Feet of Clay

Southerners share an acute awareness that most of our fellow countrymen view us with disdain. This knowledge of ill regard is something we learn from an early age, and the message is amplified and compounded by a steady stream of negativity from every imaginable source: books, movies, television and other media, not to mention personal experiences garnered by traveling outside our lands and meeting that contempt face-to-face.

As powerful as this imprint is, still it can come as a shock, particularly for a Mississippian, who even among their fellows from other Southern states are pissed upon as if from a great height, to find that a person you admire for talent, wisdom, and at least an ostensible generosity of mind can be vehemently bigoted towards a region and people never visited. Such was my reaction to Bill Bryson’s account of a visit to Mississippi in The Lost Continent: Travels in Small-Town America, in which Bryson chronicles a 13,978 mile trip around the United States in the autumn of 1987 and spring 1988.

When I was a graduate student studying English as a language, Bryson’s The Mother Tongue: English and How It Got That Way (1990) captivated me. Witty, informative and occasionally dazzlingly well-written,–he hangs 10 all through Middle English–Bryson came across as the bluff, jovial professor of the sort one should hope to have in a subject that can be stupefying.

Many years later, when I came across Bryson’s account of his journey through Mississippi in The Lost Continent, I was stunned to discover him, a native Iowan now living in Britain, as full of bile as most American writers who venture south and dismayed to find his account packed with the usual shopworn stereotypes, clichés, and overt contempt. Here’s some of what he wrote.

   Just south of Grand Junction, Tennessee, I passed over the state line into Mississippi. A sign beside the highway said, WELCOME TO MISSISSIPPI. WE SHOOT TO KILL. (my emphasis, jly) It didn’t really. I just made that up. This was only the second time I had ever been to the Deep South and I entered it with a sense of foreboding. It is surely no coincidence that all those films you have ever seen about the South – Easy Rider, In the Heat of the Night, Cool Hand Luke, Brubaker, Deliverance – depict Southerners as murderous, incestuous, shitty-shoed rednecks. It really is another country.

    I followed Highway 7 south towards Oxford. It took me along the western edge of the Holly Springs National Forest which seemed to be mostly swamp and scrub land. I was disappointed. I had half expected that as soon as I crossed into Mississippi there would be Spanish mosses (sic) hanging from the trees and women in billowy dresses twirling parasols and white-haired colonels with handlebar mustaches drinking mint juleps on the lawn while armies of slaves gathered the cotton and sang sweet hymns. But this landscape was just scrubby and hot and nondescript. Occasionally there would be a shack set up on bricks, with an old black man in a rocking chair on the porch, but precious little sign of life or movement elsewhere.

    At the town of Holly Springs stood a sign for Senatobia, and I got briefly excited. Senatobia! What a great name for a Mississippi town! All that the old South stood for seemed to be encapsulated in those five golden syllables. Maybe things were picking up. Maybe now I would see chain gangs toiling in the sun and a prisoner in heavy irons legging it across fields and sloshing through creeks while pursued by bloodhounds, and lynch mobs roaming the streets and crosses burning on lawns. The prospect enlivened me, but I had to calm down because a state trooper pulled up alongside me at a traffic light and began looking me over with that sort of casual disdain you often get when you give a dangerously stupid person a gun and a squad car. He was sweaty and overweight and sat low in his seat. I assume he was descended from the apes like all the rest of us, but clearly in his case it had been a fairly gentle slope. I stared straight ahead with a look that I hoped conveyed seriousness of purpose mingled with a warm heart and innocent demeanor. I could feel him looking at me. At the very least I expected him to gob a wad of tobacco juice down the side of my head. Instead, he said, “How yew doin’?” This so surprised me that I answered, in a cracking voice, “Pardon?”
    “I said, how yew doin’?”
    “I’m fine,” I said. And then added, having lived some years in England, “Thank you.”
    “Y’on vacation?”
   “Yup”
   “Hah doo lack Miss Hippy?”
    I was quietly distressed. The man was armed and Southern and I couldn’t understand a word he was saying to me. “I’m sorry,” I said, “I’m kind of slow, and I don’t understand what you’re saying.”
     “I say” – and he repeated it more carefully – “how doo yew lack Mississippi?”
It dawned on me. “Oh! I like it fine! I like it heaps! I think it’s wonderful. The people are so friendly and helpful.” I wanted to add that I had been there for an hour and hadn’t been shot at once, but the light changed and he was gone, and I signed and thought, “Thank you, Jesus.”
    I drove on to Oxford, home of the University of Mississippi, or Ole Miss as it’s known. The people named the town after Oxford in England in the hope that this would persuade the state to build the university there, and the state did. This tells you most of what you need to know about the workings of the Southern mind. Oxford appeared to be an agreeable town. It was built around a square, in the middle of which stood the Lafayette County Courthouse, with a tall clock tower and Doric columns, basking grandly in the Indian-summer. Around the perimeter of the square were attractive stores and a tourist information office. I went into the tourist information office to get directions to Rowan Oak, William Faulkner’s home.

   Behind the desk sat a large, exceptionally well-dressed black woman. This surprised me a little, this being Mississippi. She wore a dark two-piece suit, which must have been awfully warm in the Mississippi heat. I asked her the way to Rowan Oak. “You parked on the square?” she said. Actually she said, “You pocked on the skwaya?”
    “Yes.”
    “Okay, honey, you git in yo’ car and makes the skwaya. You goes out the other end, twoads the university, goes three blocks, turns rat at the traffic lats, goes down the hill and you there, un’stan?”
    “No.”
    She sighed and started again. “You git in yo’ car and makes the skwaya–”
    “What, I drive around the square?”
   “That’s rat, honey. You makes the skwaya.” She was talking to me the way I would talk to a French person. She gave me the rest of the instructions and I pretended to understand, though they meant nothing to me. All I kept thinking was what funny sounds they were to be emerging from such an elegant-looking woman. As I went out the door she called out, “Hit doan really matter anyhow cust hit be’s closed now.”  She really said hit; she really said be’s.
    I said, “Pardon?”
    “Hit be’s closed now. You kin look around the grounz if you woan, but you cain’t go insod.”
    I wint outsod thinking that Miss Hippy was goan be hard work.

