, booths, jukebox and pinball machine are gone as is Billy’s bike and the years he rode it. The “glory” girls are grandmothers now and the music is – to put it positively – “different”. But CS’s has a history and Inez was not the first famous inventor of a good burger to add to Saturday afternoon memories of our youth.
Adelle Grill, College Grille, Hollingsworth’s, CS’s; I’ll drink to them all!
Bill Harvey September 2014
Bill Harvey is a native Jacksonian, living most of his life in Belhaven. An MSU Bulldog, he has had careers in journalism, education and as development director of the Andrew Jackson Council, Boy Scouts of America. Bill enjoys photography, music, writing articles for neighborhood sources and sharing experiences with friends at a local coffee shop. (Text copyright Bill Harvey, used by permission.)
These place names were collected from the Mississippi Atlas & Gazetteer (DeLorme: 2004), pages 25 and 31; the text is from Keith Baca’s Native American Place Names in Mississippi (University Press of Mississippi: 2007).
Note that the gazetteer was my only source for the place names, and that I only referenced those in Calhoun County, Mississippi. If you want to know the interpretations of other Native American place names in other areas of the state, then you can probably find Baca’s book at your local library. The references in the text refer to works that provided the translations/interpretations for specific words.
Some of you might find all this unnecessarily tedious and more of you will find it predictably pretentious, but my skeptics are legion. The only name I did not find is Oloucalofa Creek, which is crossed by County Roads 284 and 283 in the northwestern corner.
Kittahutty Creek
SW Pontotoc/NE Calhoun counties. Crossed by Miss. Hwy 32 nine mi. NE of Bruce. Halbert (1899, p. 73), using Choctaw vocabulary, derives this name from kitti, “mortar” (a bowl-sha0ped container for pounding or grinding corn into meal), and hutta, “white”. Halbert offers no explanation for the adjective, but Seale (1939, pp. 109-10) speculates that it refers to a mortar made of white stone (white or bleached wood, more likely). It should benoted that this creek is located at least partially within historically Chickasaw territory, and while Chickasaw kitti’, “mortar” is very similar to the Choctaw word, the only recorded Chickasaw term for “white” is tobbi’. Also, the first two syllables of the name resemble not lonely kitti/kitti’, but Chickasaw/Choctaw kinta, “beaver” as well.
Lucknuck Creek
N Calhoun County. Crossed by Miss. Hwy. 32 five mi. NE of Bruce, and by Miss. Hwy 9 one mi. NE of Sarepta. Perhaps a corruption of Chickasaw/Choctaw lackna, “yellow”.
Potlockney Creek
SE Lafayette/ NE Calhoun counties, local pronunciation unrecorded. Potlockney is a relatively recent corruption; this stream was formerly known as Pollocona, the derivation of which is uncertain. W.A. Read, using Choctaw vocabulary, suggested several possible sources of this name to Seale (1939, p. 153), but all are conjectural: poli, “flying squirrel” and yakni “country”; or poli, “flying squirrel” and okhina, “river; water course; stream”. (It should be noted that this stream is in historically Chickasaw territory; cf. Chickasaw lakna, “yellow”; yaakni, “country”; and pali, “flying squirrel”.
Sabougla Community and Creek
SW Calhoun/NW Webster counties. Crossed by Miss. Hwy. 9 two mi. N of Bellefontaine, and by Miss. Hwy. 8 seven miles E of Gore Springs. Cushman (1999, p. 491) claims that this name is a shortened form of (Chickasaw) “Siboglahatcha… [o]riginal, Is-su-ba-ok-la-hu-cha, Horse River People, i.e. [p]eople living on horse river.” (Cf. Choctaw isuba, “horse”, okla, “people” and hocha, “river”.) However, Halbert (1899, p. 75) states that the name is from shohboli’, “smoke” (cf. Choctaw shoblhi, “smoke;smoky; smoking”.
