Jefferson Davis Highway Rock
Remember Jon Hinson
Jon Clifton Hinson was born in Tylertown in Walthall County in southwestern Mississippi, in 1942, and attended public schools. In 1959, he worked as a page for Democratic U. S. representative John Bell Williams, who subsequently became governor of Mississippi in 1968. Hinson graduated from the University of Mississippi at Oxford in 1964, and joined the United States Marine Corps Reserve, in which he served until 1970.
Hinson worked on the U.S. House staff as a doorman in 1967, and then served on the staffs of representatives Charles H. Griffin, a Democrat, and Thad Cochran, a Republican. In 1978, Cochran ran successfully for the United States Senate, and Hinson was elected to succeed Cochran in the U.S. House of Representatives for Mississippi’s 4th congressional district. With 51.6 percent of the vote, Hinson defeated the Democrat John H. Stennis, the son of U.S. senator John C. Stennis, who finished with 26.4 percent of the vote. The remaining ballots were cast for independent candidates. Hinson entered the House in 1979.
During his re-election campaign in 1980, Hinson admitted that in 1976, while an aide to Senator Thad Cochran, he had been arrested for committing an obscene act after he exposed himself to an undercover policeman at the Iwo Jima Memorial in Arlington National Cemetery. Hinson denied that he was homosexual and blamed his problems on alcoholism. He said that he had reformed and refused to resign. He won re-election with a plurality of 38.97 percent of the vote. Independent Leslie B. McLemore polled 29.8 percent, and Democrat Britt Singletary received 29.4 percent.
Hinson was arrested again on February 4, 1981, and charged with attempted sodomy for performing oral sex on an African-American male employee of the Library of Congress in a restroom of the House of Representatives. At that time, homosexual acts were still criminalized even between consenting adults. The charge was a felony that could have resulted in up to ten years in prison, as well as fines of up to $10,000.
Since both parties were consenting adults (and social attitudes were changing), the United States Attorney’s office reduced the charge to a misdemeanor. Facing a maximum penalty of one year in prison and a $1,000 fine, Hinson pleaded not guilty to a charge of attempted sodomy the following day and was released without bail pending a trial scheduled for May 4, 1981. Soon thereafter he checked himself into a Washington, D.C.-area hospital for treatment. Hinson later received a 30-day jail sentence, which was suspended, and a year’s probation, on condition that he continued counseling and treatment.
Hinson resigned on April 13, 1981, early in his second term. He said that his resignation had been “the most painful and difficult decision of my life.” He was succeeded in the House by Wayne Dowdy, a Democrat, who won the special election held in the summer of 1981. Soon afterward Hinson acknowledged that he was homosexual and became an activist for gay rights. He later helped to organize the lobbying group “Virginians for Justice” and fought against the ban on gays in the military. He also was a founding member of the Fairfax Lesbian and Gay Citizens Association in Fairfax County.
He never returned to Mississippi but lived quietly in the Washington area, first in Alexandria, Virginia, and then Silver Spring, Maryland. Hinson also disclosed that he survived a 1977 fire that killed nine people at the Cinema Follies, a Washington theater that catered to gay customers. He was rescued from under a pile of bodies, one of only four survivors.
It’s safe to assume that there are closeted government officials at every level—federal, state and local, doubtless from both parties—who are representing their electorate in good faith to the public trust with which they’re invested. From our perspective Hinson’s crash and fall seems not so much a tragedy as it is a farce, the ridiculous result of a man coerced, perhaps even forced into a role he could not play. It’s impossible for us to imagine the pressures put upon him to become a pillar of the Republican Party in its struggle for a stranglehold on the state of Mississippi, but the weight broke the man, reduced him to disgrace, poverty and exile.
Hinson himself is far from blameless; as an openly gay man he would never have been elected to any office in the state of Mississippi, but there’s no reason to doubt that he could have represented his district capably had he exercised more discretion if not to say caution in his personal affairs. Perhaps that’s what he was trying to do, but it’s more probable that like many gay men of his generation in the South, he only knew clandestine solicitation as a venue for sexual commerce.