There’s more; some worse, some better. Bryson visited Tupelo and Columbus as well, but in the final analysis. he left Mississippi with pronounced relief, and his impressions of the state were, I’m disappointed to say, rather much what we have come to expect of most people who visit with preconceived prejudices and with no desire to do anything more than capitalize upon the surety that their condescension would be well received by the world at large.

Then again, perhaps something akin to sour grapes may involved. Bryson never got around to finishing that screenplay of Absalom, Absalom!, likely because his diminuating, dismissive assessment of the Southern mind rendered him incapable of encompassing–much less fathoming–Faulkner’s world.

A Tiki Tale

In 1950, when William Styron was a low-level reader at McGraw-Hill , he rejected a book written by a Norwegian explorer about an 8000 mile voyage across the Pacific Ocean on a hand-built raft. The book, Kon Tiki, later became an international best-seller and made Thor Heyerdahl a legend.

Had Styron not been such a scribbler he might have realized that Heyerdahl’s book would catch the tiki wave that had been cresting in popular culture since U.S. troops came home from the Pacific. In 1947, James Michener won a Pulitzer for his Tales of the South Pacific, which were based on his service as a lieutenant commander in the New Hebrides Islands. The book was adapted by Rodgers and Hammerstein into the musical South Pacific that premiered in 1949 on Broadway and ran for 1,925 performances.

It was wanna-be Cajun Ernest Raymond Beaumont-Gantt who kicked off the mid-century tiki culinary craze. Ernie claimed to have been from Mandeville, LA, but grew up in Texas. After sailing the South Pacific, he changed his name to Don Beach, moved to California in 1934, and opened a Polynesian-themed bar, ‘Don the Beachcomber,’ in Palm Springs. Three years later, Victor “Trader Vic” Bergeron, adopted a tiki theme for his restaurant in Oakland.

It wasn’t long before tiki got a lot of surf all the way to the East Coast. During the 50s and well into the 60s, tiki parties were a popular spin on those must-have barbecues, involving smoky bamboo torches, rickety pastel patio furniture, neon paper leis, and loathsome drinks with teeny-tiny parasols.

A mai tai became the quintessential tiki cocktail, and rumaki the quintessential tiki appetizer. Ernie is credited with inventing rumaki; it first appeared on the menu at Don’s, as “mock Polynesian”, marinated chicken livers and water chestnuts skewered with bacon and broiled. In time, rumaki became a cliché cocktail appetizer in dozens television shows and films.

Heat half cup of grated ginger in a cup of vegetable oil until bubbling. Keep at heat for about five minutes and drain. Mix oil with lite soy 1:2 with brown sugar and  to taste. Cut the livers into bite-sized bits and whole water chestnuts into halves. Marinate both for at least an hour. Wrap  livers and chestnuts in bacon sliced to size, skewer, and grill or broil until bacon is crisp.

Vicksburg: Art, Food, and History

As incredible as it may sound to us now, in the 1940s the Old Warren County Courthouse in Vicksburg was under threat of destruction from the very city itself.

The building is perched on the highest point in Vicksburg on land given by the family of the city’s founder, Newitt Vick. Construction began in the summer of 1858 on what was then to be a new Court House for Warren County. Contractors were the Weldon Brothers of Rodney, Mississippi, who used 100 highly skilled artisans to make the brick and erect the building, which was completed in 1860 for a cost of $100,000. During the War, the building dominated the city’s skyline and was the target of much Union shelling but suffered only one major hit. It was here on July 4, 1863 that the Stars and Bars were lowered and the Stars and Stripes were raised as General U.S. Grant reviewed his victorious army.

Enjoying an After-Dinner Pipe-Bucci

With the construction of a new Warren County Courthouse in 1939, the Old Courthouse stood practically vacant for years, and there was talk of its demolition. What was possibly planned to take its place on the highest point in the former Gibraltar of the Confederacy goes (perhaps mercifully) unrecorded.

But a local activist, Mrs. Eva Whitaker Davis, realized the significance of the building and established the Vicksburg and Warren County Historical Society for the purpose of preserving the structure. In 1947 she was elected president of the society and with the help of volunteers began cleaning the building and collecting artifacts.

On June 3, 1948 the museum opened its doors, where she continued to work on a volunteer basis for many years. Eva Davis was a local celebrity; she had a daily radio show, “Court Square”, which was a feature of WQBC in Vicksburg for many years. She put out two cookbooks, Court Square Recipes and Mississippi Mixin’s, both likely in the 1950s, though neither book is dated. A grateful public added the name Eva W. Davis Memorial to the Old Courthouse Museum several years before her death in 1974.

Fishing in the Mississippi-Bucci
Fishing in the Mississippi-Bucci

Mississippi Mixin’s was illustrated by her fellow townsman and renowned Mississippi artist, Andrew Bucci. Sadly, Bucci’s art is reproduced in black and white, but the impact of the images is still powerful, perhaps even somewhat enhanced. Most of Bucci’s artwork in the book is comprised of small images for chapter headings, doubtless resized from larger works, but two large images are printed full-page (5.5×7). Again, dating these works has so far been unsuccessful and it is not known whether the original artwork still exists.

At least one image is by artist Suzanne Wilder, who was a student in the Mississippi Art Colony at Allison’s Wells, a popular resort in Way, Mississippi that was established in 1889. The Mississippi Art Colony was founded at Allison’s Wells in 1948, and Bucci along with noted Jackson artist Mildred Wolfe taught there until 1963, when the resort was destroyed by fire, then relocated to Utica, Mississippi.

