What a wonderful aroma! Slice tops off garlic, soak in olive oil, and place in a hot oven until soft and browned.
Claiborne Peeled
Craig Claiborne, a culinary icon of his day and an avatar of ours, now seems overshadowed by his contemporaries, James Beard and Julia Child. Though described by Betty Fussell as more “accessible” than the vivacious Child or jolly Beard, by comparison the enigmatic, complex Claiborne remains now more than ever a shadowy–albeit Olympian–figure.
When it boils down to it, Claiborne might best be described as the right man in the right place at the right time. His hiring as the first male food editor of a major newspaper came about as the result of crass opportunism if not (as is hinted) outright chicanery, but The New York Times provided Craig Claiborne with the preeminent platform to fulfill his mission, which one authority (McNamee) describes as nothing less than “advancing the nation’s culinary culture”.
Claiborne’s trumpet for reform in his April 1959 column “Elegance of Cuisine is on the Wane in U.S.,” came at a time when the nation was ripe for unabashedly elitist change; within a year, Jackie Kennedy, designer clothing and a French chef were in the White House. Claiborne, with lavish finesse and training he received in Switzerland, set the tone of American culinary culture.
By the mid-Sixties Claiborne had become America’s unquestioned authority on the full culinary spectrum of foods and restaurants, chefs and cookbooks His columns went directly to print. His pervasive influence extended into the Reagan administration. In retrospect, his detractors–including John and Karen Hess, who wrote the seminal The Taste of America–seem nitpickers.
Claiborne wrote and co-wrote many best-sellers, first and foremost The New York Times Cookbook, to which he acquired rights while the Times editorial board was asleep at the wheel; he discovered and promoted chefs as cultural and media personalities – Jacques Pépin, Alice Waters, and Paul Prudhomme among many others – helped publicize the West Coast/James Beard movement and introduced Americans to nouvelle cuisine. Claiborne also reveled in a “pan-global eclecticism”, promoting the cuisines of China, Mexico and Vietnam (during the war), among others, and lived to celebrate a resurgence of great American home cooking.
Though McDonald’s Ray Kroc and other fast-food titans have influenced America’s diet far more than Claiborne, he established food as media culture, and his sheer adventurism still informs our attitude towards food and cooking.
Yet for all that, while Claiborne’s ill-advised 1982 autobiography, A Feast Made for Laughter (Henry Holt: 1983), provides copious evidence that his personal life does not bear up well under scrutiny, being the sacred cow he is, I wouldn’t expect a biopic or a Netflix series any time soon.
Beard couldn’t make the cut either, come to think of it.
The Geography of Swiss Steak
Many years ago at a conference for Southern fiction at Ole Miss, I took umbrage at the inclusion of Bobbie Ann Mason’s splendid novel In Country because the author is from Kentucky, which I do not consider a Southern state. Kentucky was in the middle border during the Civil War, not a member of the Confederacy, nor are Missouri, West Virginia, Maryland, or Delaware.
When a family from Kentucky moved to my very small rural Mississippi town in the early 60s they were of course welcomed and quietly became members of standing in the community. With them they brought Swiss steak, which my adolescent mind tagged as a Yankee recipe. For some reason the Swiss designation slipped right over my little provincial Southern brain, probably more because for obvious reasons Switzerland held far less significance than THE NORTH. Anything Yankee was automatically suspect, and as such Swiss steak entered the nether category Reserved for Further Observation.
“To swiss” refers to processing for cotton fabrics for a smooth texture. Some food writers have taken a leap of faith and declared that because the cooking process renders a tough cut of meat smooth/tender, in English-speaking countries beef stewed with tomatoes is often called “Swiss,” but the ease and appeal this dish is world-wide.
Bread and fry thin trimmed cuts of top round until browned. Drain and place in a casserole with your favorite tomato sauce, and mild peppers, and onions. Bake covered at a medium temp until tender. Serve with buttered noodles or potatoes.
A Picture of Dorian Greene
Let’s begin with the hat.
A misty rain was falling on Bourbon Street outside the Night of Joy nightclub where Our Hero, Ignatius Reilly and his mother, Irene, had sought refuge from the police after a chaotic entanglement in front of D.H Holmes. Among the bar’s few customers was “an elegantly dressed young man who chain smoked Salems and drank frozen daiquiris in gulps”.
