Way back when, die-hard home cooks would sniff and curl a lip at a newlywed or (worse) single parent who brought a sheet cake to a bake sale. THEY, of course, brought an heirloom 8-layer caramel/German chocolate in a handmade paper mache decoupage box.
Even worse, those die-hards naturally felt compelled to extract a timorous confession from the donor that a boxed cake mix was involved. Canned frosting was the coup de grace; admission to the bridge club would be ever afterwards inconceivable.
Granted, homemade cakes are a certified source of pride and satisfaction; given the time, they’re worth the effort. But if you’re losing you mind over at least a half dozen over things like the rest of us, use a boxed mix with homemade frosting.
Combine 1 box Pillsbury White Supreme cake mix, 8 oz. sour cream, ¼ cup melted butter, 3 large eggs at room temperature, half of an 8-oz. can of crushed pineapple (drained and squeezed), and a can of cream of coconut (Coco Lopez).
Mix on medium speed until smooth. Pour batter into a 9×13-inch pan greased with butter and lined with parchment paper. Place in a preheated 350 oven until toothpick-clean and firm in the middle, about 30 mins. Cool on a rack.
Blend 8 oz. softened cream cheese with two cups confectioner’s sugar, (the other 4 ounces of crushed, drained, and squeezed pineapple, and a tablespoon coconut extract. If needed, thin to spreading consistency with milk, top cake, and sprinkle with 2 cups toasted shredded coconut or coconut chips.
Heat vinegar with pickling spices, salt (a teaspoon to a quart), and a dusting of cayenne. You can throw in a chopped jalapeno if you like. Let sit for two or three days before serving. These go best with a lot of light Pilsner. And I do mean a lot. A whole lot.
Every day so far in my nascent life as a bookseller, I go through boxes of books. I can hardly keep up with the donations; just when I think I am finally getting caught up, someone comes in with say, seven boxes of books from their home in Iowa, or a box of children’s books culled from their kids’ bookshelves, and I begin again.
I love it. I love digging through books, with no idea what I am going to find next. Going through a box of self-help books and mass market paperbacks, I find a 90s edition of Tales of the City; Somerset Maugham lurks under Nicholas Sparks. In true crime paperbacks from the 2000s, I discover a couple of Fitzgerald’s “Great Brain” books, and three “Black Beauty” volumes. You have to know what you are looking for, to have the eureka moment. I like to leave little surprises scattered through the bookstore for discriminating readers. I know when I have a kindred spirit, because I hear little gasps of delight as they find an unexpected treasure on a lower shelf.
My academic life has always been about hidden treasure. When I first moved to Mississippi, I read John Howard’s Men Like That, and he gave me a vision of a vast queer Mississippi underground, erupting in newspaper stories, highway rest stops, and bookshelves. He introduced me to three gay Mississippi writers, including Hubert Creekmore, Water Valley native, poet, novelist, translator, and editor. I checked Creekmore’s The Welcome out of the UM library; it took me over ten years to locate a copy. I have been asking every editor at the University Press of Mississippi to reprint the novel, with no success. Opening a queer feminist bookstore in Creekmore’s hometown is, I hope, the first step in a campaign to bring him back in print.
I love digging around in archives. I spent two weeks hunting for fan letters in Christopher Isherwood’s papers. I found amazing ones, including a young man from North Carolina who mailed Isherwood photographs of his lovers, with detailed commentary on the back of each; water color portraits in a handwritten tribute; flirty come-ons from English teenagers. He wrote them all back, and often invited them to his house. At Duke University, I found the papers of fantastic Southern lesbian feminists. They kept everything—not just letters with agents and editors, but love letters from exes, flyers for readings, gossip and descriptions of parties and chance encounters. Dorothy Allison’s are my favorite. Most archives organize correspondence by letter writer, and store them alphabetically. Dorothy Allison kept every piece of mail she received in order and has them in her archive by date. One has to really dig to find the gems. But in between, you get a sense of her life as it was lived: Flip; a flyer for a reading; flip, a letter to her friend about her recent breakup; flip, a letter to her agent; flip, an invitation to an S/M sex party; flip, a letter to a manufacturer complaining about a defective whip she received in the mail; flip, a letter from Cris South, a member of the Feminary collective and novelist, about her forthcoming book and her shifting identity from butch to bottom; flip, a contract from her editor. Finding the treasures was a delight, but so was the rich tapestry of a live lived in real time, without a sense of what would be seen as ‘important’ later. That sequence is what makes it important, even as the gems I uncover become part of another narrative forming in my own head.