An Enduring Bounty

In north Mississippi, where the Father of Waters skirts the final foothills of the Appalachians, the land undulates mile upon mile between river bottoms and wooded ridges, the sun is strong, and in December a weary green lingers in the woods and roadsides.

There I spent my childhood. While not rich by any means, most of my family was well off when few were, but my father Jess Jr. made no bones about being a child of the Depression. He and those older in his day remembered the grinding hardships of a more distant time.

Our lavish Thanksgiving  comprised an overture to Christmas. Soon after, my mother Barbara filled the house with glowing towers of glazed glass jars, papier-mâché crèche figurines and ornaments light as air hung with shining ribbons. Her trees took days to decorate, among her most memorable was a loblolly pine draped in angel hair studded by tiny blue lights and hung with glittering glass ornaments. Smilax, holly, and magnolia adorned mantles and lintels, bowls of walnuts, almonds and pecans, oranges, tangerines and hard candy topped the tables. On the hearth stood a bucket of dried pine cones to start an open fire where we roasted peanuts and made popcorn in a long-handled perforated pan.

Barbara provided a groaning board. What she didn’t cook herself, she shared food friends and relatives brought for her table: ambrosia from Aunt Gay, bread-and-butter pickles from Ruby Zane, tea cakes from Aunt Leila, peanut brittle from Betty Edwards, pecan divinity from Ora Crocker, a coconut cake from Zara Arrington. A splendid cook, Barbara spent days on the Christmas feast, making pans of chicken and dressing, baking a turkey, a ham, and yeast rolls, candying sweet potatoes and stuffing dozens of eggs. This largess was there for all who called at our open door.

Above anyone I’ve ever known my father Jess loved Christmas, threw himself completely and unreservedly into the essence of the season and drew everyone he knew along in his wide wake. He was the Spirit of Christmas Present, bigger than life, colorful, jovial, generous and gregarious. For him, Christmas was to be celebrated with everyone in that world he called his own.

By the first week of the month, Jess had set his plans in motion, beginning with a party at the community building at the city park on the south side of town where local bands provided music for dancing (an activity widely frowned-upon at the time) and the local blue laws banning liquor were casually set aside while he pumped his friends for contributions to fund  his Christmas expedition. After the party, he would make a trip to Tupelo, to the Lady Lee outlet store, where he would buy boxes of firecrackers and bottle rockets, huge sacks of Tootsie Rolls, cinnamon candies, peppermint sticks, and butterscotch rounds. From there we’d head to Cockrell Banana Company where he’d buy crates of oranges and tangerines.

These he brought home where they were put in a spare bedroom, and in the days before Christmas my brother Tom, sister Cindy and I along with a cadre of neighborhood children would sort them out and stuff them into small paper sacks, staple the tops together and pile them into boxes. On Christmas Eve, we’d pile into a car, at best a station wagon commandeered from a neighbor, at worst a ’65 Mustang convertible, and we’d drive across the tracks.

Jess wore a Santa suit, and Barbara would dress us children as elves. He once drafted his brother-in-law Jim to play Santa while he sauntered alongside laughing and greeting. When we rolled across the railroad tracks, we collected a troop of children flanking our route, shouting and jumping, reaching out to catch the sacks of candy and fireworks. Jess would make sure that those children who were too shy to come to the car received their share, and he would often walk into homes where he knew of special need bearing a ham or an envelope with money.

Jess was in his glory then, doing what he felt was the most important thing he did all year. His career in public service gave him an opportunity to help many people, but seeing the eyes of these children for whom his visit was the only Christmas many if not most of them would have gave him a sense of wholeness that few men are afforded. His largess, his sense of noblesse oblige, was untainted by any shadow of arrogance; he remembered the deprivations of his own childhood and sought to ameliorate those of others.

Now I am an old man who spends his holidays without family and in little company , but the living memories of my childhood are with me, and my heart is warm. My father’s gifts live on.

Hellmouth Jackson

Jackson, Mississippi shares the problems of many municipalities: urban decay, a shrinking tax base, rampant crime, and an unhappy citizenry. Other cities can usually trace these difficulties to such mundane matters as confused politicians, inept municipal bureaucracies or social strife, and while Jacksonians suffer with these in abundance, some point to a deeper, more elemental problem: a vent to the netherworld.

An extinct volcano squats about a half mile beneath Mississippi’s capital city. If it ever blows (a supposedly remote possibility; it’s been dormant since T. rex roamed the earth) the Mississippi Coliseum would be ground zero. The volcano’s dense core is a prominent structural abnormality in gravitational and magnetic surveys.

Bernadette Cahill, in her book Over the Volcano: An Inquiry into the Occult History of Jackson, Mississippi (Aardvark Global Publishing: 2010) maintains that the volcano’s dense core affects not only physical aspects of the locale such as gravity and magnetism, but it also generates a negative well of psychic energy that continually saps the city – its spirit of place as well as the spirits of its citizens – of positive and essential life forces. She also hints at even more malevolent aspects, tagging the volcano as a portal for evil from another plane of existence.

So when beset with muddy bathwater, dodging exploding sewers, or dealing with the entrenched incompetence of a corrupt, moribund municipal administration, Jacksonians should  just blame it on the volcano. Might make you feel better.

Louis LeFleur, Frontiersman

Surprisingly little has been written about Louis LeFleur, who gave his name to Jackson’s Pearl River bluff, and became the father of the last chief of the Choctaw Nation (Greenwood LeFlore). Much of that written is inaccurate, the most glaring error being that he was a French-Canadian when in fact he was born in the tiny French colony of “Mobille” surrounding Fort Condé on the Gulf of Mexico.

Louis LeFleur was born Louis LeFlau; since by custom Louis eventually came to be known as LeFleur, we’ll use that name throughout to refer to him as LeFlore will be used in reference to his son Greenwood. Louis’ father, Jean Baptiste LeFlau came from France in the early 18th century as a soldier in the Fort Condé garrison. In 1735, he married Jeanne Boissinot, a native of Mobile, who bore him three children before her death in 1752. Jean Baptiste then married Jeanne Girard in 1753 and Louis, their third child, was born on June 29, 1762. There are no records of Louis LeFlau after his baptismal entry of 1762 until around 1790, but it’s certain that during this time he began trading with Native Americans, primarily the Choctaws, and likely operated flat-boats on the Amite and Pearl Rivers as well as in the Mississippi Sound.

