Kenneth Tobey: A Love Letter from Mykki

by Mykki Newton

Kenneth Tobey appeared in hundreds of feature films and television shows of almost every genre, but to Monster Kids he is best remembered as the romantic figure of a career military man who never backed down from a monster fight.

I guess I should explain what a “Monster Kid” is to those not familiar with the term.  A Monster Kid is someone who grew up watching classic science fiction and horror movies produced prior to 1970. Many Monster Kid’s first exposure to Frankenstein, Dracula, the Wolf Man, the Mummy, and all the Cold War creatures representing our fear of the nuclear bomb and communism came from late night local television. At that time, every television market had a “Creature Feature” movie program with its own unique host.

Now back to Kenneth Tobey and a 1985 interview from my archives. With his leather flight-slash-monster fighting jacket, Kenneth Tobey tangled with a giant carrot creature from outer space at the North Pole, the radioactive Rhedosaurus that stomped through Lower Manhattan, and a nuclear-powered octopus that crushed the Golden Gate Bridge.

In 1949, Tobey had a bit part in I Was a Male War Bride and director Howard Hawks saw something he liked in the 32-year old actor. Hawks cast him as Captain Patrick Hendry, United States Air Force and the lead in The Thing from Another World (1951), but first Tobey had to impress studio boss Howard Hughes.

“I got a call when I came in slightly tipsy one night about 2 in the morning and the caller said, ‘Mr. Hughes wants to meet you,’” Tobey recalls. “I told the caller I’d be in first thing Monday morning, but the caller said, ‘No. No. No. No. Mr. Hughes wants to meet you right now.’ So, I drove over to his bungalow and met him. You can’t turn down Howard Hughes.”

Kenneth Tobey wielding an axe in “The Thing

The Thing from Another World and The Man from Planet X both went into general release on April 27, 1951. Both films mark the first-time people on Earth fought invading space aliens in an American feature film. The Man from Planet X is somewhat adorable in its simplicity and comic book visuals, but The Thing from Another World is terrifying and sophisticated even today.

Going into the 19-week shoot, Tobey said he thought it was just another adventure film. The Thing from Another World turned out to be far more than just an adventure film. It was ground-breaking cinema thanks in large part to the over-lapping dialog which brought a tense pace and sense of reality to the film.

“I’m going to take a little credit for that and give Howard Hawks a great deal of credit for using it,” Tobey said. “I had just come from the stage in New York and on the stage we overlap, so I automatically did that because I hadn’t done many pictures. Hawks liked it and got the whole cast to do it and we had a lot of fun doing that.”

The box office success of The Thing from Another World made Kenneth Tobey a gainfully employed film actor and a reliable frequent fighter of giant movie monsters. However, his next venture into science fiction was not the starring role. That spot was already taken by the title character, The Beast from 20,000 Fathoms (1953). Before there was Godzilla, there was Rhedosaurus, the Beast from 20,000 Fathoms…although he actually came from deep in the ice of the Arctic Circle during a nuclear bomb test dubbed “Operation Experiment.” Maybe it isn’t the most original title for a government operation or an experiment, but Kenneth Tobey is there to do his duty for his country. This time he is Colonel Jack Evans, United States Army and the monster is classic Ray Harryhausen stop motion animation. It is one of the first films to tap into our Cold War fear of nuclear annihilation.

“Ray Harryhausen is the best. Some of the movements of the giant brontosaurus…uh, whatever the hell it was, looked very real,” Tobey said. In science fiction pictures with monsters and things like that, the most important thing is for the actors to believe that that’s a creature. The audience will take the actor’s word for it. If the actor is truly scared or takes the creature seriously, then the audience will.”

Kenneth Tobey (center) gets a love scene

Tobey would again face a Harryhausen creation in 1955 when It Came from Beneath the Sea. “It” being a gigantic octopus driven from its natural habitat and food supply by hydrogen bomb tests. This time Kenneth Tobey crosses over into his third branch of the military. He is Commander Pete Mathews, captain of a nuclear submarine and traditional 1950s American male who doesn’t understand “these modern women these days.” While the giant radioactive octopus is wrapping its tentacles around the Golden Gate Bridge, Commander Mathews is trying to wrap his big paws around Professor Lesley Joyce (Faith Domergue) of Harvard University.

“I liked It Came from Beneath the Sea because I had love scenes and I had a longer part than in Beast from 20,000 Fathoms and I starred in it,” Tobey said.

Before the end of the 1950s, Kenneth Tobey would fight one more sci-fi monster…a pill-popping vampire in The Vampire (1957) of course, and once again Tobey was in an innovative, albeit low budget film. Unlike previous movie vampires created by pure evil, the devil, a bat, or a bite from Count Dracula, this vampire was created by science out of control and playing God. It was another common fear in our new Nuclear Age and a new kind of Kenneth Tobey, Monster Fighter. He is now a civilian, somewhat anyway. He is Sheriff Buck Donnelly of “Any Small Town, U.S.A.”, and he’s got a grotesque blood-sucker terrorizing his county.

Tobey’s talents shifted to television late in 1957 when he starred as the co-owner of a helicopter charter service in the series Whirlybirds until 1960. It was a major success worldwide and remained in syndication for decades. There was even a reunion of sorts with the Thing. Tobey was a guest actor on a 1960 episode of Gunsmoke starring James Arness who played the giant carrot creature from outer space in 1951.

Tobey (far left) in “Airplane!”

Throughout the 1970s and 80s, Tobey would pop-up in small supporting roles in some of the biggest box office hits. Including Billy Jack (1971), Airplane! (1980), The Howling (1981), Gremlins (1984), Gremlins 2: The New Batch (1990), and Big Top Pee-wee (1988). He even tried to kill the real-life, somewhat mythical giant figure of legendary Tennessee lawman Buford Pusser in the original Walking Tall (1973).

Kenneth Tobey passed away in 2002 and didn’t live to see his final film released. It was film done on a bet to see if director Ted Newsom could produce a movie for $2,500. It began shooting as an 8mm film in 1984 and switched to videotape in the 1990s. It was finally released straight to DVD in 2005 as The Naked Monster, a spoof/tribute to the classic sci-fi horror films of the 50s. Kenneth Tobey reprised his role as Captain Patrick Hendry from The Thing from Another World. For the last time, Kenneth Tobey would don his leather flight-slash-monster fighting jacket. It is a film only Monster Kids will understand and appreciate.

“I enjoy acting,” Tobey said. “Whatever the genre is, I love it. Of all the science fiction films I’ve done, The Thing is my favorite because it brought me the most fame and I’ve gotten my last 10 parts because of The Thing, which was 30 years ago.”

Mykki Newton is a grown-up “Monster Kid”, a connoisseur of cinema schlock and a retired videographer/editor at the Meek School of Journalism and New Media at the University of Mississippi.

Old Airmount

The following excerpt comes from Elmo Howell’s wonderful Mississippi Back Roads (Langford: 1998). This old church deserved a far better fate.

In the beginning, all Baptists were Primitive Baptists. Following the Reformation, the Anabaptists, along with Calvinists, Waldensians, Mennonites and other radical groups, departed from Church and State to live a holy life according to the Gospels. Today most Baptists in the South belong to the giant Southern Baptist Convention, but the small scattered congregations in the hill country who still have no Sunday School, no foreign missions, no paid clergy, and who still wash each other’s feet in solemn ceremony—in keeping with Christ’s example and an ancient Maundy Thursday rite—are the true descendants of the original Baptists. They are the Primitives, the Hardshells.

Baptist worship began in Mississippi in the 1780’s when Elder Richard Curtis came out from South Carolina and settled with a small flock on Cole’s Creek above Natchez. Spain ruled the country, Roman Catholicism was the state church, but for awhile all went well with Protestants in private worship. Then word got out that Curtis was performing marriage ceremonies, taking in converts, and even talking about building a church. In a government crackdown, five or more persons found together in a religious capacity were subject to arrest. He ignored the warning—but escaped, it is said, through the offices of a half-Indian convert, Aunt Chloe Holt, who roused him in the night with a horse and saddle and provisions for his journey. At the end of Spanish rule, Curtis returned to Mississippi and spent the rest of his life with the Baptists in Adams County.

