Everyone should grow pimentos. These beautiful, thick-walled fruit carry a sting of goodness that works in dishes across the board.
For this recipe, we used both green and red fruit; the unripe peppers have a bit of astringency, but that’s undercut by blanching whole—ripe and unripe—in lightly salted water to cover until they are just soft, maybe 5 minutes.
Halve and seed peppers. If you’re not going to use them immediately, put them in a jar with a salty water. They’ll keep for a week or two like this, or you can put them in a jar with salt water and oil to keep longer.
For 2 cups shredded sharp cheddar cheese we used about a third of a cup of diced blanched peppers. We used just enough mayonnaise to moisten, but no cream cheese to keep the pimentos’ pinch.
A bit of granulated garlic and salt rounded out this batch, though chopped scallions or shallots wouldn’t be out of place.
Oil and line a 9″ skillet with parchment paper. Drizzle in 1/4 cup melted butter, and layer with sliced pineapple and cherries. Sprinkle chaotically with light brown sugar. Pour in vanilla-flavored sponge cake batter and bake until sides have pulled a little from the pan. Cool well before inverting; refrigerate before slicing and serving.
The most cherished and versatile element of my batterie de cuisine is a well-seasoned 6” cast iron skillet I inherited from my sister Cindy, who called it her baby skillet.
Now, Cindy called anything of a diminutive nature “baby”; a hand spade was a “baby shovel.” I swear I once heard her call little old Massachusetts the baby state.
“Cindy,” I said, “It’s the Bay State.”
“That’s not what I said,” she replied with a sharp glance. I let it drop; I’d learned a long time ago you can’t win an argument with a big sister.
This skillet is just the thing you need to use for baking in small amounts. This little honey is perfect for good half-dozen (or four catheads). It’s also ideal for a pan of cornbread that will feed at least four easily, and a meat loaf that will feed three. When it comes to baked pasta, I would dearly love to have three more of these skillets to use for a manicotti party, one pan of four for every two people.
They’re also inexpensive, but if you’re lucky, you get one from someone you love.
This text and recipe is from Howard Mitcham’s magical Creole, Gumbo, and All That Jazz.
After gumbo, the most famous Creole-Cajun dish is jambalaya. The word is probably derived from “Jambon,” which means am in both Spanish and French. The “a la ya” is probably an African expletive which can be interpreted as either acclaim or derision. Jambalaya was a well-known dish even before Hank Williams’s Hit Parade song came along and made it nationally famous. Millions have sung the song without knowing anything about what the dish was like. The recipes herewith will give you a chance to really get on the bandwagon. Jambalaya started out as a poor man’s catch-all, utilizing any leftover meats, sausages, shrimp, or fish that might be lying around, and stretching them a long, long way with plenty of rice. If a poor Cajun family had five or six kids, it’s a safe bet they ate jambalaya several times a week. Like red beans and rice, it kept people from starving during depressions and recessions.
But the consummate artistry of Creole and Cajun cooks has lifted jambalaya above its humble beginnings to a higher plateau, and it is now served with pride and joy in the mansions of the wealthy and in high-toned restaurants. This dish is a close cousin of the Spanish paella, and it probably originated down around New Iberia, which, as its name suggests, was originally a Spanish settlement. However, there’s another town with a Spanish name, Gonzales, up near Baton Rouge, that calls itself the Jambalaya Capital of the World. Its citizens hold a jambalaya festival every year. They cook big black iron wash pots full of the stuff, and people come from all over to sample the rich and redolent fare. A real Gonzales jambalaya is so peppery hot, spicy, and rich that the uninitiated can barely cope with it, but an aficionado of the art can consume a half gallon of it and ask for more. The version of Creole Jambalaya here is lighter fare than the Gonzales product.
Melt a half stick butter in a thick-bottomed pot or Dutch oven, cook 1 pound andouille or smoked sausage (or both) until lightly browned. Stir in a heaping quarter cup of plain flour, add 3 medium white onions, chopped finely, 4 minced cloves of garlic, 6 whole scallions, chopped. Cook until onions soft and clear. Add a 16 ounce can diced tomatoes, drained, along with a bay leaf, and a teaspoon each thyme, cayenne, cumin, and black pepper. Add 4 cups broth (chicken or beef), a cup of cooked chicken, and a cup of diced ham. The liquid should cover the ingredients. Bring to a rolling boil and stir in 2 cups raw rice (let me recommend Zatarain’s long grain, jly). Cover, boil for about 5 minutes, then reduce heat and cook until rice is done. Remove lid to cook off excess liquid; “a jambalaya should be moist, but not soupy.” Salt to taste.