LeFleur epitomizes those men of the American frontier who plied their trade along the navigable rivers in a wilderness before, during, and even after the advent of steamboats and the eventual dominance of rail. In Antebellum Natchez James D. Clayton writes that “L. LeFleur (sic), father of a celebrated Choctaw Chieftain of a later era, operated with handsome profits the main boat shuttle to Pensacola, carrying produce and commodities.” He brought luxury items to the prosperous city of Natchez, including “fine apparel” which “had been ordered from Panton, Leslie, and Company of St. Marks in east Florida.” The boats LeFleur and those like him used were flatboats or keelboats that were manned by a crew of up to twenty-five people. The goods LeFleur routinely carried were much less luxurious, used in his trade with the Choctaw, and the pelts he secured were sold in the trading houses at St. Marks and Pensacola. Corn and other farm products were sold in in Florida and Natchez.

Sometime around 1790, LeFleur cheerfully adopted the Choctaw system of polygamy and married both Nancy and Rebecca Cravat, the half-French nieces of the Choctaw Chief Pushmataha. LeFleur moved his growing family—three children were born by 1798—to Pass Christian, but with the establishment of the Choctaw Agency near present-day Jackson, he chose as a location for the new home a bluff on the west side of the Pearl River, rising some twenty-five feet above the crest of the floods and extending along the river for several hundred feet. With the opening on the Natchez Trace under the treaty of Fort Adams in 1801, LeFleur opened a way station in the same location where traders, travelers and mail carriers could secure fresh horses. This station rapidly became an inn providing bed and board as well as entertainment. The actual site of this trading post is disputed. Greenwood was the first of the “LeFlau” sons to be born at LeFleur’s Bluff on June 2, 1800, named for the Greenwood in the firm of Greenwood and Higginson, the London correspondents of Panton and Leslie.

LeFleur still operated his profitable boating trade, securing commissions from General William C.C. Claiborne, Governor and Commander-in-Chief of the newly organized (1798) Mississippi Territory to carry “certain goods sent by the United States as presents to the Choctaw Nation of Indians.” He also carried messages to the Governor of the Province of Louisiana. In addition to being entrusted with the delivery of merchandise making up the government annuity payments to the Choctaw Nation, Louis was asked to be present at the occasions when terms of treaties were negotiated. Louis “Leflow” is listed as one of the witnesses to the Treaty of Mount Dexter on November 16, 1805, which conveyed large amounts of land in what is now southeastern Mississippi and southwestern Alabama, including much of the western portion of Clarke County, Alabama, to the United States.

By 1810, operation of the inn and raising cattle had become LeFleur’s main enterprises, and he, along with Louis Durant, was said to have introduced cattle into Mississippi. Travelers from the east and from foreign lands have mentioned the accommodations at the Bluff and at the inn he established in 1812 at the place now known as French Camp. At French Camp, LeFleur had a number of buildings erected and it was here in 1812 that Major John Donly, who held the U.S. Government contract for transporting the mail on the Nashville-Natchez route, suggested to Louis that he be allowed to take young Greenwood home to Nashville with him in order that the boy might receive an “American education”, and LeFleur consented. Louis served with Pushmataha under Andrew Jackson in the War of 1812 and was promoted to the rank of major (brevet). He also served three months in 1814 in command of a company on Russell’s expedition to Alabama. He later served in the campaign to Pensacola in 1814-15.

With the introduction of the steamboat on the Mississippi River—the New Orleans was the first steamboat down the Mississippi in 1811—commerce along the Trace fell, but LeFleur expanded his agricultural interests and in a decade tripled their acreage in cultivation and heads of cattle. Greenwood was elected Chief of the Northwestern Division of the Choctaws, but when Jackson was elected president in 1828 he pursued a policy of negating the treaties between the U.S. and the Choctaws, and with the Treaty of Dancing Rabbit Creek (1830) the Choctaws were forcibly removed from their ancestral lands. In a survey of freeholds within the Choctaw lands is a record for “Louis LeFlau, 300 acres in cultivation in the Yazoo Valley; five in family with four males over 16”. Major LeFlau was to receive two sections of land according to the Supplement to the Dancing Rabbit Creek Treaty.

The Treaty of Dancing Rabbit Creek was a coup de grâce for the Choctaws and it caused deep rifts in the LeFlau/LeFleur/LeFlore family. Details are sketchy, but Greenwood is in the fifth and last level of behests in Louis’ will, which was signed April 16, 1833. Louis LeFleur died that same year, and while his gravesite is unknown, family tradition states that he was buried in Hot Springs, Arkansas, not very far from LeFlore County, Oklahoma.

(Note: This article is a brief summation of preliminary research towards a more thorough examination of Louis LeFleur and should not be considered definitive.)

Image by Randy Steele

Christmas at Rowan Oak

This is an excerpt from Malcolm Franklin’s Bitterweeds:  Life with William Faulkner at Rowan Oak (1977) Born in Shanghai in 1923, Franklin was the son of Cornell and Lida Estelle Franklin. After what’s most often described as a “cordial” divorce, Estelle married William Faulkner in 1929, and he began living in Oxford, Mississippi. Franklin served as a medic during World War II, studied medicine and herpetology. He died in Charleston, South Carolina, in 1977.

Of all the holidays at Rowan Oak, Christmas was the most festive. An air of great excitement prevailed everywhere, even in Chrissie’s and Andrew’s little cabin.

I recall one cold, crisp December mid-afternoon, when the various members of the family gathered in the library in preparation for the expedition to get the Christmas Tree. This was the very beginning of Christmas, when the tree was found and cut.

