Any number of variations on a basic mixture of mayonnaise and tomato ketchup have passed for a sauce in restaurants across the nation for well over fifty years, but in Jackson, Mississippi this concoction is called comeback (in some various spelling). I suspect that because the main ingredients are available to most people, and since the resulting mixture looks and tastes a lot like that quasi-exotic Tiki favorite Thousand Island (usually without pickle relish), this Ur-comeback soon became a popular substitute for bought dressing at home, and the basic combination was often taught in home economics courses during the 60s and 70s. Now of course all sorts of exotics have found their way into this combination, it has come to be a workhorse instead of a novelty, and the recipe is well past its salad days. Its commercial popularity in Jackson harkens back to the Rotisserie, a restaurant the Dennery family ran at Five Points way back when that part the city was cool, probably around the time poodle skirts were popular.
Nowadays people use comeback for almost everything. I’ve even seen recommendations for it with meats such as chicken and (Lord deliver us) beef. Me, I’ve always liked it on seafood; I do a version of it with a little horseradish, chopped parsley and lemon juice that’s just fine with shrimp or fish. You’re also likely to find another version of it in stores that’s marketed specifically for those deep-fried onion “blossoms” that have become so popular lately. Dare I add that while nobody’s stopping you from dipping a whole Vidalia in some sugar-saturated batter and deep-frying it, by doing so you’re pretty much denying its essential nature as an onion, an vegetable you should have an intimate relationship with already. Comeback dressing has come to be a signature recipe of our state, so as a Mississippian of any degree, knowing how to make comeback dressing should be as much a part of your repertoire as knowing how to pass a bat wing bush hog on a two-lane highway. I’ve even seen it referred to as “Mississippi Comeback”. I like that; if Mississippi were to have a signature dish, it should be one that beckons her weary children home.
To put it mildly, the ingredients of comeback are a bone of contention. Most recipes for it involve an emulsion combined with something red, which in our locale usually involves a processed tomato. Now, you could probably very well take a little tomato paste and add a bit of vinegar to it, but be nice to yourself and just use chili sauce. There are those who prefer salad dressing instead of mayonnaise, and those who seem to think that cocktail sauce is superior to the more pedestrian chili sauce. As to other additions, I’d stop well short of ground rosemary, but you’re the cook. My version of comeback, like my mother’s, is quite simple, involving not much more than mayonnaise, chili sauce, Worcestershire and black pepper. Any recipe for comeback dressing is always improved by the addition of onion powder and a smidgen of garlic. If you’re serving it with seafood, a little lemon juice is needed along with the aforementioned horseradish and parsley.
When Wyatt Cooper is mentioned at all now, it’s invariably in connection with his younger son Cooper Anderson, but Wyatt himself was a man of many parts, one of those being a damn fine writer.
Cooper was born in Quitman, Mississippi, September 1, 1927. moved to New Orleans as a young child and in his twenties moved to New York City to pursue acting.
In his thirties, Cooper lived in Los Angeles, attended both UCLA and UC Berkeley, and worked as a screenwriter. While residing in West Hollywood, then an unincorporated area of Los Angeles County, Cooper lived near Dorothy Parker and her husband Alan Campbell. A close friendship developed, and a year after Parker’s death in 1967, Cooper published an incisive and widely read profile in Esquire magazine, titled, “Whatever You Think Dorothy Parker Was Like, She Wasn’t”.
Cooper moved to Manhattan in the early 1960s, and worked there as a magazine editor. On December 24, 1963, he married heiress Gloria Vanderbilt, becoming her fourth husband. The photogenic couple frequently appeared on the national “best-dressed” list. They had two sons: Carter Vanderbilt Cooper (1965-1988) and Anderson Cooper (b. 1967), who became a prominent CNN anchor. Wyatt Cooper wrote in his 1975 memoir, “It is in the family that we learn almost all we ever know of loving. In my sons’ youth, their promise, their possibilities, my stake in immortality is invested.” Wyatt Cooper died in Manhattan, New York City on January 5, 1978, at age 50, during open heart surgery, after having a heart attack the previous December.
This essay, “Of Food and Fellowship” appeared in Southern Sideboards the Junior League of Jackson’s landmark award-winning cookbook, which was first published in June, 1978.