Syracuse, New York is hometown to Tom Cruise, Grace Jones, and Jake, who says his ancestors were Greek fishermen. Every now and then he’ll offhandedly mention “Uncle Ari and Aunt Jackie.”
Jake sniffs at my Southern heritage, informing me that his parents contributed to programs for eradicating hookworm, pellagra, and illiteracy in Mississippi. He came to Jackson over two decades ago as the result of a convoluted series of circumstances I’ve long since quit trying to unravel. He stayed because he likes the weather; his recollections of lake-effect snow are unbelievably horrific. Even after twenty-plus years here, people still ask him where he’s from. It drives him nuts.
Generous soul that I am, in an effort to reciprocate his family’s (likely fictitious) charity, I had to learn how to make good Yankee baked beans using the sturdy pots he brought back from Maine last year, which of course had been made by exceedingly sweet people in a religious community near Bangor. (No, I didn’t go; he was meeting his mother to visit an aunt, and I was better off here with beer and cable.)
I breathed deeply and put my gloves on. Then I took a pound of dried navy beans, a cup of diced ham with rind, and a half cup of sorghum molasses and threw it all into the (unquestionably gorgeous) 2 quart pot with a cup of chopped onions and a bay leaf. I covered them with water, seasoned with a teaspoon of black pepper and a heaping tablespoon of dry mustard. I water to the rim , covered the pot, and put it into a 250 oven for four hours.
The beans were rich and buttery, and the mustard cut the molasses enough to let the beans make a statement. Jake credited the results to the pots, so I whacked him with a wooden spoon. Twice.
Heat 2 cups white vinegar with a cup each of sugar and water, and three tablespoons salt and pickling spices. Break 2 heads cauliflower into florets, toss with a sliced lemon, and pack into jars with strips of sweet peppers. Pour hot brine over vegetables, cool, and seal.
By the middle of the last century, Mary Frances Kennedy Fisher, known to the world of letters as M.F.K. Fisher, had established herself as the preeminent culinary essayist in the English language.
Her visits to Dijon, Vevey and Provence resulted in works such as Serve It Forth (1937), Consider the Oyster (1941), How to Cook a Wolf (1942) and The Gastronomical Me (1941). Those and her translation of The Physiology of Taste by Brillat-Savarin (1949) had garnered her praises from around the globe. W.H. Auden said of her, “I do not know of anyone in the United States who writes better prose,” no small acclaim in the age of Faulkner, Hemingway, and Steinbeck.
In 1964, Fisher had just finished the stunning Map of Another Town, an excerpt of which was published in The New Yorker in January. Subtitled “A Memoir of Provence”, the work marks a departure from her gastronomical memoir-cum-recipe format since the book is built not around food but around places: the cours Mirabear, the Deaux Garcons, La Toronde and other sites associated with Aix-en-Provence.
She had established herself as a writer, but she had already told friends she wanted to do something different: she wanted to teach. Other than a writing workshop in Utah in 1954 and various public speaking engagements, she had no teaching experience.
She also lacked sufficient academic credits to qualify for certification at public schools, but private schools like Piney Woods offered leeway in the matter of credentials and she entertained the idea of teaching English literature, basic composition, home economics (try to imagine taking home economics from M.F.K. Fisher) and tutoring students in French, Spanish and Italian.
“I’ll be working with students in advanced high school and junior college who are preparing for the ministry, the law, teaching and medicine. I’ll also be working with students who have come from the most God-forsaken rural areas in the state. The main thing is that they will be there because they WILL it, and not because it is the easiest, coziest and most indicated way to social and economic success.”
Fisher first heard about Piney Woods in the early 1920s when their gospel choir performed at The Bishop’s School in La Jolla, California, where the teen-aged Mary Frances and her younger sister were enrolled. For some time afterwards, her mother Edith subscribed to the Piney Woods bulletin and regularly sent donations of money and books, which her daughter continued to do for decades.
In her letters to family and friends in the early months of 1964, M.F. wrote of her preliminary discussion with Dr. Laurence Jones, the founder of Piney Woods, about her plans to volunteer her services at the school and her reasons for doing so, saying that she had “almost finished the active mother-role and that I am destined to go to waste unless I make some strong move.”
The year 1964 was a sadly historic one for Mississippi; the state had become a battleground in the American struggle for civil rights. Fisher confessed that she was no martyr to the cause of racial equality, and “as for accepting and being accepted, I honestly think that would soon take care of itself, easily and thoroughly . . . there would be suspicion of my motives at first, as is very understandable . . . so many white people want to ‘help’ but, are conditioned too far back to be anything but self-conscious about it, and I seem to be born without a racial conscience or whatever it is.”