Each was bundled up against the cold. This year there was Jill, Pappy, Victoria’s husband Bill Fielden, myself, Mama, and Andrew bearing the axe. It was Pappy who chose the tree-a cedar that had less of a chance to become a large tree. In making his choice he was also careful to thin out the woods properly, leaving extra growing space for the ones not cut, for our Christmas Tree always came from Bailey’s woods on Rowan Oak’s grounds.

After the tree was felled, Andrew and Pappy spread the khaki-colored tarp smoothly on the ground. Then the tree was carefully wrapped in the tarp, leaving an area at the base free so that Pappy and Andrew and all of us could take turns pulling it through the woods to Rowan Oak. This was done to protect the branches as the tree was pulled along, for it was far too heavy to carry.

The tedious chore of getting the tree up and ready for trimming was then completed. By then it was late afternoon and a cold sharp light came in through the living room windows. The trimming was left to the ladies with the men offering a suggestion now and then. Boxes of ornaments lay open on the floor. Tinsel lay heaped on the parlor table. When the decorations had found their way onto the delicate outer branches and the tinsel, sparkling and clear, reached to the very top ornament, the tree was a beautiful sight to behold. Across the hall the library door stood open. A roaring fire crackled in the fireplace. A bourbon bottle stood open on a silver tray. Cut glass waiting to be filled caught the reflection of the fire. (Christmas was preceded by trips for Christmas cheer to Memphis, seventy-odd miles away, the nearest place offering a wide selection of bourbon, wine, and of course champagne for the New Year.)

There were other trips to the woods for greens and decorations, all to be gathered before Christmas Eve. The gathering of the holly and mistletoe was quite a task. We had to drive almost eight miles out into the country to the place where it grew. This was an old Chickasaw Indian Boundary line, where the holly trees were used to mark the line running east and west. In the trees high above these hollies grew the mistletoe. So high up were they, that it was necessary to shoot the mistletoe out with a .22 rifle. Only a few berries were lost as the branches fell.

It was Christmas Eve morning. Pappy had taken Mama to Oxford in the old touring car to do last minute shopping. She had left instructions with Chrissie that if any packages or boxes should arrive while she was out, to just have them left in the house or on the verandah. Where I was at the time no one was sure. After all, it was Christmas Eve.

Toward the middle of the afternoon Chrissie was summoned by a sharp rap on the front door. It was the driver of the Railway Express van, with several large boxes for Mr. Franklin. Upon Chrissie’s instructions he and his crew neatly lined up three boxes on the verandah and drove off.

As the afternoon became colder and a grey sky brought early darkness, Mama and Pappy turned into the driveway, headed for the open fire and a drink. When Mama reached the top step on the verandah and saw those long boxes, all three of them, she was astounded. “Billy,” she called out, “What on earth do you suppose Malcolm’s receiving in these boxes?” As Faulkner reached the verandah he took one look at the boxes and called out loudly for me. **Buddy,” he said, “What on earth are these things? Come here!”

I had just come in by the back door and had not seen the boxes. I hurried through to the front verandah, took one quick look and knew. Dear God! They had sent out to me three cadavers meant for the Anatomy Department of the University!

When Mama found out what they were she took off for the library saying “Get rid of them! Get rid of them!”

I turned to Faulkner and explained. “Pappy,” I said, “I told Dr. Hogg that if anything was sent to the Anatomy Department during the holidays, the Express Company could call me and I would go over to the Department and let them in! I didn’t tell them to deliver cadavers here!”

“Well,” said Pappy. “We cannot have an array of cadavers gracing the verandah on Christmas Eve! You’d better phone Railway Express to pick these up immediately.”

Heading towards the telephone, shaken by the array of cadavers, I called back to Pappy. Please pour me a stiff drink while I make the call!

As the number was ringing the thought flashed through my mind that, as it was late Christmas Eve afternoon, there just might not be anyone there. But We had barely finished our drinks when the Railway Express van drove up again to the front Verandah. Faulkner then volunteered to drive me to the science building where I unlocked the door and made room for the Railway Expressmen to deliver the cadavers. As they emerged from the building Faulkner pulled from his pocket a pint bottle and passed it to each man.

When we arrived back, Rowan Oak was brightly lighted, and the glitter of the tree could be seen as the car came down the driveway and pulled up under the porte-cochere. Entering the library we headed toward the fire to warm up again. The aroma of various hot dishes drifted into the foyer from the dining room, where a buffet was being placed on the table. Norfleet appeared carrying a water pitcher. He bowed to Faulkner as he set the pitcher in place on the tray next to the bourbon decanter and glasses. For many friends would find their way up the cedar-lined driveway of Rowan Oak on Christmas Eve, leaving gifts or stopping by to say “Merry Christmas,” and perhaps sampling one of the hot dishes on the way to replenish a glass. This evening there were Dr. and Mrs. John Cully, Colonel and Mrs. Evans of ‘Minmagary” fame, Colonel Baker and his charmingly vivacious wife Kate, and many, many more.

The hour was a little past eleven, and younger members of the family were preparing to leave for the midnight service at St. Peter’s. A great flurry of activity could be glimpsed beyond the parlor door as coats were being held, gloves pulled on, and scarves flung across shoulders with an occasional impatient “Hurry or we’ll be late.” Older guests also began to disperse, leaving Pappy and Mama to go upstairs, where the stockings lay waiting in Mama’s room to be filled. Christmas Eve had suddenly become very quiet as Rowan Oak waited for the arrival of Santa. Even the dogs seemed somewhat subdued.

Daylight had hardly crept across the east lawn and touched the great cedars before young couples were astir in Rowan Oak. Jill’s and her young cousin Vicky’s were the first voices to be heard. Then there would be Pappy’s voice, trying to subdue the exuberant chatter as the girls headed for Mama’s room where the Christmas stockings hung waiting. Chrissie had already brought “Miss Estelle’s” coffee tray up, and was peeping from behind the door and saying “Christmas Gif,” and flashing her brilliant, warm smile. She caught Pappy on the stairs, tipping down to fix his own breakfast. Chrissie knew that Mr. Bill would be the only one to eat a proper breakfast: eggs, bacon, and grits covered with melted butter, topped off with hot coffee.

