During the heyday of Prohibition, the speakeasy districts of New York and Chicago became dazzling gathering places, filled with music, dance, and drink (as well as a few bullets, mind you), as did similar areas in the South, notably Beale Street in Memphis and of course the French Quarter in New Orleans.
In Jackson, Mississippi, it was the Gold Coast. Also known as East Jackson or even “’cross the river”, the Gold Coast comprised the area of Rankin County directly over the Woodrow Wilson Bridge at the end of South Jefferson Street. Though barely two square miles, its infamy was nation-wide.
In 1939, H.L. Mencken’s The American Mercury, published a rollicking account of the Gold Coast, “Hooch and Homicide in Mississippi”, by Craddock Goins. “There is no coast except the hog-wallows of the river banks,” Goins wrote, “but plenty of gold courses those banks to the pockets of the most brazen clique of cutthroats and bootleggers that ever defied the law.”
Goins cites Pat Hudson as the first to see the possibilities of lucrative gambling near the junction of the two federal highways (Hwys. 80 and 49) across the river from Jackson where before then there were only gas stations, hot dog stands and liquor peddlers. Then San Seaney began selling branded liquor at his place, The Jeep, which soon became a headquarters for wholesale illegal booze.
Others sprang up like mushrooms. The sheriff of Rankin County did his best to restore some semblance of law, but as soon as he cleaned out one den of iniquity another opened. Not only that, he was severely beaten and hospitalized for two weeks after one raid, and he simply bided his time until his term ran out. Goins reported that whites and blacks were often together under the same roof then, albeit shooting craps and whiskey on the opposite sides of a thin partition.
This lawlessness did not pass unnoticed in the nearby state capitol. Governor Hugh White, who in December of 1936 ordered National Guard troops into a business on the Pearl owned by one Guysell McPhail. Liquor was seized as evidence that the place should be shut down, but a Rankin County chancellor later dismissed the case, ruling that the evidence had been illegally obtained and at any rate the local authorities, not the governor, should handle law enforcement
The Mississippi Supreme Court later overruled the decision, but by that time liquor was flowing and dice were rolling. The governor bided his time.
In the late 40s, a thriving black nightclub culture was in place. Places like the Blue Peacock, the Stamps Hotel (the only hotel in Mississippi that catered to Negros) with its famous Off-Beat Room, The Blue Flame, the Travelers Home and others, where national jazz and blues acts performed. These establishments ran advertisements in The Jackson Advocate, including one that offered a special bus from Farish and Hamilton.
By 1946, Rankin county was paying the highest black market tax in the state., but these high times came to a crashing end one hot day in August of 1946, when Seaney and Constable Norris Overby met at place called the Shady Rest and gunned each other down. Others had been killed, of course—often that big-ass catfish you hooked turned out to be someone you hadn’t seen in a while—but this double homicide so inflamed public opinion that illegal operations never dared be so blatant.
In the 50s, black businesses withered in the backlash against Brown vs. Board of Education, and the Gold Coast became dominated by a white gangster named “Big Red” Hydrick, who brought area as securely under his suzerainty as a corrupt satrap. Red’s little kingdom withered with urban sprawl.
Beale Street is back–sort of–and the French Quarter will–Dieu merci!–always be the French Quarter, but the Pearl’s Gold Coast is gone, lost in a little enclave under the interstate, a puzzle of gravel, asphalt, and weathered walls.
These selections from Imani Perry’s South to America (Ecco; January 25, 2022) join earlier excerpts from V.S. Naipaul’s A Turn in the South and Joan Didion’s South and West to exhibit how others from outside the American South perceive both the region in general and Mississippi in specifics.
Perry’s work echoes Naipaul’s in scope and form (in fact, she read A Turn in the South to prepare herself for the project), but her work is more perceptive, learned, certain, and above all determined.
Many will find South to America as provocative as it is ambitious. Perry maintains that race is “at the heart of the South, and at the heart of the nation,” and that “the country has leeched off the racialized exploitation of the South while also denying it.” These selections provide the reader with a radical perspective on the South, and most specifically on Jackson, Mississippi, which she says is “publicly, unapologetically Black.” While many will be surprised to hear Jackson’s Mayor Lumumba referred to as a “scion of Black nationalism,” it’s certainly nothing new.