Hinson, unremembered for any legislation and with no other legacy than creating an eddy in the incessant tide of Republication domination in Mississippi, died in July, 1995 in Fairfax County, VA.
How to Cook a Possum
People who are paid to postulate upon such matters have theorized that the reason we don’t have herds of brontosauri stomping around in our bayous is due not just to the Alvarez event, but also to dinosaur egg-eating possums.
You’d think we’d be grateful for this service to our fellow mammals, but as in the case of the dove (which brought Noah the most significant tidal measurements in the history of mankind) possum has been served without apology at meals throughout the South since mankind came down from Canada.
Southern culinary icons tend to be traditional and domestic, the comforting products of home gardens and kitchens. Those game dishes brought in from the woods and fields have in recent years come to play a strikingly diminished role on our tables because fewer people are hunting these days, particularly for sustenance, and while most if not all of you might consider having possum on the table a revolting prospect at best, the simple fact of the matter remains that possums have long been esteemed for their porcine flavor.
One early recommendation comes from John Boynton, a New Englander who came to Mississippi (near Vicksburg) to teach in 1836. Boynton was amazed at the “Old Southwest”, writing to his father, “It would take more than 19 letters to tell you the half of what I’ve seen in one week.” He hunted turkey and deer as well as an exotic animal: “(o)possums by the scores. Had one for dinner today—first rate.”
Faulkner included possum on the Thanksgiving table of the Sartoris family in Flags in the Dust, his first novel to be set in Yoknapatawpha County (called “Yocona”). Written in 1927, the novel is set just after World War I and focuses on the once-powerful, influential and aristocratic Sartoris family contending with decline, but still clinging to the vestiges of affluence.
. . . Simon appeared again, with Isom in procession now, and for the next five minutes they moved steadily between kitchen and dining room with a roast turkey and a cured ham and a dish of quail and another of squirrel, and a baked ‘possum in a bed of sweet potatoes; and Irish potatoes and sweet potatoes, and squash and pickled beets and rice and hominy, and hot biscuits and beaten biscuits and long thin sticks of cornbread and strawberry and pear preserves, and quince and apple jelly, and blackberry jam and stewed cranberries.
By far the most solid contemporary recommendation for possum comes from Bill Neal, who is widely considered by many to be the dean of Southern cooking, the man who played a key role in raising Southern foods to national prominence and continues to influence new generations of Southern culinarians. In his authoritative Southern Cooking, Neal begins his entry on possum by stating, “All southerners—black, white, or native—who know game relish possum roasted with sweet potatoes. The two components are inseparable; the dish is practically a cultural symbol of regional pride in the Piedmont and mountain areas.”
He continues with a recipe from Horace Kephart’s Camp Cookery (1910) that beings: “To call our possum an opossum, outside of a scientific treatise, is an affectation. Possum is his name wherever he is known and hunted, this country over. He is not good until you have freezing weather; nor is he to be served without sweet potatoes, except in desperate extremity.” (The possum season in Mississippi is from October to February.)
The recipe reproduced here comes from another authority, Erma Rombauer’s Joy of Cooking (13th edition, 1975). Note that the recipe recommends “feeding it out” (i.e. capturing the animal before slaughter and feeding it with bland foods not just to provide the meat with a less gamey flavor but purging the possum, which is a notorious scavenger). And while a good Southerner will always serve possum with sweet potatoes, the Rombauers were from St. Louis, which is only marginally Southern and decidedly urban, so perhaps in their minds greens seemed appropriate.
Didion in Dixie
What is the South?
The answer isn’t easy; hell, getting enough facts in a pile is hard enough, then you have to figure in observer, perspective, and perception. A dedicated minority of natives maintain that the South is a fluid, protean, shattered chimerical idea as well as just a place to hang your hat. This embracing grassroots duality is compounded (likely compromised) not only by Cash, Woodward, Foote, and their myriad lesser ilk, but also those from outside the South–the nation, the continent, the world–who come here to write about it.
Joan Didion, a product of New Journalism, is best known for her introspective writings on culture and politics, though her most acclaimed works are deeply personal; The White Album (1979), including the title essay dealing with a nervous breakdown and The Year of Magical Thinking, (2005), written shortly after the deaths of her daughter and husband.