In the half century following this rude beginning in Mississippi, a great revolution swept over Baptists everywhere, the “Fuller Heresy,” as the Primitives called it, or the advent of the “missionaries” with their charge to evangelize the world. Baptists began with a stern predestinarianism, which among “Southern Baptists,” organized in the 1840’s, gave way to prevalence of grace and open communion. The old remnant held on to “total depravity” and man’s incapacity to restore himself to favor with God. They rejoiced in Election, God’s choosing “whom He would,” and left it to the mystery of love that some are saved, some lost. “Ye have not chosen me, but I have chosen you and ordained you.” This heady doctrine provoked an extraordinary reaction in both life and literature in England in the 17th century. “O Eternity! Eternity!” cries John Bunyan’s Man in the Iron Cage. “How shall I grapple with the misery that I must meet with in Eternity!” Men lived on the edge, some went mad—while others lived gloriously and preached like Bunyan. The Primitive Baptists today are a fragmented part of this experience.

Loosascoona Primitive Baptist Church at old Airmount east of Coffeeville is a remarkable survivor, in both church organization (still with regular services) and in an old building perhaps a century and a half old. No one knows when it was built. In 1839, the Yalobusha Baptist Association in central Mississippi split in two in the controversy between old and new. Five churches broke away to form the Loosascoona Primitive Baptist Association. “I am not of you,” one elder spoke out at the meeting, “and that it may be manifest that I am not of you, I now go out of you.” And so it was in Yalobusha County, as throughout the state, that the old Baptists withdrew to their hills and hollows, a small but sturdy remnant to carry on in their own way.

The church organization at Airmount lasted for a century, but with membership down to only four families in 1938, services were discontinued. The doors were closed, the house was given a new tin roof, left to itself and forgotten. Undergrowth moved into the clearing. Then in 1965, one surviving member had a dream—he dreamt of going to church again in the woods with his father. Under the leadership of William Tyler “Dub” Wortham and Guy Shaw of Coffeeville, Loosasaoona was brought back to life. The Murphree family, old settlers of the county, joined in. (David Murphree who died in 1838—Yalobusha County’s only Revolutionary War soldier and grandfather of Dennis Murphree, Governor of Mississippi in 1927—is buried beside the church.) Thanks to the tin roof, the old structure was still sound. The road was cleared, a tree removed from the church door, and a pastor called. Today Loosascoona has a regular service on first Sunday afternoons and an annual homecoming and Old Harp singing on the fourth Sunday in September.

The Primitives, overlooked in the bustle of “new Baptist”. brothers, are an instance of survival and retention of character through centuries of change. In simplicity of life and in the old songs and sparse dignity of ritual, they approach the Mediaeval and mystical. “Godliness is a matter that cannot be understood by the carnal mind,” says church historian Benjamin Griffin of Holmes County. “It is a mystery, a great mystery-impossible to communicate except to those whose hearts have been circumcised, ears unstopt, and eyes opened by the power of the living God.”

John Bunyan, a 17th century Baptist, conceived of man’s life as a pilgrimage. “I have loved to hear my Lord spoken of,” says Mr. Standfast at the end of his journey, “and wherever I have seen the print of his shoe in the earth, there I have coveted to set my foot too.”

Howard Bahr: Three Poems

Novelist, scholar, humanitarian and gentleman, Howard Bahr also has a poet’s hand and ear, eye and heart.

For A Girl I Know, That She Might Not Grieve

When I am dead,
you must not think me dead,
but gone ahead on a two-lane desert blacktop
road, doing eighty with the top down
in a cream-colored ’40 Ford coupe
stroked and bored in Tucumcari.

Route 66 is a blue arrow to the mountains,
and the desert no dead place, but strewn
with flowers only Indians have the names to;
hawks aloft, and lizards legging it
over the hot sand, bellies raised; roadrunners
racing the hopped-up Ford through the Creosote
brush; shrikes perched on the telephone lines; and
an SP freight train running fast westbound–
a flat plume of smoke, all signals green.

Then mountains passed, the western slope kissed
with morning shadow, the fir trees dusted with snow.
The pastel desert towns lay behind me now,
and below a green valley, orange groves,
the distant glittering sea.

Now, after dark, in a bungalow in Elysian Park,
I labor as of old, trying to find the words to tell
of why we do the things we do: why we love;
why we strive in vain; why we let the rain beguile our hearts
with longing and desire.
And here, from time to time, I rise, go to the window,
pull the curtains by and raise the blinds,
and gaze upon the palms and Oleander
and the haze around the moon.
All is well. My heart’s alive.
I watch for your twin headlights in the drive.

 

Flamingo Arms

In apartments stuffed of furniture no one wants,
where children grown and gone
smile down from every horizontal place,
the old ones listen for the mail.

And when at last the postman brings the mail around,
he creaks the boxes open, creaks them shut again.

The old ones peer into the hall, then shuffle in their slippers
to the boxes on the wall: church bulletins, bills,
catalogs from a world no longer theirs.

But how is Judith faring in the city?
And Donny on the oil rig in the Gulf–
is he safe? Did he marry the girl from Lafayette?
What of young Alyssa at her college in the North?

Those lives are silent.

In the catalogs: plush counterpanes, support hose,
baths to sooth the feet, and means
to keep the patio insect-free.

The water bill is high this month.
Behind their curtains, the old ones open checkbooks,
calculate, despair.

Next day, the mail comes round again.

 

A Parable for My Students

Last night, my neighbor Pitts
Set out a Havahart for cats
That fell his birds. No luck.
Instead, today by early light,
I kenned a possum caught.

Unkempt he was, and fat, and pacing
To and fro. He rose to press his paws
Against the wire, then paced again: a turn,
And turn, and rise, and turn, and rise,
And turn, and rise to naught.

A ghostly, wedge-faced possum,
Rat du Bois, no good in stir to anyone
Except himself perhaps, or Johnny Cross
Who fattens one each year to bake
With sweet potatoes–God forbid the thought!

Anon, I rambled out and crossed
The dewy grass, took hold the door
And lifted it, and propped it with a stick.
“Now, scram,” said I. But, no, he hunkered down,
And bared his yellow teeth, and curled his tail
Just as his mama taught.

Thus he remained, like unto Death,
A mockery of Life, when all the while
The door stood open, beckoning him quit
The bars, and flee, and brave the morning
As a creature ought.

In early afternoon, old Pitts came out
And puzzled at his prize, and scratched his head,
And gazed suspicious at the stick. He shrugged at last
And took his snub-nosed .22 in hand:
Pop! Pop! it said, and so the possum bought.

Take heed, my Little Ones: the gate is raised;
Go hence and seek the morning. God be praised!

–Howard Bahr

Sea Lord Faulkner: A Nautical Memory by Howard Duvall

If memory serves me correctly, the expedition to locate and raise Mr. Faulkner’s sailboat took place in the spring of 1953. For some reason Mr. Bill had left the boat at anchor at Cole’s Camp on the Sardis Reservoir during the winter months; and in the early spring, it was discovered to have drifted out into the cove and sunk in about eighteen feet of water. The recovery of the boat would not have presented any great problem had Mr. Faulkner called Memphis for a professional diver and rig; however, this would have been too conventional and commercial for his adventuresome mind. Therefore, he chose to make use of local talent, which I’m sure he felt would provide for a much more interesting day on Sardis Lake.

On the appointed morning Billy Ross Brown, a neighbor and close friend of the Faulkners, and I reported for salvage duty at Mr. Bill’s home. Also along was the Browns’ houseboy, Isom Cillum, who would act as all-round handyman for the project, as we were sure that we were in for some heavy work ahead. Upon arriving, we were surprised to find that a new member had been added to the party. His name was V. P. Ferguson; he was a student at Ole Miss, and I think it would be safe to say the “Veep,” as he was locally known, was something of a character. Billy Ross and I were quite familiar with the kimono-wearing, Koran-reading orchestra leader from the University, but we were admittedly quite surprised to see him here primed for the occasion. We were later to learn that V. P., upon hearing of the sinking of the sailboat, had called Mr. Faulkner and offered his services in recovering it. He explained to Mr. Bill that he was preparing for a summer excursion to the Caribbean to dive for black pearls, and that the Sardis outing would be good experience. I’m sure Mr. Bill discounted much of this story, but I’m also sure that he saw possibilities for an interesting day on the lake, and so invited him along. (Whoever says Faulkner had no sense of humor should have been along that day.)

