You can find mixes for this in the store, but they cannot compare to scratch, and hot, dry weather is the perfect time to make it.
Preheat oven to 350. Separate a dozen eggs while cold, using caution to ensure no yolks make it into the whites. Bring whites to room temperature and stir in a tablespoon of water. Sift a cup of cake flour with a half cup sugar until it’s very light. (Yes, you can use plain flour.) You want to sift several times; some recipes say as many as five.
Beat the egg whites in a large, very clean, dry bowl. Start on a low speed. When the eggs are foamy, sprinkle in a teaspoon of cream of tartar. This acid helps stabilize the egg whites when they are whipped. Since most of the volume and structure of the cake comes from these egg whites, you’re not going to want to take the risk of substituting this ingredient. As the texture of the bubbles begins to even out, add a teaspoon or two of pure vanilla extract, and incorporate another cup of sugar bit by bit.
Keep beating at a medium speed until the sugar is dissolved and the whites form stiff peaks. Then carefully FOLD in the flour while sifting it over the egg whites. Use a spatula, and turn the bowl; the key is not to deflate the bubbles. Make sure the flour is evenly combined throughout the whites, but don’t over-mix.
Gently pour the batter into a 10-in. ungreased tube pan; the cake has to cling to the sides as it rises to make it crusty. Bake for at least 30 minutes, until the top is browned and springy.
Remove from oven and cool over a rack. You’ll find specially-made tube pans with legs for this cake. When cool remove by running a thin knife around the sides of the pan. You can buy a comb to slice this cake, otherwise use a serrated knife dipped in warm water.
As DA of Lafayette County in October, 1962, my father refused to sign a subpoena on the federal officers who guarded James Meredith at Ole Miss issued by a local grand jury for “disturbing the civil peace.”
He loved country music. He was raised on the likes of Jimmie Rodgers, the Carter Family, and Roy Acuff; by the time I was ten, I knew damn near every one of Hank William’s songs by heart, and plenty of Loretta and Ernest as well. He also came to like a young singer named “Country Charley Pride” after hearing Pride’s first release in January 1966, “The Snakes Crawl at Night”.
Country music in the mid-1960s was–and largely still is–very much a white venue, so when my mother bought him an 8-track tape of Charley’s songs for him to listen to while he roared around in his new Mustang, she replaced the cover with one she made herself, something he wouldn’t look to hard at, a picture of a cowboy hat or something.
Then there came a day when they were driving somewhere or the other, Daddy was singing along with Charley, and Momma turned to him after the song was over and said, “Jess, did you know he’s black?” He snorted and said, “Oh, Barbara, don’t be silly. He’s a country boy from over in Quitman County.” Then she showed him the original label on the tape.
“Well, I’ll be damned,” he said.
Soon after that, Charley made headlines as the first black entertainer on the Grand Ole Opry since DeFord Bailey in 1941, and of course, Jess Jr. told everybody he had been listening to him for years.
Here’s Charley’s’s recipe for Sweet and Sour Baked Beans, which he probably got from a roadie. I found this recipe in Mississippi’s VIP Recipes. This cookbook was published by Phillips Printing in the Jackson area to support a local school; there’s no date and no mention of the school’s name, but the other 42 contributors include John Grisham, Faith Hill, Archie Manning, Walter Peyton, Jimmy Buffet and Mary Ann Mobley.
It’s nice to know our people help one another out even when they’re not at home.
Charlie Pride’s Sweet and Sour Baked Beans
8 bacon slices, pan fried until crisp, drained and crumbled 4 large onions, peeled and cut in rings ½ to one cup brown sugar (more if you like beans on the sweet side) 1 teaspoon dried mustard ½ teaspoon garlic powder (optional) 1 teaspoons salt ½ cup cider vinegar 1 one pound can green lima beans, drained 1 one pound can dark red kidney beans, drained 1 one pound can New England-style baked beans, undrained
Place onions in skillet. Add sugar, mustard, garlic powder and vinegar. Cook 20 minutes, uncovered. Add onion mixture to beans. Add crumbled bacon. Pour into 3-quart casserole. Bake in moderate over at 350 for one hour. Makes 12 servings.
Some years ago, an obscure editor at a well-known fashion magazine prevailed upon a famous food writer to come up with a piece on sardines. To say that coercion was involved over this story is an understatement of near biblical proportions; the poor writer’s feet were probably held to some hellish, check-denying fire until he came up with a printable essay on a subject far beneath his contempt.
The end product, a minor etude of culinary literature memorable primarily by its invective, was infused with caustic bemusement and only a very, very small degree of begrudging admiration for the fish itself. The subject took second place to the condescension that infused every sentence, each one a blazing example of scathing hauteur.