I HEARD HIS VOICE OVER the PA in the airport and I wet my eyes. “I am Chokwe Antar Lumumba,” the mayor of Jackson welcomes you when you arrive.
He is one of a growing number of young Black Southern mayors, Mayor Lumumba, like my uncle Cornelius, went to Tuskegee for college and Texas Southern for law school. He was nurtured in the tradition of HBCUs. And he is a scion. Sons have a certain importance, culturally. Patriarchy, that fundamental structure of the West, was denied to Black people during slavery and has remained fragile ever since.
Money, protection, domestic authority–these are elusive, though cherished things in the face of poverty and prison. As much as I have written about escaping from patriarchy’s hold, I can’t pretend to not understand the deep yearning for a son to take on the leadership role of the father when it comes to Black people.
In Jackson the mayor’s father, the elder Chokwe Lumumba, had spent decades in the service of the freedom movement. The attorney for revolutionary Black activists of the Black Power movement like Assata Shakur and Nehanda Abiodun, he was also a leader of NAPO, the New Afrikan People’s Organization and notably carried a chosen surname that was the same as that of Patrice Lumumba, the Congolese anticolonialist movement leader who had been murdered in 1961 by Belgian and US forces.
NAPO was a coming together of different communities in the New Afrikan Independence Movement. The Republic of New Afrika was imagined in 1968 as an independent Black-majority nation in the Southeastern United States. The first vision was articulated at a meeting of the Malcolm X Society in Detroit. The states they imagined as being part of this new nation: Louisiana, Mississippi, Alabama, Georgia, and South Carolina. They shared goals of self-determination, landownership, and an independent nation-state for New Afrikans, who were colonized by US imperialism, in line with the older Black Belt theory. They believed in Democratic centralism, socialism, and reparations, as well as humility and self-defense.
The elder Lumumba was elected to the Jackson city council in 2009, and then to the office of mayor in 2013. He died under mysterious circumstances soon thereafter. The latter two events were national news, but I’d heard about the elder Lumumba repeatedly from my parents and their friends of his brilliance, courage, and commitment to the struggle” to “free the land.” And now here was the voice of his son, bearing a shared name, welcoming us to Jackson.
Jackson is urban, but it is also country. Naipaul referred to it as “the frontier” It was where he was introduced to the classic architecture of the Deep South “There were streets of ‘shotgun’ houses. It was the first time I had ever heard the expressive word: narrow wooden houses (like mobile homes or old-fashioned railway carriages) with the front room opening into the back room and with the front door and back door aligned.
On Sunday afternoon the people were out on the streets, so that the effect of crowd and slum and blackness was immediate: as though outdoor life, life outside the houses, was an aspect of poverty.” I wouldn’t call Jackson the frontier, but it might be something else: a sort of reverse metropole, a substation of the people.
The generations of freedom fighters in the Black Belt continue their work. And in Mississippi, they have made it the state with the most extensive Black political representation in America. It is the closest we have to a realization of full Black political citizenship. And it is the only state with a scion of Black nationalism as the executive of its capital.
Jackson is publicly, unapologetically Black, even for Mississippi. It evidences itself in culture as much as polities. For example, the marching band at Jackson State University is called the Sonic Boom of the South. When the male dancers jump, in navy and white so crisp it could not have possibly touched dirt or concrete for how pristine it is, they are suspended in air, time stands still, and yet the music goes hard and unceasingly.
When the women dancers dash a hip, to left, to right, it is sharp, taking back the lasciviousness teased in an instant, a taste before magisterial precision; as the horns gleam, the musicians are consistent as seasons of crops. They march, left right left right. The band does not make the flesh crawl; it revels in it. Love this flesh, it says. It makes sense that this is where the great chronicler of Black history in poem and fiction and prose Margaret Walker made her home as a professor at Jackson State University. She was one who saw the glory of the eternal coming of Black people. The exultation.
They march through the streets, not just in stadiums, and you can always see the dirt high-stepping underfoot. There is no easy resolution between beauty and terror, between poverty and abundance.