On Christmas Faulkner was always a fastidious dresser. To start the stocking-opening ritual in Mama’s room, he wore an elegant and ornate silk Chinese robe. In this he would have his breakfast. Even for the early part of the ceremony of the tree he would be so dressed, for by nine-thirty the young people were there beside the tree in the parlor. It was at this time that Mama would make her appearance wearing a lovely Chinese wrapper in soft, muted pastel shades.

The younger members of the family, including the colored servants, Broadus, Norfleet, Estelle, and others, gathered around the tree. Pappy in his colorful dressing gown officiated. He offered a prayer first. Then he picked up a package and called a name. That person stepped forward and received it. This continued until all the packages were passed out, amid a flurry of paper and ribbon the boxes were opened.

The time had now come for Faulkner to receive his gifts. These consisted of little bundles of pipe cleaners, some in assorted colors, others snow-white. There were all kinds of pipe cleaners in various bundles clinging precariously to the branches of the tree, each with its little tag. There was one package of Dill pipe cleaners, which Faulkner liked particularly. The tag on this read: “To Pappy, Love Buddy.” The next, a gaily colored mixture, said “To Pappy, Love Jill.”

For Faulkner would accept only pipe cleaners from the family with the exception of an occasional handkerchief from Mama. If he received any other gift, he would carefully take it to his office and there it would remain unopened.

Colored members of the family went merrily off to the kitchen to open their gifts. There were pints of bourbon for our colored friends: Henry Jones, Wade Ward, and Wallace, who hunted with Faulkner, and of course Andrew.

The dining room table had been made ready early that morning. The Christmas punch bowl glistened ruby red, the flowers were gracefully arranged. Punch cups were placed about the ornate lace table cover. The bowl could be glimpsed by members of the family as they made their way upstairs to dress for the day. This was a Christmas punch created by Faulkner for the holidays. It consisted of apples, bourbon, dry burgundy and soda water, chilled by a generous portion of ice chunks.

During the morning and through the day frequent knocks at the kitchen door were followed by shouts of “Christmas Gif!” and various folks that had worked for us during the year received in return a Christmas drink and cheerful word. This was the custom in Oxford and throughout Mississippi. Wallace, at the request of Faulkner, stood ready with a wagon to drive to their homes those who could no longer navigate.

During the early afternoon members of my mother’s family began to arrive. There was my mother’s sister Aunt Dot, and my grandmother Oldham, this time without my grandfather. He had passed away during the war. Then there was Mary Jenkins, Dr. John Cully’s surgical nurse, who lived at the Oldhams’, and had for years been almost a member of the family. She had on numerous occasions taken care of Faulkner during serious drinking bouts.

Miss Maud, Faulkner’s mother, never went out on Christmas, or attended dinner at the homes of any of her children. She preferred to have her sons and grandchildren drop in and visit her. After her husband, Mr. Murry, passed away in the early 1930’s Miss Maud never had a Christmas Tree. Instead, there were bouquets of holly, Christmas greens, and a holly wreath at the front door. About mid-afternoon Faulkner would leave for a visit with Miss Maud, usually staying an hour. Then he would return to dress for dinner.

The afternoon grew late. Faulkner, who had returned to Rowan Oak and dressed in the white tie and tails which he considered appropriate for the occasion, made his appearance in the parlor, suggesting as he did so that drinks were in order. He then headed for the library fire and a bourbon, soon to be followed by members of the family. Conversations over drinks rose and fell with merry outbursts of laughter. Ice clicked against chilled glasses as new toasts came up. Mama came gaily into the library, saying, “Billy, will you do the honors?” Those who were seated before the fire arose, and we all placed empty glasses on the tray as we passed the library table on the way to the dining room.

Faulkner was already standing at the head of the table as the members of the family reached the dining room. The long table was draped with its elegant linen cloth, and the lighted candelabra cast uneven shadows on the polished silver. Holly and Christmas greens in a low cut-glass vase formed the centerpiece. Silver goblets with crisp white linen napkins marked each place.

There were two small tables placed at graceful angles near the dining table. These were for the younger members of the family, for there were too many to be seated at one table. Small gumdrop trees were placed in the centers of these tables. Their dainty linen and lace tablecloths swept close to the floor.

Chairs were held for the ladies as Faulkner graciously designated where each was to be seated. Norfleet’s white coat flicked through the pantry as he made a smiling entrance carrying the huge serving platter and turkey. After Pappy said the blessing, the turkey was carved. Each plate was bountifully served as Norfleet held it for Faulkner. Boojack re-set Faulkner’s place as Norfleet removed the well-carved turkey, placing it on the long narrow serving table on Faulkner’s left just in front of the fireplace.

Faulkner, lifting a crystal wine glass, poured a small portion in the glass and tasted it. Then each glass was filled by Faulkner as he walked around the table. When every glass was filled, Fau toast appropriate to the occasion. Boojack entered carrying a heaping dish of rice. Just behind, Broadus appeared bearing a large bowl of giblet gravy. There was always a tremendous amount of giblet gravy prepared, for it was a favorite with rice on Christmas. Then came the broccoli with a cheese sauce, followed by a shallow dish of sliced buttered sweet potatoes. The ham was passed, and a final platter of broiled quail. The long serving table had very little room left as the dishes were placed on it.

It was Boojack who, sometime later, swung open the door carrying a large empty tray. She, with the help of Broadus, removed the dinner plates and placed the dessert plates beside Mama.