Shuttispear Creek (SHOOT-uh-speer)
N Webster/S Calhoun Counties. Crossed by Miss Hwy. 9 fie mi. S of Calhoun City, and by Miss. Hwy. 8 seven mi. SW of Calhoun City. From Choctaw shuti, “earthen pot” and probably ista pika, “a scoop” i.e. “pot scoop” or “ladle” (Seale, 1939, p. 167). There is an erroneous local tradition regarding this stream resulting from folk etymology; I have been told that long ago, the creek was the scene of warfare between two tribes. According to this tale, the warriors occupied opposite sides of the stream, “shooting spears across the creek at each other”, hence the name.
Skuna Community and River
S Pontotoc (q.v.)/NW Chickasaw (q.v.)/Calhoun/Yalobusha (q.v.)/Grenada counties. Crossed by Miss. Hwy 9 on s. side of Bruce. Skuna is apparently from Choctaw iskuna, “entrails; guts” (cf. Halbert 1899, pp. 73-74).
Topashaw Creek (TOP-uh-shaw)
NE Webster/SW Chickasaw (q.v.)/S Calhoun counties. Crossed by Miss. Hwy. 8/9 two mi. S of Calhoun City,and by Miss. Hwy. 341 six mi. W of Woodland. Possibly a variant of Topisaw (cf.), although Seale (1939, p. 198) speculates that “it is highly probably that there is a connection between Sopashaw and Taposa, the latter being the name of a tribe which formerly lived on the Yazoo River.” The meaning of the tribal name Taposa is unknown (Swanson 1969, p. 192).
This old egg-and-bread dish goes by many names. At my childhood table, it was known as eggs-in-a-basket. Later I found it was hens-in-a-nest, toad-in-the-hole by Brits, and one version simply called egg toast. But when I published a recipe for eggs-in-a-basket some time ago, Mississippi actress Susan McPhail pointed out that, “Tennessee Williams calls them ‘Eggs Birmingham’ in Baby Doll.”
Well, I’ll be damned (I thought). You’d think growing up less than 200 miles from Birmingham (Alabama), I’d know of eggs Birmingham; moreover, you’d think a Southern food writer with a degree in literature would have found this blip on his radar decades ago. But no. Fortunately, I happen to know a lot of people—like Susan—who are smarter than I am, which is bruising to my self-esteem, but provides me with some assurance of being well-informed, or at least the comforting illusion thereof.
Baby Doll (1956), produced and directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach, was shot on location at the Burrus House near Benoit, Mississippi, which at that time was in a state of considerable decay. Williams wrote the script, which was nominated for Best Adapted Screenplay (Kazan claimed in his autobiography that Williams was only “half-heartedly” involved in the screenplay), drawing from his previous works 27 Wagons Full of Cotton, a 1946 one-act play that Williams referred to as “a Mississippi Delta comedy, and The Long Stay Cut Short, or, The Unsatisfactory Supper, a moving short drama about the turning out of an old servant, published in 1946 along with 4 other one-act plays in American Blues: Five Short Plays.
In 27 Wagons Full of Cotton, Jake, a middle-aged, shady cotton gin owner with antiquated equipment burns down the mill of the Syndicate Plantation, a rival in the cotton business where Silva Vicarro serves as Superintendent. Vicarro, who knows what happened but cannot prove it, gets revenge by raping Jake’s young and voluptuous but childlike and naïve wife Flora.
The Long Stay Cut Short, or, The Unsatisfactory Supper, depicts the story of Archie Lee and his Baby Doll Meighan (parallels of Jake and Flora in 27 Wagons Full of Cotton) who are reluctantly providing a home to Aunt Rose, an elderly relation who has been passed around among the family to house. An “unsatisfactory supper” cooked by Aunt Rose, who neglected to light the burner under the greens she’d put on the stove earlier. She offers to make eggs Birmingham to appease him.