And just outside of the city, you find yourself looking around and saying the South would be worth holding close even if only for the trees. You can see it. How before all the building, the Piney Woods once stretched across five states. And as chopped down as they are now, their sharp warm scent and sight wraps around you even when you’re standing from a distance. They emanate fragrance that you feel in your eye sockets and above your socks. They are a fortification against climate change. The scientists say these trees are in a desperate battle against human green, slowing the pace of destruction by literally killing greenhouse gases with their scent, If only we were willing to reblanket the Southeast in conifers, we might save ourselves.
The interior rotunda in the seat of Mississippi government has a statue of the blind goddess Justice lit by over seven hundred lights. Around her are two Indigenous people, a European explorer, and a Confederate soldier. There is no African. Look up at the top of the gold leaf copper dome and see our national symbols a white-headed bald eagle.
We haven’t outrun or outlived the plantation, although it looks a little bit different. Now the fugitives are from Central America and the unfree laborers are in prison. Some kids are still hungry, even so many years after the breakfast programs and Head Start and all of the gains fought for by Black elected officials, because the gag is in the money and the land, and it still isn’t free.
There’s an honesty to Mississippi about all of this. The triumph is not in ends; it is in the fact that we are still here.
We’ve seen black-eyed peas made into everything short of cupcakes with sweet potato icing (don’t you dare!), and if I run up on one more gourmet recipe for fried green tomatoes, I’m going to take a skillet out and start swinging at anybody with a fork.
In the restaurant business it’s not unusual for chefs of one ilk or another to turn a hayseed staple into a Broadway entrée. Most basic recipes are open to elaboration, and every cook has a twist; a pinch here, a dash there, a pot for this, a pan for that.
If the cook’s intentions are honorable, meaning that his or her primary concern is with how a dish tastes, all the better. But if you’re putting a heap of crab ceviche over a batch of cold butter bean fritters just so you can charge six bucks more, that’s just wrong.
Most state flags were adopted between 1893 and World War I. Texas is an exception, her flag a holdover from the Republic of Texas (1836-46), but the Lone Star was itself adopted from an earlier flag, the Bonnie Blue flag of the Republic of West Florida. After a failed rebellion against Spain in 1802, American settlers in the coastal South revolted successfully in 1810. The Republic of West Florida was organized, a constitution adopted, officials were elected and application was made to President Madison for admission to the Union. Madison declared the republic a part of the Louisiana Purchase and ordered Louisiana Governor Claiborne to take possession. The Republic of West Florida’s flag had a blue background bearing a single white star that in time became known as the Bonnie Blue Flag. This flag flew over Baton Rouge, Pass Christian and Pascagoula for a short time and reappeared as the Lone Star in the flag of Texas.
When Mississippi seceded from the Union on January 9, 1861, the Bonnie Blue was widely recognized as the unofficial flag of the Confederacy; it was raised over Ft. Sumter as well as the capitol building in Jackson. On January 26, Mississippi officially adopted a state flag which included a canton with the Bonnie Blue star and a magnolia tree in a white center field with a red border. This flag, usually depicted without the red border but with a red bar on the right, is now widely known as the Magnolia Flag. The Bonnie Blue remains an icon of the Confederacy, an image that while lesser-known in our day was just as emblematic as the battle flag to contemporaries. Take note that Scarlett and Rhett had their daughter baptized as “Eugenia Victoria Butler”, but she was called “Bonnie Blue”.
In November 1861 the Confederacy adopted an official flag, the “Stars and Bars”, a flag so closely resembling the Union flag that in the Battle of Manassas in July, 1861, Confederate forces fired on their own troops. General Beauregard, commander of the Army of Northern Virginia, decided that a change must be made and in cooperation with General Johnston and Quartermaster General Cabell, they issued a flag designed by William Porcher Miles, a broad blue saltire on a red field, bordered with white and emblazoned with thirteen five-pointed stars. This design became known as the battle flag, and was later incorporated in flags adopted by the Confederacy in 1863 and 1865. The Magnolia Flag remained in use as the state flag of Mississippi until 1894, when a new one with the Confederate battle flag in the canton and a field of blue, white and red bars was adopted by the Mississippi Legislature. The only change since then has been the addition of a white border separating the canton from the blue and red bars; the original specifications were vague, and the flag was made in versions with and without the border until Governor Fordice issued an executive order requiring its use in 1995.