The chief preparation for the outing seemed to have been the securing of enough food to satisfy the appetites of the would be salvage crew. Miss Estelle was in charge of this department and she had already sent Norfleet, the Faulkners’ Negro houseboy, out into the side yard with a large picnic basket of food. With the picnic basket safely secured in the Faulkner family station wagon, the five of us set forth to the Sardis Dam to begin salvage operations, To look over the crew-a Nobel Prize-winning author, two young college friends, a would-be pearl diver, and the faithful Negro houseboy—one could wonder about the prospects for the success of the mission. The route carried us through the University campus out Highway 6 West some eighteen miles, and then about seven miles up a gravel road to Sardis Dam. Our plan was to board the houseboat anchored at the dam and then to travel up the reservoir about five miles to Cole’s Camp, where the sailboat, as has been previously mentioned, lay some eighteen feet below the surface.

I think it would be well to pause here to say a few words about the houseboat which would be our base of operations for the day. Contrary to the general principle of shipbuilding (or in this case, boatbuilding), this vessel was built in the side yard of Colonel Hugh Evans of Oxford, many miles from any body of water. Being a neighbor and friend of Colonel Evans, Mr. Bill became inter ested in the boat and soon was a full-time partner in its construction. Two other families were involved in this venture, namely the Ross Browns and the Ashford Littles. After the completion of the boat came the problem of getting the rather large craft through the narrow streets of Oxford and out the main highway to Sardis Lake without tying up traffic for hours. It was decided to hire a professional mover from Memphis to undertake the task, and at the appointed time the boat was transferred by night to the lake. That morning the owners, their families and interested friends gathered at Sardis to watch her slide down the ways, and down she went, only to bob like a cork on a fishing line. It was quite evident that the boat was riding much too high in the water. The propeller screw did not reach the proper depth. Mr. Bill and his friends put their heads together and the solution was soon reached: put concrete in the bottom of the boat. Concrete was then placed in the hold, and the Minmagary set forth on her maiden voyage to reign as queen of the Sardis Reservoir for many years.

Mr. Bill was indeed master of his ship as we pulled out of the inlet onto the main body of water. After estimating the time of arrival at about an hour, and with Mr. Bill at the wheel, Billy Ross and I settled back in the deck chairs to enjoy the spring morning, I think we were doubly enjoying it because we were cutting classes at the University in order to make the trip. I know, too, that Mr. Bill was relaxed in his khaki pants and military-style khaki shirt, sitting at the wheel and smoking his favorite briar. In sailing and boating on Sardis, he seemed to find the peace and privacy that was more and more of a struggle to obtain after receiving the Nobel Prize.

V. P., always the nervous type, soon tired of watching the shore line go by and asked Mr. Bill if he could take over the wheel. Offering no objection, Mr. Bill let him have it and then joined us on the back deck to relax and discuss the problems of getting to the sailboat. Presently we were interrupted by the clanging of the deck bell and sharp commands being issued by the “Veep” sitting hard by the wheel.

“Full steam ahead; we are approaching the salvage area. We must have more steam,” he shouted into an imaginary tube that led to an equally imaginary engine room. The only person available to heed his commands was Isom, our houseboy turned cabin boy for the occasion, and he was thoroughly mystified by the whole proceeding. I’m quite certain that Isom thought Mr. Ferguson was “tetched in the head,” for he came back to me and said, “Mr. Howard, you know we don’t have no engine room down there, only that 75 marine engine and there sho ain’t nobody down there to hear him.”

It seems that V. P. had just finished some popular novel of the day concerning the rescue of a British submarine down in the South China Sea with all hands aboard, and through his imagination we were the crew pushing full steam ahead to make the res. cue. I believe Mr. Bill thoroughly enjoyed the fantasies of the “Veep” and he was soon resting again in his deck chair, probably assuring himself that he had made the right decision in bringing along Mr. Ferguson.

As we approached the entrance to the cove that led to Cole’s Camp, Mr. Bill took over the wheel again and steered us into position near the sunken boat. There was no real problem in finding the boat because of a safety line that was still attached from the sunken hull to a tree on shore. The plan of action was for us to take down a steel cable attached to a winch on the bow of the houseboat and hook it through an iron ring in the bow of the sail boat. After securing the hook, the idea was to crank the winch, thus pulling the boat to the surface. When this was accomplished, Mr. Bill planned to move the houseboat with the sailboat in tow to a nearby boat ramp, where we could wade in to maneuver the sailboat onto a boat trailer which would be backed into the water, The station wagon would be used to pull boat and trailer out and to Mr. Bill’s backyard drydock for repairs and overhaul.

All of this seemed relatively simple except for the fact that V. P. began complicating things from the start. For example, after his first dive he came up on deck, bowed in true Arabian Night style before Mr. Bill and exclaimed, “Oh, Captain Ahab, there is an octopus down below guarding the boat. Do you happen to have a machete aboard that might afford me some protection?”

Much to our surprise, Mr. Bill, with his usual composure, dis appeared below deck, came up with a machete and gave it to Ferguson, who immediately dived over the side with the weapon and disappeared below the surface while Isom stood by in wide-eyed wonder.

Just before noon, the hook was finally secured to the sailboat, but “Captain Ahab” decided to wait until after lunch to bring it to the surface. Isom broke out the picnic basket and began serving the food, keeping one eye, I’m sure, over the side for any sign of the octopus. Snakes were no problem for Isom, but an octopus was something else!

About halfway through lunch we heard the sound of someone on the other side of the lake trying to get our attention, and before any of us could answer, V. P. jumped upon the top deck and began wigwagging signals with a couple of towels. Before anyone knew what was going on, we observed an appreciable number of slightly disreputable looking fellows approaching, and within a short time the houseboat was boarded by what turned out to be the entire membership of V. P.’s dance band. It seems that V. P. had made slight mention of the expedition to his colleagues, and had in fact invited them to join him for lunch. They made short work of the contents of the picnic basket, and then they spread out all over the boat for an afternoon of sunbathing. I must say, at this point, that for a man who enjoyed his privacy, Mr. Bill seemed to take the whole affair in a very calm and understanding manner. The taciturn Nobel Prize-winner, in quiet and sly fashion, maintained his aplomb while V. P. all but took command of the situation.

The rest of the afternoon went by somewhat uneventfully with only the routine of securing the sailboat to the side of the houseboat and loading it on the trailer as described earlier. At dusk the sailboat was placed on the trailer and towed to its drydock in Faulkner’s backyard.

Some several days later Mr. Faulkner invited the group down to his house for a lawn supper, and I remember that the highlight of the evening was Mr. Bill’s dancing the soft shoe with Paul Pittman, one of the Ole Miss students.

William Faulkner spent many hours of sheer pleasure in the little sailboat that went to the bottom off Cole’s Landing and that was raised to sail again by Faulkner and a group of college students on that happy and carefree day. He usually referred to it as “the sloop.”

One afternoon while he, Miss Estelle, Hunter Little, and I were cruising, dark clouds appeared in the northwest and it was soon obvious that a squall was imminent. Fishermen, we observed, were scurrying shoreward. Faulkner calmly dismissed the idea of a squall and was maneuvering the sloop down the lake when a gust hit the craft and almost upset it. Life preservers were passed around. Faulkner declined his. Another gust took his hat, and Hunter went overboard to retrieve it and was almost drowned. After he was pulled aboard and matters were as much in hand as circumstances allowed, Faulkner called to me, “Howard, hand me a preserver. I am getting a bit chilly.”

In looking back over the years to the event just related, it becomes more apparent that the people who knew Faulkner best, outside of his own family, were the young people who grew up around the Faulkner home, as children playing with Jill, his daughter, later dancing and eating at her parties, and sharing many carefree moments with the man we all knew as Mr. Bill.

Jackson: The Way We Were . . .