What the writer was trying to do (with limited success) was to raise the sardine to such a degree of sophistication that it fit seamlessly in between the inexplicably anorexic homoerotic fashions, the absolutely incomprehensible art, and exhausting columns of blithering prose. He began with an “imagine this” sort of scenario in which a thin, impeccably dressed Parisienne strolls into a bistro on the Champs E’lysee, orders a beer with sardines au plat, then squats and gobbles without getting so much as a spot on her duds.
(Possible, sure.)
Most people turn their noses up at sardines. They have a strong smell, for one thing, but that’s not the main reason; lots of people eat stuff that smells bad, especially when nutrition isn’t particularly a key consideration. No, the reason people don’t eat sardines is because in this neck of the woods they’re considered trashy, so trashy that you’ll not find a single sardine recipe in any of Jill Connor Browne’s otherwise excellent culinary compilations.
If you want to try sardines for the first time, get a can of Port Clydes (in oil) and drain them; use a colander if you feel the need, but do not rinse them with water. Instead, sprinkle them with a little freshly-squeezed lemon juice and just a bit of kosher salt, set them in a sealed container in the refrigerator until thoroughly chilled and eat them with sour gherkins, raw celery and onions, and have your favorite beer with them. Dill toast is wonderful alongside, but rye Melba will suffice and saltines of any sort will do any time at all.
Sooner or later you’re bound to hear someone say they can’t boil water or even worse (and this is the voice of experience speaking) hear it said about you.
Boiling water without a geyser was a mammoth leap for mankind, so much so that nowadays saying somebody can’t bring water to a boil casts a bad light not only on their cooking, but also on their other basic skills, not to mention their family. Even chemists should be able to boil water, and it should be made an exit requirement on the MCAT and LSAT as well. Not even clergy should be exempt, and if you can’t boil water, I don’t want you fiddling with my fuse box, either.
Shortly after we brought water to a boil on our own, we learned how to steam foods in sealed, slightly vented containers. Given that pottery was still in its infancy then, pressure cooking was probably a messy if not painful innovation; but steaming food was the Paleolithic equivalent of the microwave oven, a quick method for cooking dried grains and tough meats, the staffs of life before Stouffer’s. Starches and cheap cuts are not only inexpensive and nutritious but when properly prepared wonderful, anyone who takes an interest in cooking should learn how to use a pressure cooker.
This takes time. God knows I’ve burned everything except water at least twice, but when it comes to pressure cooking, I’m not taking all the blame. A pressure cooker can be as cantankerous as a maiden aunt and almost as noisy; the cooker’s regulator jiggles and bangs about before releasing a steady hiss that lets you know it’s at full steam. Unlike most other kitchen activities, cooking with pressure involves hearing more than seeing or smelling.
The first step is to get a cooker. I’m not prone to endorsements (meaning I don’t get paid for any), but Presto pretty much put the lid on canning kitchenware in North America, and after over a century their products are still an industry standard.
Buy a new 4-quart cooker, which will set you back about $30 retail. Once you tap into your inner earth mother and begin canning home-grown beets, you might buy a bigger, second-hand apparatus with dials and other gadgets, but until that happy occasion live with your new gallon of steam and get to know how it works.
I recommend practicing with cooking dried beans because they’re cheap and a quart of simply seasoned beans (especially the larger varieties such as kidneys, limas, and garbanzos) goes a long way in dozens and dozens of dishes all across the board. Kidneys are a fine example of this versatility; these big red beans stand out in soups and salads as well as sides.
Before cooking beans of any kind, scatter them on a flat surface and remove any rocks or clumps of earth you’re likely to find, as you’re likely to find a few. Pressure-cooked beans need two cups water to one cup beans. Beans need a bit of oil prevent frothing, which could clog up the cooker’s vent and put a serious hitch in your get-along. The chemical processes that make dried beans and grains froth under pressure elude me, but I suspect this preventative measure is the culinary equivalent of an oil slick.
What you do with your cooked beans is up to you. Be happy.
However far second to mallards, the Peabody’s muffins do command a select notoriety.
The recipe dates from well before the 1940s, when they were served as late-night snacks for audiences of the big band orchestras in the Peabody Skyway They’re still served at the hotel for breakfast. This is a scaled-down version of the “official” batch recipe at historichotels.org,.
Cream two cups of sugar with four eggs. Add four cups plain flour sifted with a tablespoon baking powder, a pint of whole milk, two ounces melted butter, and a tablespoon natural vanilla. Mix to make a sticky dough, spoon into greased muffin tins, and bake at 400 for about fifteen minutes.
