Cherries Maraschino

Unless you have a home bar and know people who drink Manhattans, Old Fashioneds or the occasional Tom Collins, it’s unlikely that you’re going to have any maraschino cherries. Oh, you’ll buy a jar during the holidays or if you’re having a kid’s birthday party, but otherwise maraschinos aren’t a standard kitchen item at all. On the other hand, bartenders have been stocking maraschino cherries next to the stuffed olives since before Prohibition, and in their heyday soda jerks routinely placed them atop sundaes and in sodas.

The term “maraschino” originates from the Marasca cherry—a sour, dark variety cultivated on the coast of Dalmatia (now part of Croatia) beginning in the mid-19th century. The original version was brined in ocean water, then preserved in a liqueur made from its own juices, and ground-up pits. In the 19th century, these became popular in Europe, but the supply was so small that they became a delicacy for the rich and royalty and other cherries came to be preserved in various ways and sold as “maraschino.”

Fine bars and restaurants in the United States began serving the cherries in the late 19th century. To meet the growing demand, by the turn of the century American producers were experimenting with other processes for preserving cherries, with flavors such as almond extract rather than the original alcohol liqueur and substitute Royal Anne (‘Napoleon,’ or ‘Napoleon Bigarreau’) cherries. In 1912 the USDA defined “maraschino cherries” as “Marasca cherries preserved in maraschino” under the authority of the Food and Drugs Act of 1906. The artificially-colored and sweetened Royal Anne variety were required to be called “Imitation Maraschino Cherries” instead. Food Inspection Decision 141, signed on Feb. 17, 1912, defined Marasca cherries and maraschinos.

Ernest H. Wiegand, a professor of horticulture at Oregon State University, developed the modern method of manufacturing maraschino cherries using a brine solution rather than alcohol since alcohol dehydrated the fruit, shrinking them, making them hard and wrinkled. By focusing on preserving the shape and structure of the cherry in its plump, beautiful ripeness, Wiegand discovered that adding calcium salts to the preserving brine firmed up the fruit, a method that with modifications is still used  today.

Ur Cookies

Wittgenstein asks, “Just what IS a cookie?” Analytics state, “It is easier to say what a cookie IS NOT than to say what a cookie IS!” A stentorian voice declares, “A cookie IS a cookie IS a cookie.”

Ergo, flour, sugar, and butter with a leavening agent and eggs constitute the Ur-cookie, which is an Ur-cookie. These can be topped with a sugar frosting or glaze or sprinkles, or chopped nuts. You can add food coloring to make them magenta, chartreuse or cyan. You can cut them into any shape using traditional cookie cutters, or use any number of handy implements if you’re feeling froggy.

For true inspiration, make them with children.

1 c. butter
1 c. brown sugar
1 c. white sugar
2 eggs
1 tsp. vanilla
3 c. flour
1 tsp. baking soda
1/4 tsp. salt

Cream butter with sugars; mix well. Add eggs, vanilla and then flour, sifted with salt and baking soda, a little at a time. Bake at 350 degrees on a flat, heavy baking sheet for 8 to 10 minutes. Cool thoroughly before frosting.

Coleman’s Mustard Sauce

Best made the night before. Beat well three whole eggs, combine with a cup of Coleman’s dry mustard, a cup of herb vinegar and a half cup of light brown sugar. Cook over low heat until thickened, cool, and refrigerate. This sauce is good with any smoked meat.

Oven-Fried Oysters

Oven-fried anything will always be far inferior to something flat-out fried, but these are awfully good on the fly when you don’t want to deal with a lot of hot oil.

Mix a cup of corn meal with a half cup of flour along with about a tablespoon of salt, black, and red pepper. Dip drained oysters in a wash made with one large egg whipped with a cup of water—you want it a little frothy. Dredge in meal/flour mixture, place in a well-oiled pan on the upper rack of a very hot oven. Flip five minutes after they begin sizzling, and continue cooking until plump and crisp..

These are actually pretty good cold.

Edwardian Jackson

I am not from Jackson, nor (even worse) am I from Belhaven. This relegates me to troglodyte status as far as the city’s natives are concerned, but before you begin casting aspersions (or something sharper and heavier) let me assure you that Seta Sancton’s The World from Gillespie Place goes a very long way towards explaining why I and others love it so.