This fop happens to be Dorian Greene, who spills his daiquiri on his bottle-green velvet jacket. When Irene calls to the bartender for a rag, he tells her not to bother and added, with an arched eyebrow, “I think I’m in the wrong bar anyway.”
It soon becomes clear that Dorian is indeed in the wrong bar. In fact, we soon begin wondering how Dorian could have made the mistake of wandering into the Night of Joy at all.
The few other customers in the bar included a man who ran his finger along a racing form, a “depressed blonde who seemed connected with the bar in some capacity, and a snarling bartender. When Irene suggests that he should “stay and see the show” (“see some ass and tits,” the blonde prompts), he “rolls his eyes heavenward,” and in their ensuing conversation—prompted, somewhat, by her insistence on buying him a drink to replace the one he spilled—it becomes obvious that “tits and ass” are the last things Dorian Greene is interested in. Irene persists in engaging the young man.
“‘That’s sure pretty, that jacket you got.”
“Oh, this?” the young man asked, feeling the velvet on the sleeve. “I don’t mind telling you it cost a fortune. I found it in a dear little shop in the Village.”
“You don’t look like you from the country.”
“Oh, my,” the young man sighed and lit a Salem with a great click of his lighter. “I meant Greenwich Village in New York, sweetie. By the way, where did you ever get that hat? It’s truly fantastic.”
“Aw, Lord, I had this since Ignatius made his First Communion.”
“Would you consider selling it?”
“How come?”
“I’m a dealer in used clothing. I’ll give you ten dollars for it.”
“Aw, come on. For this?”
“Fifteen?”
“Really?” Mrs. Reilly removed the hat. “Sure, honey.”
The young man opened his wallet and gave Mrs. Reilly three five-dollar bills. Draining his daiquiri glass, he stood up and said, “Now I really must run.”
“So soon?” “It’s been perfectly delightful meeting you.” “Take care out in the cold and wet.”
The young man smiled, placed the hat carefully beneath his trench coat, and left the bar.
The young man is not a dealer in used clothing. When he and Ignatius meet again—much later—he reveals that the hat “was destroyed at a really wild gathering. Everybody dearly loved it.” He later reveals that he goes by Dorian Greene. “If I told you my real name, you’d never speak to me again. It’s so common I could die just thinking of it. I was born on a wheat farm in Nebraska. You can take it from there.”
When Ignatius arrives at Dorian’s address on St. Peter Street to attend the kick-off party for what appears to be global gay insurrection, he discovers a three-story yellow stucco building.
Some prosperous Frenchman had built the house in the late 1700s to house a menage of wife, children, and spinster tantes. The tantes had been stored up in the attic along with the other excess and unattractive furniture, and from the two little dormer windows in the roof they had seen what little of the world they believed existed outside of their own monde of slanderous gossip, needlework, and cyclical recitations of the rosary. But the hand of the professional decorator had exorcised whatever ghosts of the French bourgeoisie might still haunt the thick brick walls of the building. The exterior was painted a bright canary yellow; the gas jets in the reproduction brass lanterns mounted on either side of the carriageway flickered softly, their amber flames rippling in reflection on the black enamel of the gate and shutters. On the flagstone paving beneath both lanterns there were old plantation pots in which Spanish daggers grew and extended their sharply pointed stilettos.
When Ignatius asks Dorian where the money comes from “to support this decadent whimsy of yours?” Dorian replies, “From my dear family out there in the wheat. They send me large checks every month. In return I simply guarantee them that I’ll stay out of Nebraska. I left there under something of a cloud, you see. All that wheat and those endless plains. I can’t tell you how depressing it all was. Grant Wood romanticized it, if anything. went East for college and then came here. Oh, New Orleans is such freedom.”
Yes, Dorian found freedom in beautiful, decadent New Orleans, as have so many thousands of gays from the hinterlands. John Rechy, in City of Night (1963) echoes Dorian with his description of the annual gay pilgrimage to New Orleans during Carnival season:
“. . . fugitives will have felt the stirring of this call to brief Freedom. New Orleans is now the pied piper playing a multikeyed tune to varikeyed ears. In those same dark cities equally restless queens, wringing from their exiled lives, each drop of rebellion, will fell the strange excitement . . . Hips siren curved, wrists lily-delicately broken, they will stare in defiant demureness from theater screen and home screens all over the country; and those painted malefaces will challenge—and, Maybe, for an instant, be acknowledged by—the despising, arrogant, apathetic world that produced them and exiled them.”