In 2000, the Supreme Court of Mississippi ruled that state legislation in 1906 had repealed the adoption of the flag in 1894, so what was considered to be the official flag was only so through “custom and usage”. Governor Musgrove appointed an independent commission that developed a design replacing the Confederate battle flag with a blue canton containing 20 stars representing Mississippi’s status as the 20th state admitted to the Union. The proposed flag, with the exception of a single undistinguished star in the inner circle of six signifying the state’s membership in the Confederacy among five other sovereign nations (the others representing France, the Republic of Mississippi, Spain, the United Kingdom and the United States), had no outstanding symbolic reference to the Confederate States of America. On April 17, 2001, a non-binding state referendum to change the flag was put before Mississippi voters. The new design was defeated in a vote of 64% (488,630 votes) to 36% (267,812).
On February 27, 2013, the beaten and burned body of Marco McMillian, the first “viable” openly gay candidate for public office in Mississippi, was found near a levee in rural Coahoma County, almost thirty-five years after Harvey Milk was assassinated in San Francisco.
“Breaking Through” (www.breakingthroughmovie.com) documents the brutal struggle of gay, lesbian and transgender American citizens for the acknowledgement of their basic civil rights, more specifically their ongoing efforts to find open representation and responsibilities in the political arena. This film provides the stories of men and women who occupy positions of leadership in public service by having overcome both overt and embedded obstacles. As these people speak, historic newspaper headlines and photographs flash across the screen, emphasizing antagonism and threats yet stopping well short of the ruthless details of murders, beatings and ostracism which could easily have been offered. The camera cuts from left to right in the interviews as these people tell of being open but not publicly open, of living life half-in, half-out, describing the crippling limitations homophobia held for them and still holds for present and future Americans.
These stories provide a record of the challenges inherent in everyone’s desire to be a member of the family of mankind. See this documentary, and as you watch it, bear Marco McMillian in mind. The struggle isn’t over; not by a long shot.
There’s a green place in the heart of Jackson where roses bloom and a Summer House rests beneath the city skyline, a place to have a quiet lunch, a leisurely walk and a chance to recharge batteries during another day at the office. You won’t be disturbed; those many around you there lived their lives to fruition years ago. You will be in a place to contemplate your own life and expectations in Greenwood.
Greenwood Cemetery is Jackson’s largest green space; much larger than downtown’s Smith Park or old Battlefield Park in south Jackson. It is bounded on the east by West Street, on the north by Davis, the west by Lamar and the south by George. Each of these streets has its own story and each was part of the early city. They have changed in nature but not their boundaries or how it all came about when the city was founded. Those interred within these grassy perimeters of Greenwood were influential in the early city and responsible for building it to maturity. They are not ghosts, they are history, and you will have a chance to know them better. Let’s begin.
The cemetery itself, part of a federal land grant which also established the City of Jackson as the official site of the Capitol of Mississippi on November 21, 1821, was formally designated by an act of the State Legislature effective January 1, 1823. The original six acres were known simply as the “graveyard” and later as the “City Cemetery”. Some referred to it as the “burying ground”. An early map (1822) showed the area west of what is now West Street as vacant land indicating that originally the cemetery, while in Jackson’s original plan, was not yet officially within the city limits. The cemetery is shown on an 1845 Jackson map as the Grave Yard, encompassing 11.8 acres. The future extension to its present size is shown in squares 6N, 9.64 acres and 7N, 9.77 acres on this map. Its formal designation as Greenwood Cemetery was adopted in 1899, and it was listed on the National Register of Historical Places as a Mississippi landmark in 1984.
Greenwood Cemetery contains the graves of seven Mississippi governors, 14 Jackson mayors, six Confederate generals, six state Supreme Court justices and 27 clergymen. It is the final resting place for over 100 unknown Confederate soldiers whose lined markers may be seen easily from the West Street side. According to Greenwood Cemetery Association board member Peter Miazza, “Jackson pioneer Logan Power said there are altogether about 600 Confederate soldiers buried in the Confederate graveyard. We have names of about 500 of them, but do not know exactly where each is buried.”
“There were no sections for any group,” Cecile Wardlaw, executive director of the cemetery Association says. “Many old cemeteries were divided into sections by race or religion. Greenwood never was. Catholic, Protestant, or atheist, black or white; everybody just got buried. ‘Born in Ireland’ appears on many of the oldest stones.”