The treasures are the stories I share when people wonder how I could spend seven years working on a book. But the truth is I love the searching as much as I love the discovery. Doing research has taught me patience, something that my wife Dixie tells me I sorely need. She’s right. Chefs understand this, of course. You can’t rush the rising of the dough, the marinade on the pork, or the brine on the turkey; slow-roasted vegetables in the oven are better than the microwave or boiling water. I have a tendency to want things right away, but Dixie knows that the best things take time. Writing a book teaches you that, too. You can’t dash off a dissertation, or a book, in a series of all-nighters. You have to work a little bit every day, without being able to see the end; you research, and write, and revise, and repeat, endlessly. To sustain this, you must learn to love the process, to learn to love the questions themselves, as Rilke put it: ““Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
Violet Valley Bookstore is the same. I have no idea how I am going to keep the bookstore going once the semester starts, with a full-time job, how it will evolve, whether it can become self-sustaining. Dixie tells me I don’t have to. I have an emergency savings account, with enough for hard expenses to last six months. I have a plan, month-to-month, six-months to six-months. I have a vision. But I also love the process—the arrival of books, the evolving categories on the shelves, the unexpected visitors to the store, from San Francisco and Durham and Jackson and Oxford. I love the excited teenagers, taking photos for Snapchat, and the serious bibliophiles, touching the vintage Mississippi textbooks. I would like this little 10×40 foot bookshop to be a hidden treasure in Mississippi for years to come.
Tithonus was a prince of Troy, the son of King Laomedon by the Naiad Strymo. He was a talented musician with a beautiful voice. His brother was Priam, the last king of Troy.Aurora, goddess of the morning sun, fell in love with the prince and took him to Olympus for her groom.Aurora asked Zeus to make him immortal and he agreed, but she had not thought to ask also that he should remain young. So it came to pass that Tithonus grew old, but could not die. Helpless at last, unable to move hand or foot, he prayed for death, and Aurora, with a feeling for the natural fitness of things, turned him into a cricket that sings to her as the morning warms.The Mexican sunflower was first described by the British botanist Joseph Dalton Hooker, who visited the United States in 1877. He came at the invitation of American botanist Asa Gray, who with Dalton intended to investigate the connection between the floras of eastern United States and those of eastern continental Asia and Japan.It was during this visit that he visited the American Southwest where—in addition to meeting Brigham Young—Hooker collected specimens of the plant, which he sent to England that year along with over a thousand others. As is the custom, Hooker, as the discoverer of the species, was entitled to give it a name, and for reasons that may forever remain unfathomed, he named it after the bridegroom of Aurora, goddess of the dawn.
Though considered “coarse” by our doyen of Southern gardening, Elizabeth Lawrence–among others–she–along with those others–unfailingly mentions in the same breath that the Mexican sunflower (Tithonia roundifolia) sets Monet’s gardens at Giverny ablaze in late summer, their open branches tipped with blossoms of yellows and reds that tower over his gentle lines and mounds of green.
I recommend 21/25 ct. shrimp. Boil, peel, and if you’re the persnickety type, devein. For five pounds of shrimp, mix well a cup of rice vinegar, a cup of vegetable oil, a small jar of capers (with liquid), two tablespoons of good Italian herb blend, and a tablespoon of coarse black pepper. Red pepper flakes are an option. Add with two small white onions, very thinly sliced, two fresh bay leaves, and a cup of diced sweet peppers. Toss until shrimp are coated, cover and chill overnight, stirring occasionally. In season, add diced ripe summer tomatoes before spooning over leaf greens and drizzling with marinade.
Breaking up a bed for onion sets wears me out, but if I were capable of digging a hole through the earth to the other side of the globe and was lucky enough to find an island in the south Indian Ocean, it would be Ile Amsterdam, situated in one of the most desolate stretches of ocean in the world.
The island was named by one of those intrepid Dutch explorers of the 17th century, van Diemen, who in 1633 named it after his ship, the Nieuw Amsterdam, which was (incredibile dictu) named after a Dutch settlement on the east coast of North America at the mouth of the Hudson River.
