This stellar recipe comes from Standing Room Only, the stellar entertainment cookbook published by Jackson, Mississippi’s New Stage Theatre in 1983.
The original recipe states that this breakfast casserole can be prepared the night before and refrigerated, but I don’t because the croutons get soggy. It also calls for a sprinkling of chopped black olives and crumbled bacon, which is a nice touch.
Beat six eggs in two cups of whole milk, add a teaspoon of dry mustard and two cups grated cheddar along with chopped ham, green onions. Butter a 9×13 casserole and cover the bottom in a layer of herbed croutons, pour in egg and cheese mixture, and bake at 350 on a middle rack until lightly browned and springy, about 45 minutes. I often serve it cold with sour cream.
The culinary literature of any given city (or region) reflects the character of its peoples, and taken altogether, this selection, which I submit as the “best of the best”, shows Jackson as richly cultured, with an enduring commitment to the commonweal. Among its citizens have been talented cooks who were writers of surpassing ability. These books encompass an extraordinary amount of cultural history, contain the highest order of culinary exposition, and taken altogether could work as a syllabus for any tutorial on Southern cooking.
Allison’s Wells: The Last Mississippi Spa (Muscadine Press: 1981)
In 1981, proprietor Hosford Fontaine—doubtless at the urging of countless friends—published Allison’s Wells: The Last Mississippi Spa. The book is a treasure-trove of history, with profiles of the people who kept the resort functioning as well as other unforgettable characters, musicians and artists such as Till Caldwell, Inez Wallace, Ted Faires, Marie Hull and others. Many of these people contributed to the illustrations, which are augmented by dozens of charming vintage photos including a poignant image of Hosford standing amid the charred ruins. Best of all, The Last Mississippi Spa also includes a sprawling section on recipes for almost anything to put on the table: hors d’oeuvres, soups, salads, dressings, breads, meats, seafood, vegetables, breakfast and brunch dishes, desserts, candy and cookies, all “tried and true” from the La Font kitchens. The book includes a warm and heartfelt Forward by Charlotte Capers and a brief introduction by Eudora Welty.
The Jackson Cookbook (Hederman Brothers: 1971)
This cookbook could well be held up as an archetype of a Southern ladies’ cookbook; it’s stiff with tradition and understated elegance. Indeed, in a note “About the Cover,” the editors explain that Artist Carl Davis translated Welty’s comments about “the era of the Madeira tea napkin,” into a work of art using an heirloom tea napkin “hand embroidered by Miss Irene Anderson,” with Jackson’s monogram “J”. This note follows a short essay by the Women’s Editor of The Clarion-Ledger, Mary Alice Bookheart, “The Aesthetics of Eating,” which states in part, “This is not necessarily a cookbook of old Jackson recipes. … What (the cookbook committee) has attempted to do in compiling this book is to achieve a happy blend of old and new …” This book also includes some restaurant favorites, such as the “Edwards House (King Edward Hotel) Chicken”. The recipes are simple and use familiar ingredients as well as commercial items, and provide recipes for any occasion, ranging across the menu. The Jackson Cookbook is a wonderful addition to any kitchen library, but what sets it apart, raising it to a level no other cookbook in Mississippi can hope to achieve, is the Forward, “The Flavor of Jackson,” a jewel of exposition by Welty.
The Southern Hospitality Cookbook Oxmoor House: 1976
Simply put, Winifred’s The Southern Hospitality Cookbook is not only a groaning board of splendid recipes, but as a whole nothing less than an illuminating documentation of upper-class cooking in the mid-20th century South. The recipes are rich and varied, the ingredients often expensive and times for preparation are usually considerable. Indeed, the most frequent critiques of the book involve how “fussy” the recipes are, many calling for minute amounts of several various ingredients and elaborate stage-by-stage instructions on their preparation. But this is the way Winifred and the women of her class and generation cooked; they had plenty of time on their hands, and more often than not enough money to spend on costly and hard-to-find ingredients. Many of the recipes are true heirlooms from Virginia and the Eastern Seaboard. She also includes recipes from dozens and dozens of friends and neighbors. The Southern Hospitality Cookbook is a milestone in the culinary history of Jackson, but what takes it to a higher level is a short essay by her editor at The National Observer, David W. Hacker (“Savoring Miss Welty’s Wit at a Special Seafood Lunch”) and a preface by Eudora herself (“A Note on the Cook”).
Standing Room Only Hederman Brothers: 1983
“With Narratives by Eudora Welty and Beth Henley,” announces the marquee on New Stage’s truly superb “Cookbook for Entertaining”. Henley’s short essay on theatre parties is quite fun, and Welty’s “A Note about New Stage” is the definitive article on this beloved Jackson institution. The posters and playbills, along with the accompanying texts, that separate the divisions are also marvelous diversions, but the true stars here are the recipes. This is hands-down my favorite Jackson cookbook because the recipes are sumptuous, clearly presented, and a lot of them are just damned fun. Most of them are written for more than four servings and are captioned with “can double”. Also included are the invaluable sections, “Buying Guide for 50 Guests” and “Setting a Bar for 50 for One Hour”. SRO throws in an herb and wine guide as curtain calls.