Time well spent with Mrs. Wardlaw and Mr. Miazza in May 2013, provided a wealth of information on the early days and development of the cemetery. “There are 330 unmarked graves at the original south end of the cemetery,” Mrs. Wardlaw related, “with the estimated number of all graves today being 5,000.” The oldest known surviving marker with a date is Governor Abram Marshall Scott who died June 12, 1833. There are an estimated 2,200 monuments posted on the Find A Grave website and Jacksonian Linda Robertson is in the process of doing a monument survey.
Mrs. Wardlaw told of how the roses came to be along the roads and walkways. “Local horticulturalist Felder Rushing donated the roses you see along the paths which he obtained from the Antique Rose Emporium in Texas. He did some work for that establishment and instead of getting a fee, he came back with a truck and trailer load of roses. He did that for two or three years and master gardeners helped him plant them. He will not tell us the names of the cuttings but only to say ‘they are there for people to enjoy’”.
The city owns the cemetery, but much of the maintenance is done by the Greenwood Cemetery Association which also raises funds to repair and perform landscaping work. Volunteers in this organization have provided more than 600 hours of service since the beginning of 2013. They have been aided by local Boy Scouts, AmeriCorps and the Phi Theta Kappa honorary fraternity at Mississippi College. Boy Scout Troop No. 1 (St. James and St. Andrews Episcopal Churches), performed volunteer work at the cemetery during the spring. The Brookhaven Monument Company is the primary source of stone repairs. The old section (south end) of the cemetery was not plotted since the “burial ground” was not officially a part of the city when first put to use. As the cemetery expanded northward, surveyors had difficulty putting in roads since bodies were buried haphazardly rather than in organized rows.
A number of Jackson’s first families have been interred in Greenwood Cemetery. Marion Dunbar, first pastor of Mt. Helm Baptist Church, is there. It was named Helm because Thomas Helm contributed the lot for the church to be built and also gave the church some money to help with construction. According to its website, Mt. Helm, Jackson’s oldest African American church, began in 1835, with several enslaved African Americans who worshiped in the basement of the First Baptist Church. It became a separate body in 1867, the year the 13th Amendment was ratified. A modern version of the church structure may be seen today at 300 E. Church Street near the west side of the cemetery.
Other Jacksonians of note include Millsaps College founders Col. William Nugent, Bishop Charles Betts Galloway, and Dr. William Belton Murrah, who served as the college’s first president; Dr. Lewis Fitzhugh, first president of Belhaven University and father-in-law of Dr. Murrah; founders of the Baptist Hospital, Harley R. Shands, M.D., and John Farrar Hunter, M.D., and Rev. John Hunter, pastor of First Presbyterian Church (1858). Monuments are plentiful for many early Jackson families including the Yergers, Spenglers, Greens, Poindexters, Lemons, Virdens, Henrys, Miazzas and, of course Miss Eudora Welty.
In addition to Miss Welty (d.2001), other Belhaven residents buried in Greenwood Cemetery include Henry Muller Addkison, local hardware dealer (d.1974), Lawrence Saunders (more on him later), R.H. Henry, owner and publisher of the Daily Clarion and Clarion-Ledger (d.1891), and James H. Boyd (d.1882). Boyd, the owner of what is now The Oaks home on North Jefferson Street, was a former mayor of the city and his home was the site of the conception of Mississippi’s first “Decoration Day”, which became known nationally as Memorial Day.
The Summer House
Monuments range from barely noticeable to imposing. In the circle by the cemetery’s Summer House, is the monument of Rev. Amos Cleaver, an Episcopal priest, who died in October 1853 from yellow fever. Five years after his death, some women took up money for this monument. The exact location of his grave is unknown so his marker was placed where it is today. The widow Cleaver had a girl’s school in a frame building where St. Andrews Episcopal Church stands today at S. West and E. Capitol Streets. In 1854, she sold the school to the state for its first school for the deaf. There is also the “Weeping Lady” (Sarah Ann and George Lemon plot), the Hilzheim lot framing structure, which looks like a church, and the “Angel Tombstone” in the Poindexter lot.
Perhaps the most interesting monuments have stories associated with their namesakes. What’s in a name? We shall soon see.