Speak to me of food and what springs readily to my mind is not so much a recall of particular dishes I’ve relished, but a succession of images, sad and funny, sweet and tender, of people and places and happy occasions from the recent or long-gone past, a procession of dear, lost, familiar faces and voices, with the echo of laughter from other years. One remembers all those tables, some grand and richly laden, some humble and bearing simple fare, over which have flowed the talk, the tales, the exchanges that have made up the histories of our lives; the tables across which loving eyes have looked into loving eyes, and across which we have reached, friend to friend and spirit to spirit, to touch each other in precious communion. I think of vanishes loved ones and of absent friends and simpler times, of youth and joy and wonder, of those early seasons of first discoveries, the seasons in which we were blessed with Heaven’s gift for finding all the world’s delight in one bright Easter egg, all the world’s affection in one home-decorated birthday cake with our own particular name written bright upon it.
At those tables, a child, and later, the child in the adult, could watch and listen and learn. It was and would remain a place of adventure and exploration, a place where the curious eye and ear could partake of the rich store of other people’s experience, their adventures in the vast and mysterious world that waited and waits, beckoning but intimidating, outside the window; adventures, also, in those other, interior worlds of the mind, where thoughts, opinions, ideas were and are the exhilarating substance of the hungry brain.
Since our associations scurry quickly back to our beginnings, I find myself breathing deeply and knowing once again the romance and allure of the smells emanating from the kitchen of my first home, the warm, comforting aroma of biscuits baking or of coffee and bacon on cold mornings, with Mama beside the stove calling out that we must hurry.
I remember the family reunions with the piling on of food, an abundance and variety of offerings that represented God only knows how many accumulated hours of planning and preparing and packing, a feast to which more than twice our number could not have done justice. I remember the buzzing and bustling of the women crowed into Grandma’ kitchen, all full of importance and pride in marvels about to be revealed, each with her own specialty for which she was celebrated within the family—this one’s banana pudding, that one’s pineapple-upside-down cake. I think of Christmas with the smell of apples and oranges and fruit cakes and with turkeys and stuffing that make the mouth water forty years later.
I was born country, so I know all about frying just the right chickens because the preacher was coming to dinner and about all-day-singings-with-dinner-on-the-ground where heavy baskets and cardboard boxes were hauled out of the back end of family cars or even horse drawn wagons or buggies. The contents were spread proudly out, displayed like the golden wedding presents of princesses, set out upon glistening, freshly-starched and sun-dried linen cloths there would be much calling out to each other from families inviting others to try this or that from their bounty, while grabbing loose strays, especially bachelors, and there would be a scampering about of colt-legged boys, impatient and giggly while overly devout deacons went on too long at asking the blessing, when any sort of mumbled “. . . bless this food to the nourishment of our bodies . . .” would have done just as well.
I know about hog-killing time in the first sharp cool of fall, when the children were allowed to help with the scraping if they were careful to stay away from the scalding water I know about the way molasses was made, when you took turns feeding the cane into the grinder and remembered to duck each time the pole, pulled bumpily around and around by dull, plodding mules, made its way overhead again.
These activities were co-operative efforts; we didn’t do them by ourselves. Neighbors came together to help each other. We worked out the dates—Tuesday for the Longs, Thursday was the Timmses’ turn, and Monday week was for us. The doing of it was all mixed up with community feeling, with jokes and gossip and catching up on news and horseplay and grown-up talk.
What I’ve been talking about, when you come down to it, is friendship, sharing, caring. I’m talking about love. To show our love for one another we devise little rituals. We beg the passing traveler to eat. We toast brides. We drink to each other’s health. We give dinners for those we seek to honor. There is a particular bond between friends who prepare food together, between friends who dine with each other. The breaking of bread together has, for many centuries, held something of a ceremonial significance for us.
It seems as if it were always so. It was in the Bible and in the earliest Greek plays and in the writings of Homer Obviously it goes way back. I should think that it must have been soon after they first came down from the trees and began improving their manners that one of our hairy ancestors must accidentally have dropped into the cave hearth the baby brontosaurus leg on which he’d been gnawing, or stumbled onto a succulent pig just roasted by a recent forest fire, and made the revolutionary discovery that the raw and natural stuff with which he’d been sustaining his life could be improved upon. On that distant red letter day a new art form was born and man took a giant step in the direction of Julia Child.