Norfleet appeared almost immediately bearing a large cut glass bowl of ambrosia, which he placed in front of Mama. Seeing the ambrosia reminded Faulkner of a story a good friend had told him. Faulkner repeated the story as the ambrosia was passed. This friend had a cook, and when she was asked if she would like to go to heaven when she died, she stood silent for a few minutes. Then, smiling broadly, she replied: “No Sir, I don’t believe I wants to go to heaven, cause all I’d be doing up there every day for Eternity is grittin’ up coconut for the white folks’ ambrosia.”

Boojack returned carrying fruitcake and a silver urn of after-dinner coffee and the cups. Norfleet placed in front of Faulkner a bottle of cognac and delicately patterned small brandy glasses. By the time the last refill of cognac had been offered and conversation become somewhat scattered it was time to leave the table. The sky was a deep black and night had come. Christmas was over.

The Man Who Loved Christmas

First published in the Calhoun County Journal Dec. 20, 1984, this memoir of my father, Jesse L. Yancy, Jr., was written fourteen years after his death by his friend and political partner, Sellers Gale Denley. Jess Jr. was a remarkable man in a difficult time, colorful, vibrant, and generous, his life a vision of community, unity, and compassion.

If there was ever a man who loved Christmas, it was the late Sen. Jesse Yancy of Bruce. The word “loved” is used advisedly. For there are those who might be said to “enjoy” Christmas, “respect” Christmas, “anticipate” Christmas, etc., but Jesse loved Christmas. His enthusiasm might have been regarded as extreme; except that was the way Jesse was about most things. He worked hard. Then he played hard. More than likely this approach to life was a primary cause of his untimely death on Aug. 26, 1970, at the age of 44, from a massive heart attack. Prior to assuming the senate post he served as district attorney of the third circuit court district for eight years and was city attorney in Bruce for 17 years. So it wasn’t unusual that the new city library was named in his honor.

And the way that Jesse launched the Christmas season was not particularly unique or unusual, either. It began with a big party with his friends at the Bruce community building. Funds were solicited for a live band and a case or so of assorted spirits and goodies, with a few dollars left over for another project. You see, Jesse had a secret Christmas vice. He liked to dress up in a funny red suit, hide his face behind a mask of white whiskers and, on Christmas Eve, visit the area in South Bruce where most black citizens lived.

Before each of these visits his automobile was filled with candy, nuts, fruit, toys and firecrackers. In the early 1960s it was all the Christmas some of the children had. The ritual started in the ’50s when he dressed up to play Santa for his own children. His family decided he should also go see the children of the black woman who worked for them. His appearance was an immediate hit. It was the Christmas of 1960, when I started helping him with the project, that he said he realized back then on his first trip that most of the black children had never really seen Santa Claus. So it became an annual event, growing in scope each year, to make the Christmas Eve appearance. The addition of toys and other goodies was a part of the evolution. The project was financed with any excess funds from the party, plus contributions from several of us who usually helped, with Jesse taking up the slack. It started each year with several trips to area wholesalers to purchase the large volume of goodies needed for some 250 to 350 children.

The bounty would be hauled in and the Yancy children—Cindy, Tom and Lee, often assisted by cousins Bill and Bob Cooper—and others would assemble individual sacks. Then, on Christmas Eve, Jesse would put on his Santa suit, we would load up a vehicle or two—the most memorable and utilitarian being a dark green Mustang convertible— and begin the appointed rounds. There must have been a lookout, for as soon as the first vehicle crossed the railroad tracks, which marked the boundary of the black community, several young boys would take over the lead position. With wide-eyed excitement they would precede the caravan down Murphree Street shouting: “Here he comes. Here comes Santa. Here he comes.” And for the next hour or so Jesse would be in his Christmas glory.

He handed out presents to those close by while keeping an eye out for those too shy to come up to him, so he could seek them out later. He knew quite a few of them by name. And almost all of the parents knew Jesse and whispered their thanks. But if the children knew him they didn’t let on. And neither did they let on if they sometimes got a whiff of the Old Charter Santa and his helpers found useful in warding off the cold and other miseries.

The custom died with Jesse. The party lasted another year or two, and some of us talked about continuing the Santa Claus visit. But, we rationalized, it was 1970 and the children were being encouraged to visit Santa on the Square, sponsored by the city as a part of the Lion’s Club Christmas parade. So we didn’t.  It has been 35 years, but every Christmas about this time I begin to get a little bit anxious. Like you feel when you know there is something you probably need to do. Like you feel when you know there is something you probably will never get to do again.

It has been suggested that one can sometimes recapture the spirit of Christmases-past by recording remembrances like these. I am confident that Jesse would overlook my indiscretion in writing about it now.

Jess Jr. (left) with his brother-in-law Jim Young as Santa.

Welty’s White Fruitcake

The Jackson Cookbook, first issued by the Symphony League of Jackson in 1971, followed by a well-deserved 30th anniversary issue, features Eudora Welty’s introduction, “The Flavor of Jackson”, a savory dish of Southern culinary exposition.

In the essay, Welty writes: “I make Mrs. Mosal’s White Fruitcake every Christmas, having got it from my mother, who got it from Mrs. Mosal, and I often think to make a friend’s fine recipe is to celebrate her once more,” Welty wrote.

The original recipe in The Jackson Cookbook was submitted by Mrs. Mosal’s daughter, Mrs. D.I. Meredith. In 1980, this expanded version appeared on  a limited edition Christmas card sent out by Albondocani Press, Ampersand Books, and Welty herself.

White Fruitcake

1 1/2 cups butter
2 cups sugar
6 eggs, separated
4 cups flour, sifted before measuring
flour for fruit and nuts
2 tsp. baking powder
pinch of salt
1 pound pecan meats (halves, preferably)
1 pound crystallized cherries, half green, half red
1 pound crystallized pineapple, clear
some citron or lemon peel if desired
1 cup bourbon
1 tsp. vanilla
nutmeg if desired

Make the cake several weeks ahead of Christmas if you can. The recipe makes three-medium-sized cakes or one large and one small. Prepare the pans — the sort with a chimney or tube — by greasing them well with Crisco and then lining them carefully with three layers of waxed paper, all greased as well.