She was not being altruistic at all, she was doing this for herself because after so many comfortable years in St. Helena and so many years of raising her daughters to be citizens of the world, she now had her back to the wall and needed Piney Woods as much as or more than the school needed her.
After sharing her plans with family (to mixed responses), Fisher boarded the California Zephyr in San Francisco on June 22. Once in Chicago, she boarded a train bound for Jackson, some twenty miles from Piney Woods.
During that time radio broadcasts and news coverage focused on the disappearance of two white civil rights workers from New York, Andrew Goodman, Michael Schwerner and their black activist host, James Chaney, who were the first casualties of what was to become known as the “Freedom Summer”. On August 4, the FBI would discover the inhumed bodies of Goodman, Schwerner and Chaney, and the South would explode in acts of violence and bigotry
But at Piney Woods, the focus was on work and education. Fisher said that the students were “too busy for trouble.” She eased into teaching with noncredit courses on fables (“from Aesop to Thurber”) and also tutored a handful of students. She lived in the comparative luxury of an air-conditioned mobile home of a faculty member who was away on vacation and ate most of her meals in the dining hall, which she considered disastrous because of the emphasis on starchy foods.
It should be noted that Fisher dined at the famous Revolving Tables in the Mendenhall Hotel, but records of the meal and her impressions of it are if in existence unavailable.
Fisher was at Piney Woods for a very short time, less than six months all told: two school terms, a summer and a fall. Despite the miserable Mississippi summer heat, her first term was the happiest. She wrote, “For the first time in many years what creative energy I have is being directed toward other things than my professional and emotional self.” She spoke of “wooing the students” to make herself acceptable, and her non-credit courses were popular.
She talked of her time with Dr. Jones, who was away from campus most of the time on fund-raising junkets. During his absence, the dean of the school Dr. Chandler was in charge, and Fisher described her as a “somewhat ridiculous little figure”. Fisher was soon to tangle with the steely Chandler and became outraged at a librarian who would not check out books “to NEGRO students!”
During the October break between the summer and fall semesters, things began to go awry. Even as she boarded the plane in Jackson, “I was surrounded by men and women and their frightened children speaking Mississippi dialects, several civil rights workers were flying out, the plane was stiff with heavily armed police, and I became more convinced that I could never come back.”
She spent her break at a beach house in Bridgehampton, N.Y., attending Broadway musicals and dining with Truman Capote, but that autumn her daughter Anna lost her job and became pregnant, her friend and editor Pat Convici became gravely ill, and her sister Anne was also in poor health.
When she returned to Piney Woods, she threw herself back into teaching, but the daily grind soon began to wear. After a difficult Thanksgiving with her family in California, when she returned to Piney Woods in December she asked to be relieved of her teaching duties for the remainder of the fall semester.
Her plans were to return to California to her daughters Norah and Anna, but, incensed that she seemed to have abandoned them in their time of need (Norah was by now caring for the pregnant and unstable Anna) for a group of Negro students in the middle of nowhere, they both insisted that she shouldn’t come.
Fisher left Piney Woods for Chicago in January 1965 and never returned. She had lost 20 pounds and was absorbed in self-reflection. Looking back on that time she wrote, “I began to come to life again.” She later described her time in Mississippi as “a pit of non-existence” she subjected herself to.
Once back in Chicago, she began writing again and sold some articles she had written long ago. “I thought a great deal about Piney Woods – the iron hand of Dr. Chandler, the librarian who didn’t want books taken out of the library, the conformity. People want me to write controversial stuff about it, but I am still too close, and I do not want to hurt the old man who founded the school.”
“He is a rascal, but he is also something of a real saint, in my eyes. I am making many notes, of course, and may some day be able to tell what I think is the truth about the basically noble but infamous place.”
These notes were never assembled, much less expounded upon. In Conversations with M.F.K. Fisher, edited by David Lazar (University Press of Mississippi: 1992), Ruth Riechl in 1990 describes this exchange:
“Mississippi?” I ask. Fisher sighs. “In 1964 the kids were all gone and I thought I’d find out if the South was as bad as I thought. So I went to teach at the Piney Woods School.” Piney Woods was a school for black students; the faculty, says Fisher, was half black and half white. She taught English. “The South was worse than I expected. I didn’t go to town at all while I was there.” But why did she go in the first place? Did she plan to write a book, to fight a fight? She looks slightly horrified. “God, no, I wasn’t planning on writing anything about it. And I didn’t go there to fight anything. I just went.” Fisher smiles a little, remembering. “I found it took six months before the kids would eyeball me. But after six months I was without color, and so were they.”
She smiles. “I was not invited back,” she adds with a certain amount of pride, “because I was a trouble maker.” She seems pleased by this, and then abruptly stops talking.