It’s worth noting that her trip to the Gulf South was taken only two years after her critically acclaimed Slouching Towards Bethlehem, a gritty, myth-busting account of California’s counter-culture during the 1960s. The notes for South and West were published fifty years later.
Didion begins her excursion through Darkest Dixie in New Orleans registering images of procreation, death and decay:
“In New Orleans in June the air is heavy with sex and death, not violent death but death by decay, overripeness, rotting, death by drowning, suffocation, fever of unknown etiology. The place is dark, dark like the negative of a photograph, dark like an X-ray; the atmosphere absorbs its own light, never reflects light but sucks it in until random objects glow with a morbid luminescence. The crypts above ground dominate certain vistas. In the hypnotic liquidity of the atmosphere all motion slows into choreography, all people on the street move as if suspended in a precarious emulsion, and there seems only a technical distinction between the quick and the dead. One afternoon on St. Charles Avenue I saw a woman die, fall forward over the wheel of her car.”
Some might consider this an inauspicious beginning for a book about the Deep South, but then striking a gothic note isn’t out of order. Then her focus narrows:
“I could never precisely name what impelled me to spend time in the South during the summer of 1970. There was no reportorial imperative to any of the places I went at the time I went: nothing “happened” anywhere I was, no celebrated murders, trials, integration orders, confrontations, not even any celebrated acts of God. I had only some dim and unformed sense, a sense which struck me now and then, and which I could not explain coherently, that for some years the South and particularly the Gulf Coast had been for America what people were still saying California was, and what California seemed to me not to be; the future, the secret source of malevolent and benevolent energy, the psychic center. I did not much want to talk about this.”
Throughout the work, Didion interacts with prominent locals, including Walker Percy and (surprisingly) Stan Torgerson, but not Eudora Welty, stating that she dared not visit Welty in Jackson because she was certain that so near an airport, she’d catch a flight to the west coast. I find it telling that she couldn’t find Faulkner’s grave; perhaps it’s just as telling that she went looking.
In Meridian, Didion describes an audience in Mississippi watching an American movie “as if it were Czechoslovakian”; this is quite literally the purest form of projection, for it is Didion who is staring at a landscape, a region, without comprehension, driving through Dixie in a distracted daze. We should bear ear to her dispassionate observations, if only to see ourselves through her eyes.
Winter Squash
My father was a lawyer in north Mississippi. On a day in late October, he’d usher my sister, brother, and me into the car and drive out west from Bruce to the Ellard community where an old man and his wife lived on a small farm.
Across the road from their house, the slope of a hill was covered with yellowing vines bearing winter squashes. We’d go out there and gather all we could while Daddy sat on the porch with them, probably had some buttermilk and cornbread and a glass of tea and talked.
Once after we left, I asked him why he didn’t pay the man.
“Son, they wouldn’t take my money,” he said. “I tried to keep their out of prison. But I couldn’t, and they knew why. I never asked them for a penny. He said to come get what I want from his patch. You don’t turn down gifts from a man who doesn’t have much to give.”
The squash were acorns and yellow Hubbards; some were peeled, cubed, and parboiled for a casserole or pie. Others were split, seeded, usually scored, brushed with melted butter, sprinkled with brown sugar, and baked in a hot oven until soft and slightly singed.
Once on the table, we’d scoop out the flesh with a spoon, put it on our plates and mash it with a fork with more butter and black pepper.
Guy Fawkes Pudding
Dishes similar to this are made throughout the West Indies as well as Bermuda, where it’s traditionally served on Guy Fawkes Night (Nov. 5) by evil heathen royalists as well as those noble democratic souls who simply like to set a good table. The texture is fudge-like, very dense and intensely flavorful. The toasted coconut flakes seen here as a topping can be added to the pudding mix as well, but do not use raw grated coconut or it will get gummy.
Mix 1 1/2 pounds cooked pureed sweet potato with 2 cups cream of coconut, 1 stick melted butter, juice of 1 lime and 1 cup brown sugar until smooth. Blend in by spoonfuls 1 cup flour; add 1 cup raisins (optional), a tablespoon each of vanilla and lime juice, and a teaspoon each ginger, cinnamon, and nutmeg. A generous slosh of dark rum is a nice touch. Pour batter into a well-oiled 8-inch cake pan and bake at 350 for about an hour until firm then cool. Best served chilled; this recipe easily provides a dozen servings.