Now under French administration, Ile Amsterdam is 21 square miles of rugged terrain in a Mediterranean climate: warm, dry and sunny. La Roche Godon, the only settlement on the island, is home to about 30 non-permanent inhabitants involved in biological, meteorological and geomagnetic studies. Doubtless out of sheer coincidence, both Jackson and Ile Amsterdam have a volcanic presence, but while the mountain on the island is potentially active, I have every assurance that despite a considerable amount of shifting, the cone beneath Jackson is very much extinct.
The island was once home to one of the few species of flightless ducks in the world, the Amsterdam wigeon, which was of course quickly exterminated once discovered, but still has the Amsterdam albatross as well as Amsterdam fur seals, which bask in thousands on the rocky coastline.
At the old Bean Blossom in Oxford, we worked with a limited inventory and a short menu, but this was no ball-and-chain for our spontaneity. One morning we decided on quiches for lunch, and with no time to make crusts, we made beautiful naked quiches.
These are called frittatas. Most frittatas are just fried potatoes and eggs, the most basic dish imaginable. It’s also heavy; a little goes a long way. I always add cheese, usually that Italian blend, but anything will do in a pinch. This recipe is best made in a 9-in. skillet.
Peel and dice two waxy potatoes; you want about two cups. You can either pan fry these in hot olive oil with a minced clove of garlic or parboil, drain, and then fry. Either way, you want potato chunks that are cooked through and a bit crusty.
Beat four eggs quite well, add to oiled skillet, and when eggs begin to bubble, sprinkle in the potatoes, stirring gently. At this point, add the cheese. Keep fiddling about until everything is well mixed, then pop in a hot oven until browned.
This recipe comes from an article in The New York Times by Joan Nathan, “East Meets South at a Delta Table” (June, 2003) profiling the Sino-Southern cooking of the Chow family in Clarksdale, Mississippi.
Wash and trim three bunches of collards and cut into more or less bite-size pieces. Heat wok or a very large skillet, brown a teaspoon of salt, and add about a quarter cup of canola or peanut oil. When oil is hot, add 6 sliced cloves of garlic and stir until lightly toasted.
Add greens and a dash of pepper, stir constantly until wilted and tender, then blend in 2 tablespoons oyster sauce and a scant teaspoon of sugar. Taste and adjust seasoning. Serve immediately.
This recipe is a riff on a dish served at Pere Antoine in the Vieux Carré. There, mushroom caps are stuffed with a creamed spinach-mushroom-crab mixture, then breaded and deep-fried. Here the stuffing is served en casserole, a superb addition to any event buffet.
Sauté a half pound of thinly-sliced fresh mushrooms in a stick of butter. Stir in two cups chopped spinach and a half pound lump crab meat (picked through!). Make a quart of cream sauce–use half-and-half–and add to spinach/crab mix along with a cup of freshly grated hard/sharp cheese. Work in a finely julienned sweet red pepper, a few tablespoons of grated onion, and a minced clove of garlic (or two).
Season to your taste; I like a good slash of white pepper and a teaspoon or so of dried thyme. Mix very well, pour into an oiled casserole, and top with a freshly-grated hard cheese. Bake at 350 until browned and bubbling. Serve with dry toast and fresh lemons.
In flight, a jewel, in flocks, a mandala, Carolina parakeets provided fleeting, noisy spectacles in the rain forest that was the virgin South.
It was a beautiful little bird; brilliant green, with a yellow head, and a line of red around the face. The wings were edged in orange. Audubon kept one as a pet; Wilson found them in Natchez in 1811, but records are spotty. Chances are they were never that numerous. Their diet of green fruit doomed them, and they were easily exterminated; when one bird fell to a gun, others descended around it. Inevitably, gunfire resumed, and they were slaughtered.
Carolina parakeets died out in the early 20th century. The last known wild specimen was killed in Okeechobee County, Florida, in 1904, and the last captive bird died at the Cincinnati Zoo on February 21, 1918. This bird, Incas, died within a year of his mate, Lady Jane. In a case of what has been termed tragic irony, Incas died in the same aviary enclosure where the last passenger pigeon, Martha, died four years earlier.
By 1939, the Carolina parakeet had been declared extinct by most authorities. Some believed a few may have been smuggled out of the country and repopulated elsewhere, but that’s the same wishful thinking that buoys up news of ivory-bills.