Prepare the fruit and nuts ahead. Cut the pineapple in thin slivers and the cherries in half. Break up the pecan meats, reserving a handful or so shapely halves to decorate the tops of the cakes. Put in separate bowls, dusting the fruit and nuts lightly in a sifting of flour, to keep them from clustering together in the batter.

In a very large wide mixing bowl (a salad bowl or even a dishpan will serve) cream the butter very light, then beat in the sugar until all is smooth and creamy. Sift in the flour, with the baking powder and salt added, a little at a time, alternating with the unbeaten egg yolks added one at a time. When all this is creamy, add the floured fruits and nuts, gradually, scattering the lightly into the batter, stirring all the while, and add the bourbon in alteration little by little. Lastly, whip the egg whites into peaks and fold in.

Start the oven now, about 250. Pour the batter into the cake-pans, remembering that they will rise. Decorate the tops with nuts. Bake for three hours or more, until they spring back to the touch and a straw inserted at the center comes out clean and dry. (If the top browns too soon, lay a sheet of foil lightly over.) When done, the cake should be a warm golden color.

When they’ve cooled enough to handle, run a spatula around the sides of each cake, cover the pan with a big plate, turn the pan over and slip the cake out. Cover the cake with another plate and turn rightside up. When cool, the cake can be wrapped in cloth or foil and stored in a tightly fitted tin box. From time to time before Christmas you may improve it with a little more bourbon, dribbled over the top to be absorbed and so ripen the cake before cutting. This cake will keep for a good while, in or out of the refrigerator.

Note from a Culinary Gumshoe

Anyone who entrusts you with a family recipe loves you and will give you other instructions like, “Get a job.”

Such memories bind us all, and heirloom recipes should be treasured as reflections of a people and their character. I’m always on the lookout for old recipes from family lines and any dish not mentioned in that harangue of books and magazines devoted to Southern cuisine. Community cookbooks are a fine source of these recipes, but you can bet your bottom dollar that more than a few contributors are simply not going to share essential details because the church secretary was caught sleeping with her brother-in-law.

Some years ago, I found a recipe that stands out: amalgamation cake. Yes, it’s a cake, but amalgamation is a word you usually stumble on in cookery works by dirt road academics purportedly “devoted to” and “enthralled with” Southern foodways. I first heard this cake mentioned by a friend from Tupelo; queries to others brought about a dozen responses, all of them indicating that the amalgamation cake originated from northeast Mississippi and adjacent Alabama.

I felt smug about isolating a true north Mississippi heirloom when someone popped up and pointed out that Ferrol Sams mentions amalgamation cake, “And he’s from Georgia.” Recipes also hail from northwest Tennessee, western South Carolina and a bundt from Florida that seems way off all maps, but they are few. No mention is made of amalgamation cake in “Southern Living”, not in any of Quail Ridge Press’ “Best of the Bests” series, nor in any of my Jackson cookbooks. It is in The Mississippi Cookbook, published by the Mississippi Cooperative Extension Service in 1972, confirming that amalgamation cake is a rural tradition.

Courtesy of Bob Franks, Fulton, Mississippi
Courtesy of Bob Franks, Fulton, Mississippi

Research on the origins of this recipe became a grail quest. The earliest recipe I’ve found is handwritten from Itawamba County in 1939, sent to me by Bob Franks in Fulton. Apparently recipes for amalgamation cake are jealously guarded in families, passed down and shared only with close friends and relatives. True to form, every recipe I received came with stringent instructions to follow; those who shared recipes with me said if I didn’t use fresh coconut that I would die and go to–a deeper level of–hell.

They all told me to get a job, too.

Amalgamation cake is always made for Christmas, and is similar to Alabama’s Lane cake, made famous by its mention in To Kill a Mockingbird. The Lane cake was created by Emma Lane of Clayton, Alabama who published her recipe in 1898. Most recipes for both cakes result in layers of white sponge cake with a filling of raisins, pecans, and coconut. The main difference between a Lane cake, which has it, and and amalgamation cake, which doesn’t, is liquor. The Lane cake, like its cousin the Lady Baltimore, is always infused with bourbon or some such, while the sober amalgamation abstains from spirits. The sole exception to this rule is a recipe from my home county (“Vote dry and drink wet!”) Calhoun, which calls for a sweet wine wrap overnight.

The following recipe was published in The Tuscaloosa News, Nov. 2011, from Billie Ruth Armstrong Moore, a student in the Osher Lifelong Learning Institute’s “Preserving Your Family History” class. Asked to bring in a family recipe and write about it, she wrote:

Granny’s Amalgamation Cake was a favorite dessert at Thanksgiving and Christmas which our extended Armstrong family always celebrated at the home of my grandmother, Georgia Elizabeth Shumpert Armstrong. Her home was located near the Evergreen Community which is in the southwest corner of Itawamba County, Mississippi.

Billie Ruth includes scaly bark hickory nuts, a distinctively native ingredient. White raisins were mentioned as a refinement, and seven minute frosting is standard.

BATTER
1 1⁄2 cups sugar
1⁄2 cup Crisco
3 eggs (or 9 egg whites)
1 cup milk
2 1⁄2 cups plain flour
2 teaspoons baking powder
1 teaspoon vanilla flavoring

FILLING

9 egg yolks
2 cups sugar
1 3⁄4 cups milk
1⁄4 pound butter
1 15-ounce box raisins
1 1⁄2 cups mixed nuts (1 cup pecans and 1⁄2 cup scaly barks)
1 big coconut, grated

Bake batter in 2 or three layers. For filling, beat egg yolks well, and then add sugar, milk and butter. Mix well and cook on medium heat until thickened slightly. Add raisins and nuts, cook until thick, add coconut last. Beat well, cool, spread between layers, then assemble and frost cake. Let rest several hours–overnight if possible–before serving.