It seems to me that the invention of cooking must have made a considerable contribution toward the very process of civilization. Surely, Mr. and Mrs. Piltdown Erectus and their children, having found the new way of dining an enrichment of the cultural tone of their own household, must certainly have hastened to call in their neighbors to share the benefits of the revelations so happily and so accidentally bestowed upon them. Thus, on that evening of joyous and primitive grunting that then served as conversation, undoubtedly began the ancient and inseparable association between eating and hospitality, the eternal connection between food and fellowship.
I should mention somewhere along here that I was not invited to set down the few words of this preface because I can claim to be a passable practitioner of that noble science. The truth is I can’t cook. Anything. My instant coffee is barely acceptable even to me, and my peanut and butter sandwiches have repeatedly been rejected by my sons. “No thanks, Daddy,” they say with wistful politeness, “We’ll make our own. Alan Campbell once told me that before his wife, Dorothy Parker, would cook anything she’d go into the kitchen and eat raw bacon. In that category at least, Dotti and I were in the same league.
One of the saddest failures of my life was the time I tried to delight my little family, those underprivileged citizens of the pre-packaged, machine-made, and mass-produced age, with the home-made ice cream that is such a treasured memory from my youth. For years I’d tried to impart to them some idea of the magical creation of that frozen treat by describing how you break up the block of ice by putting it into a croker sack and beating it with the back of an ax, pack the crushed ice tightly around the metal can inside the wooden freezer, argue over who gets to turn the crank first, (several children should be involved; the making of ice cream calls for company; in a one-child family only the presence of grandparents could compensate for the absence of other children) and finally how everybody crowds around for the miraculous moment when the lid is reverently lifted off, and the creamy, vanilla colored, heavenly swirl of pure pleasure is revealed.
My sons were skeptical but willing, and so, one summer in Southampton, having consulted by long distance with my sister in Hartford, Connecticut, I bought a freezer, assembled the ingredients, and, while she instructed over the telephone, began mixing, stirring, and beating. I suspected early on that I was in trouble when it became perfectly clear to me that while Marie makes great ice cream herself, she has no very clear idea of how she does it, “. . . just put in some sugar; you’ll know when it’s enough . . .” –that kind of direction doesn’t help at all. Honest, it doesn’t. Not unless you can already do it. Or have talent. At one point I was cooking the mixture and it started turning into something that looked suspiciously like an omelet. “I hope you didn’t use too many eggs . . .” she said encouragingly. “Does it look too yellow?” Along about then I had more than a premonition of disaster. Also, for some reason, it overflowed while we were turning the crank, the yellow seeping out the sides and mixing with the ice. That wasn’t promising.
There’s no point in pretending there’s any suspense to this story or in prolonging it, so I’ll go strait to the finish. It looked beautiful, actually. The result of all my labor looked very clean and very pretty, but it had no taste at all so far as I could tell and I could not expect those little boys, however polite and loving they are, to pretend that it was worth bothering with. Oddly enough, my wife, who has a very discerning palate, liked my ice cream. She thought it tasted like real yogurt made with goat’s milk. Maybe if my sister has a recipe for yogurt I might end up with ice cream.
Recipes, anyway, have to be fleshed out, I suspect, with the cook’s own taste, personality and inspiration. Ethel Barrymore was once rehearsing a new play with an over-eager young director who kept instructing her with details, “Move to that table. Life the book, pause, and then look at it.” She endured this for a while, then she turned to him and said sweetly, “I know just what you mean. I lift the book, pause, and then look at it, and it is then that I do that special, unexplainable thing that causes audiences to come to see me and enables me to earn a thousand dollars a week.” She made her point. With great cooks, as with great stars, there is that “special, unexplainable thing” that has to do with taste, authority, and uniqueness of personality, and the beginner, I should think, should be encouraged to trust his or her own particular instincts and exercise his or her own creativity.
In Saki’s short story, “The Blind Spot”, one character says, “the man is a common murderer,” and another replies, “A common murderer, perhaps, but a very uncommon cook.” This book contains the secrets of many very uncommon cooks, great stars, splendid artists of the kitchen; secrets, many of them, that have considerable histories, having been handed down, generation to generation, from one famous cook to another.