The Saunders Stone
Lawrence Saunders was a professor at the deaf school which was then across the street from his mother’s house near Barksdale and North State Streets. On Christmas night in 1895, he dressed as Mrs. Santa Claus to entertain the students. Saunders was on his way to the school and stopped by his mother’s home to show her his costume but the front door was locked. He let himself in through the back gallery. The only person home was his nephew who awoke to discover a strange presence. He shouted “Stop or I’ll shoot.” Unfortunately, Lawrence, being deaf, did not hear the warning and was killed by his own kinsman. It is never good when you shoot Santa Claus.
The Little Dog Tombstone
An unnamed small girl lived in Jackson during the mid-1800’s. Her family moved from the capitol city to Oxford where the child died. She was buried in the Simms plot which may be seen north of the summer house to the right of the circle. It is said her small grief-stricken dog would not leave her grave and died at its foot a short time later. His likeness remains to guard his mistress through the portals of eternity – faithful to the end.
The Good Samaritan Monument
Dr. Samuel Cartwright was well known for his work and writings to control the great Yellow Fever and cholera epidemics. During the Civil War, he was charged with getting rid of dysentery in the Confederate military camps, but he contracted dysentery himself and died in 1863. The carving of the “Good Samaritan” on his tombstone attests to his sacrifice and may be seen on his marker today.
My Dog Skip
A movie scene, filmed in Greenwood Cemetery, was based on Willie Morris’ 2000 novel My Dog Skip, and represented the witches’ tomb in the Yazoo City Cemetery. It depicted one of the characters going out among the tombstone to sit down and drink booze. Also, a replica of the Helm mausoleum was constructed for the movie in which the bootleggers stored their moonshine. There is no written record, however, of these spirits raising other spirits or sharing their company for the evening.
Lorian Hemingway’s Ghosts
The granddaughter of novelist Ernest Hemingway came to Jackson in 1999 to write an article on the 1966 Candlestick Park tornado. While here she participated in a ghost tour in Greenwood Cemetery, which was conducted and scripted by Jo Barksdale, much to the delight of a number of children.
The Tallest Monument
The stateliest monument in the cemetery looks eastward toward the sunrise. It is said its tenant was fabulously wealthy, controlling more cotton land than anyone outside the country of Egypt. He died in New Orleans in an area made famous by Josh White’s folk ballad “The House of the Rising Sun”. No one knows exactly to what extent the sun rose on that occasion, but it does make for fascinating speculation. Following his death his wife donated $5,000 to the church. Perhaps a wise investment.
Early Jackson family descendent Peter Miazza says “If you want to take a short tour to visually observe evidence of the history of Jackson and the leading citizens of the State of Mississippi, there is no better place to learn than Greenwood Cemetery.”
They are all here, diverse in their lifetime but equal in the eyes of God. Within the 22 acres of monuments and memories lie those who preceded this day, and share its common ground. There are the wealthy and the pauper, the slave and his master, the business owner and his clerk, the patriarch and the child. There are the physicians, the barristers, the judges, the politicians, the writers and artists, the entrepreneurs and the indigents. There are the prominent with their success and their secrets. There are the unnamed and the unknown. There are the wretched and the rascals and the Good Samarian and the faithful dog. There is Everyman. As Albert Einstein once said “Before God we are equally wise and equally foolish.”
As you walk the paths of Greenwood Cemetery, contemplate the rose shaded spirits around you. Feel their presence. You, like them, are part of our city’s heritage and its destiny. While our own lives are but a flash of light in the darkness of creation- a short string, the deeds of those who sleep around us endure forever. It is one final reminder that beauty is at our fingertips and that we are not alone.
Most of the material in this article was obtained from an interview with Greenwood Cemetery Association Executive Director Cecile Wardlaw and board member Peter Miazza on May 9, 2013. Other sources include:
1) Greenwood Cemetery brochure 2) Wikipedia Encyclopedia 3) Walt Grayson’s Look around Mississippi (WLBT-TV, 4/24/12; 12/26/12) 4) Jackson, A Special Place by Carroll Brinson (1977) P. 49 (map) 5) Mt. Helm Baptist Church website
Interested readers might also wish to consult:
* www.greenwoodcemeteryjackson.org * Find-A-Grave website * The Old Cemeteries of Hinds County (1811-1988) by Mary Collins Landin
