A Great Plate of Prose

M.F.K. Fisher (1908-1992) was of Julia Child’s generation and like Child spent a considerable amount of time in France during a period when that country reigned supreme as the culinary center of the western hemisphere. For those of a later generation, she’s perhaps remembered most as the author of the preface for The Alice B. Toklas Cookbook (1954), which caused quite a stir because of Alice’s inclusion of a wonderful (albeit expensive not to mention illegal) recipe for “haschich fudge” that became quite popular among the beatniks and hippies, especially those who eschewed smoking. Long before that spate of notoriety, however, Fisher had long established herself as one of the finest culinary essayists in the English language.

The Art of Eating collects her five books – (Serve It Forth (1937), Consider the Oyster (1941), How to Cook a Wolf (1942), The Gastronomical Me (1943) and An Alphabet for Gourmets (1949) – into a single volume. In her Alphabet, under “G for Gluttony”, she writes, “I cannot believe there exists a single coherent human being who will not confess, at least to himself, that once or twice he has stuffed himself to the bursting point on anything from quail fianciére to flapjacks, for no other reason than the beastlike satisfaction of his belly.” (Admittedly, this is an altogether too familiar sensation.)

Fisher’s Art is a picnic, not just for food lovers, but for all who enjoy good, convivial writing. While some of her essays seem a bit labored from our perspective, immersed as we are in Twitter, Fisher established a literary bridge between the wordy, aphoristic Brillat-Savarin and the leaner, more objective prose of the New World. She’s not as dictatory as Brillat-Savarin, but I find her every bit as intimidating. Her writing is measured, lucid, and suffused with a wry wit that often carries the weight of the occasionally ponderous paragraph. If you love food and love reading, find The Art of Eating and stuff yourself to the bursting point. Then cleanse your palate with Proust. Cities of the Plain is fun.

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Changing Our Tune

For a long time I’ve lived uneasily with the assumption that most of the people I know who love music (and I know a lot of them) either don’t know that the state song of Mississippi is an embarrassment or just shrug it off as one of life’s ironies.

Well, it’s time for all that to change. People, let me tell you the ugliest open secret in Mississippi: the official song of our state is former Governor Ross Barnett’s campaign ditty. Let’s not get into how it happened; suffice it to say that when the legislature made “Go, Mississippi” the state song, the Old Guard was still in place, and for them Governor Barnett was symbolic of a poor, downtrodden state standing up to the might of the federal government.

Still and all, Barnett was an icon for all the wrong reasons, and for us to wear his campaign doggerel on our chest is no badge of honor. The members of the Mississippi legislature are for the most part concerned with far more pressing issues than the selection of a state song. Not only that, while deciding what our state song should be seems innocuous, it’s actually fraught with potential controversy. But this decision rests with legislators, it’s up to us as citizens to bring the issue to their attention. I’m not one to suggest how, since the signals I’ve sent to my local legislators have been either ignored or responded to with ridicule and derision, but that’s no reason not to keep trying.

Before we get into deciding what it should be, let me point out that our sister state Tennessee has no less than six state songs. Both Arkansas and Louisiana have two each. Some state songs you already know by heart, many you’ll know when you hear them. Our state song is obscure (for good reason) and singular, an astonishing fact in the home state of Robert Johnson, Jimmy Rodgers and Elvis Presley. I mention these three because to me they represent the three main currents in Mississippi music: blues, country and rock. Oh, we can bring in any number of other artists, and we could bring in bluegrass, hip-hop, what have you.

The point I’m trying to make, and it’s important, is that Mississippi takes a great, great deal of pride in her music, and for us to have this blot on our escutcheon makes us look bad. It’s a minor point; God knows we have other things to work on, but this is something we all, and I do mean all, can take pride in changing. It’s going to take time, but let’s tune up.