Charlotte and the Mummy
Charlotte Capers, long-time director of the Mississippi Department of Archives and History was—in stark contrast to her current successor—a woman of integrity, intelligence, and wit. This is an excerpt from a speech given before the Mississippi Historical Society in March 1972.
After its creation in 1902, the Department remained in the basement of the New Capitol until 1940, when more commodious quarters, but not much more, were provided in the War Memorial Building. Since Dr. Rowland’s day, the Department has acted as a clearing-house historical agency, and the Museum function was included in this. However, when the Department moved into the War Memorial Building, the collection housed in the New Capitol was, of necessity, abandoned. Certainly, there was no space in the north wing of the new building for a full-fledged museum. Thus, we left in the basement of the New Capitol, a mysterious and miscellaneous collection including an Egyptian mummy, the hip-bone of a North Dakota dinosaur, a pair of size 20 shoes worn by an Alabama Negro in World War I, and a toy snake from the Philippines.
The star of this collection was the mummy, who had enchanted visitors to Jackson ever since she had been acquired as lagniappe in a collection of Indian artifacts many years ago. A real mummy mystique had developed, and grandfathers brought their toddling grandchildren in to see the mummy that they had seen as boys. When the board of trustees quite properly adopted in the Old Capitol Restoration, the collection was limited to items associated with Mississippi history. The mummy, an Egyptian, was plainly out of place. It fell my lot to separate the little Egyptian, known variously to her public as ‘The Little Gypsy Lady,” or occasionally as ”The Dummy,” from her admirers. I knew that such a move was to court disaster, for my generation, too, had visited the mummy on our way to Central High School, and we considered her as much a part of our American heritage as George Washington, Robert E. Lee, or Theodore G. Bilbo.
But, in what may have been my finest hour, I saw my duty and I did it. And I firmly withdrew ”The Little Gypsy Lady” whose connection with Mississippi history was tenuous at best, from the Museum exhibits. She was relegated to a collection file room in the old Capitol to be seen only on demand by her most avid admirers. Her admirers all turned out to be avid, and they continued to demand her until the day when a staff member, annoyed by constant calls for our most popular tenant, stated in a speech that he would like to bury the mummy.
That blew it. The wire services picked up the story and the shot went round the world. The public from all over arose to defend “The Little Gypsy Lady.” We got insulting mail and insulting telephone calls; and one concerned gentle man wrote from Germany about “das mumi,” calling us bigots for some reason. Offers of adoption for the mummy flowed in. An undertaker from Ohio wanted “‘The Little Gypsy Lady” as an example of his art. An archaeologist said that when he examined her he found her to be a young female offered her a home provided that her esophagus came with her (translate: sarcophagus).
The strife went on, I held my ground, the story of Mississippi, as you will see, is told in thirty-three permanent exhibits in this Old Capitol Museum, and the small foreigner slept on in a collection file room. Way back in Dr. Rowland’s day he had a seal designed for the Department with the motto ‘Veritas,” or “Truth.” Seldom in our lifetime, however, are we justified for taking an unpopular stand on the side of the truth. The mummy proved to be a heartening exception. In the 1960s a young medical student at the University of Mississippi asked for permission to x-ray the mummy. In the interest of truth, permission was granted. The startling results of this scientific investigation were reported in The Mississippi History Newsletter as follows:
“Our mummy, who has been the star of our museum for as long as we can remember, was exposed as a fake when Gentry Yeatman, an enterprising Ole Miss medical student x-rayed the little Egyptian princess and found her heart was full of nails. Further, she had a German language newspaper in her left foot, and her right arm yielded a copy of The Milwaukee Journal, 1898. Again we note that things are not always what they seem, and the mummy is a dummy after all.”
(The mummy received a proper entombment in the Old Capitol, and comes on display every Halloween.)
Big Black Bridge, Hinds County
Raymond Railroad Car