In 1981, Forrest L. Cooper and Donald F. Garrett published a selection of old postcards of Jackson from about 1902 until the mid-1950s, with more than 90% prior to 1920. The text was written by Carl McIntire, a self-professed “reporter, not a historian,” who nonetheless spent an enormous amount of time on the project, doing extensive research and interviewing more than 300 people. McIntire admitted to a margin of error, but states that “for the most part, all the dates and places are correct.” The book had a very limited printing and has hitherto never been republished. The link below will take you to a digital version of this exquisitely nuanced, intricately informative, and infinitely beautiful labor of love.

Jackson: The Way We Were . . .

The Segregated Landscape

Jennifer Baughn says of her seminal work, Buildings of Mississippi, that the goal “from the start was to integrate—and I use that word purposely—black and white landscapes.” In this splendid essay (presented as a sidebar on p. 313), Baughn explains how the components of Mississippi’s landscape came to reflect the divisions of the state’s closed society.

Before the Civil War, enslaved blacks were discouraged or prohibited from congregating without white oversight, and although blacks and whites interacted on a daily basis, it was in the context of owner and owned, powerful and powerless. For a brief period following emancipation this power relationship eased, but after 1896, when the U.S. Supreme Court decided in Plessy v. Ferguson (1896) that “separate but equal” facilities were constitutional, all manner of places and spaces began to be segregated.

As blacks began to move to urban centers around 1890, new neighborhoods of narrow streets and alleys lined mostly with shotgun houses were developed, as for example the Henry Addition (see DR54) in Greenwood. Dense populations, limited employment opportunities, and widespread poverty characterized many of Mississippi’s black neighborhoods, even as they gave rise to an African American middle and upper class. Towns with large black populations–notably Jackson, Greenville, Meridian, Hattiesburg, and Clarksdale–often developed a separate, self-contained African American community with its own business district, hotels, churches, cultural center, schools, and funeral homes. Although often located adjacent to industrial or flood-prone areas, these districts gave African Americans relative security to form their own institutions without white interference. Because churches were one of the few institutions owned and run by black leaders, they became the anchors of such neighborhoods, but public and private schools also provided focus and space for community events.

By the early 1950s, a rising African American middle class began to embrace suburban living, moving out of the old mainstays such as Jackson’s Farish and Greenville’s Newtown neighborhoods into new black subdivisions lined with small ranch houses, such as the residence of Medgar and Myrlie Evers. By 1960 many black congregations with modest newfound wealth began replacing their older churches with new buildings. Such projects often allowed black architects (e.g., DeWitt Dykes and Clair M. Jones) to make their mark in such churches as Laurel’s St. Paul Methodist (pictured below). It was in this complex landscape of neighborhoods dotted with bungalows and shotgun houses and modern schools and churches that the civil rights movement formed and activated around the state.

St. Paul Methodist Church, Laurel, Mississippi

Play It Again, Boys!

Buried deep in my album is a photograph from the hot summer of 1979, of the boys playing music on a flatbed trailer. We appear to be laying down some pretty hot licks, going for the big $100 purse in the band contest on the Oxford square. Old John Bradley is thumping the stand-up bass; Mr. Cragin Knox frails the banjo. Randy Cross, staring off into the flaw- less summer sky, is on rhythm guitar; the immortal L. W. Thomas is playing lead; and I am sawing on the fiddle.

Our faces are solemn masks, the de rigueur expression of the old-time string band. WOOR Radio is flashing us out over the airwaves; the shirt- sleeved judges lean on their elbows; and in the foreground Mr. Jack Cofield himself is snapping our picture as if we were very big dogs indeed. It is a satisfying image, for it fails to mention that we were not big dogs at all but mere dabblers in the music trade. Moreover, it omits the dubious harmonies we sent aloft that day to the old arched windows of city hall.

And to look at it you would never guess, any more than the “bored judges” or the listeners scattered on the green, that our faces-so cool, so self-possessed-are in fact rigid with fear, and in our hearts a secret voice bargains with God to only let us live through this set and we would never, never, never play in public again.

What, then, were we doing there? It was a question we often asked our-selves when the pressure, largely self-induced, was on. It was not really all that bad, playing music-we had our good days, even a triumph now and then. But there was always the suspicion that sooner or later the People Out Front would rise up in their scorn and drive us from the stage. hey never did, of course, and we lurked on the fringes of the business for years.

We were known by picturesque names-The Waterford Road, The Eighth of January, The Horse Stealers. Friends came and went: Uncle Frank Childrey and his Gibson mandolin; Gathal Runnells, a great fiddler; young Les Kerr and Mike Burduck, a fine bass player. We played all around, turning up like rented palms at parties and banquets and wedding receptions, even at wine-and-cheese affairs where our repertoire nearly always clashed with the decor. We worked the Watermelon Festivals in Water Valley, the Faulkner Conferences in Oxford, and Ole Miss pep rallies.

And always there were the taverns: Abbey’s Irish Rose, Cajun Fred’s, The Warehouse; all gone now but lively enough places once upon a time. In the taverns we met all the usual roadhouse foolishness. People grabbed at our microphones and spilled beer on our instruments. Combatants arrived at our feet in a spray of broken glass. It was a rare show that we didn’t get 10 requests for “Rocky Top,” a song we all hated and couldn’t play very well anyway.

But in our travels, we knew also the good bright sun, the faces of friends, pretty girls dancing, free drinks, and the smell of barbecue in the air. It was a colorful pastime, and there was nothing quite like walking into a job with an instrument case and having the public mistake you for a musician.

We fooled them for a long time, though we never amounted to much more than a bunch of boys playing music on a flatbed truck. We had none of the professional apparatus, like matching shirts or our own sound equipment, and our showmanship was… elemental, you might say (“Now it’s time for the boys to innerduce themselves,” L. W. would announce, “and we would turn and nod and shake hands with each other, and sometimes the People would get it and sometimes they wouldn’t.)

Yet in time we gained, to our everlasting astonishment, a following. Not just our girlfriends and cronies, understand, but people we never knew before. To the Ole Miss students we were a novelty beyond words, to the older folks perhaps the half-remembered voice of a simpler time. And in spite of our fears none of them ever seemed to care if we were very slick or not, if we broke strings or forgot the words. All they wanted was a joyful noise, and we could give them that. Through the old songs, we touched something solid and authentic in the heart that all of them could recognize, even if they didn’t know why.

And for ourselves – when we were rolling along and hanging on to the steady thumping of the bass, we were in high cotton indeed. So in the end it was worth it, and if we had to ask what we were doing up there, we need look no further than the music for an answer. We would do it all again, I think. And when the house lights came on for the last time, and the boys closed their cases and went away into the world, they took with them a long memory, and the old songs – to be broken out in the parlor now and then, or suddenly remembered in the ruin of night. And in my album the boys are captured forever, having a bad day but trying to do their best just the same.

We won the $100, by the way-not for being top band in the contest, but for being the only one to sign up. “That’s show biz,” as the feller said.

–Howard Bahr

L.W. Aloft

by Howard Bahr (as told to Ms. Kate Kirkpatrick)

So far, I have written hardly anything to make you smile, which I certainly like to do, so I will tell a story featuring our late pal L.W. Thomas, one of the funniest boys who ever lived and a very nervous character who owned many peculiar phobias. For example, he was afraid of milk in any form. Also, when he bought a six-pack of beer at the Jitney Jungle, he would not touch the can with the price-tag on it (this, of course, was when things had price-tags). You could be sure L.W. would have a beer for you at his house, because there were always fifteen or so cans with the price-tag in his icebox. For Thomas, flying in an airplane was out of the question. Once, when he and Randy Cross and I flew on Delta Airlines to Washington, D.C., we had to render him comatose with three Ativan tablets before he would even get in the taxi to the airport.