Given my primeval ignorance, of course I had to find out who Mrs. Sancton was, and given that I know so few people here, I decided to simply do what I do best and research the matter. This eventually led me to contact Tom Sancton, who among other things is former Paris bureau chief for TIME magazine, professor of journalism at the American University of Paris, Andrew Mellon Professor in the Humanities at Tulane, and a jazz clarinetist to boot. He’s also likely to be one of those irritating people who complete the NYTimes crossword even before they finish their second cup of coffee. In response to my query, Mr. Sancton wrote:

Dear Jesse,

Seta Alexander Sancton (1915-2007) was my mother. She was born in Jackson, on North State Street, into a prominent local family (Whartons on mother’s side, Alexanders on father’s side). Her father was Julian P. Alexander, a graduate of Princeton and Ole Miss law school, and an associate justice on the Mississippi Supreme Court. She graduated from Millsaps College, where she was a member of Chi Omega. She was a close personal friend of Eudora Welty, a neighbor from childhood. (My mother’s family lived first on Gillespie Place, then at 1616 Poplar Blvd; Eudora was on Pinehurst.) Seta married my father, New Orleans journalist and novelist Thomas Sancton, in 1941. They lived mostly in New Orleans and had three children of which I am the youngest. When my mother was in her 70s, she decided to write down some family stories and memories for her children and grandchildren. She started jotting down stories on notepaper, the back of envelopes, whatever she had at hand, adding stick figure illustrations as she went along. The result was the book you have in hand. In the 1990s she recorded readings of some of the stories.
Best regards,

Tom Sancton

Seta’s book is the memoir of city full of “sugar and spice and everything nice”, of June bugs and fig trees, lavender crepe myrtels and magnolia musk, braided biscuits, sidewalk parades, and ragtime on the Victrolas. “Though Edward VII was no longer on the throne,” Seta writes, “the temper of the times remained Edwardian for our mothers, our grandmothers and for us children.”

The World from Gillespie is a world where maids took children to Smith Park for play on the swings and slides, feed the swan, and eat sugar cookies in the miniature Greek pagoda. Home libraries offered volumes of Dickens, Thackeray, Tennyson and the best-selling works of Zane Gray. Gillespie Place itself was a new subdivision off State Street, and having a mother who was Episcopal and a father who was a Presbyterian was awkward. Going to the state fair was a landmark event as was going downtown to eat at the Bon Ton, the Pantaze, or the Edwards House.

Seta’s eyes are filled with the genteel character of Jackson during the 1920s. Yes, of course poverty and oppression were rife at the time, but those and other unpleasantries such as war and epidemics are set aside for bridge luncheons, birthday parties, dragonflies, and swimming in Livingston Lake.

I’m charmed by this picture of Jackson’s past, watch for glimpses of it now, and see it every day. Memory, my children, is a living thing.

About Mistletoe

Mistletoe is a hemiparasite that draws water and nutrients from its host plant, but has chlorophyll and produces its own food by photosynthesis. Mistletoe rarely affects trees that are healthy, but can harm those already weakened by root damage (as from construction), drought, or pests. The word mistletoe comes from the Old English misteltan, with tan meaning “twig” and mistel meaning “dung, filth.” This makes sense when you consider that the plant’s seeds are spread by bird droppings, but perhaps it’s best not to bear in mind that you’re kissing under a “shit stick.”

In a famous Norse myth, mistletoe caused the death of the god Balder, the best loved of all immortals, by the jealous Loki. When Balder dreamed that he was about to die, he told his mother, Freya, who went to all things and made them swear that they would never harm her son. But she thought the mistletoe too weak to hurt anyone, and Loki found this out, he fashioned a poison dart from the plant and put it in the hand of the blind god Hodur, who stood aside while others threw things at Balder for the fun of seeing them drop to the ground before they reached him. “Here is something for you to throw,” Loki said, “and I will direct your aim.”

No one seems to know where the kissing comes from, though some claim that after Balder’s death, Freya commanded that the plant must never again bring destruction, and that those who pass under it must exchange a kiss of love and peace. Washington Irving wrote that men gave women as many kisses as there were berries on the mistletoe hanging above them, plucking off one per kiss. The English hang kissing balls made with cedar and mistletoe in doorways.

Mistletoe vendors on a street in Paris.