And, so, Dorian Greene. A comic exaggeration? Yes. A gay stereotype? By any standards, most certainly. Yet Dorian, in Ignatius Reilly’s New Orleans, and, as it so happens, so many other gays in the New Orleans we all know, has found the freedom to be who he needs to be. And Toole’s acknowledgement of this freedom for gays in the city he portrays provides evidence if not of his own sexuality, then of his intimate knowledge of the city he loved.
Cucumber, Tomato, and Onion Salad in a Jar
This recipe comes from Teresa Bullard, who lives near my old hometown in Calhoun County, Mississippi. Both Teresa and her husband Jerry are fine cooks. Teresa also provided the great photo.
5 lbs tomatoes
5 lbs pickling cucumbers
2 lbs onions
2 heads of garlic
1 large bunch fresh dill (optional )
5 quarts water
1/2 cup granulated sugar
1/2 cup fine sea salt
3/4 cup distilled white vinegar
10 Tablespoons sunflower oil (1 Tablespoon per jar)
Wash and dry your canning jars. I used 10 jars, 8 wide mouth quart jars and 2 half gallon wide mouth jars.
Wash the cucumbers and tomatoes. If your cucumbers are a little soft, you can crisp them up by letting them soak in really cold water for 15-30 minutes. Slice the cucumbers into approximately 1/2 inch circles. Slice the onions, about 1/4 inch slices and quarter the tomatoes. Peel the garlic. Place a few sprigs of fresh dill on the bottom of each jar, and then add 2-4 garlic cloves. Layer the onions, cucumbers and tomatoes in 2 layers in each jar.
Meanwhile, in a large pot, bring the water, salt and sugar to a boil, mixing until all the sugar and salt dissolve. Off the heat, pour in the vinegar. Ladle the hot marinade mixture over the vegetables in the jar, all the way to the top. Add about a tablespoon of sunflower oil to the top of each jar. I add a little bit less than a tablespoon to the quart jars and a little more than a tablespoon to the half-gallon jars.
Place the jar lids in boiling water and let the lids stay in the boiling water for 10-15 minutes also, off the heat. Place a clean towel or dishcloth on the bottom of a large pot, and fill it with water. Bring the water to a boil, Place the filled jars in the boiling water, on top of the towel, cover them loosely with the lids and cook, at a simmer, for 10-15 minutes. Take the jars out of the water and close the lids tightly. Repeat with all the jars.
The salad is ready to eat in 1-2 days. Store opened jars in the refrigerator, the rest are shelf stable at room temperature.
Cornbread and Buttermilk
On summer afternoons when the air was smoky with dust and the sun bore down like a burden, my Grandaddy Jess would walk from his store up to his house, sit on his front porch, take off his hat, and holler at Granny Ethel to bring him a glass of milk and bread.
So she would crumble that cornbread she always kept on the back of the stove into a jar, pour in enough cold buttermilk to cover not all the way but almost, stick a long teaspoon in it, bring it out to Jess, then go back to the kitchen where she had her radio.
Jess would sit on the porch overlooking his store, his field of corn across the road, his son’s house with its tumbling children on the corner, and he’d think about this year, think about last year, think about next year, and–content–go back to the store, leaving behind a tall glass streaked with thick milk and breadcrumbs.
My Gazpacho
Older recipes for this king of summer soups include bread melded early on with oil, salt and garlic into sort of a cold roux for body. This recipe doesn’t include bread at that juncture, but I like crumbling dry cornbread over the bowl at table.
Mince two or three cloves of garlic very, very finely and mash in the bottom of a glass or enamel bowl with a teaspoon of salt and about a half a cup of olive oil. Add in fine dice one yellow onion, three very ripe summer tomatoes, two peeled cucumbers, two ribs celery (with leaves), and a sweet banana pepper.
I don’t recommend hot peppers; this is a cooling dish, and should be refreshing, not pungent nor heavy; starchy vegetables such as corn or peas seem out of place as well.