Capt. Jung and his trusty Taylorcraft

Another late friend of ours, Captain R.A. Jung, owned a 1943 Taylorcraft tail-dragger (an old Army spotter plane) he named “The Yellow Peril.” She was canvas-covered (painted bright yellow) and could accommodate two persons in tandem seating. For instruments, she had an altimeter, an air-speed indicator, a horizon bubble, and a compass. That was it. We all enjoyed flying in this antique crate (sometimes we’d buy two or three bags of flour, then go hunting along the Illinois Central for a train to bomb), but, as you might expect, L.W. steadfastly refused to have anything to do with her. Finally, one evening at the local tavern, Captain R.A. Jung beguiled Thomas with the news that he had just installed a radio in the cockpit of “The Yellow Peril.” (Heretofore, the ship had been incommunicado, which meant the Captain could only land at strips without a tower.) This apparatus, claimed Captain R.A. Jung, made the old bird safe as a Chevrolet station wagon. L.W., girded with the bravado of a half-dozen draft beers, and no doubt embarrassed by his legendary reluctance, uttered the fatal words, “Why, there ain’t nothin’ I’d rather do than scale the airy heights with my old pal, Captain R.A. Jung. Excelsior!” After that, there was no turning back.

Next afternoon, a Sunday, the boys gathered at the Oxford airfield to see L.W. Thomas off on his maiden flight in the Taylorcraft. Having steeled himself beforehand with a half-pint of Cabin Still (no Ativan or Xanax in those days, and, at the moment, none of us had any reefer), Thomas squeezed into the cockpit and buckled himself in the rear seat, clutching to his chest a Gideon Bible he had swiped from some fleabag motel back down the line. Present as observers were Frank Walker, John Schorfheide, Steve Cook, Tommy Freeland, and I, each man enjoying the balmy day, each man uttering words of comfort and encouragement to our jittery comrade:

“C’mon, L.W.–if you crash, it won’t hurt–you’ll be killed instantly.”
“Don’t listen to him, pard–you’re back aft and may only be injured for life–”
“If that happens, man, try to keep your arms and fingers so you can play the
the guitar on the sidewalk by the bus station.”
“But . . . what if he’s only injured and the wreckage catches fire?”
“Good point! Lotsa guys survive a crash, only to perish in the flames.”

Meanwhile, Captain Jung ran through the pre-flight checklist:

Flaps: OK
Horizontal Stabilizer:  OK
Rudder: OK
Brakes: OK
Fuel: OK
Loaded Revolver Under Seat: OK
Peach Brandy: OK
Cigars:  OK
L.W. Thomas : Sitting quietly hating the Wright Brothers; hating Mr. Taylor who designed the Taylorcraft; hating all of us who, safely on Terra Firma, could afford to make light of hideous injury and death; most of all hating Captain  R.A. Jung who, when satisfied of the craft’s readiness spoke up as follows:

“Awright, girls–knock it off and pay attention.” He rummaged around under his feet and produced a mare’s nest of wiring from which, after a few minutes of muted invective, he extracted two sets of headphones fitted with throat mics. The leather earpads were cracked and dry, like the antique Bakelite mics and the confusion of black wires that connected one apparatus to the other, then disappeared beneath the instrument panel where, presumably, they were somehow connected to the generator[1]. Captain Jung explained that, while the device was not exactly a radio, it was a revolutionary, if makeshift[2], intercom system assembled from genuine WWII Naval Aviation components he’d discovered in a surplus store in East St. Louis, Illinois. As a result, the Captain pointed out, those in the cockpit would no longer have to scream at one another over the clattering of the engine and the wind howling through the wires and wing struts. L.W. Thomas–lucky boy!–was the first passenger to show up since the installation, and this flight would be the intercom’s initial trial.

Thomas revealed later that, in that moment, he did not feel lucky; his confidence was further eroded by the knowledge that Captain Jung had installed the rig himself. Not that the Captain wasn’t handy! It was he who built a muzzle-loading black-powder cannon from a length of steel pipe, so effective it could fire a dirt-packed tomato sauce can clear across the Mississippi River. His work with plunger-activated black-powder aerial bombs was pure genius.[3] However, the Captain’s craftsmanship was generally applied to automobile repair, heavy machinery, and crude explosive devices; his experience with electricity was limited to hot-wiring cars in his youth. Thomas was aware of this deficiency, but his thought was, What could possibly go wrong with an intercom?

Now, to start the motor of the Taylorcraft, a ground crewman had to turn the propeller until he felt pressure on the pistons, whereupon that person would announce “Contact!” whereupon Captain Jung would flip the magneto and reply “Switch on!” whereupon the ground crewman would grasp the propeller blade and give it a heave counterclockwise. This is a very old-timey way to start an airplane, but she was a very old-timey airplane. After the engine was started and the prop spinning, pilot and ground crewman would exchange a hearty thumbs-up and “Cheerio!” (see illustration below), Captain Jung would take a draught from his flask of peach brandy, and off he’d go.

Capt. Jung in the cockpit, the author giving him a thumbs up.

So it went on the day of L.W.’s first flight. We watched the little machine trundle onto the grass runway–in a moment, she began to roll forward–Captain R.A. Jung opened the throttle–the mighty sixty-five HP engine began to buzz–the tail came up–and in a moment “The Yellow Peril” was gracefully aloft and disappearing southward over the trees. Meanwhile, the boys walked back to the office to drink coffee and listen as the airfield manager, the late Mr. Jeff White, told us tales of flying in World War II.

Well, I started out with the intention of telling about the time our friend S. Cragin Knox beguiled L.W. Thomas into accompanying him to Texas to work on an oil exploration crew, and the foreman out there gave Thomas the job of driving the dynamite truck, which made Thomas very nervous indeed, especially when, one day, and without thinking, L.W. Thomas flicked his cigarette out the open window of the truck cab–but now I am all tangled up in the story of L.W. Thomas and the Taylorcraft. However, as I think about it, the two stories have a similar narrative thread. As a modern person (no offense), and especially a modern person (no offense) married to an Air Force fireman, you might question the wisdom of L.W. Thomas smoking a cigarette while driving a dynamite truck. Also, you might contemplate the photo above and ask yourself, “Should Captain R.A. Jung really be smoking a cigar in the cabin of a fabric-covered airplane swirling with gasoline fumes that is about to sail into the Wild Blue Yonder?” This behavior was perfectly routine in those times; today, it would most likely be considered poor judgment, if not moronic.

(At this point, I should insert an apologetic parenthetical. Beloved niece, you could not be blamed for assuming our gallant band were naught but a crowd of dissipated low-lifes and scoundrels. In fact, we were all in college at Ole Miss, save Schorfheide [a railroad detective on the Cotton Belt RR in Memphis] and Captain Jung, who, when he was not adventuring, worked as a millwright at a steel mill in Granite City, Illinois. Walker was an ex-Marine, Schorfheide and I were Vietnam veterans; Jung had served his Army time in Alaska as a ski-trooper; Steve Cook would become chairman of the graduate art program at Mississippi College. Tommy Freeland was a poet and intellectual from an old Mississippi family; he would grow up to become an excellent attorney, marry my ex-wife, and die of a heart attack at a tragically young age. S. Cragin Knox, in spite of his lowly beginnings slinging cable on an exploration crew, eventually became the State Geologist of Mississippi. As for L.W., he was a graduate student in theatre at Ole Miss, a musician, a restaurateur, and a fine writer. He died in his sleep at age fifty-two in ’02 as his beloved wife Jeanne watched by the bedside. Life was never the same for us after L.W. Thomas crossed the river, and I do not believe a man can own a higher accolade. The same can be said of Captain R.A. Jung, who was killed in the crash of “The Yellow Peril” on [fittingly] November 11th, 1976, just seven months after the events recorded here. These were lads who lived authentic lives, and I am proud to have been one among them, and I miss them greatly. Thus, though sometimes we were dissipated low-lifes and scoundrels, misbehavior was only part of the adventure.)

Anyway, since I am thus far into the airplane story, I will stick with it.