ARCHIE LEE. What is eggs Birmingham? AUNT ROSE. Why, eggs Birmingham was Baby Doll’s daddy’s pet dish. ARCHIE LEE. That don’t answer my question. AUNT ROSE. (As though confiding a secret.) I’ll tell you how to pre- pare them. ARCHIE LEE. I don’t care how you prepare them, I just want to know what they are. AUNT ROSE. (Reasonably.) Well, Son, I can’t say what they are without telling how to prepare them. You cut some bread-slices and take the centers out of them. You put the bread-slices in a skillet with butter. Then into each cut-out center you drop one egg and on top of the eggs you put the cut-out centers. . . . ARCHIE LEE. (Roughly, his back still turned.) I don’t want Eggs Bir- mingham. BABY DOLL. He don’t want Eggs Birmingham and neither do I. But while we are talking, Aunt Rose-well-Archie Lee’s wondered and I’ve been wondering, too. . . AUNT ROSE. About what, Baby Doll? BABY DOLL. Well, as to whether or not you’ve—made any plans. AUNT ROSE. Plans? BABY DOLL. Yes, plans. AUNT ROSE. What kind of plans, Baby Doll? BABY DOLL. Why, plans for the future, Aunt Rose.
Rose, in despair, with characteristically Williamsian pathos, rushes to the yard to gather roses in an approaching storm: The blue dusk deepens to purpleand purple to black and the roar comes on with the force of a locomotive as AUNT ROSE’S figure is pushed toward the rose-bush.
In Baby Doll, “Aunt Rose Comfort” offers to make Archie Lee (Karl Malden) “my Eggs Birmingham” when he rejects her undercooked greens. Vaccaro (Wallach) offers to hire her to cook for him in her home and make eggs Birmingham for him there, a much more humane fate for Rose, but a move designed to needle Archie Lee, who asks, “Anything else around here you wanta take with yuh, Vacarro?” insinuating Baby Doll herself.
On September 14, 1987, Judge Vincent Sherry and his wife, Margaret, were slain in their Biloxi home at the hands of the so-called Dixie Mafia, a loosely knit group of traveling criminals performing residential burglary, robbery and theft based in what was called “the Strip”, a string of seedy bars, strip joints and gambling parlors that flourished along Mississippi’s Gulf Coast from the 1960s to the 1980s.
“It was out of control,” said retired Special Agent Keith Bell, referring to the level of corruption in Biloxi and Harrison County—so much so that in 1983 federal authorities would designate the entire Harrison County Sheriff’s Office as a criminal enterprise. Special Agent Royce Hignight initiated the investigation of the sheriff and was soon joined by Bell. “They were doing anything and everything illegal down here,” said Bell, who grew up on the Gulf Coast. “For money, the sheriff and officers loyal to him would release prisoners from the county jail, safeguard drug shipments, and hide fugitives. Anything you can think of, they were involved in.”
Bell is quick to point out that there were plenty of honest officers on the force, and some would later help the FBI put an end to the culture of corruption in Biloxi. But for a long time, Sheriff Leroy Hobbs and his Dixie Mafia associates held sway. The Dixie Mafia had no ties to La Cosa Nostra. They were a loose confederation of thugs and crooks who conducted their criminal activity in the Southeastern United States. When word got out that Biloxi—with its history of strip clubs and illicit gambling—was a safe haven, the criminals settled in.
At the same time, members of the organization incarcerated at the Louisiana State Penitentiary at Angola were running a “lonely hearts” scam extorting and blackmailing gay men with the help of associates on the street. Dixie Mafia inmates at the Louisiana State Penitentiary at Angola were behind a scam, led by Ringleader Kirksey McCord Nix—a convicted murderer serving a life sentence without parole—who believed that if he raised enough money he could buy his way out of jail. Inmates paid guards to use prison telephones. Then they placed bogus ads in homosexual publications claiming they were gay and looking for a new partner to move in with. The men who replied to the return post office box address got additional correspondence and racy pictures. But there was a catch—the scammers told their victims a variety of lies about why they needed money before they could leave where they were.
“A lot of money came flowing in,” said retired Special Agent Keith Bell. “There were hundreds of victims.” Men from all walks of life—professors, mail carriers, politicians—fell victim to the scam. “One guy in Kansas mortgaged his house and sent $30,000 to the scammers over a period of months,” Bell recalled. To add insult to injury, some of the inmates writing letters eventually confessed the scam to their victims—and then extorted even more money by threatening to “out” the men if their demands were not met. The scam brought in hundreds of thousands of dollars—money they entrusted to their lawyer, Pete Halat, but he spent the money.