When I was working at Audie Michael’s, a restaurant on the Square in Oxford (current site of the City Grocery), we became well-known for two items outside our regular menu. One was gumbo, and the other was lasagna. We ran both regularly as luncheon specials.
Since we were basically an upscale burger joint, we didn’t do a lot of catering, usually only large take-out orders for regular customers. But one day Pat Lamar, a wealthy, socially prominent patron and later mayor of Oxford, sent in a messenger carrying a beautiful, knee-high (swear to God) McCarty bowl with a tapered bottom. My boss came waltzing into the kitchen with this huge piece of pottery and said, “Mrs. Lamar wants you to make lasagna in this for her party tonight.”
“Sure,” I said. “Is this oven-proof?” He looked at me like I’d hit him with a hammer. “What do you mean, oven-proof?” he asked. (He was a nice guy, just lacked focus.) “Look,” I said. “I’m not about to take an expensive piece of pottery, fill it full of lasagna and bake it in an oven without knowing that it’s not going to shatter into seven hundred pieces.”
When realization blossomed in his mind, he panicked. In my experience, this has been management’s basic reaction to anything that’s not in the manual.
“What are we gonna do?” he said.
I told him to call her up to find out if she’s baked in it before,” I said.
A few minutes later he came back and said, “She’s never put it in the oven, but she thinks it will be fine.”
I was skeptical. Even if the piece was insured, I didn’t want to have to clean up an oven full of lasagna and broken crockery. So I got on the phone and called Ron Dale, the top ceramics professor at Ole Miss.
“Jesse Lee,” he said, “To be honest with you, I do not know if it will withstand the heat or not. But the one thing not to do is to put a cool piece into a hot oven. Bring it up to heat.”
So I took a deep breath and made lasagna. I filled the bowl with warm water to heat the ceramic up a bit, poured that out, and filled it with swirled layers of meat, cheese, sauce, and noodles, all still very warm.
The entire ordeal–which took four people to lift–went into a cold oven. I turned the thermostat up 25° every fifteen minutes or so. I was on pins and needles. My boss positioned himself in front of the oven on a stool staring at the oven door until I ran him out with a mop.
After three hours, the lasagna was bubbling beautifully and the bowl was fine. I found a box big enough to hold the damn thing and was just closing the lid when Mrs. Lamar’s mincing entourage came to pick it up for the party, which had already started.
Once it was out of my hands, I went up to the bar and got good and snockered.
Dove as a dish came late to me because my father maintained that the bird that brought Noah the best tidal measurements in the history of the world deserved better than being shot at by a bunch of back-sliders wearing camo. For him, Biblical precedent reserved doves for a far more dignified fate than the inevitable end result of being cleaned, cooked and eaten, not to mention being shot in the first place.
But most of his friends, relatives, and other riff-raff considered this notion nothing more than posturing on his part and saw doves more as manna from heaven, ready to be plucked from the sky with birdshot and readied for the table. As a result, despite a boyhood devotion to avian evangelism, I have eaten dove prepared by the best cooks in Calhoun County, Mississippi, which is no small matter.
A supper of smothered dove came home from hunting camps all over Dixie and–like an amicable hound–settled complacently in the kitchen. Smothered dove takes many forms, usually according to who’s cooking it and when it’s to be served. The more robust methods, involving substantial breading and a very thick gravy, is a country dinner favorite, most often served with rice and biscuits. A lighter version is generally served as a brunch or buffet item with grits if in the morning, with rice later in the day.
For a dinner dish, soak your dove breasts for one hour in buttermilk. Drain, add one egg to a cup of milk, drench breasts in this mixture and toss with flour seasoned with salt, pepper and paprika. Brown in oil, then move the breasts to a baking dish. Add enough flour to the remaining oil to make a light brown roux, and enough stock (or 1:1 with milk) to make a light gravy. Salt to taste and season with a liberal sprinkling of black pepper. Ladle the gravy over the birds and bake in a medium oven (around 350), covered, until the birds are tender and the gravy reduced.
For the lighter version, brown the breasts in butter and set aside. Make a slightly darker roux, and add enough stock for a somewhat thinner gravy. Season lightly; salt and pepper, a little thyme, and a slosh of good sherry. (Not cooking sherry; no.) Spoon the sauce over the birds and bake in a medium oven until tender. Remove with a slotted spoon, arrange on a bed of rice, and coat with the remaining sauce.