I am fascinated by the great variety of cooking styles assembled here, representing many different traditions and widely varying national origins. Some recipes remain pretty much as they were when Great-Grandma was finally persuaded to write them down, or when Cousin Jessica spied on some selfish and secretive cook and wrote down each step se took, each pinch of salt, each wave of the hand in the direction of the pot. Others have evolved through adaptation, experiments, and happy accidents. A few of them doubtless traveled south with the earliest settlers, moving along the Natchez Trace from Virginia, the Carolinas or Kentucky, personally watched over by the woman of the family, along with a treasured set of china, an ancestral portrait, a silver candlestick, or some other heirloom.
Outsiders tend to think of the South as all one thing, when, of course we know that our extraordinary diversity is one of our most attractive features. We have absorbed many things from many sources, and have made them our own. Take grits. Grits has (sic;jly), of late been mentioned in the news somewhat frequently as a native southern specialty, which it is. It is very native, indeed, sine it was given to us by the Indians, along with corn bread and many other things. Blacks have made a contribution that is hard to measure, for many black cooks have been among the nameless geniuses who’ve left the culinary art a better one for their having participated in it. The French and Spanish influence on cooking is very important in the South, and though New Orleans is most famous for it, excellent French and Creole restaurants are strung along The Mississippi Gulf Coast all the way to Mobile.
In the past couple of years I’ve traveled around my native Mississippi a great deal, and I’ve enjoyed everything from baked dove at the governor’s mansion to fried catfish and hush puppies in Vicksburg and stuffed breast of chicken in Natchez, from ham hocks and turnip greens in Meridian to sirloin steak in Columbus, hot tamales in Greenville, and Creole gumbo and soft shelled crabs in Biloxi. In West Point, Mayor Kenny Dill went out and picked blackberries and Mrs. Dill made them into pie for me. Who wouldn’t choose a blackberry pie over a key to the city?
Which brings me full circle and back to hospitality. My children are startled by the extraordinary lengths that Southerners go in order to make the visitor feel at home among them. Very often, when we have been guests in someone’s home, neighbors have rushed in to leave off (or sometimes simply leave out-side the door) a basket of yard eggs or fresh butter or vegetables taken from their gardens that morning.
How many times it has happened that after a speech I’ve found someone thrusting into my hands a container of home-made fudge or a jar of fig preserves, saying “Take these to Carter and Anderson,” or “I beg Gloria’s never had watermelon rind preserves,” and slipping away before I could get the names? I’ve even been presented with chitlin’s (or chitterlings, and the dictionary spells it) and though anybody who knows me can testify that I’ve always been proud of my farm background, in the matter of chitlin’s, born country or not, I didn’t know what they were and wasn’t too curious to find out. I guess somethings are just meant to be forgotten, but Idid appreciate the thought. (Though not enough, you understand, to confront my wife with the chitlin’s.)
Oh, just one more thing. A story about one of my great uncles—one of the Campbells, I think. Having lost his wife (by death, I mean; she wasn’t simply misplaced) he was looking around for a replacement and in mentioning the most desired qualification, he made the following obsertion:
“The huggin’ and kissin’ don’t last forever. The cookin’ do.”
Anyone learning how to cook is well-advised to follow the simple mandate to stand facing the stove. Some might argue that throwing the right ingredients into the right pot at the right time constitutes ninety percent of the process, but cookbooks help bring about a more sophisticated understanding of why you are doing what you are with what you have as well as a deeper appreciation of cooking itself. On the most basic level, cooking is about making foods more palatable; on the other end of the scale, cooking is a craft, some might argue an art, and the language of the kitchen itself constitutes a body of literature that ranges from the merely mechanical to the most lyrical.
When it comes to the purely technical aspects of food—its physics, chemistry and biology—the definitive work is On Food and Cooking: the Science and Lore of the Kitchen by Howard McGee. First published in 1988, this seminal work is essential for any serious cook. McGee, a thorough and consummate science writer, explains the ins and outs of such arcane subjects as leavening without condescension, at times even with grace. Stepping over a category, we have cookbooks which are such compendiums of technique and ingredients that they have become anchors for any kitchen. Foremost among these isThe Joy of Cooking by Irma S. Rombauer. Despite its cavalier title, this work more than any other displays the full range of considerations that come into play for an American cook when he or she does indeed come to face the stove and even before.