When it came time to hand it over to the crooks, Halat said the cash had been taken by his former law partner, Vincent Sherry. So the Dixie mob ordered a hit on Sherry, a sitting state circuit judge who had no direct ties to the criminals. On September 14, 1987, Sherry and his wife Margaret, who was a member of the Biloxi city council, were murdered in their home. Pete Halat was of course not exactly dumbstruck when the Sherrys were murdered. Halat, called upon to give the funeral eulogy, delivered a bizarre, long-winded speech that ruminated on Biloxi’s need for “honest, open and accountable government.” The crowd packed into church on that somber September, 1987 day gawked at his unmitigated gall of turning a sad occasion into a political event. Halat even passed out copies of his speech to the media. A few weeks later, he announced he was a reform candidate for mayor of Biloxi. And he won.
Gulf Coast residents were shocked by the murders. Local authorities worked the case unsuccessfully for two years. The FBI opened an investigation in 1989, and Bell was assisted in the investigation by Capt. Randy Cook of the revamped sheriff’s office—Leroy Hobbs was convicted of racketeering in 1984 and sentenced to 20 years in prison. The federal investigation into the Sherry murders lasted eight years. In the final trial in 1997, Pete Halat was sentenced to 18 years in prison. Kirksey McCord Nix—the Dixie Mafia kingpin at Angola who ordered the hits—as well as the hit man who killed the Sherrys each received life sentences.
Mississippi legitimized legalized gambling in the 1990s. Today, the funky roadhouses and strip joints on the beach road have been replaced by shiny casinos, wrung out or rebuilt after the soaking by Hurricane Katrina in 2005. City fathers allow that the Dixie Mafia may still be operating on the Gulf Coast, but as a mere shadow of its former might and ruthlessness.
Lieutenant Commander (later Admiral) Leonard H. McCoy, M.D, chief medical officer aboard the USS Enterprise (NCC-1701), was born in Atlanta, Georgia, Earth, in 2227 to Mr. and Mrs. David McCoy.
He enrolled at the University of Mississippi in 2245. That year, an interplanetary gymnastics competition was hosted by the University of Mississippi and held at the Menlo T. Hodgkiss Memorial Gymnasium on the Oxford campus, where he met the Tr’i’ll Emony Dax, who was visiting Earth to judge the competition. According to Dax, McCoy “had the hands of a surgeon.”
McCoy enrolled at the University of Mississippi Medical School in 2249. While in medical school, McCoy and his friends often substituted real drinking glasses with tricklers at parties. (What fun.) He graduated in 2253.
McCoy met his future wife Pamela Branch at Ole Miss when she suffered brain-freeze from an ice cream cone. Branch wore white at the wedding ceremony and adopted the last name McCoy. She divorced him in 2255 because their professions kept them apart.
In the divorce, she acquired their house on Mars, six cars and a valuable Vulcan painting.She also received custody of their daughter, Joanna. McCoy told Kirk that the divorce left him nothing but bones (thus his nickname). Shortly afterwards, McCoy enrolled in Starfleet Academy.
When I go somewhere to take photographs, I sort of have something in mind, but it has to feel right or speak to me for me to actually make a wet collodion photograph. I may shoot some snapshots on film or take some documentary shots of things I am recording over time, but for the plates it has to be that feeling of connection with time and place, past and present.
This is a scanned copy of an 11×14″ red glass ambrotype I made at Poplar Springs Cemetery in Calhoun County in April of 2012. I had been staying in Bruce at my parent’s and decided to go up to Poplar Springs where my great-grandparents (Starling Monroe and Nancy Ruth) are buried..
After walking around the cemetery for a long while, reading the gravestones and making a few snapshots with a hand-held camera I decided I would not set up the wet collodion. I got in the car to back out of the cemetery entrance for some reason instead of driving through.