CS’s Restaurant at 1359 ½ N. West Street has for years served and influenced the Belhaven and Midtown neighborhoods. It has a narrative and history reminiscent of an earlier and more tranquil Jackson, and like the kites flown at old Riverside Park, thereby hangs a tale. The life of this establishment has been the common denominator of being located on the southwest corner of North West and Adelle Streets with a street number varying from 1357-1361. It has been an eatery in one form or another for 77 years. It remembers when streetcars ran up and down West Street and the country was still in the grasp of the Great Depression. Millsaps boys would sometimes grease the car tracks so that the vehicle could not climb a nearby hill. Boys have always been boys.
The property shared tenancy with the Millsaps College chapter of Pi Kappa Alpha Fraternity in 1937.The site was originally the home of this fraternity and was a residence for several families prior to that dating back to 1930. It was originally (and later) the College Grill, becoming Adelle Grill in 1939. It retained this name until 1959, when it again became the College Grill under new ownership. In 1969, it became Hollingsworth’s Fine Foods under the proprietorship of Lloyd W. Hollingsworth and remained such until 1976 when it became known as Everybody’s Restaurant. How it became CS’s remains a state secret.
Pat Boland bought Everybody’s in 1978. In visits with Pat, he spoke of how he used to eat at the restaurant while still in high school. One of eight children, he remembers how much his parents enjoyed dining at the old Rotisserie at Five Points, and “I wanted to be in the restaurant business even then. When Everybody’s became vacant I bought it. I wanted to do something new and different both with the menu and the atmosphere.” He started with naming menu items for employees and customers. Many associate the menu with the Inez Burger. Inez Birchfield came to work at CS’s in 1979, left temporarily in 1990 and returned in September 1997. The original Inez Burger was “stolen from the Jackson Municipal Airport”, where Pat once worked and put on CS’s menu in 1980. It consists of homemade chili, nacho cheese and Jalapeno peppers. Other “name” burgers include the Suzy (bacon, Swiss cheese & grilled onions) and the Joe B (bacon, mozzarella and Jalapenos). Mexican, Mushroom and Everyday burgers, which come in different sizes, round out the burger menu and of course, ‘you can have fries with that.’ Plate lunches and entrees are also available.
In 1986, the beer laws changed from 18 to 21 years old and CS’s became more of a true restaurant than a hangout. The atmosphere is unique. Gone are the college motifs, the booths, fraternity crests and at times – but not all the time, the jukebox. Today the front door and walls are adorned with bumper stickers, handbills, photos, posters and pennants spanning nearly half a century. An estimated 3,000 beer cans from the same time period cover wall shelves with some from as far away as Australia. The collections were the brain child of Pat and two partners who thought their walls should “say something.”
I have my own memories of the restaurant from when I was a teenager in old Jackson and the establishment was called the Adelle Grill. Regardless of the name or time this little cafe was a Mecca for Millsaps students who in the 1950’s shared Cokes, shakes and dreams in individual booths. There were several tables in the back for “fine dining.” There was the ubiquitous jukebox playing records by Stan Kenton, Dave Brubeck and the Four Freshmen (no rock’n roll or Hank in this culturally refined milieu), and that staple of the 50’s – the pinball machine in the corner near the front door. Should a member of the college crowd have occasioned a glance in that direction, he or she would have seen the adolescent Billy Harvey easing a ball toward the “special” hole where free games awaited. His bike on the sidewalk outside and his heart on the game, Billy wished desperately to grow up a little more so he could be a college man and sit in one of those curtained booths with a girl who looked like glory.
Bert Case and his family lived directly across Adelle Street in a two-story brick home attached to Case’s Canteen, one of Jackson’s many “ma and pa” groceries and incidentally, near the site of the city’s very first Jitney Jungle store (at the corner of Adelle and Grayson – now North Lamar), back in 1912.
The prices, fashions, trends and dreams have indeed changed over the years – but we can still ‘have fries with that’ and enjoy our lunch among the memorabilia that forms the texture of our past. Bert moved on to prominence at WLBT-TV and subsequently WAPT; his old home now a parking lot. Hollingsworth’s is now CS’s where the burgers are bigger. The shakes, booths, jukebox and pinball machine are gone as is Billy’s bike and the years he rode it. The “glory” girls are grandmothers now and the music is – to put it positively – “different”. But CS’s has a history and Inez was not the first famous inventor of a good burger to add to Saturday afternoon memories of our youth.
Adelle Grill, College Grille, Hollingsworth’s, CS’s; I’ll drink to them all!
Bill Harvey September 2014
Bill Harvey is a native Jacksonian, living most of his life in Belhaven. An MSU Bulldog, he has had careers in journalism, education and as development director of the Andrew Jackson Council, Boy Scouts of America. Bill enjoys photography, music, writing articles for neighborhood sources and sharing experiences with friends at a local coffee shop. (Text copyright Bill Harvey, used by permission.)