Then you have regional works. Howard Mitcham’s Creole Gumbo and All That Jazz: A New Orleans Seafood Cookbook, is to my mind an indispensable addition to any kitchen south of Memphis. Mitcham, a Mississippi native and (as such, of course) a wonderful writer, was a “lord of the line” to us kitchen grunts and an entertaining, authoritative voice to boot. On an even more local level is Bayou Cuisine, first put out in 1970. Dollie Clark has also come out with a Best of Bayou Cuisine, which features the most acclaimed recipes from the original, but I recommend the unabridged version. Southern Sideboards, first put out by the Jackson Junior League in 1978, is an archetype of its genre.
Even though to my mind Diana Kennedy’s Cuisines of Mexico is a valuable reference for everyone in my part of the world, it’s difficult for me to speak authoritatively of any cookbooks that are outside my culinary tradition, so I’ll speak directly to my own and recommend White Trash Cooking by Ernest Matthew Mickler. This gem of a book is not the prolonged joke some people think it is, but rather a warm and loving look at good people doing good things with what they have.
Finally, if you cook, you should keep a cookbook of your own. Sooner or later you’re bound to do something different and wonderful and magical, and you owe it to yourself to write it down and share it with other people. Cooking is if nothing else a compendium of tradition, and it behooves you to become a part of it.
Cut red potatoes into bite-sized chunks and boil with Zatarain’s liquid seasoning (use a lot) until just tender. Rinse, drain very well and toss with vegetable oil, salt, a goodly amount of black pepper and enough granulated garlic to make a statement. Strow the potatoes on a shallow baker, and throw in a hot oven (400+), stirring occasionally until the cut edges are lightly browned. Serve with grilled meats and fried seafood. These reheat well, but do not freeze.
Dove as a dish came late to me because my father maintained that the dove, as the bird that brought Noah the best tidal measurements in the history of the world, deserved better than being shot at by a bunch of back-sliders wearing camo. For him, Biblical precedent reserved doves for a far more dignified fate than the inevitable end result of being cleaned, cooked and eaten, not to mention being shot in the first place. But most of his friends, relatives and other riff-raff considered this notion heresy and saw doves more as manna from heaven, ready to be plucked from the sky and readied for the table. So despite a paternally-inspired early flirtation with avian evangelism, I have eaten dove prepared by some of the best cooks in Calhoun County, which is no small matter.
Doves brought home for the kitchen are invariably laid out on the back porch, cleaned and washed, then either cooked soon for a great weekend supper or frozen. Some people recommend brining soaking doves overnight in salted water, which helps keep the very lean meat moister, just as it does for your Thanksgiving turkey. Simply add about a quarter cup of salt and sugar to each gallon of water needed, cover and refrigerate. If the birds are to be frozen, it’s a good idea to freeze them in (unsalted) water to avoid freezer burn.
A supper of smothered dove and biscuits came home from hunting camps all over Dixie and, like an amicable dog, settled complacently into the kitchen. Smothering, in culinary parlance, means to sauté with or without breading, cover with a light gravy and cook, covered, until the meat is tender and moist and the gravy has thickened. In Louisiana, this is called etouffé. Smothered dove takes many forms, usually according to who’s cooking it and when it’s to be served. The more robust methods, involving substantial breading and a very thick gravy, is a country dinner favorite, most often served with rice and biscuits. Another, lighter version, is generally served as a brunch or buffet item with grits if in the morning, with rice later in the day. At any time, biscuits are the best to serve with your birds.
For the more substantial dish, soak your dove breasts for one hour in buttermilk. Drain liquid, add one egg to one cup of milk, drench your breasts in this mixture, coat with flour seasoned with salt, pepper and paprika. Brown in oil, then move the breasts to a baking dish. Add enough flour to the remaining oil to make a light brown roux, and then add enough stock to make a light gravy. Salt to taste and season with a liberal sprinkling of black pepper Ladle the gravy over the birds and bake in a medium oven (around 350), covered, until the birds are tender and the gravy reduced.
For the lighter version, after the milk soak, simply dry and brown the breasts in butter and set aside in a baking dish. Add flour to the remaining butter, make a lighter roux, and make a thin gravy; sherry (NOT “cooking sherry”, which has a ton of salt in it) is a nice touch. Spoon the sauce over the birds and bake in a medium oven until tender.