All butter beans are limas, but not all limas are butter beans.
Actually, it’s a lot more complicated. While lima beans and butter beans are usually thought of as two different types of beans, they are both varieties of Phaseolus lunatus (literally “moon bean”), which has a very long and complicated history of domestication in Meso- and South America.
During the Spanish Viceroyalty of Peru (16th-19th centuries), when limas were exported to North America and Europe, the boxes of beans were stamped with their place of origin (“Lima, Peru“), and the beans got named as such. But of course, when referring to the bean, the word is pronounced LY-mah, while the Peruvian capital is (as you all know) pronounced LEE-mah.
As a rule, large, yellow/white/speckled limas are generally known as butter beans, while the smaller, green varieties are called, well, limas. The smallest may even be called “baby” limas. However, I have been told that “they call butter beans limas up North,” which really throws a wrench in the works.
Limas are a warm-weather crop and come into season sometime around mid-June and with the planting of second crops in late July and early August, stay in season well into October.
Among the most popular varieties grown in Mississippi are ‘Thorogreen’ and ‘Henderson,’ both small green bush types; ‘Jackson Wonder,’ also a bush variety, is small and brown or speckled; ‘Florida Speckled’ is a larger pole variety, and the hard-to-find ‘Willow Leaf,’ also a pole variety, has something of a cult following. Butterpeas are a type of lima beans.
Fresh beans should be smooth and plump, somewhat tacky to the touch. Fresh beans should be washed and picked over for damage, dirt, or detritus, washed, and set to cook in water 2:1; fresh beans don’t need as much water as dried, and they don’t need pre-soaking. As with most American bean recipes, fatty pork is a classic addition.
Bring beans to a boil, then lower heat to simmer and cover until beans are soft. I always use white pepper instead of black to season, and rarely use anything more until the beans are cooked, at which point they become the basis for any number of wonderful dishes.
Every summer I make baked limas in sour cream. For a pound of cooked limas with about a half cup of the liquid, add a quarter cup of brown sugar, and a cup of sour cream mixed with a teaspoon corn starch to keep it from separating. Flour will work in a pinch. Mix well. Bake in a low oven until set. This dish goes with anything at all but is open to any number of frivolous variations.
Craig Claiborne, a culinary icon of his day and an avatar of ours, now seems overshadowed by his contemporaries, James Beard and Julia Child. Though described by Betty Fussell as more “accessible” than the vivacious Child or jolly Beard, by comparison the enigmatic, complex Claiborne remains now more than ever a shadowy–albeit Olympian–figure.
When it boils down to it, Claiborne might best be described as the right man in the right place at the right time. His hiring as the first male food editor of a major newspaper came about as the result of crass opportunism if not (as is hinted) outright chicanery, but The New York Times provided Craig Claiborne with the preeminent platform to fulfill his mission, which one authority (McNamee) describes as nothing less than “advancing the nation’s culinary culture”.
Claiborne’s trumpet for reform in his April 1959 column “Elegance of Cuisine is on the Wane in U.S.,” came at a time when the nation was ripe for unabashedly elitist change; within a year, Jackie Kennedy, designer clothing and a French chef were in the White House. Claiborne, with lavish finesse and training he received in Switzerland, set the tone of American culinary culture.
By the mid-Sixties Claiborne had become America’s unquestioned authority on the full culinary spectrum of foods and restaurants, chefs and cookbooks His columns went directly to print. His pervasive influence extended into the Reagan administration. In retrospect, his detractors–including John and Karen Hess, who wrote the seminal The Taste of America–seem nitpickers.
Claiborne wrote and co-wrote many best-sellers, first and foremost The New York Times Cookbook, to which he acquired rights while the Times editorial board was asleep at the wheel; he discovered and promoted chefs as cultural and media personalities – Jacques Pépin, Alice Waters, and Paul Prudhomme among many others – helped publicize the West Coast/James Beard movement and introduced Americans to nouvelle cuisine. Claiborne also reveled in a “pan-global eclecticism”, promoting the cuisines of China, Mexico and Vietnam (during the war), among others, and lived to celebrate a resurgence of great American home cooking.
Though McDonald’s Ray Kroc and other fast-food titans have influenced America’s diet far more than Claiborne, he established food as media culture, and his sheer adventurism still informs our attitude towards food and cooking.
Yet for all that, while Claiborne’s ill-advised 1982 autobiography, A Feast Made for Laughter (Henry Holt: 1983), provides copious evidence that his personal life does not bear up well under scrutiny, being the sacred cow he is, I wouldn’t expect a biopic or a Netflix series any time soon.
Beard couldn’t make the cut either, come to think of it.