Unless you’re one of those people who will actually cook and shell several dozen quail eggs–and get help you if you are–-then use good canned eggs and hot vinegar water (1:2) with either slit cayennes and sugar or banana peppers. They’re good for a month.
This old egg-and-bread dish goes by many names. At my childhood table, it was known as eggs-in-a-basket. Later I found it was hens-in-a-nest, toad-in-the-hole by Brits, and one version simply called egg toast. But when I published a recipe for eggs-in-a-basket some time ago, Mississippi actress Susan McPhail pointed out that, “Tennessee Williams calls them ‘Eggs Birmingham’ in Baby Doll.”
Well, I’ll be damned (I thought). You’d think growing up less than 200 miles from Birmingham (Alabama), I’d know of eggs Birmingham; moreover, you’d think a Southern food writer with a degree in literature would have found this blip on his radar decades ago. But no. Fortunately, I happen to know a lot of people—like Susan—who are smarter than I am, which is bruising to my self-esteem, but provides me with some assurance of being well-informed, or at least the comforting illusion thereof.
Baby Doll (1956), produced and directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach, was shot on location at the Burrus House near Benoit, Mississippi, which at that time was in a state of considerable decay. Williams wrote the script, which was nominated for Best Adapted Screenplay (Kazan claimed in his autobiography that Williams was only “half-heartedly” involved in the screenplay), drawing from his previous works 27 Wagons Full of Cotton, a 1946 one-act play that Williams referred to as “a Mississippi Delta comedy, and The Long Stay Cut Short, or, The Unsatisfactory Supper, a moving short drama about the turning out of an old servant, published in 1946 along with 4 other one-act plays in American Blues: Five Short Plays.
In 27 Wagons Full of Cotton, Jake, a middle-aged, shady cotton gin owner with antiquated equipment burns down the mill of the Syndicate Plantation, a rival in the cotton business where Silva Vicarro serves as Superintendent. Vicarro, who knows what happened but cannot prove it, gets revenge by raping Jake’s young and voluptuous but childlike and naïve wife Flora.
The Long Stay Cut Short, or, The Unsatisfactory Supper, depicts the story of Archie Lee and his Baby Doll Meighan (parallels of Jake and Flora in 27 Wagons Full of Cotton) who are reluctantly providing a home to Aunt Rose, an elderly relation who has been passed around among the family to house. An “unsatisfactory supper” cooked by Aunt Rose, who neglected to light the burner under the greens she’d put on the stove earlier. She offers to make eggs Birmingham to appease him.
ARCHIE LEE. What is eggs Birmingham? AUNT ROSE. Why, eggs Birmingham was Baby Doll’s daddy’s pet dish. ARCHIE LEE. That don’t answer my question. AUNT ROSE. (As though confiding a secret.) I’ll tell you how to pre- pare them. ARCHIE LEE. I don’t care how you prepare them, I just want to know what they are. AUNT ROSE. (Reasonably.) Well, Son, I can’t say what they are without telling how to prepare them. You cut some bread-slices and take the centers out of them. You put the bread-slices in a skillet with butter. Then into each cut-out center you drop one egg and on top of the eggs you put the cut-out centers. . . . ARCHIE LEE. (Roughly, his back still turned.) I don’t want Eggs Bir- mingham. BABY DOLL. He don’t want Eggs Birmingham and neither do I. But while we are talking, Aunt Rose-well-Archie Lee’s wondered and I’ve been wondering, too. . . AUNT ROSE. About what, Baby Doll? BABY DOLL. Well, as to whether or not you’ve—made any plans. AUNT ROSE. Plans? BABY DOLL. Yes, plans. AUNT ROSE. What kind of plans, Baby Doll? BABY DOLL. Why, plans for the future, Aunt Rose.
Rose, in despair, with characteristically Williamsian pathos, rushes to the yard to gather roses in an approaching storm: The blue dusk deepens to purpleand purple to black and the roar comes on with the force of a locomotive as AUNT ROSE’S figure is pushed toward the rose-bush.
In Baby Doll, “Aunt Rose Comfort” offers to make Archie Lee (Karl Malden) “my Eggs Birmingham” when he rejects her undercooked greens. Vaccaro (Wallach) offers to hire her to cook for him in her home and make eggs Birmingham for him there, a much more humane fate for Rose, but a move designed to needle Archie Lee, who asks, “Anything else around here you wanta take with yuh, Vacarro?” insinuating Baby Doll herself.