Add a teaspoon of powdered cumin, a quarter cup each of chopped fresh basil and parsley, and a teaspoon of ground black pepper. Mix with two cups V8. Refrigerate overnight. An hour before serving, add more V8 to consistency, adjust the salt and pepper, and top with a slosh of olive oil.
Serve in chilled bowls with crusty bread.
Mississippi Hill Country Stew
Brown lightly floured stew meat with chopped onions and a clove or so of minced garlic. Dust with a bit more flour, stir well, add coarsely diced potatoes, carrots, celery, and water to cover over by a half. Bring to a boil, cover, and cook–stirring occasionally–on low heat until meat and vegetables are tender. Reduce to consistency. Salt and pepper to taste. Serve with rice and/ or cornbread.
Chasing Dragons
The sun was well up, blaring over the trees when I parked in front of Rick’s apartment building. He stepped out of his door wearing his straw fedora and linen jacket, worn chinos, and canvas loafers, the picture of a dandy gone to seed.
Watching him wrangle his legs down the steep stairs, Ricky suddenly seemed frail to me, and I felt a pang in my chest. I’d known hm for less than five years, but in those years, I’d come to love him like a brother; he’d filled my losses, propped me up, and pushed me back into a life I could lead on my own. He claimed to be sixty-eight, but he said once he remembered seeing Elvis on Ed Sullivan, which added years to that claim.
He clambered into my old truck, and we headed to Linda’s market north of downtown. The market sits far back from traffic under a long tin roof, a colorful oasis in a dull, hot desert of asphalt surrounded by cars parked without regard to space or bearing. As we drew closer, we could hear the shuffling rattle of a homemade pea sheller.
Under the roof, our eyes adjusted to the shade and found melons mottled and striped, green-upon-green, blazing red cayennes, motley purple peas, and speckled beans. We paused over the corn, looking for fresh ears with tight shucks, green stem ends, and sweet-smelling tassels. We chose cucumbers that were slightly under-ripe, firm, and shading to jade.
The tin roof popped as the sun bore down. Ricky walked over to the peaches, rows of baskets filled with Chilton County Elbertas, saffron blushing to carmine, some with stems and leaves. Over these he lingered, walking back and forth, occasionally reaching down to brush one with his fingers, picking another up, holding it to his nose, and putting it down.
I brought him a paper sack and shook it open with a pop. “What do you look for?” I asked.
Ricky snapped out of his reverie, looked at me and smiled. “A dragon,” he said.
“When you’re a child, the world is full of magic things, wonderful things. A few of them amaze you so much you can’t get rid of them,” he said. “Those are the dragons, the ones you keep looking for long after you’ve been stomped on a time or two, and you can’t find the man in the moon anymore.”
“I remember this peach from a basket in Tupelo. When I bit into it, suddenly I couldn’t see, I couldn’t hear. That peach just sucked everything out of me, and all I could do was eat that magical peach, and I’ve spent the rest of my life buying lousy peaches chasing that dragon.”
We loaded our sacks in the truck. As we were pulling onto the highway, Ricky reached into the back, rummaged around and pulled out a peach. He wiped it with the handkerchief he kept in his back pocket, turned it around in his hand, then took a bite. I looked at him expectantly. He smiled and shook his head, rolled down the window, and threw it out.
“I’ll find it one day,” he said, and my heart broke.
Yancy’s Potluck Casserole
At some point in your life you’re going to impress the wrong person the right way and find yourself invited to a potluck supper, obliging you not only to be presentable and reasonably polite for up to two hours, but to bring food that is sure to please most everybody and won’t put the cheese tray in a bad light.
This dish fits the bill, doesn’t take a lot of time or money to make, works just as well for second weddings or canasta nights, and is always a big hit at cemetery homecomings. You’ll bring home an empty Pyrex whatever the occasion; it’s colorful, rich, buttery and, it must be said, “freezes beautifully”. This recipe provides a dozen or so 6 oz. servings.
Cook 1 pound extra-wide egg noodles, drain, drizzle lightly with vegetable oil, toss, and place in a large bowl. Add 2 cups diced and blanched celery and carrots, 2 cups frozen green peas (you can add these right to the mix), 3 cups shredded chicken (canned white is really good for this) and 2 cups diced ham. Toss with 1 stick melted butter and 2 cups freshly-grated Parmesan cheese. Bake in a casserole at 300 for about 20 minutes.