That is when I saw this image. It hit me: there it was the old fence I had noticed and not noticed my entire life of visiting there. I could see my relatives’ gravestones in the background but what grabbed me was the fence, the plants, the foliage: that feeling.
I pulled back in and proceeded to set up the portable darkbox, get the chemicals ready, and mount the camera on the tripod. In about 30 minutes I was looking through the camera’s ground glass at this image. In another 15 minutes I was washing the chemicals from the glass and feeling good about the plate.
In 2014 the cemetery caretakers in their infinite wisdom totally removed the fence and cleaned the bank off, destroying some of the visual reminders of 50 plus years of visiting this cemetery. Nothing lasts forever; that is one of the reasons I’m a photographer.
Mamaw Onsby lived in a small two-room house set back from ours under a huge white oak with thick knotted roots that gripped the earth like the toes of Antaeus. She had come to live there after her husband of sixty-odd years had died, and she was perfectly content, rarely coming to our house to visit, usually sitting at home listening to the radio and reading her Bible. Daddy tried to put an air conditioner in her window, but she wouldn’t have it.
She was a tiny old woman, not much taller than I was at 11 when she died, and like many women of her generation who considered smoking unladylike, Mamaw dipped snuff (Garrett) and would make snuff out of cocoa and sugar for us to dip with twigs from the big black gum tree that grew near the road.
Her home was an early destination for me and her other great-grandchildren because she would make biscuits every morning, big, fat cat-head biscuits that she baked in an antediluvian skillet. Mamaw usually made sawmill gravy to go with the biscuits, but my brother Tom always asked her to make chocolate gravy. She’d look at him and say, “Oh, this thickenin’ gravy ain’t good enough for you, is it?”
My brotherTom, little devil he was, would say “NO!” as loud as he could, and Mamaw, with a mumble about him being “just like a damned Onsby” would make chocolate gravy. The rest of us to be polite always had a biscuit with regular gravy, but she made us have another with chocolate “so it won’t be wasted”. It never was.
Heat two cups whole milk with a pat of butter; mix very well three tablespoons cocoa, two tablespoons plain flour, three quarters of a cup of sugar, add to warm milk with a whisk, stirring vigorously to prevent lumping. Heat until gravy thickens. Some people add vanilla to this, but for the life of me, I don’t know why.
In 1981 catfish farming was booming, nowhere more so than right around Craig Claiborne’s hometown of Indianola, Mississippi. Claiborne was invited home to take a look at the catfish farms by Turner Arant, who built his first catfish pond in 1962. Arant helped organize Delta Pride Catfish Processors, Delta Western, Farmers Grain Terminal, Community Bank, and served on the board of each of these companies.
“(Claiborne) visited here in my home and I got my wife (Sybil) to prepare catfish for him four different ways,” Arant said. Claiborne returned to his home in East Hampton, where in addition to good ol’ fried catfish and hushpuppies, he and Pierre Franey worked up recipes for catfish meunière, catfish au vin blanc, and catfish Grenobloise.
Before he left Mississippi, Claiborne visited the Cock of the Walk in Ridgeland, Mississippi, which had opened the previous year. Claiborne reviewed the restaurant in a November column, declaring, “During my recent visit to Mississippi, I ate in what might be the best catfish restaurant in the state, and therefore the nation.” The Cock of the Walk holds the distinction of being the only Mississippi restaurant ever reviewed by her native son in The New York Times .
INDIANOLA, Miss.—Like most Southerners, I adore catfish. I remember that half a century and more ago my family would drive to the banks of Four Mile Lake near here and unload a picnic hamper. Gliding about on the water were small pleasure boats, many of whose passengers dangled fishing lines from cane poles, hoping a catfish would nibble. In the crystal-clear water, the lines could be seen all the way to the bottom. Many of the men word white linen suits and black string ties, and some wore white straw hats or boaters with wide brims. Some of the women carried parasols to guard their skin against that burning Mississippi sun.