Time and again, we hear persons complain that Life is Unfair, and certainly it seems so at times. Some point to Fate; the Calvinist attributes every misfortune to God’s Inscrutable Plan; sensible people have no other recourse than to mutter the well-worn phrase, “Shit just happens.” Whatever one’s philosophy, it does seem patently unfair that events surrounding “The Yellow Peril” on that balmy April morning in ‘75 came to pass with poor ol’ L.W. Thomas, of all people, in the catbird seat.  (As a writer, you will recognize this paragraph as intended to “stretch out the story” and “build up suspense” in order to delay the climax of the tragedy, so I will mention the wholly superfluous fact that, like old-timey barnstormers, Captain R.A. Jung always carried a number of wooden tomato stakes and a rolled-up bundle of cord affixed with colorful pennants like you might see at the state fair, a used-car lot, &c. so that, should he land in a cow pasture, as he often did, he could stake out a perimeter of wavy little flags around the ship. Remember that cows, though not very bright, are curious creatures; remember also that Captain Jung’s Taylorcraft was covered in a fabric treated with sealant [pilots call it “dope”]. Naturally, the local bovines would saunter over to investigate the big yellow insect that had buzzed down into their pasture; if Captain R.A. Jung neglected to set out a perimeter of wavy little flags to confuse them, the cows would commence to snack on the tasty, dope-covered fabric so that when Captain Jung returned from the nearby grocery with his sack lunch, he might well find a more or less portion of his fuselage gnawed down the the ribs[4]. I always wanted to use this arcane fact in a novel, but never found the opportunity.)

In any event, but a few minutes after takeoff found our intrepid aviators at a thousand feet and crossing over the Yokona River[5]. L.W. Thomas, of course, was not feeling intrepid. Below him lay the thin brown thread of the river, the greening woods, the checkerboard of cotton fields soon to know disc and plow, a sprinkling of white houses and, here and there, a wisp of cloud: truly a magical scene stretching to the blue hills and the world beyond. Alas, these aesthetic delights were not for Thomas. Later, he would freely admit that, from the moment the tail wheel lifted off the grass strip in Oxford, he shut his eyes tight and kept them shut. He white-knuckled the Gideon Bible and felt the rapid beating of his heart. He listened keenly to every variation in the motor’s rhythm and waited for the moment when it must surely quit altogether, all the while painfully aware that only a bit of wood and fabric lay between him and a thousand feet of empty air. Meanwhile, Captain Jung’s voice chattered amiably through the headphones clamped over Thomas’s Baltimore Orioles cap. Heretofore, L.W. had ignored the Captain’s observations, thinking them no more than the utterance of a madman indifferent to his own mortality. Now, high over the fields of Lafayette County, the Captain said something that made L.W. open his eyes and take notice: “Hey, man,” spake the Captain, “whatever you’re smoking back there smells like shit!”

This remark was an eye-opener for Thomas–first, because he wasn’t smoking at all, and, second, because he, too, all at once detected an unwelcome odor; i.e., the acrid smell peculiar to electrical fires. As the cabin began to fill with blue smoke, Thomas understood that the moment he’d feared was arrived at last, a realization confirmed by the Captain’s next announcement: “Well, hell, Thomas–we are on fire. Help me look for a place to set her down.”

Looking “for a place to set her down” was not among L.W. Thomas’s various array of skills. He’d never needed to “set down” from anyplace higher than his own bed, nor supposed he ever would. In addition, obeying the Captain’s order meant L.W. would actually have to look out the window! This he tried manfully to do, but the attempt was cut short when he realized (as he would later remark) that the distant ground, scary as it was from the sealed double-paned window of an airliner, was a hundredfold more so viewed through a vibrating half inch of cracked and oil-smeared plexiglass howling with wind. Thomas, heart palpitating, closed his eyes again and exclaimed “Oh, Jesus!” just as “The Yellow Peril” made a sudden stomach-churning drop. The Captain had chosen a field of broomsage nigh the river, and toward this he descended with dispatch, at the same time banking the ship hard over on her starboard wing in order to land into the wind, which direction he perceived by the smoke of a burning brush pile. The little machine hit hard, bounced high, hit and bounced again, and at last found her footing among the muddy ruts of the field. In a moment, she had rolled to a stop, whereupon Captain Jung shut off the engine and bailed out of the cabin door, pulling after him the still-smoldering remains of the intercom system, including L.W.’s headset. To say that Thomas was not far behind is to diminish the speed and agility of his exit.

Later, L.W. would admit that, once free of the cabin, he fell to his knees, pressed his cheek to Mother Earth’s welcoming bosom, and promised never again to leave her. It was, he said, not one of his finer moments.

For a time, Thomas and the Captain lounged under the wing, sipped peach brandy, and basked in the warmth of danger passed, peril overcome. Luckily, the Taylorcraft suffered no damage beyond a little bubbling of paint on the instrument panel; the intercom system, however, was hors de combat. One can imagine how, in that field to this very day, fragments of wire and Bakelite are turned up by harrow or plow, unseen and unlamented, their history lost to time like artifacts from a remote civilization. Here we must leave them, and here we must leave our tale of two gallant flyers–save for a final contemplation. When you feel safe, when the world seems in order at last and the Almighty has apparently wrapped you in His protecting arms–then look out, for the Cosmos is about to slap you up side the head. L.W. Thomas was still congratulating himself on his narrow escape when Captain R.A. Jung stood up, brushed off the seat of his pants, lit a fresh cigar, and said, “Awright, buddy–you ready to go?” Only then did Thomas comprehend that “The Yellow Peril,” having landed, must now take off again. With him aboard. True courage means that, when you’re scared shitless, you go ahead anyhow. This Thomas did, clutching his Gideon Bible as the ship bounced across the muddy broomsage field and struggled aloft. The last thing Thomas heard before he fell asleep was the brush of the landing gear through the greening branches of the trees.

The author with the irrepressible L.W. Thomas

[1] The generator was fixed under the starboard wing and had its own little red propeller. In flight, the wind spun the little red prop, and the generator generated.
[2] When he told the story later, L.W. Thomas used a more colorful synonym for “makeshift,” i.e. “nigger-rigged.” Regrettably, the term has since fallen out of common usage.
[3] In fact, we only had one; it was stoppered by a wooden plug so wouldn’t disintegrate; It made a most satisfying thump when dropped on an empty field, but when we landed, we had to get in the car and go retrieve it. The bomb in its experimental form wouldn’t hurt anyone, unless it hit him on the head. However, should any bad guys–Russians, Yankees, &c.–invade North Mississippi, we were ready to provide air support. Today, we’d be arrested as terrorists.
[4] When I was a little boy in Primary School, certain children from poor families (known as “clay-eaters”) would eat library paste and even dirt from the playground to satisfy the cravings of vitamin deficiency. Perhaps this helps to explain cows’ tendency to chew on airplanes.
[5] Originally called the Yoknapatawpha and so named in Faulkner’s novels and stories.

One Direction Home

“South Jackson as a place begins at 2155 Terry Road, the address of the city’s oldest home. It is the last remaining plantation house in the area. Today, an anomaly, a handsome Greek revival structure with Doric columns standing near Interstate 20’s cloverleaf, commercial enterprises and the decay of the Highway 80 Corridor.”

And so begins One Direction Home: A History of South Jackson, by Dr. Vincent Venturini and former city commissioner Doug Shanks. Shanks recounts that the work began with a question: Were his fond memories of growing up in south Jackson just nostalgia, or was south Jackson truly a special place? The answer is, of course, yes and yes. There’s nothing wrong with nostalgia, particularly that of the sort leading to such a wonderful work as this. At once scholarly and informal, poignant and piercing, One Direction Home entertains and informs on many levels.

U.S. Highway 51 splits in Jackson, ending on South State Street to the east, and starting again on Terry Road some two miles to the west. When Terry Road emerges from the cloverleaf south of Highway 81, atop a broad ridge sits the Carmelite monastery housed in the aforementioned Greek revival home formerly owned by the Myrant family. The Myrant/Lester home is a focus for an early history of south Jackson, which is integral to that of the city and of Hinds County. Terry Road (Hwy. 51) provides an axis for the geography of the area, which Venturini describes as, “somewhat porous, but we largely see south Jackson as beginning at Highway 80 and extending south to Lake Catherine and west to Mississippi Highway 18.”

“The eastern boundary is the Pearl River,” he added. We are also including Provine High School from its beginning until 1968. Although Wingfield High School opened in 1966 for students in the city’s southern section, those already enrolled in Provine were allowed to finish there. As pointed out in Doug’s Preface, Shoney’s is included as a south Jackson institution given the role it played in the lives of our contemporaries.”

