Jake saw an image of a rainbow cake somewhere and just had to make one. It wasn’t even called a rainbow cake in any sort of caption; it was just a random image on a blog somewhere, but he found it beautiful, and I did, too. But when he said he wanted to make one, well, I kind of tingled in my toes. You’d never know it, but Jake is color-blind. I’m not sure how extensive it is, and he’s not either, but when he pointed to that gorgeous slice of multi-colored cake on the monitor and said he wanted to make it, I offered to help. It was the least I could do.
Since this was such an experimental venture, we used a commercial white cake mix and a canned icing; after all, our objective was appearance rather than substance. The most indispensable element of the project was two (count ‘em, two!) boxes of McCormick’s assorted food coloring and egg dye. Each box has formulas for achieving eight colors (red, yellow, green and blue as well as pretty purple, orange sunset, teal, mint green and dusty rose).
Jake used two boxes of cake mix, split the batter into six equal amounts and then colored each bowl of batter. Because there was less batter per baking pan, oven time was reduced by at least five minutes. Jake wanted to arrange the layers to his own satisfaction, but I told him that while that might be interesting, it might be better on this effort for us to stick to Roy G. Biv (less the “i” I think). After a brief discussion, the pans were numbered and labeled. Once cooled, we assembled the cake. It sat overnight in a white icing, and when the first slice was taken the next day everyone went, “Ooo . . . “. We both just grinned.
It’s difficult for us now to imagine mayonnaise as exotic at all, but Eudora Welty remembers its advent in Jackson as an event. Welty’s use of foods in her fiction brings two notable examples to my mind; the “green-tomato pickle” in Why I Live at the P.O. and the shrimp boil at Baba’s in No Place for You, My Love, not to mention the groaning boards in her Delta Wedding. But she also wrote the introductions for three Jackson cookbooks that I know of, Winifred Green Cheney’s Southern Hospitality (1976); The Country Gourmet (1982), put out by the Mississippi Animal Rescue League; and The Jackson Cookbook (1971), which was compiled by the Symphony League of Jackson. Mark Kurlansky, in his The Food of a Younger Land (2009), includes an essay of hers entitled “Mississippi Food” that Kurlansky claims was “a mimeographed pamphlet that she wrote for the Mississippi Advertising Commission and which they distributed.” Kurlansky doesn’t provide a date for the essay, but it was doubtless written in the 1930s.
More on that essay in a later post, but back to her introduction to The Jackson Cookbook, “The Flavor of Jackson”, which is a savory dish of Southern culinary exposition. The editor of a local publication once expressed surprise that Jackson had a culinary history “worth writing about”, but like every other editor in Jackson, she was unfamiliar with Welty’s work. Eudora’s essay is a finely-seasoned piece with a wonderful flavor all its own. Most of the city’s culinary history concerns home cooking, of course, since restaurants here were rather much a novelty until the mid-twentieth century, but Jackson’s storied hospitality has always featured a superb board. I’m including a part of the introduction here, specifically that section dealing with mayonnaise because it explains to a “t” just how exotic this now-prosaic kitchen item was here at one time.
“As a child, I heard it said that two well-travelled bachelors of the town, Mr. Erskin Helm and Mr. Charles Pierce, who lived on Amite Street, had ‘brought mayonnaise to Jackson’. Well they might have though not in the literal way I pictured the event. Mayonnaise had a mystique. Little girls were initiated into it by being allowed to stand at the kitchen table and help make it, for making mayonnaise takes three hands. While the main two hands keep up the uninterrupted beat in the bowl, the smaller hand is allowed to slowly add the olive oil, drop-by-counted-drop. The solemn fact was that sometimes mayonnaise didn’t make. Only the sudden dash of the red pepper into the brimming, smooth-as-cream bowlful told you it was finished and a triumph. Of course you couldn’t buy mayonnaise and if you could, you wouldn’t. For the generation bringing my generation up, everything made in the kitchen started from scratch.”
Welty goes on to describe a typical Jackson kitchen in the twenties and thirties, and mentions a great many women who made significant contributions to the local cuisine. If you can find a copy of The Jackson Cookbook, buy it, read about Jackson’s culinary history from a master of her craft and cook the superlative recipes. No wrong could come from it at all.