Over the years catfish has remained a Southern regional specialty. But lately, thanks in large part to the abundant supply produced by catfish farms,” it has become more widely available. (Catfish will be available later this work at Shopwell Food Emporiums at 1331 First Avenue (71st Street), 1458 York Avenue (79th Street) and 1052 First Avenue (57th Street) in New York and 261 Ridge Street in Rye.)
I’m not certain that my mother, who was a marvelous cook, ever prepared catfish at home: she was too aristocratic for that. Red snapper, yes, it was basted for an hour or longer with a Creole tomato sauce made with chopped green peppers, chopped onion and celery (a friend of mine once called the combination of chopped peppers, onion and celery the holy trinity of Creole cocking). But catfish was too common, something to be enjoyed outdoors, as at those Sunday outings.
Eating deep-fried catfish was a ritual. The cooking was done in large metal kettles that were heated with long-burning logs. When the fat in the vats was extremely hot, the pieces of catfish were dredged in a blend of com meal (always white, never yellow). salt and pepper. When they were dropped into the fat, the vessel be. came a bubbling caldron until the fish were ready to be removed with perforated spoons and set to drain A catfish menu was and is today always the same: the com-meal coated catfish with its golden-brown crusty exterior and moist white inner flesh; deep-fried hush puppies, deep-fried potatoes and coleslaw. And tomato ketchup. Deep-fried catfish without ketchup is like a hot dog without mustard.
In the course of a recent visit to my hometown here, deep in the heart of the Mississippi Delta about 100 miles south of Memphis, I discovered that many of the farmers in the region are moving into the field of pisciculture converting their cotton and soybean acres into ponds that produce some of the sweetest-fleshed catfish in America. I would go so far as to say that it is the finest freshwater fish in America, including pike and carp. It is the equal of most saltwater fish, including lemon or gray sole. Fillets of catfish can be used in almost any recipe calling for a white nonoily fish.
In days gone by, the catfish that was eaten in this country was channel catfish that had spawned and thrived in muddy river waters. It was said that the catfish smacked of the waters in which it had swum, and this was true. The catfish that is raised in freshwater ponds is wholly different, remarkable not only for its flavor and texture but also for its non-fishy characteristics. Even after it is frozen and de frosted it remains snow white and as firm as when taken from the water.
During a visit to a fish-raising enterprise known as Delta Catfish, I was taken to numerous ponds for a look at the product known as Delta Pride. The ponds, which measure 20 acres square and are four or five feet deep, are filled with the fresh water for which the Mississippi Delta is famous.
The fish get a commercially prepared feed that is about 35 percent protein and no longer feed on the bottom. They are taken from the ponds directly to a surgically clean processing plant where they are skinned by machine. They are shipped around the country either fresh or frozen-whole, cut into steaks or as fillets. A Delta Catfish spokesman estimated that his company would produce 100 million pounds this year. Though Mississippi is by far the longest producer for the retail market, there are also farms in Alabama, Arkansas, Tennessee and Texas.
When I returned from Mississippi, I brought with me about 30 pounds of frozen catfish filets. After they were defrosted overnight, Pierre Franey and I experimented over the next few days. converting them into many appetizing creations, from deep-fried catfish with hush puppies to catfish meunière and Grenobloise, and catfish in a white wine sauce. We also duplicated a dish I had dined on in a country home near Sunflower: catfish baked with cheese, the recipe of Sybil Arant.
Catfish Meunière
4 catfish fillets, about 2 pounds ¼ cup milk 4 cup flour Salt to taste, If desired Freshly ground pepper to taste y cup peanut, vegetable or com oll tablespoons butter Juice of ½ lemon 4 seeded lemon slices 2 tablespoons finely chopped parsley.
Dredge the fillets in milk. Lift the fillets one at a time from the milk and immediately dredge on all sides in flour seasoned with salt and pepper to taste.
Heat the oil in a skillet until quite hot. Add the fillets in one layer and cook about three minutes on one side or until golden brown. Turn and cook, basting often and liberally with oil, about six minutes.
Transfer the fillets to a warm serving dish. Pour off the oil from the skillet. Wipe out the pan.