And the time? While an early history is presented, Shanks claims, “What follows in the coming pages is a largely nostalgic visit to south Jackson as it existed between 1945 and 1975.” All Jacksonians will recall landmarks such as the Alamo Plaza, the “Chuc-Wagun”, the Frost Top, the Green Derby, Leavell Woods Park, Cook Center, Mart 51 and the Zodiac. They will also recall, among the many prominent south Jacksonians mentioned, Farmer Jim Neal of WSLI, Woodie Assaf of WLBT, “Skipper” Dick Miller of WJTV, Andrew Mattiache, and Walter Bivins.”

“The neighborhoods, the churches, the schools, the streets, parks, and other elements that compose a city are part of this wonderful weave,” he adds.

The book has scores of wonderful photographs, and has a reassuringly extensive and detailed bibliography with notes. One thing, though; Shanks and Venturini spend an inordinate time mentioning the proletarian reputation of south Jackson. This apologia is distracting, superfluous, and, most importantly, unnecessary. Let’s bear in mind that this is not Natchez, nor Vicksburg, but Jackson, Mississippi, a city no less a cosmopolitan than Audubon described in 1823 as “a mean place.” Sure, you’ll find people who will tell you one Jackson neighborhood is “better” than another, but many an outsider has found the entire city déclassé if not to say destitute.

While no doubt many former and current south Jacksonians will find flaws and omissions (that assuredly only they could detect) all can celebrate this loving portal to backyard barbecues, high school football games, and drive-ins.

Nature Guides for Mississippians

Mississippi stretches from the foothills of the Appalachians to the Gulf of Mexico, and her western border, her namesake, is one of the greatest rivers in the world. The state provides both residents and visitors with a wide range of natural environments: shady alluvial swamps, sunny beaches and barrier islands, rolling wooded hills, spacious piney woods and open prairies, all the home of a rich spectrum of living creatures. While this selection of materials does not claim to be definitive, it was created by Mary Stripling, who is uniquely qualified to make such a list of guides to identifying plants and animals in Mississippi.

Mary is now enjoying retirement, but as the librarian at the Mississippi Museum of Natural Science in Jackson from 1978-2010, she interacted with biologists in every realm of nature. Mary has been an avid birder and leader in the Jackson Audubon Society since the mid 1980’s, and has traveled extensively on birding ecotourism trips to destinations like New Zealand, Kenya, the Amazon and Central America, as well as to birding hot spots in North America. In each case she has used a field guide appropriate for each area. She has also utilized most of the other guides on the list while pursuing butterflies, dragonflies, turtles, freshwater mussels, insects, etc. and by helping museum guests identify all the various critters they find in the field or their backyards.

“Over the years there has been an explosion of nature field guides for North America, the eastern United States, Mississippi and surrounding states,” Mary says. “I’ve consulted with the biologists and botanists at the museum regarding the most accurate guides for each discipline. Some books included in the list are not field guide size such as Sibley’s Tree Guide, Fishes of Inland Mississippi and Birds of Mississippi, but all serious naturalists should study guides at home; you should be prepared to know what you might encounter before going into your own backyard.”

Mary includes asterisks by the titles most necessary for a Mississippi nature library. “These books will give you the most bang for your buck; for the most part the list is of selected general field guides, is not inclusive and does not include specialty guides such as guides for tiger beetles, wasps, warblers, hummingbirds, hawks, etc. I’ve included a few animal sound CDs for learning bird and frog songs and two are unique to Mississippi (the Mississippi bird and frog songs recorded by Bill Turcotte).” Mary was responsible for updating the original Mississippi bird and frog cassettes to CDs and revising the accompanying booklets. “No attempt has been made to include mobile digital apps for plant and animal identification, even though in the past few years apps have made a huge impact on nature watching. They are wonderful devices to take to the field especially for compactness, ease of use and for accessing sounds.”

But, she adds, “It is always great to curl up in your easy chair and enjoy a good read with your favorite field guide to get ready for your next outing.”

For a fuller appreciation of our state’s natural environments and their denizens, the Mississippi Museum of Natural Science in Jackson offers an absorbing collection of informative displays as well as exhibits of living plants and animals. As a center for research and support, the Museum helps to preserve and protect the swamps, the barrier islands, piney woods, prairies and living things that Mississippi calls her own.

VENOMOUS ANIMALS AND POISONOUS PLANTS

Common Poisonous Plants and Mushrooms of North America
Turner, Nancy J. and Szczawinski, Adam F.
Timber Press; 1991

A Field Guide to Venomous Animals and Poisonous Plants, North America, North of Mexico
Foster, Steven; Caras, Roger A.; National Audubon Society; National Wildlife Federation, and Roger Tory
Peterson Institute.
Houghton Mifflin; 1994 (Peterson field guide series).

*Poisonous Plants and Venomous Animals of Alabama and Adjoining States
Gibbons, Whit; Haynes, Robert; and Thomas, Joab L.
University of Alabama Press; 1990

Poisonous Plants of the Southeastern United States
Everest, John W.; Powe, Thomas A., and Freeman, John Daniel.
University of Florida, Florida Cooperative Extension Services, Institute of Food and Agricultural Sciences; 1996

*Venomous Snakes of Mississippi, [pamphlet]
Terry L. Vandeventer
Mississippi Museum of Natural Science, 1994 (free)

BIRDS

Birds and Birding on the Mississippi Coast
Toups, Judith A.; Jackson, Jerome A., and King, Dalton Shourds
University Press of Mississippi; 1987; 303 p.

*Birds of Mississippi
William H. Turcotte and David L. Watts
University Press of Mississippi, 1999

*A Field Guide to the Birds of Eastern and Central North America, 6th ed.
Roger Tory Peterson & Virginia Marie Peterson
Houghton Mifflin, 2010.  (Peterson Field Guide Series)

Guide to Birding Coastal Mississippi and Adjacent Counties
Toups, Judith A.; Bird, Jerry L., and Peterson, Stacy Jon.
Stackpole Books; 2004; 168 p.

Mississippi Bird Watching: A Year-Round Guide
Thompson, Bill.
Cool Springs Press; 2004; 165 p.

*National Geographic Field Guide to the Birds of North America
Dunn, Jon L. and Jonathan Alderfer.
National Geographic; 6th Rev Updated edition, 2011;  576 pages.

*Peterson Field Guide to Birds of North America
Lee Peterson and Roger Tory Peterson
(Peterson Field Guide Series) Houghton Mifflin, 2008

*The Sibley Field Guide to Birds of Eastern North America
David Allen Sibley
Knopf, 2003

*The Sibley Guide to Birds, 2nd ed.
David Allen Sibley
Knopf; 2014

BIRD SOUNDS

*Backyard Bird Song [CD]
Richard K. Walton and R. W. Lawson
(Peterson Field Guide) Houghton Mifflin Co, 1991

*Birding by Ear: A Guide to Bird-Song Identification – Eastern and Central North America [CD]
R. K. Walton and R. W. Lawson
(Peterson Field Guide Series) Houghton Mifflin Co, 1989

Prothonotory warbler (photo by Bill Stripling)
Prothonotory warbler (photo by Bill Stripling)

Mississippi Bird Songs [CD]
William H. Turcotte
Mississippi Museum of Natural Science, Mississippi Department of Wildlife, Fisheries and Parks, 1985, 2008

TREES

A Field Guide to Eastern Trees: Eastern United States and Canada
Petrides, George A.; Wehr, Janet, and Petrides, George A.
Houghton Mifflin; 1988;  272 p.

Identification of Southeastern Trees in Winter
Preston, Richard Joseph
North Carolina Agricultural Extension Service; 1976; 113 p.

Mississippi Trees
Hodges, John D.; Evans, David L.; Garnett, Linda W., and Mississippi Forestry Commission.
Mississippi Forestry Commission; [200-?].(This book is free and updated every few years.)

Native Trees for Urban Landscapes in the Gulf South
Brzuszek, Robert F.
Crosby Arboretum; 1993; 11 p.

*Native Trees of the Southeast : an identification guide
Kirkman, L. Katherine; Brown, Claud L., and Leopold, Donald Joseph.
Timber Press; 2007; 370 p.

*The Sibley Guide to Trees
Sibley, David.
Knopf, 2009; 426p

*Trees, Shrubs, and Woody Vines of Louisiana
Charles M. Allen, Dawn Allen Newman, and Harry H. Winters.
Allen’s Native Ventures, 2002

*Trees of the Southeastern U. S.
Wilbur H. Duncan and Marion B. Duncan
University of Georgia  Press, 1988. Reprinted, 1992.