Southern Sideboards Wimmer/JLJ: 1978
The most distinguished cookbook in this selection, and winner of the prestigious Southern Living Hall of Fame Award, Southern Sideboards is THE right cookbook for traditional Southern recipes before the “foodie revolution” of the 1980s. These recipes aren’t designed for health or with an eye to fussy ingredients, so if you’re the type of person who wouldn’t be caught dead in a checkout with a can of Cream of Celery soup, then it’s certainly not for you. But if you’re one of those hide-bound traditionalists who want to know EXACTLY how Granny made that Southern Cornbread DRESSING, then this is your book. Sure, the recipes are often complex and some do take a little time, but you know what? Time and preparation are keys to good cooking and good eating. The game recipes are truly superb, as are the desserts, particularly the cakes. Southern Sideboards is distinguished by a splendid, heartfelt essay by Mississippi native Wyatt Cooper, an author, screenwriter, and actor who is better known as the fourth husband of Vanderbilt heiress and socialite Gloria Vanderbilt and the father of journalist Anderson Cooper.
The Sweet Potato Queens’ Big-Ass Cookbook and Financial Planner Three Rivers Press: 2003
Despite what you may think, I am not including Jill Conner Browne’s cookbook in this list because I’m afraid that if I didn’t, I’d in the very near future have a magenta sequined bootie up my patootie. No, I honestly think the Big-Ass Cookbook is absolutely fabulous. Not only does it have lots and lots of great—albeit indulgent—recipes, it also has reams of practical advice: “Hormones are serious juju, and if you don’t get them sorted out, you might find that you need money for things like lawyers and bail.” I think it’s Jill’s best book, though I must profess a weakness for cookbooks. Here you’ll find satire without (much) malice or rancor, some of the best writing—flat-out writing—to come out of Mississippi, and humor that’s deliberately earthy without being crass or (too) coarse. Of course, I’ll never be deemed worthy to sew a single sequin on an SPQ outfit, but I adore them from afar.
Cheese balls constitute an inevitability during any given holiday. Slapped atop one of those cutesy little carving boards that have a little two-pronged knife on a chain and surrounded by captain’s wafers, Ritz crackers or—at the New Year’s keg party—saltines, the cheese ball has become an entrenched feature of the American holiday table.
In their primitive state, Cheese balls first became manifest in the White House. Do try not to be too surprised. The first executive cheese ball was crafted by Elder John Leland of Cheshire, Massachusetts in 1801. Purportedly the Baptist community of Cheshire donated milk from over 900 cows to make a 1,235 pound ball known as “The Mammoth Cheese.”
Preaching all the way to Washington (some things never change), he transported the ball by wagon and then rolled it across the White House lawn to serve it to President Jefferson. Rumor has it that this ball of cheese lasted for two years until Jefferson finally had the remains thrown into the Potomac.
Then in 1835 dairy farmer Colonel Thomas S. Meacham of Sandy Creek, NY, crafted a titanic cheddar four feet in diameter, two feet thick and weighing nearly 1,400 pounds wrapped in a colossal belt bearing patriotic inscriptions for President Jackson . This cheese lasted so long that Jackson’s successor, Van Beuren, had to rip out the curtains in the “cheese room” and have the walls sanded and whitewashed.
Cheese balls as we know them first appeared in 1944 at patriotically modest gatherings. A columnist for the The Minneapolis Star, Virginia Safford—who aspired to “eat her way around the world”—chronicled culinary Minneapolis in Food of My Friends, and describes a cheese ball made by a Mrs. Selmber E. Ellertson. Stafford’s follow-up book, Friends and their Food (1969), features recipes for “Cheese in the Round” and “Cheese Rolls.”
The cheese ball really found its place in the 1970s, but–like disco and lava lamps–eventually developed a bad rap. Writing in 2003, New York Times food writer Amanda Hesser wrote, “Cheese balls tend to be associated with shag rugs and tinsel, symbols of the middle-class middlebrow.”
What with all the artisan cheeses flooding the market nowadays in addition–I like to think–with some degree of nostalgia for bell-bottoms and bean bags, cheese balls are making somewhat of a comeback. They’re a nice nosh, after all, and with some degree of restraint make a minimal impact upon the drapery. Options are endless, but most cheese balls are savory rather than sweet. Here is a classic recipe from Standing Room Only, a cookbook for entertaining published by New Stage Theatre in 1983.
1 pound cream cheese, softened, 2 tablespoons finely minced onion 1 4-oz. jar chopped mushrooms, drained 1 4-oz. jar chopped pimento, drained 1/2 cup finely chopped ripe olives 1/4 cup chopped green olives 1/2 cup grated sharp cheddar 1/4 cup Worcestershire Finely chopped nuts for coating
Mix all ingredients, chill overnight, then shape into a ball and roll in finely chopped nuts. Wrap and refrigerate overnight before serving.