Add the butter to the skillet and when it is foaming and starting to brown, swirl it around and pour it over the fish. Sprinkle with the lemon juice. Garnish the fish with lemon slices and sprinkle with parsley. Yield: 4 servings.
Catfish Grenobloise
Follow the recipe for catfish meunière, but add one quarter cup drained capers to the butter as it is being heated to pour over the fish.
Catfish Filets in White Wine Sauce
6 catfish fillets, about 2 pounds 5 tablespoons butter ½ cup dry white wine ½ pound mushrooms, thinly sliced, about 2 cups Salt to taste, If desired Freshly ground pepper to taste 2 tablespoons flour cup milk Juice of a lemon 2 tablespoons grated Parmesan cheese 2 tablespoons finely chopped parsley
Preheat the oven to 400 degrees.
Pat the catfish pieces dry. Rub a baking dish (a dish measuring about 2 by 13 by 8 inches is ideal) with one tablespoon of the butter. Arrange the fillets over the buttered dish in one layer.
Add the wine. Scatter the mushrooms over all and sprinkle with salt and pepper to taste. Place in the oven and bake 10 minutes.
Meanwhile, melt the remaining butter in a saucepan and add the flour, stirring with a wire whisk. Add the milk, stirring with the whisk. When blended and smooth, remove from the heat.
Pour the liquid from the baked fish into the sauce, stirring. Bring to the boil and cook, stirring often, about five minutes. Stir in the lemon juice. Pour the sauce over the fish and bake 10 minutes longer. Sprinkle with Parmesan cheese and parsley. Serve hot. Yield: 6 servings.
Deep-Fried Catfish
3 catfish fillets, about 1 pound Fresh corn oil to cover cup white cornmeal Salt to taste, if desired Freshly ground pepper to taste Lemon halves Tomato ketchup Hush Puppies (see recipe).
Heat the oil for deep frying. 2. Cut each fillet in half crosswise.
Combine the cornmeal, salt and pepper.
Dredge the fillets in the cornmeal. Pat to make the cornmeal adhere. Drop the fillets in the oil and cook five to 10 minutes or until crisp and brown. Serve with lemon halves, ketchup and hush puppies. Yield: 2 to 4 servings.
Mustard-Fried Catfish
Follow the recipe for deep-fried catfish, but brush the pieces on all sides with mustard before dredging in cornmeal.
Hush Puppies
1½ cups white cornmeal 4 teaspoons flour 2 teaspoons baking powder Salt to taste, if desired 1 tablespoon sugar ½ cup grated onion 1 egg, lightly beaten 1 cup rapidly boiling water Fresh corn oil to cover.
Combine the cornmeal, flour. baking powder, salt, sugar, grated onion and egg and blend well. Add the water rapidly while stirring. The water must be boiling when added.
Heat the oil to 370 degrees. Drop the mixture by rounded spoonfuls into the oil. Cook until golden brown. Drain on paper towels. Yield: About 36.
Sybil Arant’s Catfish Baked with Cheese
6 to 8 cattish fillets, about 2 pounds 1 cup freshly grated Parmesan cheese ½ cup flour Salt to taste, if desired Freshly ground pepper to taste 1 teaspoon paprika 1 egg, lightly beaten 1 tablespoon milk ½ cup melted butter, sliced almonds.
Preheat the oven to 350 degrees.
Wipe the catfish dry.
Blend together the cheese, flour, salt, pepper and paprika.
Combine the egg and milk in a flat dish.
Dip the fillets in the egg mixture and then coat with the cheese mixture. Arrange the fillets in one layer in a biking dish and pour the butter over al. Sprinkle with the almonds. Place in the oven and bake 20 minutes. Yield: 6 to 8 servings
At the height of our summer, the winter constellations begin to be seen in the eastern dusk, which at this latitude (Jackson, Mississippi is 32.2988° N) is between July 21 and August 3,. Among the brightest of these starry arrays is Orion, and close on the heels of the great hunter is his big dog, Canis Major, with the brightest star in the night sky, brilliant Sirius, the Dog Star. With the rise of Sirius our dog days begin, and for the next forty days or so, it’s just hot as hell all the damn time.