Trees of Mississippi : and other woody plants
Dukes, George H. and Stribling, Bob.
Poplar Petal Pub; [1997?]

WILDFLOWERS, MUSHROOMS, FERNS AND OTHER PLANTS

Common Poisonous Plants and Mushrooms of North America
Turner, Nancy J. and Szczawinski, Adam F.
Timber Press; 1991; 311 p.

*A Field Guide to Southern Mushrooms
Nancy S. Weber and A. H. Smith
University of Michigan, 1985

An Illustrated Guide to Tidal Marsh Plants of Mississippi and Adjacent States
Lionel Eleuterius
Pelican Press, 1990

Louisiana Ferns and Fern Allies  (out of print)
John W. Thieret
University of Southwestern Louisiana, 1980

*Louisiana Wildflower Guide
Charles Allen, Ken Wilson, Harry Winters
Allen Native Ventures, 2011

A Mississippi Woodland Fern Portfolio
George H. Dukes, Jr.
Poplar Petal Publishers, 2002

Mushrooms of Mississippi: and Other Fungi and Protists
George H. Dukes, Jr.
Poplar Petal Publishers, 2000

*Native Shrubs and Woody Vines of the Southeast : Landscaping Uses and Identification
Leonard E. Foote and Samuel B. Jones
Timber Press, 1989

*Trees, Shrubs, and Woody Vines of Louisiana
Charles M. Allen, Dawn Allen Newman, and Harry H. Winters.
Allen’s Native Ventures, 2002

Southeastern Flora
www.southeasternflora.com
A superior, searchable website done by John Gwaltney, Southeastern Flora is an online resource to assist you in identifying native or naturalized wildflowers you may find in the southeastern United States.  Currently there are over 1,980 species listed on this site and over 41,400 pictures to help you identify what you’re looking for.  You can easily identify trees, shrubs, vines, and herbaceous plants without knowing how to read a plant identification key. Simply define a few traits about your specimen, and the visual photo search results will help you narrow your selection to the exact species. Note the Plant Picks List, which is a valuable aid.

*Wildflowers of Mississippi
S. Lee Timme
University Press of Mississippi, 1989

Wildflowers of the Natchez Trace
S. Lee Timme and Cale C. Timme
University Press of Mississippi, 2000

REPTILES AND AMPHIBIANS

The Amphibians and Reptiles of Louisiana
Dundee, Harold A. and Rossman, Douglas A.
Louisiana State University Press; 1989; 300 p.

*A Field Guide to Reptiles and Amphibians of Eastern and Central North America
Roger Conant and Joseph T. Collins
(Peterson Field Guide) Houghton Mifflin, 1998

*A Guide to Mississippi Frog Songs, [CD]
William H. Turcotte
MS Depart of Wildlife, Fisheries and Parks, 1988

Mississippi Herpetology
Ren Lohoefener
MS State University Research Center, 1983 (Out of Print)

*Salamanders of the United States and Canada
Petranka, James W.
Smithsonian Institution Press; 1998, 587 p.

*Snakes of eastern North America
Ernst, Carl H. and Barbour, Roger William.
George Mason University Press; 1989; 282 p.

Snakes of North America: Eastern and Central Regions
Alan Tennant and R. D. Bartlett
Gulf Publishing Company, 2000

*Snakes of the Southeast
Whit Gibbons and Mick Dorcas
University of Georgia Press, 2005

*Turtles of the United States and Canada
Ernst, Carl H. and Lovich, Jeffrey E. 2nd ed.
Johns Hopkins University Press; 2009; 827 p.

*Venomous Snakes of Mississippi, [pamphlet]
Terry L. Vandeventer
Mississippi Museum of Natural Science, 1994 (free)

FISH

*A Field Guide to Freshwater Fishes : North America North of Mexico. 2nd ed.
Brooks M. Burr, John Sherrod, Lawrence Page, E. Beckham, Justin Sipiorski, Joseph Tomelleri
(Peterson Field Guide)  Houghton Mifflin, 2011

*Fishes of the Gulf of Mexico, Texas, Louisiana, and Adjacent Waters
H. Dickson Hoese and Richard H. Moore
Texas A&M University Press, 1998

*Inland Fishes of Mississippi
Stephen T. Ross
University Press of Mississippi, 2001

MAMMALS

A Field Guide to Mammals of North America
Fiona A. Reid
(Peterson Field Guide) Houghton Mifflin, 4th ed., 2006

Black bears
Black bears

*Handbook of Mammals of the South-Central States
Jerry R. Choate, J. Knox Jones, Jr., and Clyde Jones
Louisiana State University Press, 1994

Mammal Tracks and Sign: A Guide to North American Species
Mark Elbroch
Stackpole Books, 2003

The Marine Mammals of the Gulf of Mexico
Bernd Wursig, Thomas A. Jefferson and David J. Schmidly
Texas A & M University Press, 2000

Mississippi Land Mammals: Distribution, Identification, Ecological Notes
James L. Wolfe
Mississippi Museum of Natural Science, Mississippi Game and Fish Commission, 1971 (free)

*The Wild Mammals of Missouri
C. W. Schwartz and Elizabeth R. Schwartz
University of Missouri Press, 2001

INVERTEBRATES (divided into categories)

»Beetles

*Beetles of Eastern North America
Arthur Evans
Princeton University Press, 2014

»Butterflies & Moths

Butterflies and Moths. 2nd ed.
Carter, David J. and Greenaway, Frank.
(Smithsonian handbooks series) New York: Dorling Kindersley; 2002; 304p.

*Butterflies and Moths : a guide to the more common American species
Mitchell, Robert T.; Zim, Herbert Spencer; Latimer, Jonathan P., and Nolting, Karen Stray.
Rev. and updated ed.
St. Martin’s Press; 2002; 160 p.

*Butterflies of Mississippi: a field checklist
Mather, Bryant and Dingus, Eve.
Mississippi Museum of Natural Science; 1994. (free)

Butterflies of the East Coast : an observer’s guide
Cech, Rick  and Tudor, Guy.
Princeton University Press; 2005; 345 p.

Butterflies Through Binoculars
Jeffery Glassberg
Oxford University Press, 1993

*Caterpillars of Eastern North America: A Guide to Identification and Natural History
David Wagner
(Princeton Field Guide series) Princeton University Press, 2005

The Common Names of North American Butterflies
Miller, Jacqueline Y.
Washington: Smithsonian Institution Press; 1992; 177 p.

*A Field Guide to Eastern Butterflies
Paul Opler, Vichai Malikul, Roger Tory Peterson
(Peterson Field Guide Series) Houghton Mifflin, 1998

*Peterson Field Guide to Moths of Northeastern North America
David Beadle and Seabrooke Leckie
(Peterson Field Guide Series) Houghton Mifflin, 2012

*Peterson First Guide to Caterpillars of North America
Amy Bartlett Wright
(Peterson First Guides) Houghton Mifflin, 1998

»Dragonfiles And Damselflies
Dragonflies and Damselflies of the East
Dennis Paulson
(Princeton Field Guide Series) Princeton University Press, 2012

*Dragonflies Through Binoculars: A Field and Finding Guide to Dragonflies of North America
Sidney W. Dunkle
Oxford University Press, 2000

Stokes Beginner’s Guide to Dragonflies and Damselflies
Blair Nikula and Jackie Sones
Little, Brown and Company, 2002

»Insects
*A Field Guide to Insects: America North of Mexico
Richard White, Richard White, Donald Borror, Donald Borror.
(Peterson Field Guide Series) Houghton Mifflin, 1998

*National Audubon Society Field Guide to Insects and Spiders
Milne and Milne
Knopf, 1980, 1996 992p.

*National Wildlife Federation Field Guide to Insects and Spiders of North America
Arthur V. Evans
Chanticleer Press, 2007, 496p.

»Spiders
Common Spiders of North America
Richard A. Bradley
University of California Press, 2012

*A Guide to Spiders and Their Kin
Herbert W. Levi, Lorna R. Levi, Nicholas Strekalovsky.
Golden Guides from St. Martin’s Press, 2001